iiinova — where your digital self keeps evolving

Ipswich Museums @ipswichmuseums.bsky.social · 16/02/2026

Last chance alert 🚨 Colour Shape Pattern closes 22 Feb! Come brighten your day with works from Hockney, Magritte and more: ipswich.cimuseums.org.uk/colour-shape-pattern

031

Ipswich Museums @ipswichmuseums.bsky.social · 09/02/2026

If Colour Shape Pattern is still on your list, now’s the time. Only a few weeks left to enjoy this burst of colour before it’s gone: ipswich.cimuseums.org.uk/colour-shape-pattern

011

Ipswich Museums @ipswichmuseums.bsky.social · 02/02/2026

Just 3 weeks left to see Colour Shape Pattern at Christchurch Mansion! Bold colour, striking patterns and big-name artists. Don’t miss your chance: ipswich.cimuseums.org.uk/colour-shape-pattern

051

Ipswich Museums @ipswichmuseums.bsky.social · 26/01/2026

Big names, bright colours and patterns you’ll want on your walls. Colour Shape Pattern is open now: ipswich.cimuseums.org.uk/colour-shape-pattern

010

Ipswich Museums @ipswichmuseums.bsky.social · 19/01/2026

From delicate design to big, bold splashes, Colour Shape Pattern celebrates it all. Come and explore: ipswich.cimuseums.org.uk/colour-shape-pattern

062

Ipswich Museums @ipswichmuseums.bsky.social · 12/01/2026

Looking for a pick-me-up? Step into Colour Shape Pattern and let the creativity do its thing: ipswich.cimuseums.org.uk/colour-shape-pattern

040

Ipswich Museums @ipswichmuseums.bsky.social · 05/01/2026

Give your eyes a treat! Colour Shape Pattern is packed with bold shapes, vivid colours and playful patterns: ipswich.cimuseums.org.uk/colour-shape-pattern

161

Ipswich Museums @ipswichmuseums.bsky.social · 15/12/2025

Magritte, Hockney, Delaunay… and a brand new piece by Lily Hammond. They’re all in Colour Shape Pattern. Don’t miss it: ipswich.cimuseums.org.uk/colour-shape-pattern

040

Ipswich Museums @ipswichmuseums.bsky.social · 08/12/2025

Fancy a splash of colour? Step into Colour Shape Pattern and enjoy bold, bright, feel-good art. On now at Christchurch Mansion: ipswich.cimuseums.org.uk/colour-shape-pattern

020

Reposted by Ipswich Museums

Suffolk Sight @suffolksight.bsky.social · 25/11/2025

We're taking part in the @ipswichmuseums.bsky.social Christmas Tree Festival at Christchurch Mansion. Our beautifully decorated tree can be seen until 5th January. We have included some purple braille baubles, and also some doves made out of braille paper in our display.

Photos show our Christmas tree which has a silver and purple theme. The tree is situated in one of the elegant rooms within the mansion. In the back ground you can see three life-sized mannequins as part of the historical exhibit.

011

Ipswich Museums @ipswichmuseums.bsky.social · 01/12/2025

Bright colours. Big names. Brilliant vibes. Colour Shape Pattern is open at Christchurch Mansion, come see Hockney, Magritte, and more: ipswich.cimuseums.org.uk/colour-shape-pattern

050

Ipswich Museums @ipswichmuseums.bsky.social · 24/11/2025

Hartigan’s works, some of which are now on display in Colour Shape Pattern, buzz with vitality. Come and experience the force of Grace Hartigan’s vision now until 22 February 2026. Let your eyes follow the chaos and find the beauty in it: ipswich.cimuseums.org.uk/colour-shape-pattern

ipswich.cimuseums.org.uk

Colour Shape Pattern | Ipswich Museums

From bold splashes to delicate design, celebrate contemporary artworks at Christchurch Mansion.

010

Ipswich Museums @ipswichmuseums.bsky.social · 24/11/2025

She painted alongside Pollock and de Kooning but refused to be overshadowed, forging a style that blended bold brushwork with hints of figuration, myth and memory. She once said, “I cannot expect even my own art to provide all the answers — only to hope it keeps asking the right questions.”

110

Ipswich Museums @ipswichmuseums.bsky.social · 24/11/2025

Fierce, fearless and full of colour, Grace Hartigan (1922–2008) brought raw emotion and electric energy to every canvas she touched. A leading figure of American Abstract Expressionism, Hartigan was one of the few women at the heart of New York’s post-war art scene.

Black and white photograph of a woman in a patterned jumper working in an artist’s studio. She is seen squeezing paint from a tube onto a palette or work surface, with a concentrated expression. The foreground shows a table scattered with numerous paint tubes and brushes, some stored upright in a metal container. Behind her, an abstract painting or mural is partially visible on the wall, contributing to the creative atmosphere of the space. The overall scene captures a moment of focused artistic preparation.

150

Ipswich Museums @ipswichmuseums.bsky.social · 23/11/2025

Objects like this remind us that even centuries ago, artists sometimes captured expressions that feel instantly familiar. We’ve all pulled a face like this when words just won’t do. Come and explore more quirky pieces in our collections at Christchurch Mansion: buff.ly/sC5oAKT

ipswich.cimuseums.org.uk

Visit Christchurch Mansion | Ipswich Museums

This beautiful Tudor mansion boasts over 500 years of history and the biggest collection of Gainsborough and Constable paintings outside of London!

120

Ipswich Museums @ipswichmuseums.bsky.social · 23/11/2025

This 18th-century youth is meant to be a graceful little figure holding flowers, but his expression suggests he’s just been told something mildly shocking. The sash and floral base make him look elegant, yet that wide-eyed stare makes it hard not to laugh.

Porcelain figurine of a standing cherubic figure on a circular base decorated with small flowers. The figure is nude except for a flowing turquoise drape that wraps diagonally across the body and hangs over the left arm. Both hands are raised, each holding a delicate flower, and additional blossoms are positioned near the feet. The surface is glossy with soft pastel colours, typical of 18th-century or Rococo-style decorative ceramics. A label beneath the figure reads IPSMG: R.1959-190, indicating a museum catalogue reference.

131

Ipswich Museums @ipswichmuseums.bsky.social · 21/11/2025

But beyond the style, portraits like this signalled family legacy. For the Veseys, Hintlesham Hall tied them to Suffolk’s gentry. The portrait, purchased from W. H. Booth, is now on display in the North Corridor at Christchurch Mansion. Visit and see it in person: buff.ly/sC5oAKT

ipswich.cimuseums.org.uk

Visit Christchurch Mansion | Ipswich Museums

This beautiful Tudor mansion boasts over 500 years of history and the biggest collection of Gainsborough and Constable paintings outside of London!

050

Ipswich Museums @ipswichmuseums.bsky.social · 21/11/2025

This portrait shows Charles Vesey of Hintlesham Hall, the eldest of 6 sons. The Vesey family had lived at Hintlesham since the reign of Henry VIII, and Charles inherited the estate. The portrait shows him with long, slightly curly hair and lace at the collar - fashionable details of the late 1600s.

Oval-framed oil portrait depicting a figure with voluminous, reddish-brown curls cascading over the shoulders. The subject wears a richly textured black garment, possibly a cloak or robe, paired with an ornate lace collar featuring intricate scrolling patterns. The background is dark and plain, drawing attention to the detailed rendering of the hair and fabric. The overall composition suggests a formal 17th-century style, emphasising elegance and status through luxurious materials and meticulous detailing.

181

Ipswich Museums @ipswichmuseums.bsky.social · 20/11/2025

A clock still marks the hour, now part of Tower Ramparts Shopping Centre. And though the trolleybus wires are long gone, the street remains a key part of Ipswich’s town centre life. Did you ever visit the Picture House? Or queue under those awnings for a sale at H. Samuel?

Historic black-and-white photograph of a bustling street lined with multi-storey buildings featuring ornate façades and shopfronts. A prominent clock with the name H. Samuel hangs above a jeweller’s entrance, flanked by decorative ironwork. Below, an awning displays the words “STOCKTAKING SALE” in bold lettering. Other visible signs include “HAIR CUTTING” and “THE PICTURE HOUSE,” indicating a cinema further along the street. Additional signage for EAD SIMPSON and VALET can be seen on the right. Overhead, tram wires crisscross the scene, suggesting an early 20th-century urban setting. Several pedestrians in long coats and hats walk along the pavement, adding to the lively atmosphere.

020

Ipswich Museums @ipswichmuseums.bsky.social · 20/11/2025

And here’s how our #ThrowbackThursday photo, Tavern Street, looks today! While the shops may have changed, some of the architectural bones are still there.

Street-level view of a row of commercial buildings in a town centre. The architecture combines older brick façades with modern shopfronts. The central building has a red-brick exterior with white decorative stonework around the windows and cornice, housing businesses with dark blue signage, including The Carphone Warehouse and another store. To the left is a Boots pharmacy with a bright blue sign and a promotional poster in the window. On the right, a banner reading Tower Ramparts hangs from a neighbouring building, and a large clock is mounted on a metal frame above the pavement. A tall streetlamp stands in front of the shops, and the pavement is wide, suggesting a pedestrian-friendly shopping area.

140

Ipswich Museums @ipswichmuseums.bsky.social · 20/11/2025

Step into 1930s Ipswich for today’s #ThrowbackThursday. This scene features some iconic names, and of course, that striking clock. Overhead wires hint at the trolleybuses, and the Picture House sign draws the eye. Share your best guesses and we’ll reveal the modern view this afternoon!

020

Ipswich Museums @ipswichmuseums.bsky.social · 19/11/2025

Visit our Online Collections to explore more stories of everyday life in Roman Suffolk: cim-web.adlibhosting.com/ais6/search/...

cim-web.adlibhosting.com

010

Ipswich Museums @ipswichmuseums.bsky.social · 19/11/2025

Britain was known for exporting hunting hounds to the Roman world, yet figurines of dogs are rare. This is the only one so far found in Suffolk. The blunt-nosed features suggest a bull terrier type. A reminder that people then, just as now, kept dogs not only for work but for companionship.

Bronze figurine of a crouching dog, shown in a resting position with front legs extended and hind legs tucked beneath the body. The sculpture has a smooth, weathered surface with patches of green patina, indicating age and oxidation. The head is slightly raised, featuring rounded ears, a short snout, and subtle facial detailing. The body is compact and muscular, with a small protrusion on the back that may have served as an attachment point. The overall form suggests an ancient decorative or symbolic object, possibly used in ritual or as an ornamental piece.

130

Ipswich Museums @ipswichmuseums.bsky.social · 19/11/2025

This small bronze dog was found at Charsfield, near Wickham Market. It dates to the Roman period and wears a collar, showing it was likely a domestic pet. Dogs played many roles in Roman life. They were hunters, guards, and companions, but they also symbolised loyalty and protection.

1113

Ipswich Museums @ipswichmuseums.bsky.social · 17/11/2025

Come and explore Ben Nicholson’s unique vision at Colour Shape Pattern, on display at Christchurch Mansion until 22 February 2026: ipswich.cimuseums.org.uk/colour-shape-pattern

ipswich.cimuseums.org.uk

Colour Shape Pattern | Ipswich Museums

From bold splashes to delicate design, celebrate contemporary artworks at Christchurch Mansion.

010

Ipswich Museums @ipswichmuseums.bsky.social · 17/11/2025

Born to a family steeped in creativity, Ben broke with tradition, gravitating towards European modernism. He rubbed shoulders with Mondrian, Picasso, and Barbara Hepworth (whom he later married) and forged a style that was as much about form as feeling.

Relief sculpture composed of layered geometric shapes in white or pale grey tones, set within a shallow, rectangular frame. A large rectangle dominates the right side, featuring a recessed square, while the left side includes a circle embossed within a rectangle and additional overlapping rectangular forms. The composition plays with depth, shadow, and spatial relationships, creating a minimalist, architectural aesthetic. The overall appearance is clean and abstract, evoking a sense of quiet order and balance.

140

Ipswich Museums @ipswichmuseums.bsky.social · 17/11/2025

Ben Nicholson (1894–1982) spent his life distilling the world into lines, textures and shapes. A leading figure in British modernism, Nicholson's art moved from still-lifes and landscapes to stark white reliefs and abstract compositions – but always with a sense of balance, rhythm and restraint.

130

Ipswich Museums @ipswichmuseums.bsky.social · 16/11/2025

You can spot four tiny rivet holes that once fixed it to leather or wood, and the garnets that remain catch the light even now. Love early medieval craft? Meet the Anglo Saxons at Christchurch Mansion on 18 Nov and get hands on with the period. Come along and say hello: buff.ly/Ps6rqpN

ipswich.cimuseums.org.uk

Meet the Anglo Saxons | Ipswich Museums

Discover Anglo-Saxon history at Christchurch Mansion on 18 Nov. Hands-on replicas, expert talks, and a special visit from Sir Tony Robinson. Free entry.

010

Ipswich Museums @ipswichmuseums.bsky.social · 16/11/2025

This gold and garnet mount shows the upper body of a bird of prey, its beak curving, neck narrowed, and eye once set with a red stone. Thin gold walls created tiny cells for garnet inlays, framed by beaded wire. It likely decorated something high status, from dress fittings to a sword hilt.

130

Ipswich Museums @ipswichmuseums.bsky.social · 15/11/2025

Pop by Christchurch Mansion on Tue 18 Nov, 3.30–4pm to meet Sir Tony Robinson. He’ll be signing his new novel, House of Wolf, and copies will be on sale at the event. Come early if you can, say hello, and get your book signed. See you there!

Book cover for “The House of Wolf” by Tony Robinson, featuring a striking design in deep blue and gold tones. The title is displayed in large serif lettering, with the word “Wolf” partially overlaying an illustrated heraldic wolf motif in the background. Above the title, a quote from Dan Jones reads: “A page-turner full of historical intelligence, wit and heart.” Below, the tagline states: “Wessex, 857 AD. On the path to power, nobody can be trusted.” Decorative seals and symbols appear faintly across the cover, adding a sense of medieval intrigue and authenticity.

The image shows a person seated against an ornate, weathered wooden backdrop featuring decorative carved panels with faded paint and intricate detailing. The individual is wearing a dark navy button-up shirt with a subtle dotted pattern and has both hands resting together in the foreground, fingers interlaced. The overall composition suggests a formal portrait setting with muted tones and soft lighting that highlights the textures of the background and clothing.

040

Ipswich Museums @ipswichmuseums.bsky.social · 14/11/2025

Free drop‑in to handle Anglo‑Saxon replicas, chat to specialists and explore objects at Christchurch Mansion on Tue 18 Nov! Sir Tony Robinson will stop by for photos near closing: ipswich.cimuseums.org.uk/events/meet-...

The image shows a collection of ornate early medieval jewellery displayed against a deep red background. At the top is a large, circular disc brooch featuring intricate gold filigree and interlaced patterns, with triangular panels and multiple garnet inlays arranged around a central boss. Below it is a row of six pendants, each with unique designs: some are silver with engraved motifs, others are gold with raised geometric patterns, and several incorporate gemstones such as garnets and amethysts. Small green beads and elongated blue stones are positioned between the pendants, suggesting elements of a necklace or decorative set. The craftsmanship and use of precious materials indicate these were high-status items, likely associated with elite burials or ceremonial attire.

The image shows two intricately crafted early medieval artefacts displayed against a deep red background. On the left is a pyramidal gold mount with panels decorated in fine interlaced knotwork and a small square gemstone set at the top. The sides feature detailed filigree patterns framed by raised borders. On the right is an elongated, faceted piece with a geometric design of gold strips forming a lattice over red garnet inlays, creating a striking contrast. Both objects exhibit exceptional craftsmanship and are likely high-status fittings or jewellery components, reflecting the wealth and artistry of the period.

The image shows a collection of archaeological artefacts displayed against a deep red background. At the centre is a large, circular gold disc decorated with intricate interlaced patterns and a raised central boss, likely a decorative mount or shield fitting. To the left are two elongated fragments with detailed gold filigree designs, possibly parts of a brooch or clasp. Below them is a corroded iron piece with a curved form, suggesting a structural or functional component. On the right, two vivid blue glass fragments with smooth surfaces indicate remnants of a vessel or ornament. At the bottom right is a composite piece featuring gold and garnet inlay, typical of high-status early medieval jewellery. The arrangement highlights craftsmanship and luxury materials associated with elite burials or ceremonial objects.

The image shows a collection of corroded metal artefacts arranged against a deep red background. At the centre is a long, narrow belt fitting or strap end with a heavily textured surface and a circular buckle attached. Above it are three smaller rectangular mounts with jagged edges and pierced holes, likely for fastening. Below the main piece is a row of five round studs or decorative mounts, each featuring a raised spiral or rosette design. The objects exhibit greenish patina and surface pitting, indicating age and oxidation, and suggest components of an early medieval belt set or harness fitting.

030

Ipswich Museums @ipswichmuseums.bsky.social · 13/11/2025

Homes were being cleared, new builds appearing, and the industrial skyline watching overhead. Today, it’s almost unrecognisable, replaced with leafy trees, driveways, and cars instead of cobbles. The last house on the right is still standing though - spot the same angled window and tiled roof!

Street view of a quiet urban road lined with parked cars on both sides. On the left, a row of brick buildings leads toward a taller structure in the distance, which is covered in scaffolding and protective sheeting, indicating construction or renovation work. The right side features a cream-coloured house with a brown tiled roof, a wooden fence, and a bright blue recycling bin near the driveway. Several mature trees dominate the centre background, partially obscuring the view beyond, and their foliage adds greenery to the scene. The sky is overcast with thick grey clouds, suggesting a cool or rainy day. Double yellow lines run along the kerbs, marking no-parking zones near junctions.

040

Ipswich Museums @ipswichmuseums.bsky.social · 13/11/2025

Earlier for #ThrowbackThursday we gave you a glimpse of Currier’s Lane, Ipswich captured in 1934 and facing south toward Princes Street. This small lane was caught between decline and renewal.

Historic black-and-white photograph of Currie’s Lane, Ipswich, taken in 1934. The image shows the south end of the street with Prince Street visible in the distance. In the foreground is a row of brick terraced houses with multiple chimneys and sash windows, including a shopfront with a recessed doorway. Behind the houses stands a large industrial-style building with several stories and a flat roof, likely a factory or warehouse. On the right, part of another brick building with a tiled roof and a wooden fence is visible. Two people are present on the street, one near the shop entrance and another walking past the fence. Handwritten text along the bottom reads: “Currie’s Lane Ipswich 1934. South end with Prince St in distance.” The scene reflects an early 20th-century urban setting with mixed residential and industrial architecture.

140

Ipswich Museums @ipswichmuseums.bsky.social · 13/11/2025

Let’s rewind to 1934 for this week’s #ThrowbackThursday! This now-vanished section of houses on this street once buzzed with life. Look closely and you’ll spot an active demolition site and a brand-new home tucked in the corner. Here’s a clue: at least one house still stands today.

Historic black-and-white photograph showing a street corner with a row of brick terraced houses in the foreground and a large industrial-style building behind them. The houses have multiple chimneys, sash windows, and a shopfront with a recessed doorway. The taller building in the background features several stories with evenly spaced windows and a flat roof, suggesting a factory or mill. On the right, part of another brick building with a tiled roof is visible, and a wooden fence runs along the pavement. Two people are present on the street, one near the shop entrance and another walking past the fence. The overall scene conveys an early 20th-century urban or industrial setting.

010

Ipswich Museums @ipswichmuseums.bsky.social · 10/11/2025

Explore the rhythm, balance and exuberance of Calder’s work at Colour Shape Pattern, on now at Christchurch Mansion until 22 February 2026: ipswich.cimuseums.org.uk/colour-shape-pattern

ipswich.cimuseums.org.uk

Colour Shape Pattern | Ipswich Museums

From bold splashes to delicate design, celebrate contemporary artworks at Christchurch Mansion.

030

Ipswich Museums @ipswichmuseums.bsky.social · 10/11/2025

Born in Pennsylvania in 1898 to a family of artists, Calder trained as an engineer before turning to sculpture. His background shows in his work, where arcs, loops and abstract forms are counterweighted to glide through space. His mobiles are playful, with bold colours and shapes that seem to dance.

Black and white photograph of a man standing beside the Mercury Fountain at the Paris Exposition. The fountain features curved metal elements over a circular basin, with visible streams of liquid mercury creating ripples. Behind him is Pablo Picasso’s mural Guernica, with its dramatic, fragmented figures and stark monochrome palette. The man, dressed in a suit, stands with a relaxed posture, hands in pockets, slightly off-centre. The composition juxtaposes industrial design and modern art within a mid-20th-century exhibition setting.

130

Ipswich Museums @ipswichmuseums.bsky.social · 10/11/2025

Alexander Calder didn’t just create art; he set it in motion. Best known for inventing the mobile, Calder transformed sculpture from something solid and static into a balancing act of colour, shape and air. The result? Art that moves, literally, with a life of its own.

Black and white portrait of a middle-aged man with light-coloured, slightly tousled hair, wearing a striped button-up shirt with the collar open. He has a calm yet serious expression, gazing slightly to the left. The lighting is soft and even, casting minimal shadows against the plain, light-toned background, creating a clean and focused composition.

140

Ipswich Museums @ipswichmuseums.bsky.social · 09/11/2025

Today, the idea of searching for a place to “telephone from here” feels distant. Yet objects like this remind us how fast communication has changed. Visit our Online Collections to discover more everyday objects that tell the story of our shared past: cim-web.adlibhosting.com/ais6/search/...

cim-web.adlibhosting.com

030

Ipswich Museums @ipswichmuseums.bsky.social · 09/11/2025

Before mobiles, making a call meant finding a public telephone. Signs like this enamel one told you exactly where you could do it. It wasn’t just convenient - it was essential. People used them to call a taxi, check in with family, or send a quick message before heading home.

Vintage enamel sign with a deep blue background and bold white lettering stating “YOU MAY TELEPHONE FROM HERE.” The word “TELEPHONE” is prominently displayed in a larger font than the surrounding text. The sign shows signs of age, including scratches, worn edges, and a small mounting hole at the top centre. Its design suggests it was used historically to indicate the availability of telephone services in a public or commercial setting.

170

Ipswich Museums @ipswichmuseums.bsky.social · 08/11/2025

Ever noticed how one tiny detail can do all the talking? In the 1650s, a tulip was the ‘it’ accessory. This portrait of Henrietta Jermyn, later married to Henry Gage in 1655, pairs family coats‑of‑arms with pearls and ringlets to signal status.

Full-length portrait of a figure in an opulent deep blue gown with voluminous folds and silvered highlights, featuring puffed sleeves and a low neckline adorned with a jewel clasp. The figure holds a cluster of pink and red flowers in the right hand, positioned against a stone balustrade with two large columns framing a dark, cloudy sky in the background. On the left side of the balustrade, a coat of arms with crescent moons and a saltire is visible, while an inscription appears on the right, partially legible, referencing lineage and heritage. The overall composition conveys elegance and status, typical of 17th-century aristocratic portraiture.

130

Ipswich Museums @ipswichmuseums.bsky.social · 07/11/2025

Nah, that's just doing research. ;)

010

Ipswich Museums @ipswichmuseums.bsky.social · 07/11/2025

Come and see the human form through Giacometti’s eyes: not as static perfection, but as something raw, stretched, and real. On show until 22 February 2026: ipswich.cimuseums.org.uk/colour-shape-pattern

ipswich.cimuseums.org.uk

Colour Shape Pattern | Ipswich Museums

From bold splashes to delicate design, celebrate contemporary artworks at Christchurch Mansion.

020

Ipswich Museums @ipswichmuseums.bsky.social · 07/11/2025

Some of Giacometti’s drawings are currently on display at Colour Shape Pattern, our latest exhibition at Christchurch Mansion. They might surprise you: away from the heavy bronze forms, his works on paper show a rapid, searching line – obsessive in repetition, but always elegant.

130

Ipswich Museums @ipswichmuseums.bsky.social · 07/11/2025

Born in a Swiss village in 1901, his early influences were his father (a Post-Impressionist painter) and the mountainous landscapes around him. But it was Paris that shaped him as a sculptor, where he rubbed shoulders with Surrealists and later forged his own path in post-war existentialism.

Black and white photograph showing a man seated in an art studio, painting a portrait on canvas. He wears glasses and a loose smock, holding a brush in his right hand. Around him stand several tall, slender, textured sculptures in his distinctive elongated style, including two full figures and a prominent head on a pedestal in the foreground. The studio is dimly lit, with cluttered furnishings and easels in the background, creating an atmosphere of intense artistic focus.

150

Ipswich Museums @ipswichmuseums.bsky.social · 07/11/2025

Few artists captured the fragility of the human condition quite like Alberto Giacometti. Known for his impossibly thin, elongated figures, Giacometti’s art emerged from the trauma and uncertainty of the 20th century.

140

Ipswich Museums @ipswichmuseums.bsky.social · 06/11/2025

Fast forward to today, and you’re looking at New Suffolk College, a hub for learning with sleek steel, glass, and open green spaces. Quite the transformation from cosy corners and backyard fences!

Modern building exterior featuring a wide, covered walkway leading to a glass-fronted entrance. The structure has a large metal canopy with a grid-like design supported by steel columns, creating a shaded area over the paved path and adjacent green lawn. Several picnic-style tables are arranged on the grass, suggesting an outdoor seating area. A sign in the centre reads “No Cycling” in red text with a crossed-out bicycle symbol. The building façade includes horizontal lines of windows and metal railings, giving it a contemporary architectural style.

000

Ipswich Museums @ipswichmuseums.bsky.social · 06/11/2025

Today’s #ThrowbackThursday is the site of The Bucks Horns pub, once tucked away at the corner of Woodhouse Street and Gibson Street; roads that no longer exist. The pub also popped up in records for East Street and Cross Street in the 19th century, but by 1939, it had vanished from listings.

Black and white photo of a quiet street with brick terraced houses, overhead power lines, and a corner pub named “The Bucks Horns.” Children and adults walk along the pavement, and a girl in the foreground eats a snack, dressed in vintage clothes.

100

Ipswich Museums @ipswichmuseums.bsky.social · 06/11/2025

It’s #ThrowbackThursday and we have a challenge for you! Any guesses where this photo was taken? Back when little ones played in the street and a trip to The Bucks Horns pub was just around the corner. These streets no longer exist, but you might know the area if you've studied nearby recently.

270