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LiquidSonics @liquidsonics.com · 13/04/2026

Pinewood Post Production's Jasper Thorn on why the Amethyst Hall preset in Cinematic Rooms Professional has become a dependable first call. Learn more at at.liquidsonics.com/wnugUu #PinewoodStudio #CinematicRooms #AudioPost

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LiquidSonics @liquidsonics.com · 06/04/2026

Jasper Thorn and Fergus Pateman from Pinewood Post Production on how LiquidSonics presets deliver great results fast, with the tweakability to go deeper when needed. Learn more at at.liquidsonics.com/ysYmYD

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LiquidSonics @liquidsonics.com · 31/03/2026

In our latest article, Grammy & Emmy award-winning Greg Hayes shares how Seventh Heaven Professional became instrumental to his process when recording and mixing Terence Blanchard’s jazz ensemble score remotely for HBO’s Perry Mason during lockdown... 🔗 at.liquidsonics.com/XUuAh6

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LiquidSonics @liquidsonics.com · 30/03/2026

Fergus Pateman and Jasper Thorn from Pinewood Post Production on why software reverbs are essential for speed, recallability, and flexibility in modern post production. 🔗 Learn more at at.liquidsonics.com/dUgPGh

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LiquidSonics @liquidsonics.com · 04/03/2026

In the summer of ‘25, power metal icons Blind Guardian wrapped their tour with a show at the Palladium in Cologne, Germany. We talked to front-of-house engineer James Dunkley about his high fidelity heavy metal mixing approach. Watch the interview & read the article here: at.liquidsonics.com/uqRVcd

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LiquidSonics @liquidsonics.com · 24/02/2026

7x Grammy-winner Dave Clauss (Shakira, Carlos Vives, Maná) on his Atmos workflow: "I use Seventh Heaven Professional constantly. The rooms and halls are simply unmatched. Both Seventh Heaven and Cinematic Rooms are essential for preserving the original vibe while expanding into immersive."

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LiquidSonics @liquidsonics.com · 06/02/2026

Latin Grammy-nominated producer Fab Dupont (Residente, David Crosby, Bad Bunny) on Cinematic Rooms Professional: "I love the true 7.1.4 sound of Cinematic Rooms Professional. It makes for a more realistic spatialization of mono and stereo sources."

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LiquidSonics @liquidsonics.com · 28/01/2026

Grammy-winning engineer Angelo Carretta (Shakira, Bad Bunny, Selena Gomez) on Seventh Heaven Professional: "Super lush and rich reverb, and the presets are otherworldly." #SeventhHeavenProfessional #ReverbPlugin

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LiquidSonics @liquidsonics.com · 06/01/2026

Live FOH engineer Ken Freeman (Toto) on Seventh Heaven Professional: "The Bricasti M7 has always been a favorite for its natural sound and Seventh Heaven is the closest emulation I've found as a plugin." #Toto #LiveSound #SeventhHeaven #ReverbPlugin

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LiquidSonics @liquidsonics.com · 23/12/2025

Grammy-nominated producer Dimitri Tikovoï (Ghost, Charli XCX, The Libertines): "Seventh Heaven delivers an incredibly lush, natural-sounding reverb that sits beautifully in the mix. It's intuitive, musical, and has become a go-to in my workflow." Learn more here: at.liquidsonics.com/TKtll7

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LiquidSonics @liquidsonics.com · 16/12/2025

LiquidSonics returned to IMSTA FESTA Seoul in partnership with our South Korean distributor Gearlounge, connecting once again with the local audio community at one of the region’s most engaging music-technology events. #ImstaFestaSeoul #LiquidSonics #Gearlounge

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LiquidSonics @liquidsonics.com · 25/11/2025

Swedish mix engineer Stefan Boman has mixed metal productions for bands like Opeth, Ghost, and Graveyard. LiquidSonics’ Seventh Heaven Professional is one of his go-to choices for reverb for Dolby Atmos Visit the link in part two to learn more! #SeventhHeaven #MixingMetal #Opeth #LiquidSonics

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LiquidSonics @liquidsonics.com · 10/11/2025

IMSTA FESTA Seoul 2025, organised by @gearlounge, will take place on November 16th at Record Factory, bringing together world-renowned music software brands. Join IMSTA FESTA Seoul 2025 and don’t miss this opportunity to network, connect, and learn from industry experts and fellow music creators.

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LiquidSonics @liquidsonics.com · 05/11/2025

Mixer/engineer Thomas Warren (Sabrina Carpenter, Sam Smith): “Seventh Heaven Professional really captures the dimensional depth of the classic Bricasti spaces. The modulation, early reflections, and tail density all feel organic, it just falls into a mix effortlessly without creating muddiness.”

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LiquidSonics @liquidsonics.com · 27/10/2025

Grammy-winning engineer Steve Genewick (Elton John, Diana Krall, Quincy Jones) on his go-to reverbs: "Seventh Heaven Professional is on every mix I do. 99% of the time it's my main vocal reverb. By far one of the best reverbs available." #LiquidSonics #SeventhHeaven #ReverbPlugin

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LiquidSonics @liquidsonics.com · 06/10/2025

We had a great weekend at #Beatcon Berlin supporting Germany's thriving hip-hop and rap community. Timo Krämer and Julian David demonstrated reverb mixing techniques in a masterclass, while Eric Horstmann and Leo Elsner shared immersive workflows in the #DolbyAtmos room. #deutschrap #liquidsonics

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LiquidSonics @liquidsonics.com · 30/09/2025

Grammy winner Jesse Ray Ernster (Doja Cat, Burna Boy): "Seventh Heaven Professional & Cinematic Rooms Professional are absolute staples in my template! The resolution is unparalleled." See why top engineers choose LiquidSonics for industry-leading reverb: at.liquidsonics.com/wAGuCG

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LiquidSonics @liquidsonics.com · 24/09/2025

In our conversation, Justin reveals how the future of music production might not be about mixing for more speakers, but rather composing with space itself as an instrument.

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LiquidSonics @liquidsonics.com · 24/09/2025

LiquidSonics reverbs have been instrumental to realising this musical vision: “‘Immersed’ refers to that feeling of being truly inside the music. And LiquidSonics plugins have been absolutely essential to achieving that vision, bridging the gap between what I can capture and what I can imagine.”

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LiquidSonics @liquidsonics.com · 24/09/2025

As one of the industry's leading immersive audio engineers and educators, Justin Gray has mixed thousands of songs in spatial formats. But his "Immersed" project is the ultimate "Atmos-first" production, where spatial positioning isn't an afterthought but the genesis of the creative process itself.

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LiquidSonics @liquidsonics.com · 23/09/2025

Justin Gray composed "Immersed" from the ground up for #DolbyAtmos, placing listeners inside a 360° orchestra. Here, he reveals how Seventh Heaven Professional added a grand sense of ambiance to intimate studio recordings.

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LiquidSonics @liquidsonics.com · 20/09/2025

Sound designer & FOH engineer @stephenmhughes.bsky.social used Seventh Heaven Professional for this year’s BBC Last Night show: "I love how effortless it is to get natural-sounding reverbs. I tend to spend a lot of time tuning other reverbs, but these presets seem to nearly always be just right."

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LiquidSonics @liquidsonics.com · 29/08/2025

Chris Baseford (Nickelback, Shinedown, Rob Zombie): "Cinematic Rooms Professional might be the most natural-sounding reverb plugin I've ever used! Because it blends perfectly within a mix, it's easy to set the proper level and never second-guess it." #MetalProduction #MusicMixing #LiquidSonics

Chris Baseford at his mixing studio with an image of the Cinematic Rooms Professional Plugin.

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LiquidSonics @liquidsonics.com · 19/08/2025

FOH engineer James Dunkley (Blind Guardian, Cradle of Filth) on using Seventh Heaven Professional live: "It’s understated, realistic, and just adds a sense of a real space rather than being an exaggerated effect." Learn more at at.liquidsonics.com/iL4ctN #livesound #metalmusic #metalmixing

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LiquidSonics @liquidsonics.com · 14/08/2025

In this short video Tom Fountainhead explains his discovery of LiquidSonics’ Tai Chi reverb plugin and what it meant for the #DolbyAtmos mixing process of his Changeling extreme metal project with Eric Horstmann of @immersivelab.bsky.social

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LiquidSonics @liquidsonics.com · 07/08/2025

💡"Wall of Sound" → "Room of Sound" @immersivelab.bsky.social and Tom Fountainhead reimagined extreme metal in Dolby Atmos for Changeling using LiquidSonics reverbs. "I was looking for something that would let me feel that openness" -Tom Fountainhead Read the interview via the link in the comments.

Eric Horstmann at Immersive Labs, Berlin

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LiquidSonics @liquidsonics.com · 18/07/2025

Grammy-winning mix engineer Cian Riordan (St. Vincent, Lana Del Rey, Paul McCartney) on Seventh Heaven Professional: "An indispensable part of my sonic toolkit… it consistently delivers polished, expensive sounding results that clients expect." #ReverbPlugin #SeventhHeaven #VocalReverb

Cian Riordan and LiquidSonics‘ Seventh Heaven Professional reverb plugin, as well as Cian‘s quote.

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LiquidSonics @liquidsonics.com · 08/07/2025

Rock & Metal Recording/Mixing Engineer @thecrowsnestmusic.bsky.social (Skull Fist, Blood Ceremony): "I love everything about Lustrous Plates - the flexibility and how each plate has unique characteristics. Works on drums to vocals, and blends in so naturally." #LustrousPlates #MixingMetal

Recording and mixing engineer Chris Snow about LiquidSonics’ Lustrous Plates: "I love everything about Lustrous Plates - the flexibility and how each plate has unique characteristics. Works on drums to vocals, and blends in so naturally."
#LustrousPlates #MixingMetal

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LiquidSonics @liquidsonics.com · 26/06/2025

Swedish mix engineer Stefan Boman (Opeth) on metal mixing: "With metal music, you have to be careful not to overdo it with reverb. But LiquidSonics' Seventh Heaven is really suitable for it, because it feels very transparent. Ninety percent of the time, I use the Sunset Chamber preset."

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LiquidSonics @liquidsonics.com · 28/05/2025

This Saturday, we’re heading to Studios 301 Germany in Frankfurt for the inaugural MetalCon.music – and we’d love for you to join us. MetalCon is the first-ever event dedicated to recording, producing, and mixing metal music.

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LiquidSonics @liquidsonics.com · 04/12/2024

“My search for the all-powerful Atmos reverb has ended with Cinematic Rooms. I’m using this on all my mixes as my daily go-to reverb. Simply incredible.” Bassy Bob 30x Grammy Winning Mixer / Producer Christina Aguilera, Bob Dylan, Usher

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LiquidSonics @liquidsonics.com · 22/11/2024

“I’ve been using Cinematic Rooms Pro since its initial release and it has remained my go-to reverb for every film mix I’ve worked on since! It creates such richness and depth while blending so perfectly with the music. I love it!” Clint Bennett Music Editor Dune (Parts One & Two), Blade Runner 2049

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