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Jacob Lawrence

@jacoblawrence.bsky.social
123 followers 3 following 1.5K posts

Fan account of Jacob Lawrence, an African-American painter known for his portrayal of African-American life. 1917-2000 Automated #artbot thanks to @andreitr.bsky.social and @botfrens.bsky.social

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Jacob Lawrence @jacoblawrence.bsky.social · 9h
New Jersey, from the United States Series www.wikiart.org/en/jacob-lawrence/n…
New Jersey, from the United States Series
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Jacob Lawrence @jacoblawrence.bsky.social · 16h
Child labor and a lack of education was one of the other reasons for people wishing to leave their homes www.moma.org/collection/works/78530
Gift of Mrs. David M. Levy
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Jacob Lawrence @jacoblawrence.bsky.social · 08/10/2026
The migrants arrived in great numbers www.moma.org/collection/works/78539
Gift of Mrs. David M. Levy
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Jacob Lawrence @jacoblawrence.bsky.social · 08/10/2026
War Series: Shipping Out www.wikiart.org/en/jacob-lawrence/w…
War Series: Shipping Out
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Jacob Lawrence @jacoblawrence.bsky.social · 07/10/2026
Among the social conditions that existed which was partly the cause of the migration was the injustice done to the Negroes in the courts www.moma.org/collection/works/78554
Gift of Mrs. David M. Levy
000
Jacob Lawrence @jacoblawrence.bsky.social · 07/10/2026
The Builders www.wikiart.org/en/jacob-lawrence/t…
The Builders
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Jacob Lawrence @jacoblawrence.bsky.social · 06/10/2026
The Wedding www.artic.edu/artworks/125660
“I paint the things I have experienced,” Jacob Lawrence stated. Raised in Harlem, Lawrence studied at various federally funded community cultural centers and art workshops, where his talent was quickly recognized. The young artist soon applied his bold, unique style to the creation of narrative cycles devoted to African American history, leaders, and life. His sixty-panel Migration series (1940–41), depicting the resettlement of blacks from the rural South to the industrial North in the first half of the twentieth century, debuted in 1941 at the prestigious Downtown Gallery in New York. This exhibition bought national attention to the artist, then only in his early twenties. The cycle was acquired later by the Museum of Modern Art, New York, and the Phillips Collection, Washington, DC.
In addition to his various series, Lawrence also executed individual genre scenes, such as The Wedding, throughout his long career. With its bright, flat colors, bold patterning, and economical yet suggestive forms, this vibrant composition shows a bride and groom, flanked by two attendants, standing before a stern-faced minister. This arrangement makes us, like the attendants, participants in a major life event. Befitting both the solemnity and joy of a wedding, the composition combines the symmetrical rigidity of the standing figures with a riotous profusion of intensely colored stained-glass panels and flowers. The Wedding demonstrates well what one writer described as Lawrence’s unwavering commitment “to make his subject a testament, an expression of his belief in [humanity’s] continuing strength.”

Restricted gift of Mary P. Hines in memory of her mother, Frances W. Pick
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Jacob Lawrence @jacoblawrence.bsky.social · 06/10/2026
Funeral Sermon www.brooklynmuseum.org/opencollecti…
Funeral Sermon
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Jacob Lawrence @jacoblawrence.bsky.social · 05/10/2026
In the North the Negro had better educational facilities www.moma.org/collection/works/78548
Gift of Mrs. David M. Levy
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Jacob Lawrence @jacoblawrence.bsky.social · 05/10/2026
One of the largest race riots occurred in East St. Louis www.moma.org/collection/works/78545
Gift of Mrs. David M. Levy
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Jacob Lawrence @jacoblawrence.bsky.social · 04/10/2026
To Preserve Their Freedom (From the Toussaint L'Ouverture Series) www.wikiart.org/en/jacob-lawrence/t…
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Jacob Lawrence @jacoblawrence.bsky.social · 04/10/2026
Pool Parlor www.wikiart.org/en/jacob-lawrence/p…
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Jacob Lawrence @jacoblawrence.bsky.social · 03/10/2026
Strike www.wikiart.org/en/jacob-lawrence/s…
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Jacob Lawrence @jacoblawrence.bsky.social · 03/10/2026
The Seamstress www.wikiart.org/en/jacob-lawrence/t…
The Seamstress
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Jacob Lawrence @jacoblawrence.bsky.social · 02/10/2026
Games - Sleight of Hand www.wikiart.org/en/jacob-lawrence/g…
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Jacob Lawrence @jacoblawrence.bsky.social · 02/10/2026
Funeral Sermon www.brooklynmuseum.org/opencollecti…
Funeral Sermon
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Jacob Lawrence @jacoblawrence.bsky.social · 01/10/2026
War Series: Beachhead www.wikiart.org/en/jacob-lawrence/w…
War Series: Beachhead
001
Jacob Lawrence @jacoblawrence.bsky.social · 01/10/2026
The Wedding www.artic.edu/artworks/125660
“I paint the things I have experienced,” Jacob Lawrence stated. Raised in Harlem, Lawrence studied at various federally funded community cultural centers and art workshops, where his talent was quickly recognized. The young artist soon applied his bold, unique style to the creation of narrative cycles devoted to African American history, leaders, and life. His sixty-panel Migration series (1940–41), depicting the resettlement of blacks from the rural South to the industrial North in the first half of the twentieth century, debuted in 1941 at the prestigious Downtown Gallery in New York. This exhibition bought national attention to the artist, then only in his early twenties. The cycle was acquired later by the Museum of Modern Art, New York, and the Phillips Collection, Washington, DC.
In addition to his various series, Lawrence also executed individual genre scenes, such as The Wedding, throughout his long career. With its bright, flat colors, bold patterning, and economical yet suggestive forms, this vibrant composition shows a bride and groom, flanked by two attendants, standing before a stern-faced minister. This arrangement makes us, like the attendants, participants in a major life event. Befitting both the solemnity and joy of a wedding, the composition combines the symmetrical rigidity of the standing figures with a riotous profusion of intensely colored stained-glass panels and flowers. The Wedding demonstrates well what one writer described as Lawrence’s unwavering commitment “to make his subject a testament, an expression of his belief in [humanity’s] continuing strength.”

Restricted gift of Mary P. Hines in memory of her mother, Frances W. Pick
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Jacob Lawrence @jacoblawrence.bsky.social · 30/09/2026
In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement www.moma.org/collection/works/78528
Gift of Mrs. David M. Levy
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Jacob Lawrence @jacoblawrence.bsky.social · 30/09/2026
Pool Parlor www.wikiart.org/en/jacob-lawrence/p…
Pool Parlor
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Jacob Lawrence @jacoblawrence.bsky.social · 29/09/2026
The Negro was the largest source of labor to be found after all others had been exhausted www.moma.org/collection/works/78538
Gift of Mrs. David M. Levy
000
Jacob Lawrence @jacoblawrence.bsky.social · 29/09/2026
War Series: Another Patrol www.wikiart.org/en/jacob-lawrence/w…
War Series: Another Patrol
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Jacob Lawrence @jacoblawrence.bsky.social · 28/09/2026
Virginia Interior www.artic.edu/artworks/64383
Mary and Earle Ludgin Collection
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Jacob Lawrence @jacoblawrence.bsky.social · 28/09/2026
The Library www.wikiart.org/en/jacob-lawrence/t…
The Library
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Jacob Lawrence @jacoblawrence.bsky.social · 27/09/2026
Housing for the Negroes was a very difficult problem www.moma.org/collection/works/78543
Gift of Mrs. David M. Levy
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Jacob Lawrence @jacoblawrence.bsky.social · 27/09/2026
War Series: Shipping Out www.wikiart.org/en/jacob-lawrence/w…
War Series: Shipping Out
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Jacob Lawrence @jacoblawrence.bsky.social · 26/09/2026
The Migration of the Negro, Panel 1 www.wikiart.org/en/jacob-lawrence/t…
The Migration of the Negro, Panel 1
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Jacob Lawrence @jacoblawrence.bsky.social · 26/09/2026
Firewood #55 www.wikiart.org/en/jacob-lawrence/f…
Firewood #55
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Jacob Lawrence @jacoblawrence.bsky.social · 25/09/2026
The March from the series The Life of Toussaint L'Ouverture www.moma.org/collection/works/91562
John B. Turner Fund
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Jacob Lawrence @jacoblawrence.bsky.social · 25/09/2026
The trains were packed continually with migrants www.moma.org/collection/works/78549
Gift of Mrs. David M. Levy
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Jacob Lawrence @jacoblawrence.bsky.social · 24/09/2026
They were very poor www.moma.org/collection/works/78552
Gift of Mrs. David M. Levy
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Jacob Lawrence @jacoblawrence.bsky.social · 24/09/2026
Industries attempted to board their labor in quarters that were oftentimes very unhealthy. Labor camps were numerous www.moma.org/collection/works/78542
Gift of Mrs. David M. Levy
000
Jacob Lawrence @jacoblawrence.bsky.social · 23/09/2026
Bootleg Whiskey—You Can Buy Bootleg Whiskey for Twenty-five Cents a Quart, from the series Harlem www.wikiart.org/en/jacob-lawrence/b…
Bootleg Whiskey—You Can Buy Bootleg Whiskey for Twenty-five Cents a Quart, from the series Harlem
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Jacob Lawrence @jacoblawrence.bsky.social · 23/09/2026
New Jersey, from the United States Series www.wikiart.org/en/jacob-lawrence/n…
New Jersey, from the United States Series
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Jacob Lawrence @jacoblawrence.bsky.social · 22/09/2026
They did not always leave because they were promised work in the North. Many of them left because of Southern conditions, one of them being great floods that ruined the crops, and therefore they were unable to make a living where they... www.moma.org/collection/works/78551
Gift of Mrs. David M. Levy
010
Jacob Lawrence @jacoblawrence.bsky.social · 22/09/2026
Home Chores www.wikiart.org/en/jacob-lawrence/h…
Home Chores
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Jacob Lawrence @jacoblawrence.bsky.social · 21/09/2026
Builders #1 www.slam.org/collection/objects/212…
Builders #1
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Jacob Lawrence @jacoblawrence.bsky.social · 21/09/2026
Living conditions were better in the North www.moma.org/collection/works/78541
Gift of Mrs. David M. Levy
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Jacob Lawrence @jacoblawrence.bsky.social · 20/09/2026
The Photographer www.wikiart.org/en/jacob-lawrence/t…
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Jacob Lawrence @jacoblawrence.bsky.social · 20/09/2026
Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation www.moma.org/collection/works/78529
Gift of Mrs. David M. Levy
011
Jacob Lawrence @jacoblawrence.bsky.social · 19/09/2026
War Series: The Letter www.wikiart.org/en/jacob-lawrence/w…
War Series: The Letter
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Jacob Lawrence @jacoblawrence.bsky.social · 19/09/2026
Confrontation at the Bridge from the series Not Songs of Loyalty Alone: The Struggle for Personal Freedom www.wikiart.org/en/jacob-lawrence/c…
Confrontation at the Bridge from the series Not Songs of Loyalty Alone: The Struggle for Personal Freedom
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Jacob Lawrence @jacoblawrence.bsky.social · 18/09/2026
The labor agent who had been sent South by Northern industry was a very familiar person in the Negro counties www.moma.org/collection/works/78532
Gift of Mrs. David M. Levy
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Jacob Lawrence @jacoblawrence.bsky.social · 18/09/2026
They also made it very difficult for migrants leaving the South. They often went to railroad stations and arrested the Negroes wholesale, which in turn made them miss their train www.moma.org/collection/works/78540
Gift of Mrs. David M. Levy
010
Jacob Lawrence @jacoblawrence.bsky.social · 17/09/2026
The migrants arrived in great numbers www.moma.org/collection/works/78539
Gift of Mrs. David M. Levy
000
Jacob Lawrence @jacoblawrence.bsky.social · 17/09/2026
Windows www.wikiart.org/en/jacob-lawrence/w…
Windows
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Jacob Lawrence @jacoblawrence.bsky.social · 16/09/2026
The Migration of the Negro, Panel 52 www.wikiart.org/en/jacob-lawrence/t…
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Jacob Lawrence @jacoblawrence.bsky.social · 16/09/2026
Bar and Grill www.wikiart.org/en/jacob-lawrence/b…
Bar and Grill
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Jacob Lawrence @jacoblawrence.bsky.social · 15/09/2026
Among one of the last groups to leave the South was the Negro professional who was forced to follow his clientele to make a living www.moma.org/collection/works/78547
Gift of Mrs. David M. Levy
010
Jacob Lawrence @jacoblawrence.bsky.social · 15/09/2026
Free Clinic www.artic.edu/artworks/111814
H. Karl and Nancy von Maltitz Endowment
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