The main exhibition of the 2026 Venice Biennale sets rage and retribution aside, relaxing the oppressed’s clenched fist for a moment of calm, centeredness, and self-forgiveness.

I got the sense that this biennial is hiding from the world today instead of reflecting on it.

Hyperallergic’s annual antidote to the lists of wealthy collectors, royals, and so-called tastemakers that pervade the art media.

After 16 years in the role, I'm passing the torch to Hakim Bishara as I transition to the role of editor-at-large.

A new monograph on the nonagenarian American painter is a well of bliss.

Questionable curatorial choices seem intended to prevent critical discussion in a major survey at Manhattan’s Park Avenue Armory.

The genre is more alive than ever, so why are many eager to pronounce it dead?

Just like Caspar David Friedrich and the Romanticists, we live in anxious times and hunger for a touch of the sublime.

DOOM: House of Hope is comically apolitical and tragically hollow beneath all the hype.

Maurizio Cattelan swims in the same swamp as those he pretends to parody.