iiinova — where your digital self keeps evolving

Elizabeth Weitzman

@eweitzman.bsky.social

1.9K followers 560 following 52 posts

Film Critic for The Wrap & Time Out. Author of the Hollywood history RENEGADE WOMEN IN FILM & TV. Member, NYFCC & CCA

Posts Replies Media

Elizabeth Weitzman @eweitzman.bsky.social · 30/03/2025

Many thanks to the iconic Paris Theater for inviting me to introduce Robert Altman’s opus "Nashville" today! Few films tell us more about how we got to where we are than this one does.

051

Elizabeth Weitzman @eweitzman.bsky.social · 21/01/2025

I’ve been recommending Walter Salles’ Brazilian drama “I’m Still Here” primarily for Fernanda Torres’ extraordinary work as a woman standing firm in the face of obscene state corruption. But…there are other reasons to see it, too.

218826

Elizabeth Weitzman @eweitzman.bsky.social · 06/01/2025

Delighted for Demi, but my favorite Golden Globe winner is Fernanda Torres, so outstanding in the still-underseen “I’m Still Here”

181

Elizabeth Weitzman @eweitzman.bsky.social · 15/12/2024

It appears we’re at the point in the Die Hard-Xmas discourse where everyone urgently wants to announce they’re over the Die Hard-Xmas discourse

040

Elizabeth Weitzman @eweitzman.bsky.social · 06/12/2024

What a joy to see JAZZY—costarring Lily Gladstone--earn multiple Indie Spirit nominations. An absolute gem, and one of my favorites of the year. So glad intimate films like this one are still being recognized and honored.

020

Elizabeth Weitzman @eweitzman.bsky.social · 03/12/2024

My favorite thing about the NYFCC awards—besides that mad rush to see every great & good movie before our vote—is that we always honor such a wide range of artists. The full list is at @nyfcc.bsky.social, with THE BRUTALIST taking well-earned Best Film (and Best Actor).

020

Elizabeth Weitzman @eweitzman.bsky.social · 01/12/2024

Not one of you thought to tell me that Emilia Pérez is Lourdes from REBELDE?

130

Elizabeth Weitzman @eweitzman.bsky.social · 21/11/2024

Hoping to see just a little of that "Anora" love thrown towards Gia Coppola's tiny, tender "The Last Showgirl"-which isn't as splashy, but actually hits harder.

030