The Terror: Devil in Silver is available via Acorn on digital on 28 September and then DVD and Blu-ray on 5 October.

Fleeting brilliance and beautifully choreographed fight scenes arguably make for a Gonzo masterstroke in this convoluted world.

Expert choreography and a series of unique spins on the zombie demonstrate they’re the most adaptive of all screen monsters.

An inventive film that reconciles horror’s present and past; proof that some of the genre’s oldest monsters still have more to offer.

In Trans People Are Awful, show creator Ros Watt argues that true equality also means the freedom to be abject and grotesque.

Toys with expectations, plunging through multiple layers of enigma to leave us with a claustrophobic inability to discern intentions.

Based on the critically-acclaimed videogame of the same name, director Jeremiah Kipp (Slapface) dials up the chills as he delves deeper into the lore of Brian Clarke’s cult first-person horror simulation. The film follows Rebecca Owens (Willa Holland – The O.C., Arrow), a newly certified mortician with a troubled past. After being hired at River Fields Mortuary, she takes over the night shift, but what starts out as your run-of-the-mill embalming takes an unnerving turn… As the cold, clinical lights begin to flicker, bodies begin to move on their own and Rebecca realises she is not alone.

Erik Hofstatter's story dips in and out of spectacular horrors, walking on the surface of a sea of blood slicking every vivid moment.

Serves what audiences expect, yet the underlying theme of trauma makes Evil Dead Burn resonate with unexpected depth.

Erik Hofstatter's Pain Is a Chain. Move, and I’ll Hear You is available from Aqueduct Press on 15 July.

Despite a refreshing medley of Japanese-Taiwanese folklore and an unhinged antagonist, The Curse is mostly forgettable.

The Cold Prey trilogy is available on limited edition Blu-ray from Second Sight on 6 July. Enter the draw for a copy here.

Effortlessly readable and textured with beautiful turns of phrase, like the finishing touch on an elegant evening outfit.

Affection is a debut that demonstrates remarkable restraint, despite the literary allusions and scope of writer-director BT Meza’s ideas.

The Creep Tapes Season Two is available from Acorn Media International on 1 June. Enter the draw for a Blu-ray.

A fine story, made doubly horrific in the way it makes the basic indignities, stresses and awfulness of real lives pulse with foreboding.

Nihilistically cautions that it might already be too late to wrest ourselves from the societal structures which dictate us.

A slow sense of dread, of moving towards violence, is fully realised by a score that draws out the horror lurking beneath the surface.

Despite flaws, Undertone features a soundscape so effective, you’ll find yourself conjuring your own spectres.

Sharply written and expertly directed, Ghost Killer offers a one, two, three, four punch that’ll satisfy and likely leave you wanting more.

Truly endearing and grotesquely funny, Dead Lover reminds us that cinema can be a beautifully communal experience when joy supersedes budget.

Whimsical, expressionist depictions of terror in a surreal, dreamlike unreality prove that body horror can transcend the gratuitous.

A tactile reminder of the human hand; painstaking attention makes Romo the Wolfboy appear like an artefact from the late 1800s.

Jimmy and Stiggs sucks you into a psychedelic nightmare with a vision that feels dear to the heart of a true horror fan.

V/H/S Halloween is available on Blu-ray, DVD and digital on 9 February, courtesy of Acorn Media International.

The very existence of this book is an act of resistance as surely as being queer in Victorian times or openly trans in the 21st century.