A recurring column spotlighting the best horror, thriller, crime, and dark fiction by BIPOC authors by Nailah King.

Ten filmmakers who could bring wildly different nightmares, from J-horror and body horror to psychological terror and Black cult cinema, to a new A Nightmare on Elm Street.

Emma Cole explores the seductive dangers of otherworldly temptation, and what happens when we’re given the power to change our fate through The Gift (2000) and The Devil’s Advocate (1997).

Peaches Christ, Michael Varrati, and Sleepaway Camp icon Felissa Rose brought the Midnight Mass live tour to Chicago for an intimate night of horror fandom, memories, and cult-classic celebration.

Kane Parsons’ Backrooms transforms the labyrinth into a haunting portrait of modern alienation, exploring liminal spaces, late capitalism, and the existential terror of a world with no center&#8230…

Twenty years later, The Descent (2005) still haunts us, its claustrophobic terror and nightmarish creatures are impossible to forget. But its central characters are where it really sings!

A Virtual Horror Symposium by NightTide Magazine NightTide Magazine’s Meeting of the Morbid Minds: The Horror of Control At NightTide, horror has always been more than a genre. It’s a lens through …

Next month The dark heart of cinema, Tubi FrightFest will kick-off their 2026 Festival. Today FrightFest and Fab Press join forces

From Moby-Dick to House of Leaves and the endless corridors of the Backrooms, Peyton Mills explores how existential horror has evolved alongside humanity’s deepest anxieties, transforming the…

From indifferent gods to humanity’s fragile place in the cosmos, Muse’s newest album proves that cosmic horror isn’t confined to literature or film, it can be heard just as powerf…

What is lost when an adaptation chooses certainty over ambiguity? By comparing two radically different interpretations of The Turn of the Screw, Ava DeVries explores how unreliable narration shapes…

A recurring column spotlighting the best horror, thriller, crime, and dark fiction by BIPOC authors by Nailah King.

The first in Saltburn’s shadow of rifling through the 1%’s evil drawers, Rosebush Pruning is not for the weak. Sharai Bohannon has the news.

MUBI Fest honors the 40th anniversary of David Cronenberg’s The Fly and Sharai Bohannon reminds us the putrid journey where love just isn’t enough.

Michele Schultz gets the deets on Greenpoint Film Festival’s ‘Unbound’ selections.

Before I Know What You Did Last Summer became a slasher franchise, it was Lois Duncan’s novel; and behind its success was a mother navigating an unimaginable personal tragedy. Sharai Bohannon…

Though its leisurely pace and romanticized vision of the South occasionally dull its edge, Carolina Caroline finds its strength in subverting expectations rather than reinventing them.

Across Possession, Event Horizon, and In the Mouth of Madness, Sam Neill’s greatest horror performances reveal not the terror of monsters, but the devastating horror of losing the person we b…

Dysfuntional family gets the Deadite treatment in Sébastien Vaniček’s spin on the franchise. Sharai Bohannon reports.

A recurring column spotlighting the best horror, thriller, crime, and dark fiction by BIPOC authors by Nailah King.

Welcome to Must Read Horror, where we search the internet for the best horror articles of the week so you don’t have to.  Without further ado: Bloody Disgusting look back at Ginger Snaps 2: Unleash…

In She Never Died, an awkward loner, Lacey (Olunike Adeliyi), saves a girl, Suzzie (Kiana Madeira), from being murdered on the dark web. Lacey then decides to put an end to the criminals behind the…

The horror community often asks for more diverse voices, more women in horror, and more stories that challenge the boundaries of the genre. Silvia Moreno-Garcia is heading to Forbidden Planet&#8217…

Body Horror abundance at Tribeca Film Festival 2026 proves horror never shys away from reproductive nightmares.

A recurring column spotlighting the best horror, thriller, crime, and dark fiction by BIPOC authors by Nailah King.

Bill Gunn deserves to be mentioned alongside the filmmakers who changed horror. A playwright. Actor. Activist. Novelist. Visionary filmmaker.

More than a date on the calendar, Juneteenth marks a pivotal moment in American history; L. Marie Wood explores why it still matters.

Not all representation is created equal, so let’s dig into some horror films where women who love women get to be messy, monstrous, romantic, and unforgettable.

You cannot claim to want more Black stories while ignoring the Black artists creating them; real support begins where performative allyship ends, at the box office.

Filmmaker Steven George’s dark comedy body horror short ‘Demon Twink’ makes its way to Rainbow Moon after successful festival run.

Why does horror so often place one woman at the center of a friendship group that secretly resents, envies, desires, or exploits her? Obsession offers a devastating answer.

By: Michele Schultz The annual Tribeca Film Festival, taking place June 3-14 in New York, features a record number of premieres, features, shorts, and performances alongside the wildest genre of th…

Undeniably, SHUDDER set the blueprint of horror streaming engagement but has it’s influence made our fandom and criticsm more highly tuned?

To understand why Exit 8 succeeded where so many film adaptations fail, it’s important to examine the evolution of indie horror games.