iiinova — where your digital self keeps evolving

Paul Prudence @mrprudence.bsky.social · 6h

Illustration from Elements of astronomy - John Davis, 1868

Paul Prudence @mrprudence.bsky.social · 27/09/2026

The support structure of a painting turned into the subject of itself... Cornelius Gijsbrechts The Reverse of a Framed Painting, 1770

0172

Paul Prudence @mrprudence.bsky.social · 17/09/2026

José Patrício Trajectories over white - version 2, 2018

0142

Paul Prudence @mrprudence.bsky.social · 16/09/2026

Ree Morton, Drawings for Manipulations of the Organic, 1977

040

Reposted by Paul Prudence

Kyle Geske @stungeye.com · 15/09/2026

homage

292

Paul Prudence @mrprudence.bsky.social · 15/09/2026

Edna Andrade Untitled (Carpanel Study), 1974

0101

Reposted by Paul Prudence

agoston nagy @entangled.tools · 17/08/2026

fast-forward (🔊++)

2677

Paul Prudence @mrprudence.bsky.social · 14/09/2026

_|‾|__|‾|__|‾|__|‾|__|‾|__|‾|_ hand-plotted on the SR-100 Tabulator.

0195

Paul Prudence @mrprudence.bsky.social · 10/09/2026

Wood & Wood Grains - Phil Brodatz, 1971, Dover

070

Reposted by Paul Prudence

@maryfrancesness @maryfrancesness.bsky.social · 25/08/2026

💫 💫 just found - one of my favourite wonderwalls 💫💫 [I caught it years ago at the back of a church yard - it didn't last long as the stones around it began to fall but just for a while it was a kind of magic]

37316

Paul Prudence @mrprudence.bsky.social · 29/08/2026

Karel Malich Z cyklu Dráhy, stopy, 1961

090

Paul Prudence @mrprudence.bsky.social · 28/08/2026

Defragging allocation units into Turing Machines ISO/IEC 10646

3558

Paul Prudence @mrprudence.bsky.social · 28/08/2026

Montez Magno Notassons: Random Musical and Visual Notations, 1993

0131

Paul Prudence @mrprudence.bsky.social · 06/08/2026

Te╳t─le { Garden of forking truchets }

0242

Paul Prudence @mrprudence.bsky.social · 29/07/2026

Their Secret Lives type+=collage, 2023

1194

Paul Prudence @mrprudence.bsky.social · 27/07/2026

Illustration from System des Karlsbader Sinters - Franz Uibelakers, 1781

0324

Paul Prudence @mrprudence.bsky.social · 15/07/2026

Illustrations of interference patterns from Physikalische Krystallographie – Paul Heinrich Groth, 1885

16211

Paul Prudence @mrprudence.bsky.social · 09/07/2026

Semantic reconstruction redirected to xenopoetic inference....

0130

Reposted by Paul Prudence

gr3gjsmith.bsky.social @gr3gjsmith.bsky.social · 17/06/2026

The concrete poetry handiwork of @mrprudence.bsky.social arrived today. HOLO very proudly produced Paul's artist book interpretation of our archives (every word we have published). It is delightful–in a Ballardian sense—and will be available for purchase when we launch our revamped site in July.

171

Paul Prudence @mrprudence.bsky.social · 12/06/2026

Neide Dias de Sá From 8 Trabalhos Published by Do Autor, São Paulo, 1970

0408

Paul Prudence @mrprudence.bsky.social · 10/06/2026

Spread from Konrad Klapheck - Derrière Le Miroir, 1979

050

Paul Prudence @mrprudence.bsky.social · 09/06/2026

Lily Greenham Homecomputer Graphic, 1982 Installation view, Radical Software, Women, Art & Computing 1960-1991

0144

Paul Prudence @mrprudence.bsky.social · 08/06/2026

Geomodulo #5 and #6 When giving visibility – both metaphorically and structurally – to the algorithmic nature of geology, how does perception work with missing or interpolated data at different scales and different distances of reference?

0111

Reposted by Paul Prudence

kimdorman.bsky.social @kimdorman.bsky.social · 05/06/2026

Ben Nicholson / Earth and Moon

0277

Reposted by Paul Prudence

kimdorman.bsky.social @kimdorman.bsky.social · 08/06/2026

One of Alexander Graham Bell’s tetrahedral kites in flight, 1904

0326

Reposted by Paul Prudence

Paul Brightwell @brightwell.bsky.social · 15/05/2026

Kurt Schwitters Plate 3 from Merz 3 [i.e. the third of six prints which Schwitters published in portfolio form as Number 3 of his journal Merz] 1923 paper collage on lithograph 55.5 x 44.6 cm

$"...plate 3 from Kurt Schwitters' only self-produced print portfolio, Merz 3, comprising six lithographs that represent a defining expression of his Dada-inflected "Merz" practice, in which fragments of everyday materials are reassembled into dynamic compositions. Produced at a Hanover printing plant using salvaged, freshly printed papers transferred directly onto lithographic stone, the works embody an experimental process driven by chance and improvisation. Incorporating elements such as advertisements, cigarette wrappers, and book illustrations, the compositions reflect the fractured cultural landscape of post–World War I Germany. Particularly rare impressions, such as the present example, feature additional hand-applied collage elements layered atop the printed surface, an approach also seen in examples held by the Museum of Modern Art, underscoring Schwitters' fusion of commercial ephemera, abstraction, and the irrational as a response to modern upheaval." (Bonham$

0358

Paul Prudence @mrprudence.bsky.social · 07/06/2026

⧉ Cube³s #583 file:///C:/Users/44776/Downloads/generate-preview_c6555eef-6ad1-406f-b02b-6ab9678a8164(1).png

0211

Paul Prudence @mrprudence.bsky.social · 31/05/2026

⌜⁘⁘⁘⌟ ⌜⁘⁘⁘⌟ ⁘⁘⁘⁘⁘⁘⁘

1201

Reposted by Paul Prudence

Uniformbooks @uniformbooks.bsky.social · 23/05/2026

“Long live the pamflet…” THE—A Concordance by Colin Sackett INCISIONS—A Micro Anthology by Michael Hampton MKBP—Twenty-four pieces by David Matless uniformbooks.co.uk/uniformpamphlets.php

The bottom left-hand corners of two black and white pamphlets.

02610

Reposted by Paul Prudence

Linotype Pilgrim @symbo1ics.bsky.social · 26/05/2026

NBS SPECIAL PUBLICATION 424 U.S. DEPARTMENT OF COMMERCE / National Bureau of Standards A CONTRIBUTION TO : COMPUTER TYPESETTING TECHNIQUES: Tables of Coordinates: for : Hershey's Repertory of Occidental Type Fonts #typography #design #abstract