We were due a rigorous cultural appraisal of an increasingly mythologised decade. Sadly, Tate Britain's jarring clash of modern masterpieces and glossy-mag photoshoots is not it, writes Nerve art crit...

To mark the opening of Gabrielle Goliath's Elegy at Ibraaz, Gabrielle Goliath, Christina Sharpe and Sara Nadal-Melsió join to discuss how mourning can facilitate a praxis of gathered grief, refusal an...

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Creative Scotland says its 'preference' is to sell or transfer ownership of the former Third Eye Centre and CCA building in Glasgow.

‘U-turn’ doesn’t do justice to the myriad ways he found to break a pledge. Now the former PM is resigning as an MP, why did I have such high hopes? asks Guardian columnist Zoe Williams

The Basic Income for Artists (BIA) project is believed to be the first permanent one of its kind in the world.

From killings in Gaza to the alleged use of a sonic weapon on a vigil in Belgrade, the Lebanese-British artist reveals how his work for activist group Earshot is inseparable from his art

Commission an immediate public inquiry into how to ensure a responsible press given its contribution to Dr Arday’s tragic death.

Turner prize nominee whose installations, sculptures and films returned repeatedly to the histories embedded within bodies

Years after two devastating fires, Charles Rennie Mackintosh’s art nouveau masterpiece faces an uncertain future. It’s time the government stepped up