Alejandro Inarritu’s meta-comedy riff on 'Doctor Strangelove' isn’t as funny or clever as it thinks it is.

'Forgotten Island' is a bombastic new animated movie from the team behind 'Puss in Boots: The Last Wish,' and it's one of the best animated movies of the year.

Robert Pattinson is a revelation as a distorted, grotesque interpretation of 'To Catch a Predator host' Chris Hansen in the surreal new thriller, 'Primetime.'

'Slow Horses' reaches new levels of maturity and complexity in its sixth season.

'Hope' director Na Hong-jin reveals the original script was "too long and too dense for a single movie."

Director Na Hong-jin explains why the aliens of 'Hope' look that way, what changed since the Cannes cut, and whether he has plans for a sequel.

Once canceled, miraculously saved, 'Coyote vs. Acme' is the best live-action animation hybrid of this century, and the best meta-comedy this side of 'Barbie.'

Jacob Elordi brings a soulfulness to Ridley Scott’s somewhat standard post-apocalyptic drama.

'It Ends' director Alexander Ullom talks about the ambiguous ending of his cerebral thriller — at least, as much as he can.

'The Samurai and the Prisoner' director Kiyoshi Kurosawa speaks about why he doesn't consider his movie to be a true mystery film.

A Stephen King-inspired thriller takes a turn for B-movie schlock.

'The Bear' and 'Spider-Man: Brand New Day' actress talks playing Spidey’s police ally, and how locked-down those scripts really are.

The fourth Tom Holland Spider-Man movie is both a soft reboot and the same-old story.

Na Hong-jin's 'Hope' is a nonstop sci-fi thriller that goes off the rails in the best way possible.

'Avatar Aang: The Last Airbender' is a stunningly animated adventure that effortlessly brings us back into the world.

The 'Brand New Day' director assures fans of the original anime that his 'Naruto' movie will be a loyal remake.

'Star Trek: Strange New Worlds' star Rebecca Romijn sits down with Inverse to reflect on the show's final seasons, and her role in one of the biggest blockbusters of the year.

Tom Hiddleston is a "Time Detective" investigating the burial of Pompeii in National Geographic's 'Pompeii: Out of Time.'

'The Odyssey' makes one major change to the Homeric epic that recontextualizes the entire story. But it's not the one you think.

Christopher Nolan's apocalyptic adaptation of the Homeric epic is grand and grave — and the version we need now. Read our review of 'The Odyssey.'

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'The Sheep Detectives' is shockingly great. No ifs, ands, or baaahs about it.

Brushed off when it was released in 2016, Nicolas Winding Refn's 'The Neon Demon' has only gotten better with age.

Milly Alcock's Woman of Tomorrow gets a throwback cosmic adventure in Craig Gillespie's 'Supergirl.'

Writer-director Michael Sarnoski reveals how the original tale inspired him to make a movie that unpacks and reimagines the hero Robin Hood.

'Toy Story 5' pits Jessie, Woody, Buzz, and co against the terrifying new technology pushing out toys: tablets.

'The Death of Robin Hood' stars Hugh Jackman as the aging hero of folklore, made human.

Steven Spielberg's latest movie is an ambitious and fascinating culmination of all his best sci-fi films.

Prime Video's Spider-Verse series embraces its gimmick and soars for it.

In 'Silent Friend,' Tony Leung's scientist wonders whether plants are communicating with us — and whether we can communicate back. But how much actual science is there in plant "intelligence"?

The Mandalorian and Grogu's first big-screen adventure is barely a movie. It's three episodes of the show smushed together.

The new Punisher special is more of a coda for the Netflix era than the bridge between Marvel TV and the MCU that fans may have been hoping for.

Director David Lowery digs into the ghost-story twist of 'Mother Mary,' and the surprising inspiration that came from a polarizing 1981 horror movie.

'Beef' Season 2 expands its social satire with a star-studded new feud, and bites off more than it can chew.

Ian McKellen and Michaela Coel talk art, fame, and working with Steven Soderbergh on 'The Christophers.'

At the Space House at the 2026 SXSW Festival, innovations and technology in space get the spotlight.

Three movies at SXSW use their sci-fi premises to tell human stories, some more successfully than others.

The second season of the Disney+ revival gets stuck spinning its wheels in an occasionally thrilling, often frustrating, new chapter for the Devil of Hell’s Kitchen.

Adam Scott stars in 'Hokum,' a bone-chilling ghost movie that proves that old-fashioned scares can still be the most terrifying.

Jason Segel and Samara Weaving are a match made in hell in Jorma Taccone’s misguided remake of the Norwegian action horror.

Bob Odenkirk is a sheriff who arrives in a very violent town in 'Normal,' a wild new action thriller from director Ben Wheatley.

Vince Vaughn, James Marsden, and Eiza González are the perfect trio in the madcap time-travel romp 'Mike & Nick & Nick & Alice.'

Two new documentaries try to unpack the rise of AI. Here's what 'The AI Doc' and 'Ghost in the Machine' tells us, and don't tell us, about our future.

A24's new horror movie 'Undertone' is a lesson in how to make great audio design terrifying.

Andy Weir’s hit speculative sci-fi gets a crowdpleasing adaptation that soars by the strength of the charisma of its star and adorable alien creature.

Maggie Gyllenhaal's 'The Bride!' is a stylish, garish, and soulless "sequel" to Mary Shelley's 'Frankenstein.'