iiinova — where your digital self keeps evolving

Takumi Ikeda @esusannae.bsky.social · 03/10/2026

Louis Vierne - Piano Quintet, Op. 42 - YouTube www.youtube.com/watch?v=T9rC...

youtube.com

Louis Vierne - Piano Quintet, Op. 42

YouTube video by olla-vogala

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Takumi Ikeda @esusannae.bsky.social · 02/10/2026

Kaija Saariaho - ...à la fumée (1990) for alto flute, cello and large orchestra - YouTube www.youtube.com/watch?v=MdM2...

youtube.com

Kaija Saariaho - ...à la fumée (1990) for alto flute, cello and large orchestra

YouTube video by Un petit abreuvoir

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Takumi Ikeda @esusannae.bsky.social · 30/09/2026

« 解説補足 1960年代、日本の家電製品は3か月ごとにモデルチェンジを繰り返していた。そのため、家電製品を扱った企業PR映画は殆ど製作されなかった。作品が完成するころには、登場商品は過去の遺物になる恐れがあったからだ。渋るスポンサーを説得するべく映画製作会社が思いついたのが、本編からは商品のカットを排除してストーリーを構成し、いったん作品が完成した後に、商品宣伝トレーラーを作品に加えるやり方だ。こうすれば、トレーラー部分のみを必要なら差替えられるという訳だ。 »

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Takumi Ikeda @esusannae.bsky.social · 29/09/2026

記述の粒度に引っかかる箇所もあり、読み易さは恐らく読者を選ぶ。何でも編集も含めてほぼ全て著者自身が行っているとのこと。『和食人類学』は、ゲリラ出版でしか成立しなかった note.com/tamachangg/n... とはいえ所謂トンデモ本と斬って捨てるべきとも思わない。著者は文献調査と併せてフィールドワークを重視する。本書が差し出している諸問題についても、読者が思索と共に体験を深めることが期待されている。何より、例の無形文化遺産然り、和食や日本語を異文化から孤立した特別なものと見なす風潮には辟易する。このように多方面から突き崩す動きは大歓迎である。

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Takumi Ikeda @esusannae.bsky.social · 29/09/2026

何より日本が（一部の方面が嘯くような）単一民族国家なんかではないことの好例である。というわけで（←短絡的）早速紙書籍版を入手した。もちろん多少の覚悟はあったが、人類学と銘打つには些か心配なところもないではない。明らかなところで言えば参考文献リスト。中尾佐助、佐藤洋一郎、石毛直道、小泉武夫などの食文化史の定番や、一般書のみならず、J-STAGEやリポジトリ論文も押さえてはいるが、特に司馬遼太郎や、その他1960-80年代のやや古めの本も目立つ。遺伝子の呼称を2025年段階に揃えたという注記とは対照的。雑誌や機内誌、個人サイト、NPO会報が学術論文と同列に並ぶのも特徴的というか

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Takumi Ikeda @esusannae.bsky.social · 29/09/2026

和食人類学　紙書籍版 ctxt.stores.jp/items/6836a3... 先日の台風25号(2026)で、佐倉市や鎌倉市などで発生した深刻な水害や土砂災害に関連して「鎌倉時代の武士の拠点」について述べている投稿にFBで遭遇。その流れで以下のnoteを拝読した。鎌倉武士の食卓に、ゴチャ混ぜ『武士』の起源が見えてくる note.com/tamachangg/n... 和食というよくわからないもの（UNESCO無形文化遺産(2013)らしいが、その登録理由というのも割と胡散臭い）を分解して複数の起源を示しているのは目から鱗だった。

ctxt.stores.jp

和食人類学　紙書籍版

＜第二版の販売が始まりました＞食べるとは、なんだろう？完全栄養食などもコンビニで手に入るようになった今、私たちの食環境は大きく変化している。しかし本来、食べることは単なる栄養摂取にとどまらない。来歴を調べていくうちにさまざまな文化の積層の上に成り立っており、その上に私たちが存在していることに気付く。「和食とは何か」「私たちは何からできてきたのか」を認識する、私たちの説明書。 ※ ご注文時「ロ...

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Takumi Ikeda @esusannae.bsky.social · 22/09/2026

House of Hosono: The Yours Sincerely Hour - The Lot Radio www.thelotradio.com/shows/specia...

thelotradio.com

House of Hosono: The Yours Sincerely Hour - The Lot Radio

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Takumi Ikeda @esusannae.bsky.social · 21/09/2026

Erik Satie ~1891~ Le Fils des Étoiles - 1. Prélude du 1er Acte : La vocation www.youtube.com/watch?v=pGyB...

youtube.com

Erik Satie ~1891~ Le Fils des Étoiles - 1. Prélude du 1er Acte : La vocation

YouTube video by Erik Satie

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Takumi Ikeda @esusannae.bsky.social · 18/09/2026

言葉が消える…「聞き取り困難症」症状を抱える男の子と家族の思いなど【知ってほしい私のこと】 www.youtube.com/watch?v=Wnv0...

youtube.com

言葉が消える…「聞き取り困難症」症状を抱える男の子と家族の思いなど【知ってほしい私のこと】

YouTube video by 日テレNEWS

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Takumi Ikeda @esusannae.bsky.social · 14/09/2026

B 52's - Give Me Back My Man • TopPop - YouTube www.youtube.com/watch?v=swBD...

youtube.com

B 52's - Give Me Back My Man • TopPop

YouTube video by TopPop

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Takumi Ikeda @esusannae.bsky.social · 08/09/2026

VA - The History of Electroacoustic Music 1937-2001 : Free Download, Borrow, and Streaming : Internet Archive archive.org/details/va-t...

archive.org

VA - The History of Electroacoustic Music 1937-2001

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Takumi Ikeda @esusannae.bsky.social · 08/09/2026

Astéréotypie - Le Septième Art (Live à FGO Barbara - 2022) - YouTube www.youtube.com/watch?v=P6uW...

youtube.com

Astéréotypie - Le Septième Art (Live à FGO Barbara - 2022)

YouTube video by Astéréotypie

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Takumi Ikeda @esusannae.bsky.social · 08/09/2026

"Goetzmann also plays music as a member of Astéréotypie, formed in 2010 along with three other young autists from the medico-pedagogic institute in Bourg-la-Reine." www.instagram.com/p/Co7pn2lo7Uz/

instagram.com

Instagram

Create an account or log in to Instagram - Share what you're into with the people who get you.

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Takumi Ikeda @esusannae.bsky.social · 31/08/2026

ピッチが目的ではない、などと謂えば直ちにショボい物音ジェネレータと化す現代の西洋オケほど貧しいものはない（とは、つい先日までのサントリーホール）。行為ではなく、もっと言えば行為の源泉である身体・生活を無視して単に音にフォーカスしているから？他方、ドラムセットでCM7やらEm9を叩き分けた軽音部先輩の聴覚の質は数十年後の今も意味不明だが、それらのコードネームを物音と名指す発想が今こそ必要なのかも知れず

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Takumi Ikeda @esusannae.bsky.social · 30/08/2026

Experimenting with playing methods is just as important as experimenting with timbre. If the playing method remains the same, the sound will not be much different from FM synthesis.

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Takumi Ikeda @esusannae.bsky.social · 30/08/2026

Currently working on creating an editor to create my own physical models. You can build a UGen from the created physical model and play it with SuperCollider. Large models like this pic use a lot of memory.

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Takumi Ikeda @esusannae.bsky.social · 29/08/2026

LIVE : Laborintus de Luciano BERIO, madrigaux de Gesualdo et Marenzio • ARS NOVA • Vajda • Lescot www.youtube.com/watch?v=1yyq...

youtube.com

LIVE : Laborintus de Luciano BERIO, madrigaux de Gesualdo et Marenzio • ARS NOVA • Vajda • Lescot

YouTube video by Els Janssens voix

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

Philippe Manoury - The Partition of Heaven and Hell, for electronics and orchestra (1989) www.youtube.com/watch?v=2sYb...

youtube.com

Philippe Manoury - The Partition of Heaven and Hell, for electronics and orchestra (1989)

YouTube video by Cmaj7

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

Needless to say, novelty is not the issue here. Anything created with the intention of being new quickly becomes outdated. In that sense, even the label 'contemporary music' begins to seem questionable. The only option is to create what one personally deems to be good.

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

As for me—what is my own situation? Since I am fundamentally incapable of belonging to any organization, I have no choice but to do what I can at my own pace. By any reasonable estimate, I likely have only about 10 years left to remain active at this pace, given my mental and physical stamina.

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

That is the right way to spend money. I am fed up with the assumption that nothing can be done without grants or support from the Academy.

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

In fact, Hisaishi brilliantly pulled off a performance of a piece that people had said was impossible to play with only a few days of rehearsal. I suspect this was because he generously poured the money he had earned from soundtracks into securing the orchestra members' time.

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

rather than Japanese contemporary music enthusiasts (I didn't run into a single person I knew).

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

On the other hand, the vast majority of those who rushed to attend a truly noteworthy concert—such as the Japanese premiere of Reich's The Desert Music conducted by Joe Hisaishi—were Studio Ghibli fans from across Asia, www.deutschegrammophon.com/en/catalogue...

deutschegrammophon.com

JOE HISAISHI CONDUCTS | Deutsche Grammophon

With his album Joe Hisaishi Conducts, Japanese composer, conductor and pianist Joe Hisaishi documents a concert given at Tokyo’s Suntory Hall on 31 July 2024.

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

Japanese audiences will applaud enthusiastically if the performance is superb, no matter how poor the composition itself may be. While this is not a bad thing in itself, it does somewhat dampen the mood. It makes me wonder what exactly they are responding to.

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

While there are other reasons, I haven't attended many contemporary music concerts since the start of the year.

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

I could never say this directly to my fellow professionals. Still, I feel that—especially over the last few years—the atmosphere surrounding the genre has increasingly become one of music intended for a specific class of people.

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

Moreover, has the world of contemporary music really seen anything all that novel since the turn of this century?

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

Another point concerns the event that just took place here—where a composer writes a score, the performers play it, and the audience sits and simply listens to the music—and whether such a format is NOT outdated.

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

First, to establish the current context, we should acknowledge that a Fluxus-style concert—featuring works such as Stockhausen’s Aus den sieben Tagen and pieces by Yoko Ono, and consisting entirely of text scores—took place just about a week ago. I did not attend the concert myself, however.

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

I don't think they meant anything deep by what they said, but that exchange is still weighing on my mind, even days later.

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

The conductor remarked, "Come to think of it, you don't really see that sort of thing these days." The composer replied, "You don't. I suppose doing it now might feel a bit outdated."

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

the conversation turned to a piece that consisted simply of lining up about five rice cookers and watching the rice cook. This likely refers to a Fluxus event from the 1960s.

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Takumi Ikeda @esusannae.bsky.social · 26/08/2026

This took place during a chamber music concert on the opening day of the Suntory Hall Summer Festival 2026. During the post-performance talk, featuring the composer and conductor,

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Takumi Ikeda @esusannae.bsky.social · 25/08/2026

【闘病中に執筆】画題の意味を知れば西洋の宗教画は面白い！「聖書」をテーマに画家の個性が光る！ゴッホ、フェルメール、レオナルド・ダ・ヴィンチ…有名画家の美麗な絵をご紹介 www.youtube.com/watch?v=NRo8...

youtube.com

【闘病中に執筆】画題の意味を知れば西洋の宗教画は面白い！「聖書」をテーマに画家の個性が光る！ゴッホ、フェルメール、レオナルド・ダ・ヴィンチ…有名画家の美麗な絵をご紹介

YouTube video by 山田五郎オトナの教養講座

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