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Francisco Goya

@franciscogoya.bsky.social

864 followers 3 following 3.8K posts

Francisco José de Goya y Lucientes was a 19th century Spanish painter and printmaker. 1746-1828 #artbots by @andreitr.bsky.social and @botfrens.bsky.social linktr.ee/goya_artbot

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Francisco Goya @franciscogoya.bsky.social · 3h

Fernando VII www.wikiart.org/en/francisco-goya/f…

Fernando VII

Francisco Goya @franciscogoya.bsky.social · 6h

Heal Them and On to the Next www.harvardartmuseums.org/collectio…

Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund

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Francisco Goya @franciscogoya.bsky.social · 9h

Queen María Luisa Wearing a Mantilla www.wikiart.org/en/francisco-goya/q…

Queen María Luisa Wearing a Mantilla

Francisco Goya @franciscogoya.bsky.social · 11h

The Agility and Audacity of Juanito Apiñani in [the ring] at Madrid www.harvardartmuseums.org/collectio…

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer

Francisco Goya @franciscogoya.bsky.social · 04/10/2026

Ya van desplumados collections.artsmia.org/art/80330

binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers
Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority.

Francisco Goya @franciscogoya.bsky.social · 04/10/2026

The Duke of Wellington www.wikiart.org/en/francisco-goya/t…

The Duke of Wellington

Francisco Goya @franciscogoya.bsky.social · 04/10/2026

Mariano Goya www.wikiart.org/en/francisco-goya/m…

Mariano Goya

Francisco Goya @franciscogoya.bsky.social · 04/10/2026

Tantalo collections.artsmia.org/art/80319

binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers
Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority.

Francisco Goya @franciscogoya.bsky.social · 04/10/2026

Everything Is Topsy-Turvy collections.artsmia.org/art/58077

Plate 42

Francisco Goya @franciscogoya.bsky.social · 03/10/2026

Unos á otros collections.artsmia.org/art/80387

binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers
Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority.

Francisco Goya @franciscogoya.bsky.social · 03/10/2026

Ruega por ella collections.artsmia.org/art/80342

binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers
Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority.

Francisco Goya @franciscogoya.bsky.social · 03/10/2026

Que se la llevaron collections.artsmia.org/art/80318

binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers
Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority.

Francisco Goya @franciscogoya.bsky.social · 03/10/2026

Sin Recomendarse A Dias Ni Al Diablo collections.artsmia.org/art/58292

Plate 15

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Francisco Goya @franciscogoya.bsky.social · 03/10/2026

Poet Moratín www.wikiart.org/en/francisco-goya/p…

Poet Moratín

Francisco Goya @franciscogoya.bsky.social · 02/10/2026

Will she rise again? www.wikiart.org/en/francisco-goya/w…

Will she rise again?

Francisco Goya @franciscogoya.bsky.social · 02/10/2026

El Vergonzoso collections.artsmia.org/art/80364

binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers
Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority.

Francisco Goya @franciscogoya.bsky.social · 02/10/2026

Time of the Old Women www.wikiart.org/en/francisco-goya/t…

Time of the Old Women

Francisco Goya @franciscogoya.bsky.social · 02/10/2026

What Courage collections.artsmia.org/art/57863

Plate 7

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Francisco Goya @franciscogoya.bsky.social · 02/10/2026

Dismemberment of the corpse of Jesuit Brefeb www.wikiart.org/en/francisco-goya/d…

Dismemberment of the corpse of Jesuit Brefeb

Francisco Goya @franciscogoya.bsky.social · 01/10/2026

Here comes the bogey-man www.wikiart.org/en/francisco-goya/h…

Here comes the bogey-man

Francisco Goya @franciscogoya.bsky.social · 01/10/2026

Boy on a Ram www.artic.edu/artworks/111559

As a painter to the king of Spain, Francisco de Goya produced designs for tapestries for the royal residences, to be woven at the king's tapestry works. The artist made small oil sketches to work out the designs, followed by full-scale painted cartoons that served as guides for the weavers. This cartoon is for a tapestry in a series decorating the dining room of the Prince of Asturias, in the Palace of El Pardo, outside Madrid. The room's large panels illustrate a traditional decorative subject, the Four Seasons, but Goya exercised his imagination in the smaller panels above the doors, producing scenes of children and animals like this one. Goya's remarkably fresh, original tapestry cartoons are mostly preserved in the Museo del Prado, Madrid.

Gift of Mr. and Mrs. Brooks McCormick

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Francisco Goya @franciscogoya.bsky.social · 01/10/2026

Duke of San Carlos www.wikiart.org/en/francisco-goya/d…

Duke of San Carlos

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Francisco Goya @franciscogoya.bsky.social · 01/10/2026

Witches in the Air www.wikiart.org/en/francisco-goya/w…

Witches in the Air

Francisco Goya @franciscogoya.bsky.social · 30/09/2026

The Arrest of Christ www.wikiart.org/en/francisco-goya/t…

The Arrest of Christ

Francisco Goya @franciscogoya.bsky.social · 30/09/2026

This is How it Happened www.harvardartmuseums.org/collectio…

Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund

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Francisco Goya @franciscogoya.bsky.social · 30/09/2026

The bagged www.wikiart.org/en/francisco-goya/l…

The bagged

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Francisco Goya @franciscogoya.bsky.social · 30/09/2026

Loyalty www.wikiart.org/en/francisco-goya/l…

Loyalty

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Francisco Goya @franciscogoya.bsky.social · 30/09/2026

Woman battered with a cane www.wikiart.org/en/francisco-goya/w…

Woman battered with a cane

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Francisco Goya @franciscogoya.bsky.social · 29/09/2026

Neither Do These collections.artsmia.org/art/57907

Plate 11

Francisco Goya @franciscogoya.bsky.social · 29/09/2026

Soplones collections.artsmia.org/art/80358

binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers
Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority.

Francisco Goya @franciscogoya.bsky.social · 29/09/2026

Allá vá eso collections.artsmia.org/art/80376

binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers
Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority.

Francisco Goya @franciscogoya.bsky.social · 29/09/2026

There it goes www.wikiart.org/en/francisco-goya/t…

There it goes

Francisco Goya @franciscogoya.bsky.social · 29/09/2026

The Morisco Gazul is the First to Fight Bulls with a Lance www.wikiart.org/en/francisco-goya/t…

The Morisco Gazul is the First to Fight Bulls with a Lance

Francisco Goya @franciscogoya.bsky.social · 28/09/2026

It Always Happens collections.artsmia.org/art/57697

Plate 8

Francisco Goya @franciscogoya.bsky.social · 28/09/2026

The Old Woman with a Mirror www.wikiart.org/en/francisco-goya/t…

The Old Woman with a Mirror

Francisco Goya @franciscogoya.bsky.social · 28/09/2026

Don Manuel Osorio Manrique de Zuniga www.wikiart.org/en/francisco-goya/d…

Don Manuel Osorio Manrique de Zuniga

Francisco Goya @franciscogoya.bsky.social · 28/09/2026

And It Cannot Be Changed www.wikiart.org/en/francisco-goya/a…

And It Cannot Be Changed

Francisco Goya @franciscogoya.bsky.social · 28/09/2026

María Luisa of Parma wearing panniers www.wikiart.org/en/francisco-goya/m…

María Luisa of Parma wearing panniers

Francisco Goya @franciscogoya.bsky.social · 27/09/2026

Sopla collections.artsmia.org/art/80379

binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers
Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority.

Francisco Goya @franciscogoya.bsky.social · 27/09/2026

Portrait of Pedro Mocarte, a Singer of the Cathedral of Toledo www.wikiart.org/en/francisco-goya/p…

Portrait of Pedro Mocarte, a Singer of the Cathedral of Toledo

Francisco Goya @franciscogoya.bsky.social · 27/09/2026

Portrait of José Antonio, Marqués de Caballero www.wikiart.org/en/francisco-goya/p…

Portrait of José Antonio, Marqués de Caballero

Francisco Goya @franciscogoya.bsky.social · 27/09/2026

They Carried her Off www.wikiart.org/en/francisco-goya/t…

They Carried her Off

Francisco Goya @franciscogoya.bsky.social · 27/09/2026

It Serves You Right collections.artsmia.org/art/57868

Plate 6

Francisco Goya @franciscogoya.bsky.social · 26/09/2026

Cardinal Luis Maria de Borbon y Vallabriga www.wikiart.org/en/francisco-goya/c…

Cardinal Luis Maria de Borbon y Vallabriga

Francisco Goya @franciscogoya.bsky.social · 26/09/2026

Do Not Lose Honor Through Fear: Folly of Fear www.harvardartmuseums.org/collectio…

Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund

000

Francisco Goya @franciscogoya.bsky.social · 26/09/2026

Portrait of Don Francisco de Borja Tellez Giron www.wikiart.org/en/francisco-goya/p…

Portrait of Don Francisco de Borja Tellez Giron

Francisco Goya @franciscogoya.bsky.social · 26/09/2026

Still life with fruit, bottles, breads www.wikiart.org/en/francisco-goya/s…

Still life with fruit, bottles, breads

Francisco Goya @franciscogoya.bsky.social · 26/09/2026

Gaspar de Guzman, Count of Olivares and Duke of Sanlucar www.harvardartmuseums.org/collectio…

Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund

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Francisco Goya @franciscogoya.bsky.social · 25/09/2026

Franco Goya y Lucientes, Pintor collections.artsmia.org/art/9070

contemporary binding: mottled calf, gilt tooled with a green panel on spine lettered: CAPRICH DE GOYA; endpapers: contemporary Spanish marbled papers
Francisco Goya’s series Los Caprichos contains layers of meaning that even today challenge the modern viewer. Mia’s copy is a rare presentation proof containing early printings of all eighty images. In the first half, Goya explored themes of superstition, sensuality, greed, and violence with scenes set in Spanish brothels, salons, and prisons. The second half is given over to fantastic images from the artist’s dreams and nightmares. Even though Goya tried to disguise his attacks on Spanish society, he withdrew the set from sale because he had been reported to the Inquisition, a tribunal that ruled with lethal authority.

Francisco Goya @franciscogoya.bsky.social · 25/09/2026

Other laws by the people or beast Absurdity www.wikiart.org/en/francisco-goya/o…

Other laws by the people or beast Absurdity