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John Coulthart

@johncoulthart.com
1.9K followers 81 following 4.4K posts

Artist, designer, occasional writer. • Words: www.johncoulthart.com/feuilleton • Pictures: www.johncoulthart.com • Linktree: linktr.ee/johncoulthart No DMs. Contact me here: www.johncoulthart.com/contact.html

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John Coulthart @johncoulthart.com · 13h
It's his 90th birthday, therefore... #nowplaying
An album release on compact disc: Music For 18 Musicians (1978) by Steve Reich.
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John Coulthart @johncoulthart.com · 13h
A book example from my own shelves. Novel Gothic type and one of Ralph Steadman's "Paranoids". Design by Karen Katz, 1988.
A paperback book: Storming Heaven: LSD and the American Dream by Jay Stevens. All-type cover design with a mutated Polaroid photo as a vignette illustration.
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John Coulthart @johncoulthart.com · 14h
#nowplaying
An album release on compact disc: The Desert Music (1985) by Steve Reich.
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John Coulthart @johncoulthart.com · 02/10/2026
Harry Clarke (1919) vs. Roger Corman/AIP (1960). (Clarke's illustration is for The Premature Burial, not the House of Usher.)
An ink drawing by Harry Clarke showing a cross-section of graveyard earth with a very narrow coffin placed above other coffins. Inside the first coffin is an alarmed and very alive man wrapped in burial garments. The other coffins are occupied by skeletons. Roots from a small tree snake into the earth.A cinema poster for House of Usher (1960). A similar composition to Clarke's drawing: at the top of the picture a horseman rides towards a large house. An angle of light desceding through the title type turns into a staircase down which two men are carrying a coffin while a third man carries a flaming torch. In the foreground is a cross-section of another coffin in which Madeline Usher has been sealed alive. Her face is understandably appalled.
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John Coulthart @johncoulthart.com · 02/10/2026
#nowplaying Drone Month continueth with a perennial favourite.
An album release on compact disc: Cthulhu (2014) by Cryo Chamber Collaboration.
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John Coulthart @johncoulthart.com · 02/10/2026
#nowplaying A great album which the world has mostly been ignoring since it was released by Bill Nelson's Cocteau Records in 1984. The rave reviews printed on the back raise the question of why, if it's this good, did the group remix two of the tracks for the CD & digital release?
An album release on compact disc: Jump Cut (1984) by Man Jumping.The critics rave:

On its original release, Jumpcut was chosen as one of the records of the year by The Times, The Guardian and The Observer, Brian Eno was quoted as saying that Man Jumping was the most important band in the world.

"I rate Jumpcut with John Surman's Withholding Pattern and Ennio Morricone's Once Upon A Time In America as the finest music hors categorie of the early 1980's" 
Richard Williams, The Times

"Man Jumping merge the exacting algebra of systems music with the warmth, wit and passion of dance music and, in their own small way are revolutionary, unique. I adore this album" 
John Gill, Time Out

"This is both pop, serious music, and enormous fun" 
Robin Denselow, The Guardian

"The most important band in the world? Well, maybe not. But they generate a lot of power and excitement and they're a lot of fun. I suppose that is pretty important at that" 
Barry Witherden, The Wire

**** Encyclopaedia of Popular Music
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John Coulthart @johncoulthart.com · 02/10/2026
Today's surprise post from Li'l Factory, a small publisher based in Sweden. If you write a regular blog people sometimes send you things. This isn't, however, a reason for doing it.
Four clothbound books in different colours: green, light purple, blue and fawn. Each book is imprinted with an identifying number (eg: fac_ss04(E)) and a spot illustration, the two most visible ones being a line drawing of some kind of hole in the sky, and a half-toned photo of a head wearing a space helmet.
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John Coulthart @johncoulthart.com · 01/10/2026
My cover wrap for Ghosts on the Cam. A tricky one because all the photo reference is partial views with conflicting perspectives. I scaled back some of the foliage which has grown a lot more over the past century. There may be a ghost in this picture.
A wide blue-tinted nocturnal view of the Bridge of Sighs which spans the River Cam in Cambridge. Spot the ghost.
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John Coulthart @johncoulthart.com · 01/10/2026
The Rackham-like cover art was by Alisatir K. MacDonald.
A hardback book: The Ghost Book: Sixteen New Stories of the Uncanny "Compiled by Cynthia Asquith". Cover art shows a skeletal ghost flapping through a cemetery where ruined chapel windows and a gibbet are silhouetted against the twilight.
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John Coulthart @johncoulthart.com · 01/10/2026
"I have seen the dark universe yawning Where the black planets roll without aim, Where they roll in their horror unheeded, Without knowledge or lustre or name." Drone Month: Begin as you mean to go on. #nowplaying
An album release on compact disc: Zeit (1972) by Tangerine Dream.
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John Coulthart @johncoulthart.com · 01/10/2026
And after looking for that I spotted this quote from a Stephen King interview in the same issue in which he's asked about the forthcoming film of The Shining. His comments about the topiary versus maze issue are a lot more conciliatory towards Kubrick's version than I would have expected.
Bhob: Kubrick's film of The Shining reportedly replaces your topiary animals with a hedge maze. an idea you had originally considered. On page 203 of the book. there's a mention of hedge billboards in Vermont. Do these exist and is this what inspired your topiary? 
King: They're really there. The idea for the hedge maze is really Kubrick's and not mine. I had considered it. but then I realized it had been done in the movie The Maze [1953] with Richard Carlson. and I rejected the maze idea for that reason. I have no knowledge as to whether or not Kubrick has ever seen that movie or if he'd even considered that or if it just happens to be coincidence. The billboards advertise some kind of ice cream; they're on Route 2 in Vermont. As you come across this open space where there are no trees. you can look across this rolling meadow to the land which I assume that the ice cream factory owns. The words of the ad have been clipped out of hedges. To hype the contrast. these hedges have been surrounded with white crushed stone so that the letters just leap right out at you. You know the first time you see them that there's something very peculiar about them, and then you realize, as you get closer. that it may be one of the world's few living signs—because they're hedges. But I got the idea for the topiary from Camden. Maine—where Peyton Place [1957] was filmed. You come down Route 1. you go through Camden, and there are several houses there that have clipped shrubs. They're not clipped into the shapes of animals. but they're clipped into very definite geometric shapes. There's a hedge that's clipped to look like a diamond. That was my first real experience with the topiary. There is a topiary at Disney World where the hedges are clipped to look like animals, but I saw that long after the book was published. In some ways. I like Kubrick's idea to use a maze. (Alt. text limit prevents posting of the entire quote.)
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John Coulthart @johncoulthart.com · 01/10/2026
Every time I get an email from a delivery company asking for feedback about their latest activity I'm reminded of this short comic strip by Howard Cruse (Heavy Metal, February 1980.) I won't post the whole thing but the annoying guy keeps asking his question over and over.
Two narrow panels from a comic strip: 
Upper panel: man with large mouth wearing an open-necked shirt is holding out his hand and asking "How 'm I doin'?", the question also forming the title of the strip.
Lower panel: Same man is shaking hands with humanoid creatures who are saying "You're the tops!", "Couldn't be better!"
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John Coulthart @johncoulthart.com · 30/09/2026
Something wicked this way comes...
The cover wrap of a hardback book: Charles Keeping's Classic Tales of the Macabre (1987) showing a scene from Oh, Whistle and I'll Come to You, My Lad by MR James. A sombre beach scene with breakwaters crossing a shingle beach. A dark figure in the foreground is crouching by one of the breakwaters, hiding from a white shape in the distance.
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John Coulthart @johncoulthart.com · 30/09/2026
#nowplaying
An album release on compact disc: Compact Disc (aka Album, 1986) by Public Image Ltd.
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John Coulthart @johncoulthart.com · 30/09/2026
This corrosion: CD edition. One careful owner yet it's still ended up looking like this. Especially bad around the edges of the tin.
A CD release of Metal Box by Public Image Limited. Still shiny but blotched with oxidisation.A view inside the same CD release of Metal Box by Public Image Limited.
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John Coulthart @johncoulthart.com · 30/09/2026
If I'd seen this in the library when I was 10 or 11 I would have snatched it up. One of the class reads at school was Henry Treece's Legions of the Eagle which I enjoyed, but Vikings were always preferable to Romans, especially after I got obsessed with this cult volume.
Another Puffin paperback: Myths of the Norsemen by Roger Lancelyn Green. Purple cover with a line drawing of another bearded Norse warrior in horned helmet with shield and sword.
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John Coulthart @johncoulthart.com · 30/09/2026
I like title spreads: that's a long longship. The story concerns an Icelandic boy who joins up with the Jomsvikings (Icelandic raiders) with whom "he learns to fight and kill, to sing their songs, and to accept their rigid code."
The title spread for Horned Helmet by Henry Treece showing a line illustration of a Viking longship with fearsome dragon prow sailing across the pages from right to left.
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John Coulthart @johncoulthart.com · 30/09/2026
The secondhand boxes outside our tiny local bookshop are seldom of interest but today I spotted this 1968 paperback. Albertus typography and Charles Keeping illustrations.
A Puffin paperback book: Horned Helmet by Henry Treece. Cover art shows a bearded Viking warrior in (yes) a horned helmet striding from a ship with shield raised and sword bared. Behind him there follows a warrior boy and more warrior men.
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John Coulthart @johncoulthart.com · 27/09/2026
Not noticed before that Bill Nelson used John Dee's Monad glyph on a single sleeve in 1984, years before Coil used the same symbol for their Time Machines album. A foretaste of Nelson's later occult preoccupations.
The title page of Monas Hieroglyphica (1591) by John Dee. In the centre of the page below the book title is an engraved emblem showing the Monad glyph, a symbol that creates an abstract human figure by combining the astrological symbols of the planets. At the four corners of the emblem are graphics depicting the four elements: fire, air, earth and water.A seven-inch single sleeve for Acceleration by Bill Nelson. Grey background with a graphic in white lines of two nested squares that frame a circle, triangle and Dee's Monad.One of the insert cards from Time Machines (1998) by Time Machines. A white border with the words Time Machines -- Persistence Is All printed in black. Inside the border is a black square; inside the black square is a white oval; inside the white oval is a small green Monad glyph.
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John Coulthart @johncoulthart.com · 27/09/2026
#nowplaying
An album release on compact disc: Variations (2002) by Steve Reich. Featuring Variations For Winds, Strings And Keyboards; Music For Mallet Instruments, Voices And Organ; Six Pianos.
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John Coulthart @johncoulthart.com · 24/09/2026
Don't look for it, it's not there any more.
A Street View shot of a car park in a Manchester street.
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John Coulthart @johncoulthart.com · 24/09/2026
Another House on a different Borderland. Manchester's first SF bookshop, early 1970s. Prop: D. Britton, Esq.
A promotional shop leaflet, red paper with black print:

"37, PORT ST, MANCHESTER 1, HOUSE ON THE BORDERLAND

We are carrying an increasing stock of imported Science Fiction, Occult, Comic's, Mysticism, Fantasy, U.F.O. Underground, Rock, and books of a generally bizarre nature. If your taste leans to the far out; Check us out." 

Beneath this is an illustration of some kind of sword and sorcery conflict involving a flying horse, a dragon and a man with a spear.
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John Coulthart @johncoulthart.com · 24/09/2026
In today's post: retro cosmic synthery and chthonic bass verberation.
A pair of shrinkwrapped compact discs: Sorcery (2026) by The Belbury Poly, and Oblique (2026) by Ghost Dubs.
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John Coulthart @johncoulthart.com · 23/09/2026
SMASHING TIME (1967): Yvonne (Lynn Redgrave) becomes a pop star and throws a party at the top of the Post Office Tower. Brenda (Rita Tushingham) deliberately wrecks the event by making the rotating restaurant spin too fast. (Script by George Melly.)
A screen grab from Smashing Time: a close shot of a party invitation lying on a table: "Join Me At The Top -- Yvonne" printed above a photo of the Post Office Tower.A screen grab from Smashing Time: Rita Tushingham inside the Post Office Tower control room looking at a view of the building from a CCTV camera.A screen grab from Smashing Time: a close shot of the "Speed Control" for the Post Office Tower, with a dial graded from "Slow" to "Danger: Overload".A screen grab from Smashing Time: a close shot of Brenda's hands pulling a lever all the way into the red danger zone.
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John Coulthart @johncoulthart.com · 23/09/2026
A friend once described the place as looking like something from Thunderbirds or Captain Scarlet which is no doubt part of the attraction.
A GPO poster showing a very nice cutaway view of the Post Office Tower.
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John Coulthart @johncoulthart.com · 22/09/2026
#nowplaying
An album release on compact disc: Mandy OST (2018) by Jóhann Jóhannson.
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John Coulthart @johncoulthart.com · 22/09/2026
A deliberate but not too overt reference in my 1988 adaptation. Metal voodoo veve.
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John Coulthart @johncoulthart.com · 21/09/2026
#nowplaying disc 7: Englabörn Variations.
A compilation album/book containing 8 CDs and 1 DVD: Retrospective II (2020) by Jóhann Jóhannsson.
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John Coulthart @johncoulthart.com · 21/09/2026
#nowplaying
An album release on compact disc: Live At The Village Vanguard (The Master Takes) (1961/1998) by John Coltrane.
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John Coulthart @johncoulthart.com · 20/09/2026
Julie Christie uses a Rotring Variant when she's writing her letter near the beginning of Don't Look Now. A nice detail, this: her husband is a building restorer so they'd be the kind of family to have lots of expensive technical pens around the house. Not so suitable for lettering writing though.
A close shot of Julie Christie writing a letter at a restaurant table.Another close shot of Julie Christie writing a letter at a restaurant table only now her head is in the shot.
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John Coulthart @johncoulthart.com · 20/09/2026
The fateful pen. The red wingnut thing is the device they give you so you can unscrew the nib when the pen needs cleaning or unblocking, which they often do. Yellow markings on technical pens are usually an indicator of ISO standard 0.35 mm but the Variants have their own coding.
A well-used but still functional Rotring Variant technical pen.
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John Coulthart @johncoulthart.com · 20/09/2026
A Dunwich Horror update for interested parties: Dr. Henry Armitage begins the arduous task of deciphering Wilbur Whateley's encrypted diaries. I'm pleased with this panel but glad it's out of the way. The necessity of matching my micro-shading of the 1980s is another arduous task.
A digital drawing of an aged professor sitting at a desk in a small room lined with bookshelves.
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John Coulthart @johncoulthart.com · 18/09/2026
#nowplaying
A double album on two CDs: The Carnegie Hall Concert (1971/2024) by Alice Coltrane.
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John Coulthart @johncoulthart.com · 18/09/2026
Riverside Drive (c.1970), a type design by Peter Max. www.peculiarmanicule.com/riverside-dr...
A type sample for Riverside Drive, "A New Alphabet for Photo-Lettering by Peter Max". White type--blocky graphics rather like Milton Glaser's Baby Teeth internally decorated with star shapes--set against an orange background with water/trees/a running Max-figure.
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John Coulthart @johncoulthart.com · 18/09/2026
#nowplaying
An album release on compact disc: Friendship Survival Guide: For Tape Loops, Drones And Orchestra (2026) by Adam Wiltzie & Jóhann Jóhannsson.
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John Coulthart @johncoulthart.com · 18/09/2026
Don't usually expect to see grapes growing at a latitude of 53˚N yet here they are. House round the corner has had a grape vine snaking its convolvulus-like tentacles over the wall for the past few years. This is the first time I've seen it produce actual grapes. I didn't try eating one.
A photograph of grapes growing over a brick wall.
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John Coulthart @johncoulthart.com · 17/09/2026
NOISE KING MAX FAN SHOCK: Merzbow is excited to discover the Peter Max mural on the wall of the Omiya Takashimaya department store in Saitama. merzbow.net/blog/peter-m...
A photo of noise musician Masami "Merzbow" Akita standing in front of a mosaic mural depicting Mount Fuji against a giant red sun and a background of typical Peter Max graphics.
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John Coulthart @johncoulthart.com · 17/09/2026
You'd think Peter Max would have done a lot of album covers in his 70s' heyday but this is one of the few examples. Also Alice Coltrane at her most far out.
A gatefold record sleeve: World Galaxy by Alice Coltrane. The usual Peter Max graphics--brightly coloured figures/flowers/blobs running or flying over an endless blue plain--with an inset photo of Alice on the front cover, and an inset photo of Alice and guru on the back cover.
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John Coulthart @johncoulthart.com · 17/09/2026
#nowplaying Cover art by Peter Max.
An album release on compact disc: World Galaxy (1972) by Alice Coltrane.
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John Coulthart @johncoulthart.com · 17/09/2026
Yeah, but did the Swiss "Love" cereal have a groovy taste? www.collectorsweekly.com/stories/2537...
A photo of a hand holding an empty box of Peter Max-branded Swiss Mixed Cereal decorated with Max's brightly coloured graphics.
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John Coulthart @johncoulthart.com · 17/09/2026
Get ready for 1971 with the Peter Max Astrologicalendar. www.peculiarmanicule.com/1971-peter-m...
A Day-glo calendar cover showing an orange Saturn-like planet with pink rings in a blue sky filled with off-white stars.
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John Coulthart @johncoulthart.com · 16/09/2026
Holy shit, Daigorō.
A cardboard blu-ray case with an unfolded baby-cart diagram lying on top of it.
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John Coulthart @johncoulthart.com · 15/09/2026
Cover art was originally a page from the opening of Druillet's Salammbô.
Two comic-strip pages: left side is a view of "The Gates", a column of colossal statues floating in space with a tiny spacecraft passing between them; right side is a profile view of a human head wearing some kind of futuristic technology.
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John Coulthart @johncoulthart.com · 15/09/2026
I'll use Norman Spinrad's birthday as an excuse to listen to my favourite Richard Pinhas album which features Mr. Spinrad ranting through a vocoder while Pinhas does his Fripp impersonations.
An album release on compact disc: East/West (1980) by Richard Pinhas. Cover art by Philippe Druillet.
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John Coulthart @johncoulthart.com · 14/09/2026
#nowplaying An album release on compact disc: Invisible Cities (2021) by A Winged Victory For The Sullen.
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John Coulthart @johncoulthart.com · 14/09/2026
Dummy copy now in full effect.
The blue cover of a plastic ringbinder with an inserted sheet of paper printed with a book cover design: HP Lovecraft's The Haunter of the Dark and Other Weird Tales; illustrations and graphic adaptations by John Coulthart; introduction and The Great Old Ones by Alan Moore. Cover art is a green on lighter green frame in the centre of which is a Cthulhoid entity collaged from various cephalopod illustrations and other organic details. Also bat wings.A two-page spread inside a ringbinder: left page shows an old and amateurish drawing of the Starry Wisdom church from The Haunter of the Dark; right page shows the title page for the section of the book that features a comic-strip adaptation of this story. Another view of the Starry Wisdom church against a background of lightning strikes.A two-page spread inside a ringbinder: left page shows a digital view of R'lyeh (watery ruins) from The Call of Cthulhu; right page shows the title page for the section of the book that features a comic-strip adaptation of this story. A Cthulhu statuette and (what else?) writhing tentacles.A two-page spread inside a ringbinder: left page shows a fake but very authentic title page of the Necronomicon; right page shows the title page for the section of the book that features a comic-strip adaptation of The Dunwich Horror. Old Whateley regards the reader with blank malevolence.
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John Coulthart @johncoulthart.com · 14/09/2026
Behold! The Lovecraft book isn't finished yet but I got a copying service to print out all the pages so I can see how they're looking on paper. It's looking damned good, especially the Call of Cthulhu pages which had to be "restored" from an earlier printing due to loss of artwork.
A photo of a pile of eldritch delineations on A4 sheets pf paper.
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John Coulthart @johncoulthart.com · 14/09/2026
A 1965 Ace paperback: The King in Yellow by Robert W. Chambers. Cover art by Jack Gaughan shows the titular king wearing yellow robes with a stylised halo and pair of red wings displayed behind him. "Achieves notable heights of cosmic fear." -- HP Lovecraft
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John Coulthart @johncoulthart.com · 13/09/2026
#nowplaying
An album release on compact disc: Atomos (2014) by A Winged Victory For The Sullen.
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John Coulthart @johncoulthart.com · 13/09/2026
Pulled this from the shelves to re-read Brian Stableford's introduction which examines the complicated history of Potocki's novel and all the subsequent "restorations" and additions by other hands. This is the short version of the novel translated by Christine Donougher, and the only one I've read.
A Dedalus paperback: Tales from the Saragossa Manuscript (Ten Days in the Life of Alphonse Van Worden) (1990) by Jan Potocki. Cover art is a b&w detail from a painting by Salvator Rosa showing witches sitting under a tree where a body is hanging.
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