Australian producer Late June builds a captivating progressive groove from soft vocals, dreamy synths, deep bass and carefully layered electronic textures

Mike Bentley unveils “The Old Lion,” the first single from his upcoming Stand or Fall album, delivering a deep progressive house journey driven by punchy drums, a moving sub-bassline, sweeping chords,...

German producer Sonuit delivers an experimental electronic cut on EQUINOKS, combining tribal percussion, organic textures and unusual melodic elements on “Space Between A”

DJ Sabrina The Teenage DJ blends punchy drums, retro synth tones and glitchy electronic textures on “Junior Beat,” released via her Spells On The Telly label

American producer Stefan Rose delivers “Sardegna,” a hypnotic electronic cut on UGENIUS’ CAVALRY XIII compilation, built around a filtered arpeggio, rolling sub-bass, and evolving synth textures

U.S. producer Helix delivers a hard-hitting Bass House cut on “Normal Intention,” driven by distorted low end, clipped drums, and intricate synth sound design

Fakear blends organic house, jazz-inspired textures and disco rhythms on “see u smile (all of my love),” taken from the album A Nice Place to Be

Russian producer Egynegy blends Tech House and Bass House on “Missed Call,” driven by a phone-inspired synth hook, powerful low end and sharp digital sound design

German producer Loco Dice blends driving hip-hop rhythms, gliding low end and futuristic sound design on “Eyes on Me,” released via Universal Music

U.S. producer Miester delivers a hypnotic melodic techno cut on Poor Enjoyment Black, built around delayed melodies, resonant synths and a steady club beat

Yannick Mueller brings house rhythms and indie disco musical influences together on “Vibin,” built around punchy drums, deep bass and a pulsating synth line

NAFEL delivers a driving Tech House cut on Harebe, built around a rolling bassline, filtered vocals, electric synth textures and evolving drum patterns

Australian producer Montêtna delivers a driving deep house cut on EELF Records, built around shuffling percussion, layered vocals, piano chords and organic bass

French producer Isaac Gueye delivers a hypnotic electronic cut built around a prominent guitar loop, dreamy vocals, evolving chords and subtle acid textures

Australian producer James Slaz blends soothing vocals, organic drums and analog-inspired bass with orchestral chords and evolving synth textures on “The Reason”

Bermudian producer and DJ Damon DeGraff teams up with Jimmy October on an Afro House cut driven by rolling bass, tribal percussion and vibrant guitar textures

David Penn and UK duo House Of Molly deliver a polished Tech House cut on Cr2 Records, driven by punchy drums, an offbeat bassline and commanding vocals

American producer UNPAVED delivers a polished melodic house cut on “Octavia,” built around lush chords, precise drums evolving synth textures

Macedonian producer 9DEEP joins Argentine artist Bodaishin for an organic, atmospheric cut on Saisons, built around deep horns, rolling bass and evolving melodies

French duo Boutcha Bwa steps in for remix duties on LW2’s “Look at My Outfit,” giving the original a fast-forwarded, bass-heavy makeover

Darin Epsilon and Lacey shape “Ghost” around rolling progressive grooves, warm plucky melodies and an understated late-night atmosphere

Rowland Giles, Alex Adair and Courtney Storm bring lush chords, sophisticated vocals and a driving bassline together on “Settle Down”

Italian collective FUCK!LACRÈME’s “Welcome To My Crib” gets a hypnotic, glitch-heavy remix from French artist Flore, released via Beat Machine Records

Julien Lambies delivers a driving Tech House cut on iM Electronica, built around filtered kicks, rolling bass and tribal percussion

French producer Nicaré delivers a hypnotic progressive house cut on Sound Avenue, driven by rolling bass, evolving piano motifs and trippy atmospheric textures