Foo Fighters play all night long with ferocious rock n'roll energy » NEXT Magazine

Preview: At SummerWorks 2026, artists are responding to the urgency of this moment » NEXT Magazine

Interview: Canadian “Lioness” star gave up on Hollywood before landing major role » NEXT Magazine

Between ‘Something Rotten!’ and ‘Guys and Dolls,’ Olivia Sinclair-Brisbane has her biggest Stratford season yet » NEXT Magazine

Review: Shania Twain at Horseshoe one of greatest gigs ever at legendary club   » NEXT Magazine

Review: Christopher Nolan does it again with stunning adaption of ‘The Odyssey’ » NEXT Magazine

Fringe Review: The passion and precision of ‘Tango After Midnight’ will knock your shoes off » NEXT Magazine

Fringe review: ‘Orbit’ is a galactic adventure that keeps its critiques down to earth » NEXT Magazine

Fringe Review: In ‘Ladies’ Day,’ poolside beers fuel feminist sparks » NEXT Magazine

Fringe Review: ‘Afeni’ is a fierce lesson in revolutionary faith » NEXT Magazine

Fringe review: ‘Jimmy Hogg: MASHED’ is Toronto Fringe at its best » NEXT Magazine

Review: Erin Shields's "Medusa" is impressive in its technical ambition, but there’s a little too much feedback » NEXT Magazine

Interview: Dean Brody talks the legacy album Tenth Album is his most reflective yet » NEXT Magazine

Review: ‘Supergirl’ is super bad, and not in a good way » NEXT Magazine

Review: ‘The Outsiders’ is a jaw-dropping production that delivers an emotional punch » NEXT Magazine

Review: ‘Toy Story 5’ a welcome return for a franchise that manages to still feel fresh » NEXT Magazine

Review: Live stage adaption of ‘Paranormal Activity’ thrills and frightens — delightfully so » NEXT Magazine

Veteran NXNE performer offers her picks to get most out of the festival » NEXT Magazine

Review: Stephen Spielberg’s ‘Disclosure Day’ is an alien-light disappointment » NEXT Magazine

Preview: Hailey Gillis shows her stripes in experimental new musical » NEXT Magazine

NXNE 2026 preview: Emerging artists and superstar underplays including bbno$, Dan+Shay as 350+ acts play annual discovery music festival » NEXT Magazine

Review: ‘Masters of the Universe’ understands superhero movies shouldn’t take themselves too seriously » NEXT Magazine

Review: ‘Fiddler on the Roof in Yiddish’ is a classic that resonates with our times » NEXT Magazine

Film Review: Backdoors gets under your skin in the best way

Review: Boots Riley’s sophomore effort is a colourful fashion world satire » NEXT Magazine

Preview: The Bealtaine Theatre Festival brings a bold slice of contemporary Irish theatre to Toronto » NEXT Magazine

Live review: Joe Jackson ‘looks sharp’ in satisfying show that proves veteran singer still has it » NEXT Magazine

Interview: Vintage synthesizers power Flore Laurentienne’s ethereal update to classical music » NEXT Magazine

Review: ‘cicadas’ buzzes loudly but defies easy interpretation » NEXT Magazine

Singles roundup: NEXT takes a weekly look at the most notable singles released » NEXT Magazine

Preview: Hammered is a musical family reunion » NEXT Magazine

Album review: Broken Social Scene return with nostalgia-tinged album » NEXT Magazine

Review: Billie Eilish 3D concert film disappointingly flat » NEXT Magazine

Streaming picks: Legendary cop criminal and Kevin Hart gets roasted » NEXT Magazine

Review: ‘How to Catch Creation’ paints the push and pull of creative impulse » NEXT Magazine

Review: ‘A Beautiful Noise’ is so good, so good, so good … at being a concert » NEXT Magazine

Hot  Docs Interview: Kenny Loggins reflects on finally opening himself up to documentary treatment » NEXT Magazine

Hot Docs interview: ‘Black Zombie’ director talks reappraising the zombie movie » NEXT Magazine

Review: ‘Michael’ is a sugar-coated fantasy look at the life of Michael Jackson » NEXT Magazine

Review: Morgan Neville delivers another excellent doc with ‘Lorne’ » NEXT Magazine

Theatre Scenes: Returning favourites, sneaky sleuths and menstrual joy » NEXT Magazine

Theatre Scenes: Quarterly check-in on the first six plays to see in 2026 » NEXT Magazine

Review: Excellent new Second City show light on politics, long on laughs » NEXT Magazine

What's On Stage: Outnumbered openings, déjà vu and a few words from the other Man in Chair

Interview: Norway's Emperor mark grand Toronto return

Theatre Scenes: Changing seasons, announcing seasons and nearly ending seasons » NEXT Magazine

Review: ‘Cyrano’ trades tragedy for comedy, with mixed results » NEXT Magazine

Review: 'The Things You Kill' turns everything on its head

Review: The National Ballet of Canada’s production ‘Pinocchio’ is almost too lively » NEXT Magazine

Interview: Alireza Khatami on pushing cinema to the edge » NEXT Magazine