iiinova — where your digital self keeps evolving

INTERVIEW WITH THE VAMPIRE, the heartthrob crossroads of Tom Cruise, Brad Pitt, and Antonio Banderas, gets its first 4K-UHD revival. filmobsessive.com?p=307656

A man folds his arms near a shelf of candelabras in Interview With a Vampire.

000

Michelle Gomez chats with Film Obsessive about how making THE INCOMER made her fall in love with her Scottish pride all over again. filmobsessive.com?p=307621

000

DIGGER posits a satire within a satire that makes its own conclusions, taking that power away from its audience. filmobsessive.com?p=307706

A man poses with a shovel on a step next to a large fireplace in Digger.

000

Film Obsessive @filmobsessive.com · 28/09/2026

2006's 'STEP UP' spawned a popular dance franchise and made Channing Tatum a star. Does it stand the test of time? filmobsessive.com?p=307432

000

Fresh from TIFF 2026, a capsule of three East Asian films dealing with fraught history, inherited terror, and teenage ennui. filmobsessive.com?p=306638

From left to right: Park Cheol-gu (Yoo Hai-jin), Kim Jae-hwan (Park Hae-il), and Han Young-il (Lee Min-ho) discuss the details of an assassination attempt while in a recording studio.

Film Obsessive @filmobsessive.com · 28/09/2026

ALL THE PRESIDENT'S MEN has remained relevant by being about more than the historical event that inspired this victory lap for journalism. filmobsessive.com?p=307220

Dustin Hoffman and Robert Redford in ALL THE PRESIDENT'S MEN (1976). Warner Bros. Screen capture off DVD. Woodward and Bernstein go over how to write up an article at the Washington Post offices.

000

Film Obsessive @filmobsessive.com · 27/09/2026

HA-CHAN, SHAKE YOUR BOOTY! moves through a universally painful experience with infectious, sure-footed grace. filmobsessive.com?p=307643

031

Film Obsessive @filmobsessive.com · 27/09/2026

The cinematic fatalities of MORTAL KOMBAT II welcome back returning guest Mark Krawczyk to the Cinephile Hissy Fit. filmobsessive.com?p=307300

KARL URBAN as Johnny Cage in New Line Cinema’s “Mortal Kombat II,” a Warner Bros. Pictures release. Johnny Cage in the hellish Nether Realm.

000

Film Obsessive @filmobsessive.com · 26/09/2026

THREE BLUE BOATS is a quietly devastating short film from director David Higgs, carried by striking imagery and two remarkable young leads. filmobsessive.com?p=307532

Lox Pratt and Stanley Kemp as two brothers in 3 Blue Boats.

000

Film Obsessive @filmobsessive.com · 26/09/2026

Lance Oppenheim's PRIMETIME is a surreal descent into the world of Chris Hansen, fusing fact and fiction in a messy yet singular experience. filmobsessive.com?p=307565

Robert Pattinson's Chris Hansen stands next to a window as it pours outside.

000

Film Obsessive @filmobsessive.com · 26/09/2026

The second part of Julia Loktev's MY UNDESIRABLE FRIENDS follows its cast of resistance journalists across the corners of Europe. filmobsessive.com?p=307382

Ksenia Mironova and Valeria Ratnikova rest and lean on each other in winter wear during a long car ride in Istanbul.

000

The trailer for YOU CAN SEE EVERYTHING brings Nathan Fielder into uncomfortably close contact to infamous Theranos scammer Elizabeth Holmes. filmobsessive.com?p=307551

Elizabeth Holmes talking to Nathan Fielder in the trailer for You Can See Everything from A24.

THE STUNT DRIVER comedically captures the inspiring effort of Ken Carter to jump a mile-wide river in a rocket car because it sounded cool. filmobsessive.com?p=307521

(L-R) Jay Baruchel and Ed Helms in THE STUNT DRIVER (2026). IFC Films. Stunt driver Ken Carter chats with Dick Keller while they inspect their yellow rocket car.

000

HEART OF THE BEAST might feature Brad Pitt's one-man survival movie entry on his great actor resume, but the dog steals the show. filmobsessive.com?p=307486

A combat veteran dog sits on a stony beach in Heart of the Beast

000

Film Obsessive @filmobsessive.com · 24/09/2026

ANCHORS AWEIGH mixes all of life's heavy emotions together to spit out something ugly, silly, and stupid in the best way. filmobsessive.com?p=307477

The main character with an episode of "Family Guy" in the background

000

Danny Boyle's INK is a frenetic, purposeful, if not deeply flawed origin story for the disinformation era. filmobsessive.com?p=307213

Larry Lamb (Jack O'Connell) watches as copies of The Sun are printed at great speed through the printing press machines.

001

Film Obsessive @filmobsessive.com · 24/09/2026

BATMAN: KNIGHTFALL PART 1 adapts the first third of the infamous Bane-centered epic comic storyline from the 1990s. filmobsessive.com?p=307358

Batman leans towards an opponent in Batman: Knightfall Part 1: Knightfall

000

THE LOVE HYPOTHESIS, the latest romantic comedy from director Claire Scanlon makes you wonder if vocabulary and science are sexy. filmobsessive.com?p=307465

A woman and man look affectionately at each other on a park bench in The Love Hypothesis.

001

TIFF 2026 People's Choice Midnight Madness winner LADIES AND GENTLEMEN, BRIAN MULRONEY is carefully constructed madness. filmobsessive.com?p=307370

Brian Mulroney's head photoshopped onto a vampire-like body

000

Anna Biller's THE FACE OF HORROR, an intimate look at identity in MASC, and more reviews from the 2026 Toronto International Film Festival. filmobsessive.com?p=307332

A prince stands behind a woman lying on the bed

000

Ahead of the world premiere at the 2026 Toronto International Film Festival, actor Sam Krochmal talks power of Canadian filmmaking in YAGA. filmobsessive.com?p=307403

000

Zach Cregger's RESIDENT EVIL perfectly captures the feel of the series' trademark gameplay while delivering consistent laughs. filmobsessive.com?p=307357

Bryan (Austin Abrams) looks behind his shoulder as he grips his gun on a snowy street.

Even with a few off notes, VOICES is more exciting than any reboot, remake, or sequel of some nostalgic IP could ever hope to be. filmobsessive.com?p=307365

000

SUPERGIRL arrives on 4K-UHD, Blu-ray, and DVD physical media formats with the hope of winning over audiences that missed it in theaters. filmobsessive.com?p=307312

Milly Alcock in Supergirl (Warner Bros.)

000

There is love, awe, and femininity bubbling through all of IDDA, waiting for the moment it’s able to fully let loose. filmobsessive.com?p=307385

000

Film Obsessive @filmobsessive.com · 21/09/2026

Paula González-Nasser’s feature debut THE SCOUT adopts a fly-on-the-wall perspective, following the stressful routine of a location scout. filmobsessive.com?p=307042

000

The classic Wilmette Theatre hosts four films as part of the 12th Irish American Movie Hooley celebrating combined cinematic culture. filmobsessive.com?p=307302

000

Film Obsessive @filmobsessive.com · 21/09/2026

Richard Kelly's DONNIE DARKO remains as narratively mysterious as it is emotionally forthright, as seductive as it is unnerving. filmobsessive.com?p=306945

ake Gyllenhaal as Donnie Darko, Jena Malone as Gretchen Ross, and James Duval in the costume of Frank the rabbit, depicted in an otherwise empty movie theater in Donnie Darko.

000

Film Obsessive @filmobsessive.com · 20/09/2026

The new MASTERS OF THE UNIVERSE movie provided the exact nostalgia drug for the hosts and guests of the Cinephile Hissy Fit podcast. filmobsessive.com?p=307298

A female and male warrior speak before battle in Masters of the Universe.

000

Film Obsessive @filmobsessive.com · 20/09/2026

Film Obsessive recently spoke to write-director Tim Kasher about his latest project, Dark Sky Films' WHO'S WATCHING. filmobsessive.com?p=307116

A crazed man lit up red looking through instrument wires.

012

Film Obsessive @filmobsessive.com · 19/09/2026

TRACES OF HOME fervently, yet lovingly digs up the traumatic pasts of filmmaker Colette Ghunim's Mexican mother and Palestinian father. filmobsessive.com?p=307277

Photo of a young woman and a little girl smiling at the camera. They are outside and it is daytime.

011

Film Obsessive @filmobsessive.com · 19/09/2026

THE LIFE AND DEATHS OF WILSON SHEDD has no answers about the death penalty, merely questions and empathy for all its characters. filmobsessive.com?p=307259

Back in Black, a thriller from a Trailer Park Boys director, lets Christopher Walken shine as a funeral home owner. filmobsessive.com?p=307214

000

Florian Zeller's BUNKER has very little meaningful to say about the material isolation of the bourgeois and the wealthy. filmobsessive.com?p=307039

Sofia (Penélope Cruz) stands in the living room of her home, in distress, while Miguel (Javier Bardem) remains off in the distance.

000

The avant-garde thriller CHRONOVISOR reminds viewers that the most intriguing art does not aspire to have the largest audience. filmobsessive.com?p=307176

Anne-Laure Sellier in CHRONOVISOR. Courtesy of Grasshopper Film. Béatrice alone in her dark apartment.

THE WEIGHT, pulled to every which way by a commanding performance from Ethan Hawke, loses its ending after solid suspense. filmobsessive.com?p=307237

A group of men, one of them armed, and a woman watch a nearby group through the forest in The Weight.

001

The History of Concrete isn't really about concrete. John Wilson's explores art, money, impermanence, housing, and why we keep making things. filmobsessive.com?p=306990

The History of Concrete, directed by John Wilson.

000

SUNNY DANCER embraces its summer camp setting, but with an endearing population of ruffian teen cancer survivors. filmobsessive.com?p=307099

A group of teens scream and cheer in elation in Sunny Dancer.

000

At TIFF, the rich, lush cinematography of Paolo Strippoli’s THE SPIRAL can't make up for its distinct lack of bite. filmobsessive.com?p=307150

The family poses for a photo in the backyard

000

NEVER AFTER DARK benefits from a prevailing eerie mood as well as a decent cast, but it can't escape from being a generic ghost story. filmobsessive.com?p=307082

Moeka Hoshi in NEVER AFTER DARK, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures. Airi, a traveling medium, lights a candle in preparation for her spiritual efforts.

000

PURGATORY captures the true essence of coming-of-age movies---they're best not when they're about the big issues but instead the smallness of life. filmobsessive.com?p=307146

Beatrice and her parents in the school office

011