Reacher’s in it now. (Again.)

In the midnight hour babe, MORE MORE MORE! Billy Idol Should be Dead proves the singer lived this mantra.

Paul McCartney of today narrates Man on the Run, which considers the Paul of the past as he built Wings and moved past the Beatles.

“I love boba!”

In modernizing 19th century Japan, as the samurai are getting canceled, one warrior decides the only way to survive is to fight his way through.

The first few scenes are committed to bringing its franchise’s past into its present.

Questlove directs Sly Lives! (aka The Burden of Black Genius), a doc about Sly Stone that finds wider import in what it meant when he became a kind of Black Elvis.

“Follow the numbers.”

Duster continues to have a whole lot of fun with its take on the 1970s.

This thing feels as much like a riff on real life as it does a tribute to how the ’70s used to look on TV.

What about a 500-foot wave? A thousand? If it’s out there, the athletes profiled in 100 Foot Wave will surf it.

“To the Pitt crew.”

No clowning around.

There is blood everywhere in the Pitt, and tension bunched in everyone’s features.

Still overworked, but now understaffed, The Pitt’s trauma team carries on.

The sometimes-transgressive pop star has a new album, Mayhem, that seems poised to recapture the confrontational darkness of her early work. There's more than one reason to hope it's true.

“The path to our enemy begins here.”

Here’s where the strings come in. As An Evening With Dua Lipa stresses, we all fam in the clerb. Even classical musicians.

“Bewwww-bee-koo-bee-bewww, bee-koo-bee-koo-bee-koo” – Ace of Base: All That She Wants re-sticks the group’s jams in your skull.

What if a team could choose one at-bat to send its best hitter to the plate even if it wasn’t that guy’s turn to hit? MLB could test it out.

Yacht Rock: A Dockumentary explores how there’s more to loving 70s AM pop than just wearing a captain’s hat and fake mustache.

Don’t get too attached to Pruwet.