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Jonathan Wakeham

@jonathanwakeham.bsky.social
637 followers 620 following 508 posts

Screenwriter at Independent Talent (UK) & Lit Entertainment (US). Mentor at Arts Emergency. Coming soon: polar scientists, Hollywood noir. WGGB.

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Jonathan Wakeham @jonathanwakeham.bsky.social · 14/09/2026
I'm researching 1920s circuses for a film today, and discovered the story of the Toronto Circus Riot, a pitched battle between firemen and clowns in a brothel that sounds like a lost silent movie: spacing.ca/toronto/2012...
spacing.ca
The Toronto Circus Riot of 1855 — the day the clowns picked the wrong Toronto brothel - Spacing Toronto
EDITOR: This is the second post of a new collaboration with the Toronto Dreams project by Adam Bunch (see the first here). The project is a series of postcards hidden around the city for people to ran...
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Jonathan Wakeham @jonathanwakeham.bsky.social · 12/09/2026
Chabrol's La Femme Infidèle (1969) is a dazzling dark comic thriller with a superb Michel Bouquet deliquescing from complacent smoothie to sweaty avenger when he discovers his wife Stéphane Audran's affair. Chabrol's swooning glides and ruthless close-ups make every scene unsettling. At BFI now.
Stéphane Audran and Michel Bouquet in La Femme Infidèle
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Jonathan Wakeham @jonathanwakeham.bsky.social · 10/09/2026
Ntozake Shange's for black girls ... has its long overdue London premiere at @theyardtheatre.bsky.social and it's been worth the wait: a searing, sensational symphony of Black women's lives in America that blends horror, humour and heartache in a thrilling celebration of solidarity and sisterhood.
Ibilola Rossi, Nadine Higgin, Cherrelle Skeete, Alex Thomas-Smith and Tatenda Matsvai in for colored girls who have considered suicide / when the rainbow is enuf
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Jonathan Wakeham @jonathanwakeham.bsky.social · 09/09/2026
I was knocked sideways by SEANCE ON A WET AFTERNOON (Bryan Forbes, 1964) at BFI. The title is mild-mannered, but the movie is ruthless: a kidnap thriller that unpeels itself into a horror film about grief. Kim Stanley and Richard Attenborough are superb and Forbes' compositions often Welles-worthy.
Richard Attenborough and Kim Stanley in SEANCE ON A WET AFTERNOON. She is in the foreground, holding a vial of chloroform in front of a mirror that reflects them both.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 09/09/2026
There's no direct connection between the loss of the Gate and the Channel 4 cuts — although Nadine Dorries arguably had a hand in both — but they're a worrying sign of the declining opportunities for UK artists to establish their careers. Please support @artsemergency.bsky.social if you can.
theguardian.com
Channel 4 to axe about 300 jobs in biggest layoffs in its history
Exclusive: Staff expect ‘brutal’ cutbacks as broadcaster seeks to reduce costs amid advertising slowdown
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Jonathan Wakeham @jonathanwakeham.bsky.social · 09/09/2026
I'm so sad the Gate is closing, and for everyone working there. It was a vital UK space for international theatre and a formative home for many of our finest writers, directors, designers and actors. Supporting fringe venues and voices is more essential than ever. www.theguardian.com/stage/2026/s...
theguardian.com
‘This is not sustainable’: London’s Gate theatre to close after nearly 50 years
Formerly based above a Notting Hill pub, the theatre earned a reputation for radical plays with new talent yet had a 100% loss of Arts Council England funding in 2022
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Jonathan Wakeham @jonathanwakeham.bsky.social · 03/09/2026
Thank you to The Wrap for including HIGH VALUE TARGET in their 50 most anticipated TV shows for autumn. The series is based on the memoirs of CIA agent John Nixon, and premieres on TNT on 13 September. UK launch TBA.
A still from HIGH VALUE TARGET, showing CIA agent John Nixon confronting Saddam Hussein."High Value Target: The Hunt For Saddam"
(TNT) - Sept. 13
CIA analyst John Nixon's high-stakes interrogation of dictator Saddam Hussein is getting the Hollywood treatment in TNT's upcoming political thriller "High Value Target: The Hunt for Saddam." Inspired by Nixon's memoir "Debriefing the President," the eight-episode series chronicles the pair's exchanges following the former Iraqi president's capture in December 2003 in the search for weapons of mass destruction. The show also explores the far-reaching consequences of the U.S. invasion of Iraq and the ripple effect it would have across the world for decades to come. "High Value Target" will star Joel Kinnaman as Nixon and Waleed Zuaiter as Hussein. Rounding out the cast is Lena Góra, Rebecca Night, Ewan Miller, Tom Berenger, Matt Barr, Paul Ryan, Christopher McDonald, Dar Salim and Talia Balsam. — Lucas Manfredi
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Jonathan Wakeham @jonathanwakeham.bsky.social · 23/08/2026
I just saw this mistake in an email from Curzon and honestly might prefer these two films this way round:
Curzon mixes up the descriptions of Sense & Sensibility and Resident Evil, so that S&S is directed by Zack Creggar and Resident Evil by Georgia Oakley.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 05/08/2026
Dazzled all over again by Bergman's PERSONA (1966) at BFI yesterday, on gorgeous 35mm. It's a film that rewards rewatching more than almost any other: every scene shimmers with ambiguity, every action provokes and rebukes interpretation, while remaining a gripping, sensual psychological thriller.
Bibi Andersson and Liv Ullmann in Ingmar Bergman's PERSONA, their faces in close-up, challenging the lens.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 04/08/2026
Chloë Moss's THE GUILTY at @donmarwarehouse.bsky.social, directed by Felix Barrett, is a haunting, harrowing thriller played out in real time with a riveting central performance by Russell Tovey as a troubled cop on a night shift where nothing is quite what it seems. I was spellbound & shaken by it.
Russell Tovey as an emergency response officer in THE GUILTY: a man in shadow speaking into a telephone headset.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 24/07/2026
Tony Leung Chiu-wai and Maggie Cheung would like a word …
Tony Leung Chiu-wai and Maggie Cheung in In The Mood for Love
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Jonathan Wakeham @jonathanwakeham.bsky.social · 24/07/2026
Hofesh Shechter’s In The Brain is a dance party staged on the edge of apocalypse. Gorgeously lit and thrillingly scored, it's a stunning showcase for his young company, Schecter II, with a rare tenderness in its solo sections, finding solidarity in chaos. www.southbankcentre.co.uk/whats-on/hof...
Eight young dancers in street clothing caught in a fierce beam of light in Hofesh Schecter's In The Brain.
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Reposted by Jonathan Wakeham
Jonathan Coe @jonathancoe.bsky.social · 16/07/2026
When he began his collaboration with Bernard Herrmann, Alfred Hitchcock was also about to be launched as an unlikely TV star. My take on the creative symbiosis between the two men.
lrb.co.uk
Jonathan Coe · Where was the drum kit? Hitchcock’s Music
The music Bernard Herrmann wrote for The Wrong Man is diffident, sometimes almost unnoticeable. His score for Hitchcock...
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Jonathan Wakeham @jonathanwakeham.bsky.social · 15/07/2026
In Bed With My Brother's Philosophy of the World is a blazing, brilliant remix of the story of The Shaggs co-starring theatre's secret weapon Nigel Barrett. Funny, fiery, furious, it's a perfect first show for the gorgeous new @theyardtheatre.bsky.social: same radical spirit, slightly comfier seats.
In Bed With My Brother (Nora Alexander, Dora Lynn and Kat Cory) in costume as The Shaggs for Philosophy of the World. Playing at the Yard to 1st August: https://www.theyardtheatre.co.uk/events/philosophy-of-the-world
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Jonathan Wakeham @jonathanwakeham.bsky.social · 14/07/2026
I'm very much looking forward to Dandelions and Poppy, a queer coming-of-age comedy about two girls and a horny gay dog called Dandelion by @artsemergency.bsky.social graduate Hosanna Johnson. Catch it at @thehopetheatre.bsky.social on 1-3 September: www.thehopetheatre.com/dandelionsan...
Two schoolgirls sit on a park bench in the sunshine. They are flirting awkwardly. One is holding a dog lead.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 09/07/2026
Five living writers I’ve read five books by (and look forward to many more) … Jennifer Egan Zadie Smith Emily St John Mandel Scarlett Thomas Sarah Waters
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Jonathan Wakeham @jonathanwakeham.bsky.social · 09/07/2026
I'm the grim reaper of television: any show that I love is immediately cancelled (RIP to LOVECRAFT COUNTRY, I LOVE DICK, THE CHAIR). So farewell, PONIES: Haley Lu Richardson & Emilia Clarke were an absolute joy as unlikely spies in 70s Moscow, with terrific scripts by David Iserson & Susanna Fogel.
Haley Lu Richardson & Emilia Clarke as unlikely spies in 1970s Moscow
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Jonathan Wakeham @jonathanwakeham.bsky.social · 03/07/2026
What Is the Definitive Movie About America? www.nytimes.com/2026/07/01/m...
The Woodsman in Twin Peaks The Return: a dark monochrome image of a bearded man in a hunter's cap, a cigarette in his mouth.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 01/07/2026
I hugely enjoyed Curry Barker's OBSESSION, despite being a horror film coward. Inde Navarrette is sensational: her storytelling scene matches Naomi Watts' audition in MULHOLLAND DR. as a sequence that transforms both performance & character. Also the most unsettling phone call since LOST HIGHWAY.
Inde Navarette in OBSESSION dir. Curry Barker. She's smiling nervously at a party, two boys in the background behind her.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 30/06/2026
Spielberg's DISCLOSURE DAY is less like ET & CLOSE ENCOUNTERS than a fusion of TINTIN & THE POST. It's also as much of a personal portrait of his parents as THE FABELMANS, and his most 70s movie since — well — the 70s. So as a lover of Pakula & Pollack's conspiracy thrillers I had a wonderful time.
Emily Blunt in Disclosure Day, tears in her eyes, in her childhood bedroom.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 30/06/2026
Sophy Romvari's BLUE HERON has haunted me for a week now. It's a powerful, intimate story of childhood, memory and a quest for closure that takes dazzling leaps in focus and form. As her troubled brother Jeremy, Edik Beddoes barely speaks but gives one of the strongest performances of the year.
Edik Beddoes as Jeremy in BLUE HERON: a pale, angular teenager with thick glasses and long hair, shot in sunlight against a blue sea.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 29/06/2026
My brilliant @artsemergency.bsky.social graduate Hosanna is bringing her funny, romantic queer coming-of-age story about two girls and a horny gay dog to The Hope Theatre in September. She's running a @gofundme.com to support it: please help out if you can ❤️🌼🐶 www.gofundme.com/f/dandelions...
gofundme.com
Donate to Dandelions and Poppy is Back!! , organized by Hosanna Johnson
It can be hard to find true acceptance, but maybe a horny dog can help. Hi my name… Hosanna Johnson needs your support for Dandelions and Poppy is Back!!
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Jonathan Wakeham @jonathanwakeham.bsky.social · 23/06/2026
"If you’re making movies at the same time as Steven Spielberg, it’s hard not to feel like Salieri." Terrific interview with Steven Soderbergh about Spielberg, his own most challenging productions and his new app detailing the making of JAWS. deadline.com/2026/06/stev...
Roy Scheider in JAWS (1975) He's in close-up, front right, cigarette in his mouth, the shark rearing behind him from the left.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 19/06/2026
Niles, Martin and Frasier raise a glass. A tribute to James Burrows, director of Frasier, who died today. RIP.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 05/06/2026
Really looking forward to seeing this for the first time at BFI Southbank, my spiritual home. Booking is now open for Kazuo Ishiguro's season of great films set on trains: whatson.bfi.org.uk/Online/defau...
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Jonathan Wakeham @jonathanwakeham.bsky.social · 04/06/2026
One of my favourite novels last year, interweaving the lives of a documentary film-maker, whom we meet smuggling a wolf cub out of the Chernobyl forest, and a young activist whose work inspires constitutional change. A climate story, a nature story and a love story that offers hope in fearful times.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 03/06/2026
Wes Anderson's Archive at the Design Museum is an enchanting tribute to human imagination, packed with exquisite work by hundreds of artists. As well as iconic costumes & models there's huge joy in finding book covers, menus etc. that you may have missed on screen: designmuseum.org/exhibitions/...
Costumes and props from Wes Anderson's movie RUSHMORE, now on display at the Design Museum in London UK.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 20/05/2026
Quote with a fictional band that isn't Spinal Tap.
The band from WE ARE THE BEST! (Lukas Moodysson, 2013). Three teenaged girls sit in a recording studio, draped over each other, awkwardly facing the camera.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 15/05/2026
I'm not sure if Frankie Thompson is the universal cure for human suffering or its primary cause, but her new show HORRIBLE THINGS is one of the funniest hours I've ever spent in a theatre. She's a genius. Don't miss it. WIP at @camdenpt.bsky.social tonight & tomorrow: cptheatre.co.uk/whatson/Fran...
cptheatre.co.uk
Frankie Thompson - Horrible Things (Works in Regress) | Camden People's Theatre
Frankie Thompson presents Frankie Thompson - Horrible Things (Works in Regress) at Camden People's Theatre
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Jonathan Wakeham @jonathanwakeham.bsky.social · 14/05/2026
Welcome back to the brilliant @theyardtheatre.bsky.social, returning at twice the size & twice the attitude with a breathtaking new season including In Bed With My Brother's Philosophy Of The World, Malmö Stadsteater’s The World Is Full Of Married Men & Ian McKellen's Lear: www.theyardtheatre.co.uk
theyardtheatre.co.uk
The Yard Theatre
Reimagines theatre to reimagine the world
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Jonathan Wakeham @jonathanwakeham.bsky.social · 10/04/2026
Anya Reiss is one of our best playwrights: funny, fierce & ruthless, propelled by love & rage. Her new version of A Doll's House at the Almeida is scalpel sharp & pindrop tense, wrenching the play into the present, almost to the hour, with Romola Garai as a glorious, dangerous Nora.
Tom Mothersdale, Romola Garai and Olivier Huband in A Doll's House. They are hugging and dancing in a chilly blue light, with Garai in the centre: a dance that looks like a disaster. Photo by Marc Brenner
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Jonathan Wakeham @jonathanwakeham.bsky.social · 03/04/2026
François Ozon's haunting, timely adaptation of L'ETRANGER is a masterclass in directing. The first half is almost silent, told in striking, sensual imagery, the second driven by two dramatic set pieces. Benjamin Voisin is a charismatic, unsettling Meursault and Rebecca Marder a heartbreaking Marie.
Benjamin Voisin as Meursault and Rebecca Marder as Marie in L'ETRANGER. They are shot from above, in monochrome, lying on a beach in fierce sunlight, his head on her stomach.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 03/04/2026
If you can't get to the real seaside this Easter, Seurat and the Sea at the Courtauld Gallery is a holiday in 26 paintings. I found it very moving: Seurat sold only 3 pictures in his lifetime before dying at just 31, making these shimmering summertime seascapes feel as fragile as they are beautiful.
Georges Seurat (1859-1891), Seascape at Port-en-Bessin, Normandy, 1888, oil on canvas. A canvas divided diagonally, with a grassy cliff on the left side and a shimmering sea on the right, not long before sunset.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 02/04/2026
Tim Crouch's The Tempest at the Globe is spellbinding, combining his characteristic playfulness and thoughtfulness to create an original, beautiful version that confronts the play's problems while enhancing its magic. Sophie Steer is, of course, a marvel as Miranda, and the whole cast is a delight.
Tim Crouch as Prospero in The Tempest at the Globe: a bearded magician standing in front of a backdrop that includes a model ship, a feathered wing and relics from many cultures.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 31/03/2026
I hugely enjoyed Georgi M. Unkovski's DJ AHMET (Диџеј Ахмет) a coming-of-age tale with teeth about a young Macedonian shepherd who loves dance music and his beautiful neighbour Aya, but whose conservative community seeks to deny him both. Wonderfully acted & beautifully shot, it's in UK cinemas now.
Arif Jakup as Ahmet and Agush Agushev as his younger brother Naim: two boys, one standing and one sitting on a blue tractor, set against Macedonian farmland in DJ AHMET.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 31/03/2026
I think Gore Vidal got it wrong: there are few greater pleasures than celebrating a friend's success. So I'm thrilled for Daniel Pemberton, whose magnificent music is a huge contribution to PROJECT HAIL MARY's impact. Here he is on creating the score: www.hollywoodreporter.com/movies/movie...
hollywoodreporter.com
‘Project Hail Mary’ Filmmakers Had a Radical Idea for Composer Daniel Pemberton
The composer, also known for Phil Lord and Chris Miller's 'Spider-Verse' movie, discusses his process on the hit film, which he calls the most challenging of his career: "I don't think I've ever been ...
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Jonathan Wakeham @jonathanwakeham.bsky.social · 20/03/2026
RIP Calvin Tomkins, the @newyorker.com's great profiler of contemporary artists, and a terrific biographer of Rauschenberg, Duchamp and more. Here's his funny, tender, touching memoir of his 100th year, from December: www.newyorker.com/magazine/202...
newyorker.com
Becoming a Centenarian
Like The New Yorker, I was born in 1925. Somewhat to my surprise, I decided to keep a journal of my hundredth year.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 20/03/2026
THE DEVIL'S HAND (Maurice Tourneur, 1943) is a Faustian tale about a struggling artist who sells his soul for wealth & renown. Made under German occupation, it's also a powerful & enduring warning about the perils of collaboration, with a truly unsettling performance by Pierre Palau as the devil.
Pierre Palau as the devil in The Devil's Hand: a smallish, balding man in a dark suit and hat with a deeply un-nerving expression, sitting in front of a ticking clock ...
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Jonathan Wakeham @jonathanwakeham.bsky.social · 19/03/2026
Julien Duvivier’s PANIQUE (1946), adapted from Simenon's Les Fiançailles de M. Hire, really shook me. It's Duvivier's first French film after WW2 & its portrayal of mob justice in a paranoid society is timely & chilling today. Stunningly shot, with a heartbreaking lead performance by Michel Simon.
Michel Simon in PANIQUE (1946): a bearded man, shot from below, set against a corner house with a woman peering down from above.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 02/03/2026
Beautiful speech by Harrison Ford, accepting his SAG-AFTRA Life Achievement Award last night with warmth, grace and love of his craft and colleagues: www.youtube.com/watch?v=dV_2...
youtube.com
Harrison Ford: Life Achievement Award Acceptance Speech | 32nd Annual Actor Awards
YouTube video by Netflix
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Jonathan Wakeham @jonathanwakeham.bsky.social · 11/02/2026
RIP the great Bud Cort, b. 1948 and one of cinema's most distinctive and original actors. We commissioned this poster for a LOCO screening of Hal Ashby's HAROLD AND MAUDE (1971) co-starring Ruth Gordon, one of the most magical, mischievous, melancholic movies ever made.
A poster for HAROLD AND MAUDE (Hal Ashby, 1971) designed by Sam Ashby with art by Paul Slater. It shows a young man and an older woman standing beneath a yellow umbrella as perilous objects fall from the sky.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 06/02/2026
Peter Lorre’s THE LOST ONE (1951), his only film as director, is the darkest of noirs. A Nazi doctor kills his lover for her treachery, has his crime covered up by the state and, crazed with guilt, kills again. A powerful portrait of how authoritarianism corrupts, from @filmsradiance.bsky.social.
Peter Lorre in THE LOST ONE, lighting a cigarette in the darkness, his face sallow, his eyes hollow.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 29/01/2026
Peter Weir's WITNESS (1985) is not just a great thriller but a great love story: Ford and McGillis's wit, warmth & chemistry burn through the screen. And watching it this week the title felt like an exhortation: that we must all, for the good of all, bear witness and keep our eyes open to the truth.
Harrison Ford and Kelly McGillis kiss passionately against a stormy blue sky in WITNESS (Peter Weir, 1985)
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Jonathan Wakeham @jonathanwakeham.bsky.social · 28/01/2026
Wonderful to see David Lynch's THE ELEPHANT MAN at BFI. It's a masterclass in cinematic empathy, gliding between the POVs of John Merrick's exploiters, spectators and doctors, and of Merrick himself. It dares us to look away, and asks us to keep looking, not just at John but into our own hearts.
Freddie Jones as Bytes kidnaps John Hurt as John Merrick from his hospital room in THE ELEPHANT MAN (1980) directed by David Lynch.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 22/01/2026
I've never felt such silence & stillness in a cinema as I did last night at BFI's FIRE WALK WITH ME. Denounced & dismissed by many critics in 1992, it's clear now that they hated & feared it because David Lynch dared tell the truth. A powerful, beautiful, achingly sad masterpiece of domestic horror.
Sheryl Lee as Laura Palmer in TWIN PEAKS: FIRE WALK WITH ME. She's a young blonde woman, lit by red light, her eyes brimming with tears.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 19/01/2026
Peter Weir's FEARLESS (1993) is a magnificent, daringly spiritual movie, from Rafael Yglesias's script. Jeff Bridges & Rosie Perez are electric as two plane crash survivors who connect as they struggle, in opposite ways, to find new meaning in life, while Isabella Rossellini shines as Bridges' wife.
Jeff Bridges and Rosie Perez, in profile, in rich blue lighting, gaze into each others' eyes in Peter Weir's FEARLESS (1993)
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Jonathan Wakeham @jonathanwakeham.bsky.social · 19/01/2026
Wonderful to see MULHOLLAND DRIVE (2001) again in BFI's David Lynch season. I keep thinking of Naomi Watts reading the script for the first time and discovering what an astonishing, multifaceted, mould-breaking role it would be: a role that darkened and deepened as Lynch expanded it from TV to film.
Naomi Watts in Mulholland Drive. A close-up of her face, surrounded by darkness, her red lips and blue eyes shining bright.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 17/01/2026
Lucile Hadžihalilović's THE ICE TOWER is my favourite film from last year. You can watch it now on BFI Player alongside this really warm, generous and insightful interview with Hadžihalilović by @leighsinger.bsky.social about the film and her creative collaborators: player.bfi.org.uk/free/film/wa...
player.bfi.org.uk
Watch The Ice Tower - Extended Q&A - BFI Player
Writer-director Lucile Hadžihalilović explains how she spun her own dark fairy tale out of Hans Christian Andersen's Snow Queen.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 15/01/2026
It's the last week of Kerry James Marshall's marvellous, monumental THE HISTORIES at the Royal Academy of Arts. Do go if you can: it's a thrilling, challenging, beautiful show and the perfect antidote to the bleakness of both the weather and the times.
Past Times by Kerry James Marshall: a group of Black people picnic, play and waterski on a lake in Chicago in summertime.
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Jonathan Wakeham @jonathanwakeham.bsky.social · 15/01/2026
Wonderful to see Éric Rohmer's MY NIGHT AT MAUD'S (1969) at BFI last night. Maud (Françoise Fabian) is one of cinema's greatest characters and performances: funny, flirtatious, worldly and wise, giving Rohmer's philosophical dialogue insouciance and swing. A rich, funny, melancholic masterpiece.
Françoise Fabian as Maud in MY NIGHT AT MAUD'S, sitting on her bed smoking a cigarette looking both melancholy and cool.
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