On Wata Igarashi, Kuniyuki, and The Melting Hours

Radio from CAMP - residential arts and music courses high in the French Pyrenees, with Chris Watson, Gavin Bryars, Laraaji, Jozef van Wissem and others

On Pignora Imperii and the Subterranean Mythos of Rome

Emmanuel De La Paix, Broque, and the Mechanics of Psychological Space

Radio from CAMP - residential arts and music courses high in the French Pyrenees, with Chris Watson, Gavin Bryars, Laraaji, Jozef van Wissem and others

Forest Drive West and the Mastery of the Middle Ground

On Benabou, Blank Mind, and the Mechanics of Release

Radio from CAMP - residential arts and music courses high in the French Pyrenees, with Chris Watson, Gavin Bryars, Laraaji, Jozef van Wissem and others

Sacred Spaces, Raw Presence, and the Anomaly of The Infinite Monkeys

qrauer’s Somatic Cinema and the Reciprocal Motion of Form

Earth Trax, the Dissolution of the Grid, and the Lapsus Threshold

anthéne’s ‘Air Signs’

Closing May with Karim’s ‘Lila’ on Tikita

Juan Rico’s Sonic Chameleonism

The Transcendent Evolution of Colombian Drone Mafia

Aspetuck’s Emotional Realism on ‘Immersion’

Katatonic Silentio and the Synthetic Ecology of ‘Paradise Mountain’

Beyond the Ego and the Machine

Escapism as a Radical Act

A Different Kind of Observation

Albert van Abbe and the Metaphysics of Sound

Vohkinne’s Dystopian Return to Southern Lights

Daniel[i], Slippery Yard, and the Architecture of Induction.

Aerae and the Organic Architecture of QEONE

Kamran Sadeghi and the Amenthia Ecosystem

Robert Henke, Monolake, and the Art of Metamorphosis

The Transcendent Textures of Abul Mogard

Radio from CAMP - residential arts and music courses high in the French Pyrenees, with Chris Watson, Gavin Bryars, Laraaji, Jozef van Wissem and others

Reflections at the Crossroads of Club Culture

Precision as a Language