Co-hosts Eileen and Dolores are torn about the stylized new film PRIMETIME, which seems to show us once again what we already know about the

How do you make a boring film about a peasant revolt? Writer-director Paul Greengrass (The Bourne Supremacy, Captain Phillips, United 93) ha

Zach Cregger has never seen a Resident Evil movie, and that’s definitely for the better. His reboot is a fast, funny, scary blast of pure genre filmmaking and a darkly comic portrait of a society past...

The Criterion Channel’s Southern Gothic collection gathers a century of films about a region that set out to make its slaveholding past look civilized. Instead, it produced a body of work steeped in r...

A mere 28 years after the dark and delightful witch tale PRACTICAL MAGIC (1998), starring Sandra Bullock and Nicole Kidman, was dismissed by

In honor of Labor Day, co-hosts Eileen and Dolores tackle the disturbing Mike Nichols film SILKWOOD (1983) about real-life nuclear power pla

Hey all, just sharing the hilarious news that Filmsuck is listed as one of the TOP 70 "Actress Podcasts" by Millionpodcasts. We're #48. And

There are still many posts about Dolly Parton showing up on social media, though she died a week ago. That’s a long period of public mournin

Matt Johnson’s Tony takes a few pages from Anthony Bourdain’s best-selling memoir and turns them into a warm, character-driven film about a spoiled kid learning how to work. It’s fantastic.

Co-hosts Eileen and Dolores have high praise for TEENAGE SEX AND DEATH AT CAMP MIASMA, the new horror-comedy by up-and-coming writer-directo

The only film that actor Charles Laughton directed is the now-celebrated NIGHT OF THE HUNTER (1955), a unique, nightmarish, dark fairy tale

[An unforeseen wildfire smoke emergency in Santa Fe, necessitating some Santa Fe Opera crisis management from co-host Dolores, has prevented

The Criterion Channel’s new Jonathan Demme retrospective is a chance to look beyond The Silence of the Lambs and rediscover one of America’s most adventurous, surprising, and charming filmmakers.

The Criterion Channel series “Murderous Melodramas” naturally drew me like a magnet. I like melodramas in general but make them explicitly m

I know I’m in the minority here. I really did try to like it. But Christopher Nolan has taken the wiliest, most delightful hero in Western literature and turned him into one more Nolan sad sack, trudg...

From Preston Sturges and the Coen brothers to Martin Scorsese and John Ford, the Criterion Channel’s “Odysseys” series traces the enduring appeal of Homer’s epic in American cinema.

In this extra subscribers-only episode, co-hosts Eileen and Dolores mourn the drab and unimaginative Christopher Nolan version of THE ODYSSE

The Christian conservative Angel Studios’ Young Washington feels more like a MAGA political project than a movie. Sadly, it’s the exact kind of paint-by-numbers George Washington biopic you would’ve e...

Special guest Forrest "Flacko" Miller of the crowd-pleasing podcast Movie Night Extravaganza joins host Eileen Jones in celebrating the rene

Special guest Forrest "Flacko" Miller of the crowd-pleasing podcast Movie Night Extravaganza joins host Eileen Jones in celebrating the rene

Special guest Forrest "Flacko" Miller of the crowd-pleasing podcast Movie Night Extravaganza joins host Eileen Jones in celebrating the rene

YouTube video by Movie Night Extravaganza

YouTube video by Movie Night Extravaganza

Live NYC-DSA joins and donations since polls closed.

A kids’ movie about tech addiction and the terror of being obsolete? Of course Toy Story 5 is a hit — we’re all living through it.

YouTube video by Movie Night Extravaganza

YouTube video by Movie Night Extravaganza

Steven Spielberg’s sci-fi thriller Disclosure Day is corny and cluttered. But in these dark days, a classic Spielberg summer movie about aliens is just what the doctor ordered.

Two indie horror movies with YouTube origins, Obsession and Backrooms, crushed big-budget Star Wars and He-Man movies at the box office. But claims that these films represent a revival of cinematic cr...

HACKS Finale: The Perfect Duet by Filmsuck on Patreon. Join Filmsuck's community for exclusive content and updates.

Boots Riley’s remarkably easy confidence and visual flair in I Love Boosters is a tonic in an era of boring CGI slop. He’s one of the most compelling filmmakers working today.

Spring TV Potpourri by Filmsuck on Patreon. Join Filmsuck's community for exclusive content and updates.

Jack Thorne’s Netflix adaptation of Lord of the Flies drowns William Golding’s brutal clarity in arty excess, muddled psychology, and a strangely sentimental plea for sympathy for boys.

Jack Thorne’s Netflix adaptation of Lord of the Flies drowns William Golding’s brutal clarity in arty excess, muddled psychology, and a strangely sentimental plea for sympathy for boys.

THE DEVIL WEARS PRADA 2: Too Real? by Filmsuck on Patreon. Join Filmsuck's community for exclusive content and updates.

Criterion Channel is hosting a retrospective on Hollywood’s “corporate thrillers” from the 1980s through the early 2000s. If anything, their message about the capitalist rot in America’s institutions ...

With President Donald Trump recently threatening to destroy Iranian civilization itself, the country’s filmmakers carry on their long tradition of defiant, deeply human cinema forged under censorship,...

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