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Eva Funderburgh

@evafunderburgh.com
3.9K followers 403 following 773 posts

Artist in the Pacific Northwest. Ceramics, wood firing, and bronze.

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Eva Funderburgh @evafunderburgh.com · 29/09/2026
A messy shelf in my studio, with “don’t get cocky” written on it in sharpie
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Eva Funderburgh @evafunderburgh.com · 29/09/2026
I finished up the forest beast last night. Took a lot of revisions, but I’m really happy with it! Please, please make it through the bisque firing, my friend.
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Eva Funderburgh @evafunderburgh.com · 12/09/2026
Tree progress. I’ll have to worry less about them being mistaken for broccoli, more about being mistaken for morels. It might improve once the trunks are drier and I can add detail and more branches.
Bunch of half sculpted clay trees that do, in fact, look like janky morels.
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Eva Funderburgh @evafunderburgh.com · 12/09/2026
Making good progress with test trees. The next step is to take them all off again and make the final ones. And cut the mouth and attach the tail
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Eva Funderburgh @evafunderburgh.com · 07/09/2026
I had a tire debead (an exciting flat) in the middle of a run. Got off course, we swapped the wheel out in under 3 minutes, then went back to the start. Reran the run for my best time of the morning!
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Eva Funderburgh @evafunderburgh.com · 07/09/2026
We podiumed! @benhollis.net in second and myself in third. Such a solid weekend!
Three people on podiums in front of a box truck that says “NWRA northwest rally association”. They’ve given us pint glasses as trophies.
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Eva Funderburgh @evafunderburgh.com · 02/09/2026
Little dude is done!!
A small ceramic creature being held up by one hand. The creature is suspended by blue tape, and looks none too pleased about the situation.
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Eva Funderburgh @evafunderburgh.com · 01/09/2026
I’m making good progress on this dude. I’ll have to sculpt the little friend next.
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Eva Funderburgh @evafunderburgh.com · 21/08/2026
I have a half-done sculpture waiting for me at home, but I’ve spent all day organizing wood storage up at the kiln. It’s so satisfying, and I can’t wait for the first firing of the season!
Spoon wood cut offs to be used in the kiln. They’re in a blue crateA view of the expanded wood storage area at the kiln.  There’s a lean-to roof over a terrace, though I haven’t put the actual roofing on yetA trailer full of spruce cut offs.
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Eva Funderburgh @evafunderburgh.com · 19/08/2026
It’s so hot today, but I’m thinking ahead to fall. We’ll be wood firing as soon as the burn ban is lifted. I love this weirdo beast I’ve started for that firing.
A tall, akward clay sculpture of a beast on four wobbly legs. It’s very early in the process, and looks like a potato on some cones.
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Eva Funderburgh @evafunderburgh.com · 23/07/2026
The third event is WHEEEEEEEEE. I’ll be driving the Blue Bean at Rallycross Fest. It’s Saturday and Sun, two full days of watching folks hoon around some dirt/ gravel tracks. Also, it’s at Dirtfish, which is also where they filmed part of Twin Peaks. www.nwrallyassociation.com/spectator-ev...
A blue ford fiesta zooming towards the right, a big dust cloud behind it. Same blue fiesta swinging around a curve, heading for the left side of the screenStraight on view during a slalom. The blue fiesta is driving on dirt, a s track of dust behind it. I bet I ran over that cone in front of the car, though.
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Eva Funderburgh @evafunderburgh.com · 23/07/2026
The second is cultural. It’s the annual Seattle Art Fair. I’ll be there for the grand opening tonight with J. Rinehart Gallery. Come see this giant baby beast! The fair is tonight - Sunday, down at Lumen Field.
A big wood fired ceramic sculpture, about 21” long. It’s a smooth beast with nubby teeth and a bulbous tail. It has tiny horn nubs and little birds sitting on it.
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Eva Funderburgh @evafunderburgh.com · 16/07/2026
I’d had the phone out because we found an incredible mouse nest after moving some lumber. There was a stray little pup, with eyes still closed, perhaps dropped by a startled mom mid move. I shepherded it back to its siblings, gently covered the nest with a piece of bark, then washed my hands.
A incredible soft looking ball of moss and fur. A couple tiny pink toes and a little grey fluff are visible through a hole in the side.
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Eva Funderburgh @evafunderburgh.com · 16/07/2026
I put my phone in my pocket with the camera on, and actually got some cool photos.
A series of tiny circles, some with bits of sky, some grass, some dirt. I think it was through the fabric of the pants.
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Eva Funderburgh @evafunderburgh.com · 29/06/2026
My feed served up a surprise doppelgänger for the owl friend this morning.
A screen cap of a blue sky feed, where a weird, large eyed, little owl dude is directly over an oil painting for the cover of a fantasy book featuring a terrified polar explorer, with giant goggles.
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Eva Funderburgh @evafunderburgh.com · 19/06/2026
One last Ozette post: one of our favorite pieces of art in our house is this metaphorical portrait of Ozette by the amazing @pamwishbow.bsky.social. Pam took our brief, and gleefully returned with this perfect painting of a demon queen, just and vengeful ruler of all she can see.
A demon queen with dagger and crocodile, with border of shredded forearms.
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Eva Funderburgh @evafunderburgh.com · 18/06/2026
She got meaner since that comic. She’d chase pet sitters straight out of the house. She’d trap visiting friends in the bathroom - we told people to bring their phones so they could text for help. But she’s remained our darling. She’d endlessly demand to be held and bounced like a baby by Ben
Ben holding a very happy cat that’s curled into an egg shaped ball of fluff.
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Eva Funderburgh @evafunderburgh.com · 18/06/2026
She gave @shing.bsky.social such a stink eye when they visited, that it was memorialized in a comic.
Sketches that describe a cat as a “hate floof” and “bitterball”
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Eva Funderburgh @evafunderburgh.com · 18/06/2026
We’re saying goodbye to our sweet cat Ozette today, after nearly two decades. She’s the sweetest, softest, meanest beast ever, and definitely appears in my sculptures.
A round, slightly wall eyed cat being held by a dude in a green flannel. Ozette looking a bit regal, bit menacing.
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Eva Funderburgh @evafunderburgh.com · 25/05/2026
The repair held up great!! My friend and I both podiumed at the NW Rally Assoc. women’s clinic this weekend. To be fair, we were the only two in the stock front wheel drive class. But also, to be fair, we were fast. We beat the whole stock RWD class too! Photos by @benhollis
A little blue fiesta with an “83” on it turns hard through a muddy corner, throwing up mud. You can just see the previous repair on the front bumper The same fiesta turns hard and starts sliding on a dusty section of track. You can see the driver (me) with a white helmet looking ahead to the turn exit. Definitely turned too late, though, and I’m gonna squish a cone. No time penalty, since it’s not upright.
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Eva Funderburgh @evafunderburgh.com · 19/05/2026
This was the process! 1: The original damage. I clipped it with a car trailer while loading it for rally cross. 2. Plastic weld staples from the back 3. JB bumper weld epoxy (which has some flex) 4. Two coasts special gold leaf primer (in red) 5. 23k gold leaf ($10 worth) 6. Automotive clear coat
A close up on some chunks missing from the bumper of a ford fiestaThe back side of a car bumper. There’s a lot of little squiggly staples embedded in the plastic. This is how a “plastic weld” tool works. The front side of the same bumper. The pieces have been reassembled, but there’s still cracks. (This was before applying bumper epoxy)The bumper, with gold leaf halfway applied to the red gold leaf primer.
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Eva Funderburgh @evafunderburgh.com · 19/05/2026
I kintsugi’d our car.
A close up of a blue ford fiesta SE. While it’s seen better days, with a few scrapes on the bumper, part of the bumper has been repaired with plastic welding, bumper cement, and 23k gold leaf. There’s also a small golden “traffic safety charm” sticker in the middle of the hood. If I’d stuck that on early, I probably wouldn’t have clipped the bumper with a trailer.
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Eva Funderburgh @evafunderburgh.com · 14/04/2026
We wrapped up the firing yesterday after 50 hours. We then controlled the amount of oxygen in the kiln as it cooled - reduction cooling. This should give us really nice colors in all of the clays. It also produces dramatic flames. We won’t find out until we open it next week after it’s all cool!
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Eva Funderburgh @evafunderburgh.com · 14/04/2026
We had a crew of about six this firing, all working 8 hour shifts with two people. After my shift, I stuck around and “supervised” the next shift for a bit.
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Eva Funderburgh @evafunderburgh.com · 14/04/2026
The next 24 hours, after body reduction, is about keeping the kiln full of wood, happy, and not too hot. We put small pieces of wood in side fireboxes (getting ash throughout the kiln). The front firebox gets large chunks. We use about two cords of larger wood and one cord of kindling every time
A full cord of kindling, that we’ll stoke during the firing. It’s in a nice little hutch. One end has fir, with a sign that says “use first”. The rest is cut off hardwood scraps. The kiln at twilight. A nice flame is coming out the stack, and the moss rock in front is bright greenA piece of pizza in a cast iron pan, freshly reheated from a flat part on top of the kiln. The kiln log is behind it. Two wheel barrows of large wood pieces in front of the kiln. We use one every 5-10 min when we front stoke.
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Eva Funderburgh @evafunderburgh.com · 14/04/2026
As I woke up the next morning, I spotted the graveyard crew hard at work. “Body reduction” is where you starve the kiln of o2 at a lower temp for 30 min. The result is toastier looking pots, and also lots of flames and smoke for a little bit.
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Eva Funderburgh @evafunderburgh.com · 14/04/2026
We generally load in one day, then start it the next morning. We’ll slowly heat the kiln (aka candling), bring up the temp gradually to not shock the work. We’ve been experimenting with using a propane burner for the first couple hours. After that, we switched to our standard “campfire”.
Testing the burner before loading. We were worried it would go too far into the kiln. The photo is the inside of a brick kiln, with flames poking out through a port on the right sideSunrise, right before I started the kiln. Mt Pilchuck is silhouetted against an early morning sunrise, framed by fir treesKiln burner being used. It’s a photo of the outside of a brick kiln, with a propane burner pointed through a port. Switching to a campfire outside of the kiln. This lets us heat it gradually. The photo shows a fire in a port on the outside of a brick kiln.
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Eva Funderburgh @evafunderburgh.com · 14/04/2026
Just wrapped up the 9th firing of my wood kiln. It went super smooth! Here’s some highlights of the last 50 hours. First off: loading.
Devin smiling as he keeps an eye on us as we’re loading.
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Eva Funderburgh @evafunderburgh.com · 02/04/2026
If you’re in Seattle, my solo show will be opening this Thursday night from 5-8pm! Come say hi at the J Rinehart Gallery in pioneer square.
A view of a two part sculpture out of wood fired ceramic. It’s two beasts tucked against each other but facing out. The colors are earth tones, with white porcelain horns. It’s about 2ft long.
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Eva Funderburgh @evafunderburgh.com · 20/03/2026
I need to start new sculptures, but instead I deep cleaned my studio and organized my tools. Behold!
My studio. It’s a converted one car garage with two windows added. There’s a work bench in front of the window. Shelves on the left, a sink just out of the picture on the left, and a rolly chair 
Old maquettes on a windowsill. A wide spread of ceramic tools. 10ish ribbon style loop tools, a piece of old curtain rod, 10-12 crappy brushes, a couple giant brushes, sand paper, 6 bladed tools, 4 scoring tools, 3 rubber smoothing tools, 7 wooded smoothing tools, 5 surforms, 7 metal ribs, two serrated, and 3 rubber ribsThe tools I actually use. Two bladed tools, a scoring tool, 3 smoothing tools, a particular crappy brush, a surform blade, two ribs, and all the sandpaper
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Eva Funderburgh @evafunderburgh.com · 18/03/2026
Presenting the final sculpture!! It’s hilarious to be able to look back to my first sketch and track the progress of this beast. My instinct is was right. A pain to sculpt, but worth it! It’s titled “Storyteller”, and will be part of my solo show at J. Rinehart Gallery, opening April 2nd.
A formal photo of a ceramic sculpture. The piece is 20” wide, and features a long suffering large beast being swarmed by four rambunctious small beasts. It’s squishing one to gain some chil. Different view of the same piece. Two small beasts are climbing over the leg of the large one, yelling at each other. A close up on the coloration of one of the smaller beasts. All the coloration on both is due to the ash from the woodfiring melting into a natural glaze. Close up on the noisy two
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Eva Funderburgh @evafunderburgh.com · 18/03/2026
I built a wood hutch for the side stoke wood at the kiln. Super satisfying to make an improvement in a few hours that I’d been considering for months.
The view behind my kiln. A 14ft long series of pallets are covered with 2ft long sticks, mostly cuts off from a carpentry shop. I’ve build a basic roof of clear corrugated plastic and 2x4’s over it.
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Eva Funderburgh @evafunderburgh.com · 13/03/2026
You never know what you’ll get out of a wood kiln. All of this color and pattern on this sculpture is just wood ash melting into a natural glaze during a firing. I know the process well enough that I can *ask* the kiln for certain results. But you never know until the unload what you’ll get.
A close up on the faces of the three beasts. The wood ash is a pale green to pink, with like brown crystals on the legs.
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Eva Funderburgh @evafunderburgh.com · 13/03/2026
I’m so excited with my work from this last wood firing! This sculpture, “Squish”, is going to be part of my solo show opening on April 2nd at J. Rinehart Gallery in Seattle.
Three ceramic beasts, all leaning against each other. They’re about 12” long. They’re very emotive, but have no facial features other than eyes. Rear view of the same sculpture. Three butts, with three little tails. Their feet are widely spaced, giving more visual weight to the lean of the outside beasts against the inside. Front view of the sculptures. The three beasts snuggle together. Like if cats were friendly sausages.
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Eva Funderburgh @evafunderburgh.com · 03/03/2026
QRP with your skull art
A wood fired sculpture of a stylized skull, about 12” long. The same skull, a top view. Ash has melted onto the sculpture, giving it a range of colors from blue to yellow. The teeth are a shiny white porcelain.
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Eva Funderburgh @evafunderburgh.com · 25/02/2026
The colors of the firing were great! And I didn’t lose a single beast. We went a bit hard on the reduction cool, which bubbled some of the natural ash glazes
The middle section of a kiln, with sculptures and pots inside
The bottom of the middle stack. Iron rich stoneware has turned rust red in spots The front of the kiln. There’s some beasts up top, with splashes of dark color against minty ash
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Eva Funderburgh @evafunderburgh.com · 19/02/2026
After reloading and restarting the wood firing, it went super smooth. We wrapped it up in 48 hours, with cone 11’s everywhere in kiln. I woke up for my shift on Tuesday to find an unexpected 3” of snow on everything!
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Eva Funderburgh @evafunderburgh.com · 17/02/2026
This morning, in four short hours, we carefully placed all the sooty pots back into the kiln. There were marks from the feet of each pot, showing where it was before. We kept joking that it was a kiln so nice, we loaded it twice. It’s now running nicely, almost back to where it was before.
Two sooty beasts on a rustic table by the kiln, looking woeful. The kiln reloaded, ready for its door. The kiln with smoke coming out of the chimney. The view is from the bottom of a mossy rock below the kiln.
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Eva Funderburgh @evafunderburgh.com · 17/02/2026
So… the wood firing’s been spicy. A giant refired pot exploded at 700f, hour 10 during the firing. The crew heard it go. We peaked, and shards of pot were *everywhere*. We had no real option. We shut it down and unloaded the work. Any pot fired with a shard in it would be ruined.
A peek into the side of a wood kiln. You can see an intact sculpture, and a massive pile of shards. I’m examining a shelf in the wood kiln. Shards are everywhere. Examining a pot in the back of the kiln via headlamp, looking inside for shardsA bowl fill with flakes of ash - and one dark shard of fired clay.
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Eva Funderburgh @evafunderburgh.com · 15/02/2026
Starting off the morning by lighting the Cloud kiln for its 8th firing. We loaded it up yesterday, with the help of a full crew!
A train kiln style wood kiln, with a small candling fire out of the mouse hole to slowly heat it. The middle of the kiln as it’s being loaded. There’s beasts and pots!The bottom front rank of the kiln. Lots of mugs and a giant pot by Natasha Alphonse in the front firebox. The front rank of shelves in the wood kiln. There’s lots of pots and big beast up top!
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Eva Funderburgh @evafunderburgh.com · 11/02/2026
I’ve bisqued half my beasts for the firing, about to start the other half going. My studio is running out of space!
A huddle of beasts on a high shelf, with the reminder “don’t get cocky, kid” written on the front of the shelf.
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Eva Funderburgh @evafunderburgh.com · 07/02/2026
It’s also a surprising ingredient in these delicious candies. Hadn’t stopped me from buying them, though.
A picture of a candy called Gummy choco. It comes in a tube and in this photo it looks unflattering like deer poop. But it’s really tasty.
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Eva Funderburgh @evafunderburgh.com · 05/02/2026
This was the original sketch. I’m amused at how accurate it ended up being, for a handful of scribbles.
A photo of a sketchbook page, with some loose, gestural scribbles. A big dude is in the middle, looking long suffering. Four smaller scribbles surround it, where the four smaller beasts will finally be.
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Eva Funderburgh @evafunderburgh.com · 05/02/2026
I didn’t share any of the progress on this one, but turns out I was right. It was a big pain to sculpt, but dang, I’m happy with it.
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Eva Funderburgh @evafunderburgh.com · 05/02/2026
Had a night in, finished a giant sculpture, and took a nice bath. One week until my last bisque firing before the wood firing!
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Eva Funderburgh @evafunderburgh.com · 27/01/2026
I was letting myself get way too stressed, then I looked out my studio window and spotted the world’s largest carrot, forgotten for months.
The top of a carrot, like 3” wide, protruding from the soilA hand holding a carrot, absurdly wide and 12” long.
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Eva Funderburgh @evafunderburgh.com · 21/01/2026
Another beast ready for the bisque kiln! It’s a bit more than three weeks before my wood firing. It’s the final stretch! I still have a lot I want to sculpt between now and then.
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Eva Funderburgh @evafunderburgh.com · 14/01/2026
Post a game you remember playing that nobody else remembers.
A screenshot from an 8 bit game featuring a dude with a giant yoyo, and mean turtles
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Eva Funderburgh @evafunderburgh.com · 13/01/2026
I have sculpted long ears before, though not often. This is from 2023
A simplified beast with long ears, photographed against a black to grey gradientBack view of the same beast. It’s finished with earth tones of melted ash.
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Eva Funderburgh @evafunderburgh.com · 13/01/2026
I did finish up my first sculpture of 2026. Some times I can only help things by bringing joy to folks. So have a squish of beasts!
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