BHS Picture House launches its theatrical distribution programme with four British horror films and cinema engagements in England and Scotland.

Lawrie Brewster explores Anna Biller in Viva: her performance as Barbi, feminine glamour and the courage behind her first feature before The Love Witch.

Lawrie Brewster explores Anna Biller, The Love Witch and The Face of Horror, asking why horror audiences sometimes mistake cinematic sincerity for camp.

Aaron Truss talks to Lawrie Brewster about Employee of the Dead, remembering Rob Knox, working with Jake West and finding sincerity in horror comedy.

Enter a nightmare of ancient gods, forbidden rituals and cosmic terror, starring Megan Tremethick, Nicholas Vince & Laurence R. Harvey

Greetings, my friends! The epic quest of our Kickstarter campaign for For We Are Many 2 reaches its finish line this Thursday. That’s very e

Enter a nightmare of ancient gods, forbidden rituals and cosmic terror, starring Megan Tremethick, Nicholas Vince & Laurence R. Harvey

Is acting still a craft? Megan Tremethick discusses classical training, self-education, emotional truth and the changing world of indie horror.

A feature-length Lovecraftian horror anthology starring Megan Tremethick and genre favourites from Hellraiser and The Human Centipede.

Read the full interview transcript with Jeff Barker as he discusses screenwriting, horror, character, family collaboration, ADHD, and the human drama at the heart of genre cinema.

YouTube video by Lawrie Brewster Interviews

Greetings, my friends. We'll be offering the top nominees of the Spooky Tales competition the opportunity to publish their stories on our we

A Special Commendation, Festival Photographs, 80's Sorcery, and What Comes Next! by British Horror Studio on Patreon. Join British Horror Studio 's community for exclusive content and updates.

The Romford Horror Film Festival 2026 welcomed packed audiences, major premieres and award-winning talent, highlighting the growing strength of British independent horror and the rising profile of thi...

Why Wuthering Heights isn’t “toxic romance”: a critique of modern reductionism and a defence of Brontë’s elemental Gothic vision.