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Hannah van Binsbergen

@hannahvanbins.bsky.social
493 followers 92 following 19 posts

Schrijver. Poëzie & socialisme. Laatste boek: Kokanje. Volgende boek: De Garde (verwacht 2026). Oprichtend hoofdredacteur Jacobin Nederland.

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Hannah van Binsbergen @hannahvanbins.bsky.social · 05/07/2026
Summer zine illstarredletter.substack.com/p/ill-starre...
illstarredletter.substack.com
ill-starred summer special vol I
letter becomes big fat magazine. Games, comics, plays, and stories from H and friends.
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Hannah van Binsbergen @hannahvanbins.bsky.social · 28/08/2025
open.substack.com/pub/illstarr...
open.substack.com
This fall: Thursday in six parts
read my speculative novella about an ancient language at the edge of a forest
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Hannah van Binsbergen @hannahvanbins.bsky.social · 28/08/2025
From September 19, I will be posting a chapter every two weeks, on the same day of the week that the story takes place. There are six instalments. The final one will appear at the end of autumn. The first chapter will be open to everyone, the rest will only be available to paying subscribers.
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Hannah van Binsbergen @hannahvanbins.bsky.social · 28/08/2025
Thursday is the story of a community. Every weeknight, the families gather. They repeat the sounds of an ancient language, preserving it from oblivion. But there is a history the community has forgotten. And there is something or someone in the forest outside, waiting to come back in.
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Hannah van Binsbergen @hannahvanbins.bsky.social · 28/08/2025
In 2024 I wrote a story about what could come after a time of death. It is my way of thinking through these times. In my mind it is very much about both the Palestinian genocide and the destruction of the living world, but it does not reference these things directly. It is a kind of parable.
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Hannah van Binsbergen @hannahvanbins.bsky.social · 28/08/2025
From September 19 you can read my novella Thursday on Substack. Description below.
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Hannah van Binsbergen @hannahvanbins.bsky.social · 21/08/2025
Read the full essay: illstarredletter.substack.com/p/are-we-doo...
illstarredletter.substack.com
Are we doomed yet?
I might be worried about my income, but not about the future of literature. Machines and writing have a more harmonious past than you might think.
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Hannah van Binsbergen @hannahvanbins.bsky.social · 21/08/2025
The old techniques of alienation don’t work anymore. The reader is pre-alienated, already suspicion of the humanity behind written text. The new machine poetry plays with that suspicion, and encourages us to be suspicious of the robotic tendencies in ourselves and our favourite human writers.
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Hannah van Binsbergen @hannahvanbins.bsky.social · 21/08/2025
The problem is that there is nothing random about LLMs. They are not surprising, and have gone to great pains to not be uncouth. The response to them in the first generation of AI poetry reflects this break with the machine poetry of the past.
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Hannah van Binsbergen @hannahvanbins.bsky.social · 21/08/2025
Poets who embraced machines, from Tzara to flarf, did so because of the surprising, ludicrous results they yielded ran contrary to the expectations that readers had of poetry. Chance combination can open up possibilities that a mind can’t see.
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Hannah van Binsbergen @hannahvanbins.bsky.social · 21/08/2025
Long before there was internet, there have been language generation machines, and poets have loved fiddling with them.
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Hannah van Binsbergen @hannahvanbins.bsky.social · 21/08/2025
But where in visual art there is a fair bit of exploration of the possibility of a serious art made with AI, I haven’t seen a lot to that extent in literature (there are exceptions, of course). But there is a ready-made tradition for it.
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Hannah van Binsbergen @hannahvanbins.bsky.social · 21/08/2025
The response of the book industry to AI has been mostly defensive, emphasising the uniqueness of human writers and translators. It’s a game of real vs fake, original vs knockoff. I get it, it’s their copyright being infringed upon.
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Hannah van Binsbergen @hannahvanbins.bsky.social · 21/08/2025
They mimic emotion and consciousness astonishingly well. According to ChatGPT-5, its system is ‘weighted toward choosing certain patterns of words that align with being polite, clear and empathetic.’ And this makes LLMs bad, bad writers.
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Hannah van Binsbergen @hannahvanbins.bsky.social · 21/08/2025
AI generated literature is drivel, because the text LLMs produce are meant to be the opposite of literature: smooth, reassuring and inoffensive. And, ultimately, deceitful, because models like ChatGPT are made to conceal what they actually are: not a human voice, but a fancy text predictor.
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Hannah van Binsbergen @hannahvanbins.bsky.social · 21/08/2025
🧵I might be worried about my income, but not about the future of literature. Machines and writing have a more harmonious past than you might think. illstarredletter.substack.com/p/are-we-doo...
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Hannah van Binsbergen @hannahvanbins.bsky.social · 04/08/2025
❤️❤️❤️
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Hannah van Binsbergen @hannahvanbins.bsky.social · 04/08/2025
An often overlooked way for literature to be political is to be of use to a revolutionary actor. Not primarily to instruct or to propagate, but to furnish the difficult work of politics with imagination. read more: illstarredletter.substack.com/p/an-ill-sta...
illstarredletter.substack.com
an ill-starred letter
to the readers of the future
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Hannah van Binsbergen @hannahvanbins.bsky.social · 04/08/2025
Hey everyone, I started a newsletter about literature and the left: the ill-starred letter. illstarredletter.substack.com?r=49bt0&utm_...
illstarredletter.substack.com
the ill-starred letter | Hannah van Binsbergen | Substack
The ill-starred letter is substack by Hannah van Binsbergen, author and poet, on literature and the left. Click to read the ill-starred letter, by Hannah van Binsbergen, a Substack publication. Launch...
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