Joranalogue Audio Design @joranalogue.bsky.social · 29/09/2026With the right set of utilities, it's easy to get two independent oscillations from Flow 3: a looping envelope and a self-oscillating filter. Learn more tricks with Flow 3 for maximum satisfaction in our latest YouTube video! 010
Joranalogue Audio Design @joranalogue.bsky.social · 22/09/2026There's several ways to create pulse width modulated waves with our system, especially if you like to build things from the ground up—like we do. In this example, Simon shows how to create PWM by simply using Collide 4's built-in tools. 010
Joranalogue Audio Design @joranalogue.bsky.social · 15/09/2026With a little help from Compare 2, Select 2 lets you perform full wave rectification on any audio or CV source. Simon demonstrates how it works. PS: the 'absolute' switch on Warp 1 makes full wave rectification even more straightforward. 010
Joranalogue Audio Design @joranalogue.bsky.social · 08/09/2026We don't like feedback patching—we love it. In this patch Flow 3 is used as a crossover for a sound coming from Generate 3. While the LP and HP outputs are processed seperately through a Fold 6 and Warp 1, the BP out is used for FM on the oscillator, thus closing the feedback loop. Fun times! 000
Joranalogue Audio Design @joranalogue.bsky.social · 01/09/2026Flow 3 is perfectly suited for creating percussion or kick drum sounds. All you need is a trigger! If you then combine Flow 3's envelope output with Pivot 2 and some creative patching, you end up with something that sounds a lot like sidechain compression. Just add bass to taste! 010
Joranalogue Audio Design @joranalogue.bsky.social · 30/08/2026Our new Auto-Dynamic Filter, Flow 3 is currently available—check your favourite retailer for more info! 010
Joranalogue Audio Design @joranalogue.bsky.social · 27/08/2026Flow 3 and Cycle 5 are a match made in eurorack heaven. In just 12 HP you get an extremely precise and versatile subtractive voice—bar the VCA—to explore the classic synth sounds with. Check out DivKid's release video about Flow 3 if you'd like to learn more about the module (link in bio)! 000
Joranalogue Audio Design @joranalogue.bsky.social · 25/08/2026Now available: Flow 3. Compact yet distinctive, Flow 3 is a #eurorack filter that sounds bigger than it looks—and needs no help when it comes to modulation. Now in stock at your local modular specialist. ➡️ Learn more: joranalogue.com/flow-3 📺 Watch the DivKid demo: youtu.be/oT-LRa_WeUY 020
Joranalogue Audio Design @joranalogue.bsky.social · 18/08/2026Whenever you need one more VCA for your patch, Pivot 2 can perform that duty. Simply send your signal into the return jack of one channel, connect the send jack of the other channel to your output device, and you're a step closer to finishing your patch! 000
Joranalogue Audio Design @joranalogue.bsky.social · 11/08/2026"Sometimes I prefer the unquantised nature of Step 8. It allows me to create endless variations of a melody by adjusting the sliders ever so slightly (or a lot, for that matter)! It's a real hands-on experience."—Simon 010
Joranalogue Audio Design @joranalogue.bsky.social · 08/08/2026Eight years ago to the day, Filter 8 was released. Even though we still consider Filter 8 the epitome of multi-functional filter technology, we are more than proud to soon release our new Auto-Dynamic Filter, Flow 3, into the wild. We can't wait to hear what you create with it! 010
Joranalogue Audio Design @joranalogue.bsky.social · 04/08/2026The classic side-chain 'ducking' sound can be achieved several ways, but one of them is using the normalisations of Pivot 2 to your advantage. No compressors were harmed during the making of this video. 010
Joranalogue Audio Design @joranalogue.bsky.social · 28/07/2026Whether you're using a mono or stereo source, Enhance 2 gives you CV control over panning or balance. You could go all the way up to audio rate modulation, or use a stepped random signal, like in this example. Headphones or stereo speakers recommended! 000
Joranalogue Audio Design @joranalogue.bsky.social · 21/07/2026With Pivot 2 it's as easy as turning a knob—or sending in control voltage—to experiment with variable audio processor routing. In this video we're pivoting between Warp 1 and Collide 4 by routing a simple triangle LFO to the pivot modulation input, seamlessly rearranging the signal path. 000
Joranalogue Audio Design @joranalogue.bsky.social · 14/07/2026When you send a stereo source into Enhance 2, it's a lot of fun to explore processing the mid and side bands seperately. In this video, Collide 4 is used to process the mid part of the signal. Pretty cool, wouldn't you agree? 000
Joranalogue Audio Design @joranalogue.bsky.social · 07/07/2026By sending control voltage into Step 8's stage input you can step through the stages whichever way you like. In this example we created a pendulum motion (like a clock)! What's your favourite way of controlling Step 8? 010
Joranalogue Audio Design @joranalogue.bsky.social · 30/06/2026Patching the outputs of a self-oscillating Filter 8 back into its inputs is something you need to try if you haven't already. Simon demonstrates how to create saw-like oscillations using the exponential FM input. 010
Joranalogue Audio Design @joranalogue.bsky.social · 23/06/2026Cycle 5's vari-wave CV input lets you modulate the shape of the oscillations coming from the vari-wave output. The harmonic intensity goes up with increasing CV, so you can approximate classic subtractive filter modulation just by controlling the vari-wave parameter with an envelope. 020
Joranalogue Audio Design @joranalogue.bsky.social · 16/06/2026With Step 8 you can combine track-and-hold with hocketing, the technique of distributing one melody to several voices. Using this method you can control up to 8 voices for a beautiful polyphonic ballet of sounds. We absolutely love it! What about you? 020
Joranalogue Audio Design @joranalogue.bsky.social · 09/06/2026Step 8 can be used as a shift register, for hocketing or as an 8 stage sample and hold... but it excels as a sequencer taking control over several voices and percussion all at the same time. Learn more about Step 8 in the manual on our website! 010
Joranalogue Audio Design @joranalogue.bsky.social · 02/06/2026Route 4 is a signal routing swiss-knife—you can do all kinds of cool tricks with it. Because 1 V is normalised to each of the routing inputs, you can use it for transposing your sequences or creating arps like we did in this clip. #route4 #arp 010
Joranalogue Audio Design @joranalogue.bsky.social · 26/05/2026By patching feedback you can induce all kinds of interesting behaviours. In this patch we explore wavefolding on Generate 3, by patching the core output back into the phase modulation input. Multiphonic signal folds for the win. 020
Joranalogue Audio Design @joranalogue.bsky.social · 25/05/2026Joranalogue Audio Design is looking for ongoing freelance DipTrace PCB layout support. This is a remote position. We're open to applicants from all around the world. ➡️ Do you have experience designing pro-grade audio circuit boards? Apply now: joranalogue.com/careers 010
Joranalogue Audio Design @joranalogue.bsky.social · 19/05/2026Did you realise that when Contour 1 is looping, you can activate or deactivate the loop by sending a gate signal into the corresponding input for some gated looping? #contour1 #analog 010
Joranalogue Audio Design @joranalogue.bsky.social · 12/05/2026Flow 3, our upcoming Auto-Dynamic Filter, is filtering a saw wave coming from Cycle 5, while both Flow 3's built-in envelope follower and the triggered decay envelope take care of contouring the cutoff frequency. You don't need a lot of modules when they are as multi-functional as Flow 3! 010
Joranalogue Audio Design @joranalogue.bsky.social · 10/05/2026Flow 3 is a powerful percussion voice—you can pump out perfect kick drum sounds in no time. Dial in the resonance sweet spot, patch in your trigger signal, and the built-in envelope follower takes care of everything else. #kick #filter #flow3 010
Joranalogue Audio Design @joranalogue.bsky.social · 08/05/2026Compact yet distinctive, Flow 3 is a filter that sounds bigger than it looks—and needs no help when it comes to modulation. A variable state filter, decay envelope, spectrum splitter, percussion voice or envelope follower? Flow 3 has got you covered! 010
Joranalogue Audio Design @joranalogue.bsky.social · 07/05/2026Always wanted to have your morning cup of joe (or tea) from a Joranalogue Audio Design mug? Now's your chance because we're bringing a few to Superbooth! Head over to booth W435, in the sports hall, and grab one (limited quantities, first come first served). 020
Joranalogue Audio Design @joranalogue.bsky.social · 06/05/2026Compact yet distinctive, Flow 3 is a #eurorack filter that sounds bigger than it looks—and needs no help when it comes to modulation. Coming in Q3 2026. Gets hands-on with Flow 3 at #superbooth May 7—9! 020
Joranalogue Audio Design @joranalogue.bsky.social · 05/05/2026Phase-locked loops are an interesting sound design technique. A PLL is a circuit that forces an oscillator to track and sync its frequency and phase exactly to an incoming reference signal. Collide 4 presents us with all the tools we need to make this work. 020
Joranalogue Audio Design @joranalogue.bsky.social · 28/04/2026Select 2 is the epitome of a 'Swiss Army knife' module. In this video Simon demonstrates how to use Select 2 as a sequencer. By activating the unity and select inputs with a few slow moving voltages (or gates), and chaining the two channels together, you can generate intricate melodies. 010
Joranalogue Audio Design @joranalogue.bsky.social · 21/04/2026For this patch I created two 8 step sequences on a pair of Step 8s. Route 4 takes care of switching between the two sequences. You can watch the full video on our YouTube channel!—Simon 010
Joranalogue Audio Design @joranalogue.bsky.social · 14/04/2026It is our guess that the MAX function of Morph 4 is a heavily underused feature of the module. In this clip we are sending 3 audio rate oscillators into Morph 4. By monitoring the MAX output you get interesting spliced and recombined waveshapes. You should really try this! 010
Reposted by Joranalogue Audio Design⌇⌇matthew ryals⌇⌇ @matthewryals.bsky.social · 11/04/2026New video in my Patch Programmability series is now up on YouTube – “5 Levels of Feedback Patching Using Joranalogue Modules” In this one, I explore some possible sounds and strategies for working with feedback with @joranalogue.bsky.social eurorack modules. youtu.be/nRqemavo_4Q?...youtu.be5 Levels of Feedback Patching Using Joranalogue ModulesYouTube video by Matthew Ryals 071
Joranalogue Audio Design @joranalogue.bsky.social · 12/04/2026Unimaginable to some, a real timesink for others: ModulArchitect lets you build your own Joranalogue Audio Design modules from the comfort of your own home—or while commuting using the mobile app. Here are a few community designs gathered over the last week... #modularchitect 010
Joranalogue Audio Design @joranalogue.bsky.social · 07/04/2026Warp 1 can do all kinds of audio and LFO rate waveshaping—but you can use it as a one of a kind distortion as well. In this clip we made a polyphonic piano patch with 2 self-modulated Generate 3s. Their mixed output is then sent straight into Warp 1. We think it sounds wonderful! What do you think? 010
Joranalogue Audio Design @joranalogue.bsky.social · 02/04/2026In case you missed it: we are pivoting towards crowdsourced module design! Or maybe we won't—but ModulArchitect is here to stay. Try your hand at designing your own dream module and share it with the world (be sure to tag us!): modularchitect.joranalogue.com 010
Joranalogue Audio Design @joranalogue.bsky.social · 31/03/2026Walk 4 is able to perform all kinds of interesting operations such as stepped integration. Here an LFO from Orbit 3 is integrated by Walk 4 to create a related but different stepped waves. These are used for shifting around the pitches of a vco and its fm modulator. #accumulator #integrator #walk4 010
Joranalogue Audio Design @joranalogue.bsky.social · 24/03/2026I'm a huge advocate for using sync more often. Using the reset input on Cycle 5 is a great sound design trick. Warp 1 provides the necessary modulation for the whole patch while also being the driving force for Dim 2.—Simon 010
Joranalogue Audio Design @joranalogue.bsky.social · 17/03/2026Do you know that you can manually 'hold' the oscillations of Filter 8? You can even control it with gates! In this clip we're using the fall output of Contour 1 to create this stepped pitch modulation with Filter 8. You can do all sorts of interesting things with it. #filter #cv #modulation 010
Reposted by Joranalogue Audio DesignSynthFest France @synthfestfrance.bsky.social · 14/03/2026> The world's biggest synth raffle - 1 ticket = 10€ - Only 2500 tickets - €22,000 in prizes (32 prizes) You can the SynTesla DecaHertz Hans Zimmer Signature Tickets : www.synthfestfrance.com Thanks @joranalogue.bsky.social 011
Joranalogue Audio Design @joranalogue.bsky.social · 03/03/2026Because today is 303 day Simon decided he wanted to have a go at recreating acid house on our system. We really like the 'squelch' of Filter 8s resonance paired with the distortion of Warp 1! #analog #acid 000
Joranalogue Audio Design @joranalogue.bsky.social · 22/02/2026Warp 1 is out—and in case you missed it: DivKid made a really in-depth video about the module showcasing all its practical uses and hidden talents. Go watch it if you want to learn more about our unique power curve waveshaper! loom.ly/LlfxUqI 021
