With distribution so hard to come by, festivals have become an increasingly important way for arthouse films to connect with audiences.

Yuval Abraham and Rachel Szor break down the mechanisms of Israel’s war machine, including those with their hands on its levers and those who are mere cogs within

The movie is so convinced of its own brilliance that it cannot see it is in fact the most banal variety of idiot

Wilson’s overarching vision is ugly yet beautiful, simple yet profoundly strange

Pattinson plays Chris Hansen, the journalist whose series, To Catch a Predator, marked an inflection point for trash TV

The film dramatizes the rise and fall of NBC’s controversial To Catch a Predator reality series

This year’s festival felt as if it was using a handful of exhilarating moments to paper over many, larger structural fissures and fault lines

Zach Cregger’s gory video-game adaptation moves into a wildly entertaining new direction

Rarely making a dent outside of the province, it has now become crucial to the existential battle for Canadian cultural sovereignty

Top of mind for Canadian producers is uncertain state of Online Streaming Act during trade war with U.S.

Barker recounts his journey from budding filmmaker to creator of a cultural craze

Cobden is walking into Toronto feeling like decades of hard work have paid off

There was a cognitive dissonance in the geopolitical air that the festival could not help but uneasily brush against