iiinova — where your digital self keeps evolving

Lillian Crawford @lillcrawf.co.uk · 06/08/2026

DALEKMANIA! 2026 A.D. Celebrate the launch of The Mind of the Doctor: Across the Neurodiverse Universe of Doctor Who with special screenings of the Peter Cushing films at the Garden Cinema (8 August), Filmhouse Edinburgh (20 August), and BFI Southbank (24 August).

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Lillian Crawford @lillcrawf.co.uk · 31/07/2026

DALEKMANIA IS BACK! I really like Daleks, so to celebrate the launch of my book I would love you to come and watch the two greatest films (featuring Daleks) of all time and space!

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Lillian Crawford @lillcrawf.co.uk · 04/02/2026

My début book, The Mind of the Doctor: Across the Neurodiverse Universe of Doctor Who explores autistic and neurodivergent resonance in the greatest television series of all time, featuring personal reflections and interviews. It is available to pre-order now: www.hernebooks.com/product-page...

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Lillian Crawford @lillcrawf.co.uk · 03/05/2025

I am currently working on a project about Doctor Who and autism/neurodivergence. If this is a subject you have thoughts on/experience of, please do get in touch!

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Lillian Crawford @lillcrawf.co.uk · 08/03/2025

In the latest issue of @sightsoundmag.bsky.social, Sophie Monks Kaufman beautifully reviews The Stimming Pool. Alongside it I have written a short guide to three more films by neurodivergent filmmakers to celebrate the Stims Collective season Stimema: The Neurodiverse World On Screen.

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Lillian Crawford @lillcrawf.co.uk · 17/12/2024

I am delighted to have an essay in this book of the most esteemed film writers, exploring the childhoods of my grandparents in the wake of the Blitz through the lens of Ealing Studios and Powell & Pressburger. Order a copy now! we-love-cinema.com/big-smoke-bi...

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Lillian Crawford @lillcrawf.co.uk · 09/12/2024

The connection between Doctor Who and autism goes back to its very beginning. I had great fun teasing out the neurodiversity of the show for the latest issue of Doctor Who Magazine, available now.

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Lillian Crawford @lillcrawf.co.uk · 03/12/2024

It has been a truly horrendous year. Music is so often the only thing that keeps me stable, and I was heartbroken that my accident prevented me from attending the 2024 Proms. The greatest guiding light was this new recording of my favourite opera, Alcina, which I have listened to every day.

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Lillian Crawford @lillcrawf.co.uk · 01/12/2024

Another incredible concert from Caroline Shaw and Sō Percussion (featuring Ringdown) at the Barbican this evening. If you haven’t heard their cover of ‘Lay All Your Love on Me’ I highly recommend you do so.

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Lillian Crawford @lillcrawf.co.uk · 26/11/2024

The gorgeous 4K restoration of Watership Down is available to purchase now, featuring a book with a chapter I wrote on the books of Richard Adams. So pleased this is finally being published. shop.bfi.org.uk/watership-do...

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Lillian Crawford @lillcrawf.co.uk · 24/11/2024

It has to be Léger, always Léger. I think Suite for Barbara Loden is probably the only book one ever needs to read to be a film critic.

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Lillian Crawford @lillcrawf.co.uk · 23/11/2024

The Last Showgirl feels like a film from the 1970s, calling to mind Ash Wednesday, Ship of Fools, and Fedora. Pamela Anderson embodies her character completely, sensitively navigating the complexity of ageing in show business. An honour to hear her speak after the screening.

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Lillian Crawford @lillcrawf.co.uk · 23/11/2024

I’m gutted that I had to drop out of introducing Desert Hearts at the Garden Cinema this evening for medical reasons. I wanted to talk about @alpember.bsky.social’s wonderful season, and the inclusion of this remarkable film as a “trailblazer”.

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Lillian Crawford @lillcrawf.co.uk · 21/11/2024

Finally framed my Powell and Pressburger season poster. I cannot believe that was a year ago, just the best three months of cinema.

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Lillian Crawford @lillcrawf.co.uk · 20/11/2024

Had an emotional evening watching the new documentary about Merchant Ivory. Seeing the man who made some of the films that defined me still towering and eloquent at the age of 96 was extraordinary. I am reminded once again what a perfect film The Remains of the Day is.

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Lillian Crawford @lillcrawf.co.uk · 19/11/2024

Me successfully changing my Bluesky handle to my domain name.

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Lillian Crawford @lillcrawf.co.uk · 18/11/2024

I had an excellent day at the Technē student-led conference examining the intersections between academia and creative practice, ranging from Kathy Acker to LGBTQ+ Travellers. Wonderful to meet more of my cohort as well.

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Lillian Crawford @lillcrawf.co.uk · 17/11/2024

Watching You’ve Got Mail long-distance with my fiancée and it has never felt closer to home. PSA: I will be dressing like Meg Ryan in this film for the foreseeable future.

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Lillian Crawford @lillcrawf.co.uk · 17/11/2024

Never forget Nicholas Hardiment in Tamara Drewe.

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Lillian Crawford @lillcrawf.co.uk · 17/11/2024

I’m seeing a lot of disgruntlement about Emilia Pérez, a film I adored. A raucous contemporary opera, I found it as outrageous as it was delicate and moving. The stylisation, not least Zoe Saldaña’s YSL suit, and choreography are immaculate and modern. I wouldn’t take it too seriously.

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Lillian Crawford @lillcrawf.co.uk · 17/11/2024

I haven’t been able to stop thinking about the Royal Opera’s production of The Tales of Hoffmann all week. Such a giddy play with the material, with staging decisions ranging from giant stilts and mouse ballet to a roving eyeball and a smashed cello. It’s been a while since I felt so energised.

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