iiinova — where your digital self keeps evolving

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pmamtraveller.bsky.social @pmamtraveller.bsky.social · 13h

Makeup by Rafa Delgado

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Katt Frish🎵🎤🎹📸🎛️🔥 @katt-frish.kattfrish.com · 03/10/2026

More pics of me @ fanvue.com/katt.frish Join me!

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More Movies @moremovies.co.uk · 03/10/2026

Happy #caturday 😻🎬 #filmsky #moviesky #cinema

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The Kimono Gallery @roger1952.bsky.social · 03/10/2026

Toshirō Mifune in Rashōmon (1950)

$Captured in a piercing, sun-drenched close-up, Toshirō Mifune delivers a visceral portrait of raw physical intensity as the volatile bandit Tajōmaru in Akira Kurosawa’s cinematic masterpiece Rashomon (1950). Sweat glistens across his brow and cheekbones beneath the oppressive heat, while his narrowed, predatory gaze and furrowed brow radiate an unpredictable mixture of suspicion, pride, and feral defiance. Bound in a coarse, dark cloth head-wrap over disheveled hair, Mifune's weathered features and dark stubble reflect the untamed existence of an outlaw living on the margins of society. The photograph evokes a palpable sensory environment: the stifling, humid heaviness of the ancient forest, the relentless drone of summer cicadas echoing through the canopy, the abrasive scrape of rough-woven hemp against dust-streaked skin, and the blinding glint of high-noon sunlight breaking through the leaves. As the film that catapulted post-war Japanese cinema onto the global stage, Rashomon redefined narrative storytelling through its revolutionary exploration of subjective memory, human vanity, and moral ambiguity. Adapted from Ryūnosuke Akutagawa’s short stories "In a Grove" (Yabu no Naka) and "Rashōmon," the plot constructs four conflicting testimonies surrounding a single violent encounter in the woods. Mifune’s landmark performance turned the traditional samurai-era villain into a kinetic, animalistic force, seamlessly fusing explosive physical theatricality with deep psychological insecurity. Collaborating with visionary cinematographer Kazuo Miyagawa, Kurosawa famously used angled mirrors inside the dense forest set to bounce harsh, natural sunlight directly onto the actors' faces, creating a striking visual rhythm that visually manifests the fractured, elusive nature of truth.$

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Michael Warburton @michaelwarburton.bsky.social · 03/10/2026

Catwoman’s car is so far beyond ‘camp’ that ‘camp’ doesn’t cover it. BATMAN (1968) Glorious.

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womensartbluesky.bsky.social @womensartbluesky.bsky.social · 02/10/2026

Artist Olek created an installation in which an entire real Finnish house was covered with crocheted pink yarn #womensart

Photo looking slightly down on a house covered in pink material within a woodland

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Michael Warburton @michaelwarburton.bsky.social · 02/10/2026

One of my favourite photos — not just of DAVID NIVEN — but of all time.

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Michael Warburton @michaelwarburton.bsky.social · 02/10/2026

Dave Brubeck’s 1960’s Connecticut home was as cool as his music.

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phoenixrising @mmcarthur.bsky.social · 29/09/2026

📸 : Edward Mapplethorpe, (Robert's younger brother & Patti's life-long best friend), n.d.

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womensartbluesky.bsky.social @womensartbluesky.bsky.social · 29/09/2026

40th Street between Sixth and Seventh Avenues, from Salmon Tower 11 West 42nd Street, Manhattan, 1935 by US photographer Berenice Abbott #WomensArt

Monochrome photograph featuring a New York cityscape with skyscrapers

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ΜΑΝΟΣ ΤΡΑΧΙΑΣ™ @trahias.bsky.social · 28/09/2026

"Mars" (2026) by American artist, ZACK ZDRALE (born 1977). Oil on aluminum panel 32 x 34 in. #art #painting #artist #BlueSkyArt

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phoenixrising @mmcarthur.bsky.social · 27/09/2026

Auguste Herbin : Oiseau (Bird), 1946 Oil on canvas | 98.5 × 72 cm (though smaller gouache, lithograph, or stencil variations do exist) geometric abstract composition based on his codified "alphabet plastique" system Further description in the alt text 👇

Paintings titled after words (like Oiseau) spell out or structurally correspond to the letters of that word using his vibrant, primary-colored arrangement of triangles, circles, and rectangles.

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ΜΑΝΟΣ ΤΡΑΧΙΑΣ™ @trahias.bsky.social · 27/09/2026

Ben Sledsens (Belgian, born 1991) Yellow Room, 2021 Oil and acrylic on canvas 190 x 150 cm (192.8 x 152.5 cm) Private collection #art #painting #artist #BlueSkyArt

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13th Jedi @13thjedi.bsky.social · 27/09/2026

I think Star Wars is pretty cool. And if you think Star Wars is cool, then you are too 😎

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Gary Buckley @garybuckley.bsky.social · 26/09/2026

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Cool Bike Art @coolbikeart1.bsky.social · 26/09/2026

Cyclist ca. 1926 🎨 Enzo Benedetto

Modernist painting of a person riding a bicycle, emphasizing the motion.

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ΜΑΝΟΣ ΤΡΑΧΙΑΣ™ @trahias.bsky.social · 23/09/2026

Eduardo Kingman (Ecuadorian, 1913–1997) "The Rain", 1954. Oil on Canvas, 94 × 84 cm. Private Collection. #art #painting #artist #BlueSkyArt

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womensartbluesky.bsky.social @womensartbluesky.bsky.social · 23/09/2026

Italian illustrator Annalisa Bollini creates her mixed media scenes with a combination of embroidery, appliqué and paper #womensart

Mixed media artwork with a dog-like creature with wings and on wheels facing left

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Michael Warburton @michaelwarburton.bsky.social · 22/09/2026

Ann-Margret in 1971 📷 by Douglas Kirkland

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phoenixrising @mmcarthur.bsky.social · 21/09/2026

Man Ray : Le Beau Temps (Fair Weather), Originally completed in 1939 and later reimagined as a limited-edition color lithograph in 1973 Philadelphia Museum of Art Further info in the alt text 👇

The Checkerboard Figure: On the left, a robotic, mannequin-like figure fashioned from a colorful checkerboard pattern stands next to an open door, a classic motif evoking the subconscious and hidden dimensions.

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Tallgirl6234 @tallgirl6234.bsky.social · 21/09/2026

“If I am worth anything later, I am worth something now, for wheat is wheat, even if people think it is grass in the beginning.” - Vincent Van Gogh

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glastomichelle.bsky.social @glastomichelle.bsky.social · 21/09/2026

The Stars in Avalon. Photo taken at silly o'clock (😂) this morning on Glastonbury Tor. Lightened a bit for the screen.

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Michael Warburton @michaelwarburton.bsky.social · 18/09/2026

PAUL NEWMAN in a 'get really stoned' tee with four beers, in 1981. Dude.

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Arthur David Spota @adaspota.bsky.social · 17/09/2026

Good Afternoon✨ John Coburn ~ Curtain of the Sun (ca. 1973)

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H e t e r o t o p ia @artsofexistence.bsky.social · 16/09/2026

Lost dreams.

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Gary Buckley @garybuckley.bsky.social · 16/09/2026

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fravery.bsky.social @fravery.bsky.social · 16/09/2026

“If you truly love nature, you will find beauty everywhere.” Vincent Van Gogh Leiko Tar artwork

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phoenixrising @mmcarthur.bsky.social · 14/09/2026

Charles E. Burchfield (1893-1967) : Childhood's Garden, 1917 Opaque and transparent watercolor with graphite and colored chalk on slightly textured cream-colored paper 27 × 18-15/16 inches Further description in the alt text 👇

Burchfield inscribed this watercolor, “A memory of Childhood, an attempt to recreate the way a flower garden looks to a child.”

Burchfield called 1917 his golden year, when he was immersed in capturing the sensations of childhood wonder.

In Childhood’s Garden Burchfield densely clustered, oversized flowers and trees around a backyard shed. The blue sky and sunshine are radiant. The garden comes alive as if with human animation - the trees gesture expressively and the richly colored blooms could be making faces. The low perspective allows the viewer to feel overwhelmed as a boy might, experiencing the natural world for the first time.

In a letter to collector Edward Root, the artist described the importance of this and other watercolors he painted in 1917:

"In 1917 I made a collection of such 'memories' (childhood moods I called them) filling a notebook with them. They formed the starting point of many of the sketches of that period. One of the last you bought (the garden one) was one of these, an attempt to realize a memory I had of our garden as it appeared to me as a child.
It is refreshing to me to find another man remembering and cherishing such childish impressions and considering them valuable. Most adults spurn the things of their childhood and consider the yearning for such things in a grown man as a weakness. Perhaps it is, but it is still my belief that it is of such stuff that real art is made. As an artist grows older, he has to fight disillusionment and learn to establish the same relation to nature as an adult as he had when a child."

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pmamtraveller.bsky.social @pmamtraveller.bsky.social · 14/09/2026

By Chris Austin

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designgeekatl.bsky.social @designgeekatl.bsky.social · 11/09/2026

Castle in the Pyrenees, by René Magritte

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H e t e r o t o p ia @artsofexistence.bsky.social · 10/09/2026

Antony Gormley #Sculpture

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Michael Warburton @michaelwarburton.bsky.social · 10/09/2026

Queueing to see STAR WARS: THE EMPIRE STRIKES BACK (1980)

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Michael Warburton @michaelwarburton.bsky.social · 10/09/2026

34th Street (with the Empire State in the background) — New York in 1938

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phoenixrising @mmcarthur.bsky.social · 09/09/2026

Remembering the great Otis Redding on the anniversary of his birth 85 years ago. 🎂 🎶🎤

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H e t e r o t o p ia @artsofexistence.bsky.social · 09/09/2026

"… the major enemy, the strategic adversary is fascism. And not only historical fascism... but also the fascism in us all, in our heads and in our everyday behaviour, the fascism that causes us to love power, to desire the very thing that dominates and exploits us." ― Michel Foucault

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ContempraInn 🌹 @contemprainn.bsky.social · 08/09/2026

Dick Van Dyke was 34 years old, and this was live television in 1960 CBS special The Fabulous Fifties, broadcast. Van Dyke is dancing with Maria Karnilova, and the whole routine was basically a joke about how fast the dance crazes of the 1950s kept changing.

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pmamtraveller.bsky.social @pmamtraveller.bsky.social · 08/09/2026

'Summer Sky' (1955) by A. J. Casson

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Emily Jane Rothwell 🖤🌸🖋️ @emjanerothwell.bsky.social · 08/09/2026

‘And now that you don't have to be perfect, you can be good.’ ~John Steinbeck (1902-68)

John Steinbeck sits for a photographic portrait as a young man sitting in an arm chair, wearing a casual jacket, slacks, & tshirt. He has his trademark moustache, & looks relaxed…as if holding back a quiet smile.

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Arthur David Spota @adaspota.bsky.social · 06/09/2026

Abandoned Film Theatre in Dresden Germany #Cinema #Photography

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Michael Warburton @michaelwarburton.bsky.social · 05/09/2026

2yr old Jeff Bridges with his Dad, Lloyd in 1951.

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Ian Johnson @mrianjohnson.bsky.social · 05/09/2026

Happy birthday Freddie Mercury. He would have turned 80 today.

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phoenixrising @mmcarthur.bsky.social · 05/09/2026

Paul Klee : Once emerged from the grey of night, 1918 Watercolor Once emerged from the gray of night Heavier and dearer and stronger Than the fire of the night Drunk with God and doubled over. At present ethereal Surrounded by blue Soaring over the glaciers Toward the wise constellations. More! 👇

The structure of the poem determines the composition. The weft of the image is a wall of colored squares of more or less the same size. The black lines of the Arabic capitals determine other chromatic partitions like the stones of a mosaic. The two parts of the composition

Klee's first attempt to mix painting and poetry was in 1916, with a series of six watercolors conceived from Chinese poems. In this work, where the image is preceded exceptionally - but also necessarily -by the title-text, it should definitely be noted that the original order of the colored squares is imposed by the logos, even though the letters lose their linguistic function. This is no doubt what the wide gray band in the center of the surface confirms. Where the text disappears, there is only chaos, that is if we follow Klee's theory of color, which is the inorganic mix (pigmentary or subtractive) of colors that justly gives gray. In the beginning was the verb ..." said Klee in the "Creative Credo."

Letters and numbers were highly esteemed by Klee as a way of expressing himself in an original manner. The "Creative Confession" gives some indication of the relationship he sees between a formal sign and a lived experience. Regarding these, he raises the problem of the appearance and essence of written signs. Letters and numbers not only reveal a precise experience but also contain a certain sense of a "history of form."

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pmamtraveller.bsky.social @pmamtraveller.bsky.social · 06/09/2026

A selection of works by Kensuke Koike

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Sleestak @sleestak.bsky.social · 06/09/2026

FACE/OFF (1997, Dir. John Woo)

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