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MIA: Decorative Arts, Textiles and Sculpture (Bot)

@miadecorativearts.bsky.social
837 followers 3 following 3.6K posts

Sharing artworks from the Minneapolis Art Institute Decorative Arts, Textiles and Sculpture department. Not associated with the Minneapolis Art Institute. Automated thanks to @andreitr.bsky.social and @botfrens.bsky.social

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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 2h
Coffee pot, from a five-piece coffee and tea set collections.artsmia.org/art/3305
tray is designed to resemble an aircraft carrier with a large landing strip sanded into its surface
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 5h
Water glass collections.artsmia.org/art/17714
barrel-shaped water glass, etched; Stiegel type
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 8h
Bust of a Woman collections.artsmia.org/art/11875
'Bust of a Woman', terracotta, French XVIIIc cat. card dims H 26 x W 16-1/2'. Female bust, gracefully draped with finely molded head turned half profile towards left shoulder. Hair dressed in curls with tiny flowers.
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 8h
Wine glass, one of a set of twelve collections.artsmia.org/art/22967
freeblown green glass
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 11h
Vase collections.artsmia.org/art/24052
Gold Aurene glass. Surface glass is sprayed at the fire with stannous (tin) chloride or lead chloride solution to create metallic lustrous finish.
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 29/09/2026
Paperweight collections.artsmia.org/art/18204
bouquet; faceted center design small pink flower, white flowers and blue flowers and green leaves
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 29/09/2026
"Arabian Safe" still bank collections.artsmia.org/art/90128
block shape, brown; scenes on sides show camel tent on door, camel with rider, building with dome and man on donkey; coin slot at top of building side
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 29/09/2026
Small Pitcher collections.artsmia.org/art/2403
handled pitcher, glass
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 29/09/2026
Prior Oval collections.artsmia.org/art/6220
terra cotta colored deep oval vessel with sharply "carved" sides and two "handles"
After fighting in World War II, William Daley attended the Massachusetts School of Art on the G.I. Bill, where he studied with Charles Abbot. Daley graduated in 1950 and went on to earn a master's degree at Columbia University Teachers College in New York. In 1954 he took a teaching position at SUNY (State University of New York) at New Paltz and switched from throwing vessels on a wheel to building them from slabs of clay shaped over molds. Prior Oval exemplifies Daley's slab-building technique, and features intersecting and overlapping geometric shapes that create relationships between negative and positive, and interior and exterior, space. The title Prior Oval evokes the conceptual beginning of the vessel without reference to function. Daley describes himself as a traditional potter, and notes that while pots are useful, they also have been more than just utilitarian for quite some time.
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 29/09/2026
Celery tray collections.artsmia.org/art/13118
ovoid in shape, with flattened long sides; rim at long sides folded partially inward at each side; light blue (glacier blue) glaze
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 28/09/2026
Hutch still bank collections.artsmia.org/art/90302
carved tall chest or hutch with glass doors; flags painted on wood portions of doors; traces of red paint on edges of doors, top, bottom; back is hinged and opens
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 28/09/2026
Bowl collections.artsmia.org/art/17780
Bowl, ceramic, Chinese Export XVIIIc cat. card dims H 1-3/4 x diam 9'; listed as 'plate' on cat. cards
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 28/09/2026
Coffee pot collections.artsmia.org/art/14338
*25.417.76ab cat. card dims H 5-5/8 x diam 2-1/4' Coffee Pot, white ground with gold figures of chinamen; cover, top and bottom of pot fluted. c.1720. Earle Meissen of this type is much valued; made under Herold regime.
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 28/09/2026
Coffee pot collections.artsmia.org/art/14338
*25.417.76ab cat. card dims H 5-5/8 x diam 2-1/4' Coffee Pot, white ground with gold figures of chinamen; cover, top and bottom of pot fluted. c.1720. Earle Meissen of this type is much valued; made under Herold regime.
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 28/09/2026
Mirror on a stand, from a toilette service collections.artsmia.org/art/83723
mirror with relief gold frame with foliage and putti; removable top section with fruit, putti and foliage
During the Baroque era, a lady and her lady-in-waiting could spend hours at the dressing table with soaps, creams, perfumes, brushes, pins, etc. This manner of ceremonial grooming originated in the French court, where the word "toilette" developed from "toile," or cloth, which covered the table. As the ceremony grew more elaborate, so too did the dressing table service that housed these beauty secrets. Surviving correspondence from silversmith himself identifies the elements of this service have been identified as follows: a rectangular mirror; an oval basin; two 'comb boxes,' one featuring Venus and Adonis, one with the Death of Adonis; two powder boxes, one with Phaeton in his chariot, the other with Phaeton falling to Earth; a cylindrical patch box with Hercules on its cover; two 'sweet-water bottles' for perfume; a rectangular pin-cushion; two 'jessemy boxes,' for jasmine oil; and two brushes (later additions). The figural plaquettes depict scenes from Ovid's Metamorphoses. This set once belonged in the collection of financier and art collector J. P. Morgan. Among the very few services of this type, quality, and completeness, one can be found in the Devonshire Collection at Chatsworth in England, and one by the same maker is at the Victoria and Albert Museum in London.
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 28/09/2026
Covered butter dish collections.artsmia.org/art/59574
double-handled dish with Grecian key design around edge; leaf decorations where handles connect to dish; star-punched drainer insert; domed cover with dove on branch finial
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 27/09/2026
"Frog Bank" (or "Two Frogs") mechanical bank collections.artsmia.org/art/81863
paddle wheel boat; 2 smoke stacks; 2 paddle wheels; pilot house; openwork windows down each side; openwork over revolving paddle wheels
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 27/09/2026
Slipper chair collections.artsmia.org/art/3547
slipper chair or child's chair, walnut and upholstery; offered as a gift in 1962, accessioned 1987
This low-seated chair is a rare example of this form, it may have been used as a child's chair.
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 27/09/2026
Murphy A146CM wireless console radio collections.artsmia.org/art/58062
floor console radio with wood front with "wings", turned slightly inward, on sides; round speaker with scalloped edge; plastic tuner on top
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 27/09/2026
Retusa Phantom #907 collections.artsmia.org/art/58005
round-bottomed vessel with sides consisting of open swirls
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 27/09/2026
"Log Cabin" still bank collections.artsmia.org/art/90360
tan and brown ceramic log cabin with shiny glaze; 2 chimneys on roof; window door and wood pile at front and back, window on each side
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 26/09/2026
Tea caddy collections.artsmia.org/art/14182
Tea Caddy, ceramic, rectangular gold band, floral swags in orange, German XVIIIc cat. card dims 4-3/4 x 2-1/2 x 1-1/2' ; Holiday Traditions, Northumberland Room
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 26/09/2026
Marrow spoon collections.artsmia.org/art/121485
long, narrow bowl; rather long handle; hollowed out area on handle; scroll-like design on either side of handle just below bowl; scalloped shell on back of bowl at bottom with dart with scrolls; back of bowl engraved with starburst design (?--very worn)
Marrow spoons were commonly used by European diners in the eighteenth century for the easy removal of marrow from the bone. They were often made of silver, with a long, thin bowl. Many, such as the present, were double-ended. Hester Bateman—the maker of the larger spoon—was the most prolific female silversmith of her age. During her thirty- year career after she took over her late husband’s workshop in 1760, her silver would have been found in nearly every middle-class household in London.
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 26/09/2026
"Leap Frog Bank" mechanical bank collections.artsmia.org/art/81147
person bending down for another person to jump over him; tree trunk in front of them; yellow squarish wall to their right; both people stand on green platform
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 26/09/2026
Saucer collections.artsmia.org/art/20976
cup and saucer, white glass with purple marbled pattern
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 26/09/2026
Church steeple still bank collections.artsmia.org/art/90240
white block-shaped tower with large center triangular peak on each side and 2 smaller peaks at corners silver spire with knob on top; blue base; coin slot in side
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 25/09/2026
Bowl collections.artsmia.org/art/17693
Bowl
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 25/09/2026
Table from a nest of tables collections.artsmia.org/art/40457
Chromium-plated steel with ebonized wood tops
Smaller tables are concealed within larger ones in this nest of tables, and can be pulled out at a moment’s notice. The tables are primarily made of tubular steel, a highly innovative material at the time and easier to bend than wood. Originally intended as stools, these tables were a favorite design of Breuer’s: simple, functional, space-saving, and inexpensive.
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 25/09/2026
Plate with figures in landscape collections.artsmia.org/art/4901
plate silver form, European figures with brimmed hats walking by a rail fence, harbor, ship and town in background
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 25/09/2026
Tea caddy collections.artsmia.org/art/14188
Bottle or tea caddy, ceramic-porcelain, German, XVIIIc cat. card dims 4-1/4 x 2-3/4 x 1-3/8'
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 25/09/2026
Halberd collections.artsmia.org/art/120475
axe-like weapon on wooden staff; head etched on each face with scrolling foliage against a stippled blackened ground; axe-blade with the crossed staves of Burgundy impaling a coronet and dividing the letters "FAR"; head with open socket and four side-straps; wooden haft (probably original)
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 24/09/2026
Claret jug collections.artsmia.org/art/3536
Claret jug
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 24/09/2026
Architectural model collections.artsmia.org/art/175
model of Frank Lloyd Wright designed house; 3 short flights up a small hill on one long side; semicircular porch on same side; large, sprawling floor plan
This model illustrates in three dimensions both the complexity of Wright's design and its complete engagement with the site. (Wright always favored a building into a hill rather than on top of it.) The main approach to the Francis W. Little house was on the inland side. The hallway on view in this gallery was situated on the Lake Minnetonka side. An adjoining hallway with small square windows connected it to the master bedroom on the far right end of the house. At the opposite end was the large living and music room pavilion (now at the Metropolitan Museum of Art in New York).
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 24/09/2026
Tea caddy collections.artsmia.org/art/111010
octagonal blue and white tea caddy; four sections with abstract design on side, two with floral design, one with fenced-in figure holding umbrella with trees and mountains in background, one with seated figure holding umbrella with flowers and leaves and mountains in background; floral designs on top
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 24/09/2026
Blue Bird collections.artsmia.org/art/115899
blue glass form; football shaped footprint, with cutout area on one side; domed form; vertical element extending upward on the diagonal from top
In 1954, Stanislav Libenský and Jaroslava Brychtová began working together in the Czech glassmaking center of Železný Brod. In 1963, the partners married in Prague. During their long collaboration they developed the mold-melting technique that would allow them to create their distinctive abstract style of art glass. This style and technique made Libenský and Brychtová the most internationally influential of the Czech artists who worked behind the Iron Curtain from roughly the 1950s to the 1980s. Fundamental to the artists' work is a conceptual and metaphysical approach, related to Czech cubism and philosophy. Light is the central idea, representing the fourth dimension, a notion they termed "light-space". This light-space is represented by the intentional definition, direction and manipulation of light in their works, through the use of prisms, lenses, and rough textured planes.
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 24/09/2026
"Pocket Watch" still bank collections.artsmia.org/art/90485
round, gold pocket watch; leaf motif around edges of cover; inside coin holder has head of a man
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 23/09/2026
Chest of drawers collections.artsmia.org/art/484
Chest of drawers
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 23/09/2026
"Coronation Bank, George V" still bank collections.artsmia.org/art/82863
metal bank with floral wreath surrounding portrait busts of King George and Queen Mary; royal coat of arms at the top with banners stating "Coronation Bank"; banner below stating "1911"
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 23/09/2026
Facon-de-Venise Filigree Goblet collections.artsmia.org/art/24619
goblet, glass, facon de Venise or Venetian filigree, colorless lead glass with latticino decoration, late XV c.
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 23/09/2026
Vase from a Garniture collections.artsmia.org/art/21534
vase (part of Garniture), ceramic-porcelain
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 23/09/2026
"Deposit" still bank collections.artsmia.org/art/81674
small building with "DEPOSIT" above door; openwork windows; small cupola; brown and copper-colored patina
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 22/09/2026
Side chair collections.artsmia.org/art/8292
Side Chair, gilded wood frame, French, XVIIIc cat. card dims H 36 x seat 17 x 19 Back 16-1/2 x 19
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 22/09/2026
Water sprinkler collections.artsmia.org/art/40432
Fish pattern
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 22/09/2026
Cup and saucer from a coffee set collections.artsmia.org/art/40932
chartreuse glaze 29918; modernistic form
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 22/09/2026
Long-necked cosmetic vessel collections.artsmia.org/art/9919
long-necked cosmetic vessel, glass
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 22/09/2026
"Dot Stove" still bank collections.artsmia.org/art/90565
old-fashioned black cook stove on 4 short legs; 4 burners on top with separate pipe on top; 3 doors on front, one door opens and says "Cook with Cash"; on the outside of thelarge door is printed "DOT"
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 21/09/2026
Tulip glass (Tulpanglas) collections.artsmia.org/art/40979
Blue-grey
Henry Karlsson, the master glassblower at Orrefors, described the remarkably thin-stemmed Tulip vases as “the most difficult...and most exciting thing I ever did.” Sizes and shapes varied, but the tendency was toward ever more exaggerated stem length. Production of the series continued until 1981.
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 21/09/2026
Bowl collections.artsmia.org/art/52237
simple bowl on heavy base with short, flat foot
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 21/09/2026
Goblet collections.artsmia.org/art/13989
Wine glass-goblet, glass, funnel shaped bowl, air twisted stem, plain foot;
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MIA: Decorative Arts, Textiles and Sculpture (Bot) @miadecorativearts.bsky.social · 21/09/2026
Silver Tiger Print Basket Set with Orange Lip Wraps collections.artsmia.org/art/9434
Silver Tiger Print Basket Set with Orange Lip Wraps
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