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meldenn73.bsky.social

@meldenn73.bsky.social
246 followers 173 following 649 posts
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Ian McMillan @imcmillan.bsky.social · 04/10/2026
First cup of tea: launched with a steam-driven fanfare.
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Malcolm D. @mdpb53.bsky.social · 03/10/2026
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Herb Tate @herbtate5.bsky.social · 03/10/2026
between flowers and first frost lengthy pause #haiku #DailyHaikuPrompt (frost)
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meldenn73.bsky.social @meldenn73.bsky.social · 03/10/2026
Huge thanks to @waleshaiku.bsky.social for pushing my haiku in the Autumn 2026 issue. I am tickled pink. 😁🥳 www.waleshaikujournal.com #haiku
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Jan @janstreit.bsky.social · 03/10/2026
Ukrainian artist, Andrei Remnyev
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freshoutmag.bsky.social @freshoutmag.bsky.social · 03/10/2026
#haiku / #senryu by Anne Fox (IG: @annefox333 ) of Broomes Island, Maryland, USA. #poetry #geese #maryland
Against a plain black background, a  #haiku / #senryu by Anne Fox (IG: @annefox333 ) of Broomes Island, Maryland, USA, reads:

departing geese
an old hippie flips me
the peace sign

#poetry #geese #maryland
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Njal Nova @njalnova.bsky.social · 03/10/2026
The Long Light: Twenty Nordic Landscapes (1880–1920) 5. Akseli Gallen-Kallela – Lake Keitele (1905, Finnish)
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womensartbluesky.bsky.social @womensartbluesky.bsky.social · 03/10/2026
Clare Youngs is a UK based artist, designer/maker who works with paper and fabric #WomensArt
Fun collage resembling a standing cat facing left looking outwards smiling created with differently patterned pieces against a dark background
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• • • @1010-1010-1010.bsky.social · 02/10/2026
a newspaper headline shouts more stars in the universe than atoms! i shake the last drops of wine from outside the inside of my klein bottle #tanka #tankard #micropoetry
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Tanja @joypops.bsky.social · 02/10/2026
mountains on both sides we kept walking and looking up #haiku
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Ian McMillan @imcmillan.bsky.social · 03/10/2026
First cup of tea: bespoke, unique, unrepeatable.
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Ian McMillan @imcmillan.bsky.social · 01/10/2026
First cup of tea: liquid subtlety, liquid nuance, liquid transcendence.
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Ian McMillan @imcmillan.bsky.social · 30/09/2026
First cup of tea: like a winning goal in the last minute of extra time.
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Stephen Kerr @kidcobbler.bsky.social · 30/09/2026
First cup of tea: the starter pack for a happy day. ☕
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Alan McKean @alanmckeanpoet.bsky.social · 30/09/2026
second cup of tea they thought it was all over Assam off the bench ☕☕
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Alan McKean @alanmckeanpoet.bsky.social · 29/09/2026
second cup of tea liquid lifeline lifting lives structurally sound ☕☕
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Alan McKean @alanmckeanpoet.bsky.social · 26/09/2026
looks like you're both singing A Capella in the local folk club. Good picture
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The Kimono Gallery @roger1952.bsky.social · 26/09/2026
Kaoru of the Sugata-Ebiya, kamuro Nioi and Tomeki. Ukiyo-e woodblock print. About 1800, Japan. Artist Utagawa Toyokuni I
Dominating the center of a monumental triangular composition, the high-ranking courtesan Kaoru stands in graceful posture, her statuesque form towering over her two young girl attendants (kamuro), Nioi and Tomeki. Kaoru wears a lavish, flowing uchikake (outer robe) in soft coral and rose hues, embellished with trailing white five-petaled blossoms that cascade into a wide, sweeping hem across the floor. A brilliant canary-yellow front-tied apron sash (manaitagobi) hangs down her front in rhythmic, fluid folds, while her undergarment edges reveal geometric red-and-white kanoko shibori tie-dye patterns. In her hands, she delicately cradles an oval fan (uchiwa) patterned with dark foliage, tilting her face forward beneath a extravagant halo of radiant tortoiseshell hairpins (kanzashi) and combs bristling from her date-hyōgo coiffure. Flanking her, the two young kamuro wear matching floral robes; on the left, Nioi gazes upward while holding a black-lacquered decorative lantern, while on the right, Tomeki kneels in quiet admiration with a finger poised near her chin. The stark black lacquer of their hair and sashes creates a grounding contrast against the soft pinks, warm yellows, and bare ivory paper.
Created around 1800 by master printmaker Utagawa Toyokuni I (1769–1825), this polychrome woodblock print (nishiki-e) belongs to the celebrated genre of bijinga (pictures of beautiful women). Toyokuni I was a foundational figure of the Utagawa school who revolutionized both actor portraits (yakusha-e) and courtesan depiction during the Kansei and Kyōwa eras. The inscription identifies the subject as the celebrated oiran Kaoru from the Sugata-Ebiya, a prominent establishment in Edo’s licensed Yoshiwara pleasure district, alongside her young apprentices Nioi and Tomeki. In Edo urban culture, kamuro were young girls placed under the tutelage of high-ranking courtesans to learn etiquette, music, and literary arts before entering society.
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David @haikubycrane.bsky.social · 26/09/2026
hermit crab fights the tidal drag, much like me #haiku #hermitcrab #GodsCountry
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The Kimono Gallery @roger1952.bsky.social · 26/09/2026
This photograph captures the essence of kōyō (or momijigari, the seasonal custom of autumn foliage viewing), a cherished pastime in Japan that dates back to the refined courtly culture of the Heian period (794–1185).
Framed in a breathtaking display of autumn brilliance, a towering canopy of fiery crimson Japanese maple (momiji) and luminous golden ginkgo (ichō) expands above a rugged, hand-stacked stone retaining wall (ishigaki). At the base of the wall, a thick, glowing carpet of fallen ginkgo leaves covers the earth like a golden tapestry. Standing amidst this fallen foliage are two quiet figures holding bright, matching umbrellas—one vibrant yellow and one deep red—strikingly echoing the dual-colored canopy towering above them. The soft, diffused light of a damp autumn day illuminates the scene, evoking the tactile coolness of mountain air, the subtle scent of damp earth, and the quiet rustle of fallen leaves underfoot.
Both the maple and ginkgo serve as quintessential fūbutsushi—poetic seasonal markers that signify the peak of autumn across the archipelago. The presence of the weathered stone masonry and the corner of a traditional timber building suggests the sanctuary of a temple or shrine precinct nestled in the mountains. Here, the deliberate integration of architectural stonework with the surrounding forest demonstrates the enduring tradition of Japanese monozukuri (artisanal mastery in environmental design), where human cultivation acts in gentle harmony with the wild cycles of nature.
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ΜΑΝΟΣ ΤΡΑΧΙΑΣ™ @trahias.bsky.social · 26/09/2026
Eridan Xharahi (Albanian, Birthdate unknown) "Cactus Bloom", 2025. Watercolor on Cotton Paper, 12 × 17 inches. Private Collection. #art #painting #artist #BlueSkyArt
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Brian Groom @groomb.bsky.social · 24/09/2026
In the Garden, Leeson Street, Dublin, painting by Caroline Scally (1886-1973), Irish artist.
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Jan @janstreit.bsky.social · 24/09/2026
Ukrainian artist, Nikolai Ivancho
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Herb Tate @herbtate5.bsky.social · 24/09/2026
the harvestman stops to remember a harvest #haiku #DailyHsikuPrompt (harvest) Partly inspired listening to @imcmillan.bluesky.social ‘s haiku chat with Robert Crawford on R4 The Verb this week, and folk having fun with haiku (listen to the end!). www.bbc.co.uk/sounds/play/...
bbc.co.uk
The Verb - Poems to help us brave the elements - BBC Sounds
Ian McMillan with elemental haiku, poetry that moves mountains, and the best new writing.
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meldenn73.bsky.social @meldenn73.bsky.social · 24/09/2026
old conifer deep in the needles the first wasp's hum Thanks so much to everyone at Frogpond for including my verse in the spring edition. Means a great deal. www.hsa-haiku.org/frogpond/202... #haiku
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Ian McMillan @imcmillan.bsky.social · 22/09/2026
First cup of tea: *angelic harp music plays*
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Alan McKean @alanmckeanpoet.bsky.social · 22/09/2026
second cup of tea Assam stringing me along promising Wensdy ☕☕
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Ian McMillan @imcmillan.bsky.social · 21/09/2026
First cup of tea: now morning’s hinge stops creaking.
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meldenn73.bsky.social @meldenn73.bsky.social · 19/09/2026
Thanks so much yet again to Sally and Michelle at The Solitary Daisy for including my poem in your lovely publication. It's always an honour your memory -- a splash of rain breaks the silence thesolitarydaisy.ca/2026/09/issu... @thesolitarydaisy.bsky.social #haiku
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meldenn73.bsky.social @meldenn73.bsky.social · 18/09/2026
Thanks to Hazel from the Highlands for this gorgeous handmade card. #kindnessbypost
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Ian McMillan @imcmillan.bsky.social · 18/09/2026
First cup of tea: in the beginning was the slurp.
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Herb Tate @herbtate5.bsky.social · 18/09/2026
leaky memory… the name of our sailboat drifting away #haiku #DailyHaikuPrompt (leaky)
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Ian McMillan @imcmillan.bsky.social · 17/09/2026
First cup of tea: This cuppa takes me From A to B From A to T
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Tanja @joypops.bsky.social · 17/09/2026
dark autumn rain— the tealight candles are not where i put them in march
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Herb Tate @herbtate5.bsky.social · 17/09/2026
forest walk dappled light floors me #haiku #DailyHaikuPrompt (dappled)
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Ian McMillan @imcmillan.bsky.social · 17/09/2026
Conductor: ready Members of the band: ready Now let’s play ‘Thursday’
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Ian McMillan @imcmillan.bsky.social · 16/09/2026
First cup of tea: nice and teasy does it.
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Ian McMillan @imcmillan.bsky.social · 15/09/2026
Sound of falling rain Wakes me; or was it a dream? Dream of a great flood?
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richard mortimer @richardmortimer.bsky.social · 15/09/2026
Still Life with Allen Key, Scissors and Orange Bag
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meldenn73.bsky.social @meldenn73.bsky.social · 13/09/2026
Hugely grateful to the judges of the Vladumir Devide haiku contest 2026 for commending my haiku. Definitely a surprise. I am honoured. #haiku
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Ian McMillan @imcmillan.bsky.social · 10/09/2026
An odd plant in the hothouse
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Herb Tate @herbtate5.bsky.social · 11/09/2026
waning moon readying myself for ricorso #haiku #DailyHaikuPrompt (waning moon)
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meldenn73.bsky.social @meldenn73.bsky.social · 10/09/2026
our garden's story carried on a bee's wing Huge thanks to everyone at Cornflower magazine for including my poem in the summer 2026 issue. I am so grateful haikudingen.be/magazine/ #haiku
haikudingen.be
Cornflower Magazine - Haikudingen
About CornflowerThe goal of Cornflower is to share and promote the pleasure and art of haiku, haibun and haiga.We focus on publishing work that reflects the
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Herb Tate @herbtate5.bsky.social · 10/09/2026
morning cloud slowly, the horizon receding #haiku #DailyHaikuPrompt (morning)
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freshoutmag.bsky.social @freshoutmag.bsky.social · 09/09/2026
#shahai by regular contributor, Jerome Berglund ( @Berglundjeromehaiku ). Jerome currently hails from New Orleans, Louisiana, USA, where he produces fine poetry and art featured here many times and in many other publications. #poetry #haiku #photo #NOLA
In this #shahai by regular contributor, Jerome Berglund ( @Berglundjeromehaiku ), a black and white photograph shows a very full, colorless blossom, nested in its own foliage. In the top left corner, an accompanying haiku reads,

wild iris
one of the slats bent back
at an angle

Jerome currently hails from New Orleans, Louisiana, USA, where he produces fine poetry and art featured here many times and in many other publications.
#poetry #haiku #photo #NOLA
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meldenn73.bsky.social @meldenn73.bsky.social · 09/09/2026
Grateful to Lisa at Trash Panda for including my haiku in Trash Panda summer 2026. It is an honour. Some lovely poems between these pages. #haiku www.trashpandahaiku.org
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Alan McKean @alanmckeanpoet.bsky.social · 08/09/2026
LAST BOX Another year Of growing old Gen Z want us dead, Or so I’ve been told Another tick As the calendar leers Another addition To increasing years But what pisses me off As the calendar unlocks Is that now on age surveys I tick the last box Bugger! ©Alan McKean #birthday #Wednesday
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freshoutmag.bsky.social @freshoutmag.bsky.social · 06/09/2026
#shahai by returning contributor, Biswajit Mishra. Biswajit is a bilingual #poet writing mostly in English & occasionally in Odia. Born in India & having spent some time in Kenya, Biswajit & his wife currently live in Calgary, #Canada #photo @biswajitmishra.ig biswajitpoetry@biswajitca.bsky.social
In this #shahai by returning contributor, Biswajit Mishra, a cloudy sky of many colors is seen above power lines and traffic signs.  The accompanying #haiku reads,

unspoken words
the potential clouds
my day

Biswajit Mishra is a bilingual poet writing mostly in English and occasionally in Odia. Born in India and having spent a few years in Kenya, Biswajit and his wife Bharati currently live in Calgary, #Canada #poetry #photography

@biswajitmishra.ig
biswajitpoetry@biswajitca.bsky.social
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The Kimono Gallery @roger1952.bsky.social · 06/09/2026
This 1980s rinzu (damask) silk kimono features magnificent oversized hand painted feathers rendered in warm coral-orange and golden amber tones, their flowing forms creating dramatic sweeping movements across the cream-colored silk surface.
This rinzu silk kimono features magnificent oversized hand painted feathers rendered in warm coral-orange and golden amber tones, their flowing forms creating dramatic sweeping movements across the cream-colored silk surface. Interspersed among these bold feather motifs are delicate floral bouquets executed in a more intimate scale, featuring chrysanthemums and other seasonal blooms in soft coral, sage green, and muted earth tones, all highlighted with precious gold and silver foil that catches and reflects light.

The artistic approach demonstrates a masterful fusion of naturalistic representation with decorative stylization, reflecting influences from both classical Japanese painting traditions and the refined aesthetic sensibilities of the late 20th century. The feather motifs carry deep symbolic meaning in Japanese culture, representing divine messengers, spiritual transcendence, and the ethereal beauty of flight. Their grand scale and dynamic positioning create a sense of movement and transformation, while the smaller floral elements provide grounding and seasonal reference points that connect the wearer to nature's cycles.

The rinzu weaving creates subtle textural depth beneath the painted surface, while the strategic application of metallic foil adds dimension and luminosity. This piece represents the sophisticated revival of traditional techniques during Japan's economic prosperity of the 1980s, when there was renewed appreciation for artisanal luxury and cultural heritage expressed through contemporary artistic vision.
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ContempraInn 🌹 @contemprainn.bsky.social · 07/09/2026
The wide-eyed Ezo flying squirrel, 🐿️ of Hokkaido, Japan 🇯🇵
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