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icsfilm.bsky.social

@icsfilm.bsky.social
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icsfilm.bsky.social @icsfilm.bsky.social · 08/10/2026
Matthew Joseph Jenner bangs the drum in Margherita Ferrari's FÖA - ONCE UPON A FUTURE, a film with a strong premise and unique execution that asks the question: are you a passive onlooker to social change, or do you become an active participant? #BIFF2026 buff.ly/5YdK0op
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icsfilm.bsky.social @icsfilm.bsky.social · 06/10/2026
Matthew Joseph Jenner sees a classic novel in a new cultural light in Arie and Chuko Esiri's CLARISSA, and unconventional examination of the strange intersections between the past, present and future #NYFF64 buff.ly/07tiQqC
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New York 2026 review: Clarissa (Arie Esiri & Chuko Esiri)
"A challenging and unconventional work, but one that knows exactly what it sets out to achieve" “We all put our great futures behind us and settle” Over a
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icsfilm.bsky.social @icsfilm.bsky.social · 05/10/2026
John Lynn braves the cacophony of Nicolás Pereda's EVERYTHING ELSE IS NOISE, another singular and compelling addition to Pereda’s distinctive body of work #NYFF64 buff.ly/i83JXv5
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icsfilm.bsky.social @icsfilm.bsky.social · 03/10/2026
Shahran Morshed goes through an unpredictable experience in Carlos Reygadas' HEIL JUPITER!, a film that is deeply moving, formally daring and unforgettable #NYFF64 buff.ly/64s5i0l
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New York 2026 review: Heil Jupiter! (Carlos Reygadas)
"Few filmmakers can make cinema feel so alive, so strange and so open to the possibilities of existence" Carlos Reygadas is back, and Heil Jupiter! feels
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icsfilm.bsky.social @icsfilm.bsky.social · 29/09/2026
Marc van de Klashorst finds himself in the oil business in Alejandro G. Iñárritu's DIGGER, an eco-satire that forces us to look at our own human behavior and ask ourselves: can we make the sacrifice? buff.ly/CJUeI00
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icsfilm.bsky.social @icsfilm.bsky.social · 28/09/2026
John Lynn navigates the many layers of Mariano Llinás' LIFE OF JORGE LUIS BORGES, which is filled to the brim with complexity and depth, both intellectual and emotional, and one of the most tremendous films in recent years #NYFF64 buff.ly/zryB2kD
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icsfilm.bsky.social @icsfilm.bsky.social · 28/09/2026
Ali Ercivan tells a fairytale in Fatih Akın's GHOST SONG, a film that proves how Akın grew up and became a master of his craft while preserving his core strength: authentic emotion and passion #74SSIFF buff.ly/PFgodxd
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San Sebastian 2026 review: Ghost Song (Fatih Akın)
"Ghost Song proves that Akın grew up and became a master of his craft while preserving his core strength: authentic emotion and passion." It's been 22
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icsfilm.bsky.social @icsfilm.bsky.social · 25/09/2026
Matthew Joseph Jenner speaks with the dead in Pablo Larraín's MY SAD DEAD, the kind of challenging and provocative work that makes us understand the staggering importance of giving artists the freedom to express themselves #74SSIFF buff.ly/boxLRas
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San Sebastian 2026 review: My Sad Dead (Pablo Larraín)
"A dark, challenging existential drama filtered through the lens of a ghost story" The past has a tendency to linger. It can follow us like a specter,
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icsfilm.bsky.social @icsfilm.bsky.social · 24/09/2026
Matthew Joseph Jenner ends a relationship in Javier Giner's THIS SOLITUDE, a very moving exploration of the lingering challenges that come when trying to process an unexpected and uncomfortable separation #74SSIFF buff.ly/50j8vyD
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San Sebastian 2026 review: This Solitude (Javier Giner)
"A very moving exploration of the lingering challenges that come when trying to process an unexpected and uncomfortable separation" It is often difficult
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icsfilm.bsky.social @icsfilm.bsky.social · 24/09/2026
Matthew Joseph Jenner is released from Nicole Garcia's 07:40 CE MATIN-LÀ, which, despite an excellent performance by Marion Cotillard, is a middling social drama that has its heart in the right place #74SSIFF buff.ly/6l1Vg43
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icsfilm.bsky.social @icsfilm.bsky.social · 24/09/2026
Matthew Joseph Jenner understands the irony in Ah Biao's BORDER, a film about the visceral desire to connect that deliberately keeps the audience at a distance #74SSIFF buff.ly/U2mizFz
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icsfilm.bsky.social @icsfilm.bsky.social · 24/09/2026
Marc van de Klashorst tends his wounds in Massih Parsaei's stunning debut LOVERS SLEEP ALONE, a film about the struggle to start over when a painful past has not yet left body and soul #74SSIFF buff.ly/sY4o6IG
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icsfilm.bsky.social @icsfilm.bsky.social · 23/09/2026
Matthew Joseph Jenner finds a deft balancing act between tones and ideas in Mikel Gurrea's SAINTS, a moving depiction of being able to let go of the past while moving forward to an uncertain future #74SSIFF buff.ly/TquMWNJ
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icsfilm.bsky.social @icsfilm.bsky.social · 23/09/2026
Matthew Joseph Jenner has to deal with eccentricity in the family in Roberto Bueso's THE BAD FATHER, a film about finding redemption wherever possible in fear of living with regrets #74SSIFF buff.ly/aEPo4BR
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icsfilm.bsky.social @icsfilm.bsky.social · 23/09/2026
Matthew Joseph Jenner follows his artistic dreams in Jesse Eisenberg's THE DEBUT, a blisteringly funny and deeply moving film that knows exactly what it takes to keep the audience invested #74SSIFF buff.ly/93vK2fG
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San Sebastian 2026 review: The Debut (Jesse Eisenberg)
"A deliriously funny and deeply moving comedy" Growing up, we’re often told the importance of following our dreams. This is also usually the point where
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icsfilm.bsky.social @icsfilm.bsky.social · 23/09/2026
Matthew Joseph Jenner mourns a death in Hristo Simeonov's MY FATHER'S SHOES, a haunting story of a young protagonist who is forced to reflect on the past, despite her efforts to avoid it #74SSIFF buff.ly/YPwwr11
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San Sebastian 2026 review: My Father's Shoes (Hristo Simeonov)
"An immersive experience that gives us access to the fractured mind of a captivating character who is searching for a sense of belonging in a world where
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icsfilm.bsky.social @icsfilm.bsky.social · 22/09/2026
Matthew Joseph Jenner is moved by the (possible) swan song that is Mike Leigh's TENDER LOVING CARE, film that inspires us to look beneath the surface and reflect on our own place in the world #74SSIFF buff.ly/xI4H3En
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San Sebastian 2026 review: Tender Loving Care (Mike Leigh)
"A film that inspires us to look beneath the surface and reflect on our own place in the world" Mike Leigh is the reason I love cinema. As hyperbolic as
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icsfilm.bsky.social @icsfilm.bsky.social · 22/09/2026
Matthew Joseph Jenner sees a single decision define Yeşim Ustaoğlu's WHAT REMAINS, which explores the uncomfortable nature of the past and the challenges that come with trying to understand our place within it #74SSIFF buff.ly/o9RWmvC
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San Sebastian 2026 review: What Remains (Yeşim Ustaoğlu)
"A rich, fulfilling story of self-actualisation." Are you truly an artist if you haven’t had at least one major existential crisis in your life? There’s
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icsfilm.bsky.social @icsfilm.bsky.social · 22/09/2026
Matthew Joseph Jenner finds an ode to family in Maha Harada's IN MY FATHER'S ROOM, a slow-burning drama about the lengths we will go to revisit the difficult parts of our past in an effort to find answers to life’s more challenging questions #74SSIFF buff.ly/DhAkQhx
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San Sebastian 2026 review: In My Father's Room (Maha Harada)
"A poetic ode to family and the often challenging elements that bind us together" A good film can often have quite a bit in common with a good novel: an
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icsfilm.bsky.social @icsfilm.bsky.social · 22/09/2026
Matthew Joseph Jenner sees the world fall apart in Tatjana Moutchnik's FEBRUARY, SEVEN DAYS, a taut, straightforward drama with genuine emotions and a clear curiosity #74SSIFF buff.ly/zio9CXN
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San Sebastian 2026 review: February, Seven Days (Tatjana Moutchnik)
"A taut, straightforward drama with genuine emotions and a clear curiosity" How do you find your way forward when everything you have been told is sacred
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icsfilm.bsky.social @icsfilm.bsky.social · 21/09/2026
Matthew Joseph Jenner tries to interpret art in Thomas Woodroffe's strange and hypnotic debut ERRATICS, a film bold in both form and intention that has to be experienced more than it entirely understood #74SSIFF buff.ly/UkojGvL
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San Sebastian 2026 review: Erratics (Thomas Woodroffe)
"Bold in both form and intention" At what point does a piece of art become the property of the public, at least as far as interpretation and meaning are
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icsfilm.bsky.social @icsfilm.bsky.social · 21/09/2026
John Lynn studies 20th century Canadian politics in Matthew Rankin's idiosyncratic LADIES AND GENTLEMEN, BRIAN MULRONEY, and despite not being Canadian calls it an explosive and exhilarating satire #26TIFF buff.ly/3sI7Ufv
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Toronto 2026 review: Ladies and Gentlemen, Brian Mulroney (Matthew Rankin)
"An explosive and exhilarating satire that feels completely and uniquely Canadian" Playing at this year’s Toronto International Film Festival in its
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icsfilm.bsky.social @icsfilm.bsky.social · 20/09/2026
John Lynn fights for disability rights in Siân Heder's BEING HEUMANN, an engaging, heartfelt, and rousing film that, despite its serious political themes, is very much a comedy #26TIFF buff.ly/NHrnROq
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Toronto 2026 review: Being Heumann (Siân Heder)
"Engaging, heartfelt, and rousing" “Our whole lives we behaved as if we played by the rules and did what we were told, we’d be included in the American
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icsfilm.bsky.social @icsfilm.bsky.social · 20/09/2026
John Lynn sees a lack of narrative focus in Mahamet-Saleh Haroun's SOUMSOUM, THE NIGHT OF THE STARS, a film that never manages to brings its ideas together into a story that is as compelling as its premise suggests #26TIFF buff.ly/koVcw0j
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Toronto 2026 review: Soumsoum, The Night of the Stars (Mahamet-Saleh Haroun)
"There are interesting ideas buried within the film, but Haroun never brings them together into a story that is as compelling as its premise suggests"
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icsfilm.bsky.social @icsfilm.bsky.social · 20/09/2026
Shahran Morshed ponders the idea of innocence in Marlene Emilie Lyngstad's CUTE, an unusually bold and uneasy film that refuses to tell the audience how to feel about its characters #74SSIFF buff.ly/OkFIeVa
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icsfilm.bsky.social @icsfilm.bsky.social · 20/09/2026
Matthew Joseph Jenner goes back to school in Ayana Nurdinova's MUGALIM, a charming and affecting drama that is as intimate as it is beautiful #74SSIFF buff.ly/CJ1VJFK
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San Sebastian 2026 review: Mugalim (Ayana Nurdinova)
"Impressively cohesive in both story and structure" It has often been said that teaching is the one profession that makes all others possible. Most of us
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icsfilm.bsky.social @icsfilm.bsky.social · 20/09/2026
Matthew Joseph Jenner seeks healing in Juan Miguel Gelacio and Esteban Hoyos García's FIVE YEARS, FOUR MONTHS, a harrowing but powerful story of one woman’s search for justice #74SSIFF buff.ly/F2Cjrnb
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icsfilm.bsky.social @icsfilm.bsky.social · 20/09/2026
John Lynn navigates sexuality in the mountains of 1950s Colorado in Andrew Haigh's A LONG WINTER, a film that unsatisfying because its main character is so aggravating, underwritten, and underdeveloped #26TIFF buff.ly/9c8G3xB
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Toronto 2026 revie: A Long Winter (Andrew Haigh)
"Remains wholly unsatisfying because its main character is so aggravating, underwritten, and underdeveloped" In some ways, the 1990s and early 2000s may
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icsfilm.bsky.social @icsfilm.bsky.social · 19/09/2026
Matthew Joseph Jenner makes friends in Lu Po-Shun's WILL YOU STILL BE MY FRIEND, a film about loyalty, identity, and the tension between traditions and modernity #74SSIFF buff.ly/8gonBem
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icsfilm.bsky.social @icsfilm.bsky.social · 19/09/2026
John Lynn swaps bodies in Arthur Harari's THE UNKNOWN, a film that raises questions about the human soul, society, the superficiality of the physical body, and how the soul is shaped by the body it inhabits #26TIFF buff.ly/LJuTXfg
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Toronto 2026 review: The Unknown (Arthur Harari)
"One of the best films of the year" Playing in this year’s Toronto International Film Festival’s Special Presentations section is the latest film from
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icsfilm.bsky.social @icsfilm.bsky.social · 19/09/2026
John Lynn discusses capitalism, disability, and institutional care in Ryusuke Hamaguchi's ALL OF A SUDDEN, which may not rank alongside the director's greatest works, but still has his extraordinary skill on full display #26TIFF buff.ly/wHup3My
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Toronto 2026 review: All of a Sudden (Ryusuke Hamaguchi)
"Hamaguchi captures how invigorating and wondrous it can be to encounter another person with whom conversation is limitless" Playing at this year’s
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icsfilm.bsky.social @icsfilm.bsky.social · 19/09/2026
John Lynn lives a simple life in Lisandro Alonso's DOUBLE FREEDOM, in which the director allows the film's deliberate pace to become part of its emotional power #26TIFF buff.ly/6YykLBY
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Toronto 2026 review: Double Freedom (Lisandro Alonso)
"Alonso finds a remarkable amount of beauty and humanity in the everyday lives of his characters" Playing in this year’s Toronto International Film
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icsfilm.bsky.social @icsfilm.bsky.social · 19/09/2026
Shahran Morshed is moved by Mykyta Gibalenko's CAMOUFLAGE, a poetic and deeply felt debut about accepting oneself, in which the beautifully observed relationships stay with you more than the symbolism #Venezia83 buff.ly/yDasvIj
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Venice 2026 review: Camouflage (Mykyta Gibalenko)
"Genuinely moving and deeply memorable" For many Ukrainians, Germany has long been a place of work, study and migration, but after 2022 it became
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icsfilm.bsky.social @icsfilm.bsky.social · 18/09/2026
Shahran Morshed sees violence grow quietly inside everyday life in Tommaso Usberti's BEFORE THE WAR, a film that, when it looks directly at the masculine world its protagonist inhabits, has a clear and unsettling voice #Venezia83 buff.ly/eAvPYjF
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Venice 2026 review: Before the War (Tommaso Usberti)
"Before the War may not always find the right rhythm for all of its ideas, but when it looks directly at the masculine world Guido inhabits, it has a
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icsfilm.bsky.social @icsfilm.bsky.social · 17/09/2026
Shahran Morshed watches the world change in Theja Rio's ANGH, a film about the painful space between one world and another, when the old world is still alive but can no longer continue in the same way #26TIFF buff.ly/lxFRxAu
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Toronto 2026 review: Angh (Theja Rio)
"A film about the painful space between one world and another, when the old world is still alive but can no longer continue in the same way" For
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icsfilm.bsky.social @icsfilm.bsky.social · 17/09/2026
Walter Neto studies the connections between all of us in Katharina Rabl's MEMORIES OF A FOREST, a film that is at its strongest when it approaches one question only to uncover another #TIFF26 buff.ly/FCSvNL1
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Totonto 2026 review: Memories of a Forest (Katharina Rabl)
"The film is at its strongest when, like a good researcher, it approaches one question only to uncover another" In a small conversation with Friedrich, a
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icsfilm.bsky.social @icsfilm.bsky.social · 17/09/2026
John Lynn struggles against societal expectations and family bonds in Ferit Karahan's DJINN WEDDING, a film that expands both the scope of Karahan's narrative and his visual canvas to create a powerful and immersive film #TIFF26 buff.ly/aIdsl9R
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icsfilm.bsky.social @icsfilm.bsky.social · 17/09/2026
Shahran Morshed goes to a remote island in Yoon Dan-bi's THE WORLD BEFORE, a film that gradually becomes a meditation on leaving childhood behind #TIFF26 buff.ly/ZYLmtLX
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icsfilm.bsky.social @icsfilm.bsky.social · 16/09/2026
At #Venezia83, Nataliia Serebriakova spoke with director Ignacio Masllorens and producer Laura Citarella about EL FANTASMA, the decision to turn the filmmaking process into part of the story, and why working collectively remains key to their cinema buff.ly/KGv1tQt
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icsfilm.bsky.social @icsfilm.bsky.social · 15/09/2026
Marc van de Klashorst travels from one jungle to another in Juan Andrés Arango's WHERE THE RIVER BEGINS, a moving rumination on the resilience of its displaced people and the power of memory #TIFF26 buff.ly/rP42QTR
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icsfilm.bsky.social @icsfilm.bsky.social · 14/09/2026
John Lynn wanders the slums of Manilla in Lawrence Fajardo's SILENCED NIGHTS, a shocking and infuriating film, and a bleak and shocking criticism of the power of the police state and the institutions it controls #TIFF26 buff.ly/aGdcPdo
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icsfilm.bsky.social @icsfilm.bsky.social · 13/09/2026
Matthew Joseph Jenner goes far to his art in Ghasideh Golmakani's HEAD TO HEAD, a brilliant, subversive and frequently hilarious satire on gender, political resistance and the power of small acts of defiance #Venezia83 buff.ly/RhKTnLS
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icsfilm.bsky.social @icsfilm.bsky.social · 13/09/2026
Marc van de Klashorst balances on the thin line between genius and madness in Ilya Khrzhanovsky's DAU, a film that is transfixing, mesmerizing, infuriating, and frightening, sometimes all at the same time #Venezia83 buff.ly/NXtW5Jq
icsfilm.org
Venice 2026 review: DAU (Ilya Khrzhanovsky)
"Transfixing, mesmerizing, infuriating, and frightening, sometimes all at the same time" Megalomaniacal. Problematic. Insane. The Stalinist Truman Show. A
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icsfilm.bsky.social @icsfilm.bsky.social · 13/09/2026
John Lynn hunts for Omar E. Ospino GIraldo's THE BOVINE WITH THE CURVED HORS, a beautiful and haunting film that presents societal change through the eyes of a child who may not completely understand what is happening #TIFF26 buff.ly/2kirf5s
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icsfilm.bsky.social @icsfilm.bsky.social · 12/09/2026
Marc van de Klashorst dabbles in artifical narritives in Bibiana Rojas Gómez and Juan David Cárdenas's THE END OF TIMES, must-see for anyone interested in the fraught overlap between art and AI #Venezia83 buff.ly/GgtHpQV
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Venice 2026 review: The End of Times (Bibiana Rojas Gómez & Juan David Cárdenas)
"A must-see for anyone interested in the fraught overlap between art and AI" The truth is what you make it. Certainly in this age of AI and deepfakes and
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icsfilm.bsky.social @icsfilm.bsky.social · 12/09/2026
Nicol Latayan builds a church in Lav Diaz's LET US THROUGH, DEAR ANCESTORS, in which Diaz effectively demonstrates how colonialism continues to shape Philippine society in the present #Venezia83 buff.ly/mo8d29T
icsfilm.org
Venice 2026 review: Let Us Through, Dear Ancestors (Lav Diaz)
"Diaz effectively demonstrates how colonialism continues to shape Philippine society in the present" 2016 Golden Lion winner and auteur Lav Diaz returns
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icsfilm.bsky.social @icsfilm.bsky.social · 12/09/2026
John Lynn puts on his hiking shoes in Irene Dionisio's IDDA, a film whose skillful presentation and investigation of memory, desire, and friendship shows a filmmaker with a strong visual sensibility and plenty of ideas #TIFF26 buff.ly/jT0T4ES
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icsfilm.bsky.social @icsfilm.bsky.social · 12/09/2026
Marc van de Klashorst undregoes plastic surgery in Afsaneh Salari's TEHRAN, UNDER THE SKIN, a fascinating documentary about young women taking more autonomy over their bodies by changing their body to gain ultimate beauty #TIFF26 buff.ly/POtCx1j
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icsfilm.bsky.social @icsfilm.bsky.social · 11/09/2026
John Lynn seeks to improve himself in Tom Nicoll's astute and pointed debut SALVATION, a film that sharply tackles the idea of life coaching, social media influence, and the monetization of self-improvement #TIFF26 buff.ly/Na8YHbL
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icsfilm.bsky.social @icsfilm.bsky.social · 11/09/2026
John Lynn sniffs John Trengrove's THE SMELL OF APPLES, a thoughtful and well crafted film that gives a personal perspective on a particularly dark period in South Africa’s history #TIFF26 buff.ly/T9qvbI8
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