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Reposted by Katie 🏳️‍🌈 🧶 I

Dr Ella Hawkins @ellamchawk.bsky.social · 29/09/2026

Elizabethan playhouses were supplied by a network of tailors, merchants & craftswomen. Their names survive in records, but little is known about their lives. I’m working on new research that brings the stories of these makers & traders centre stage. Here is the project in biscuit (cookie) form. 🍪

A photograph of eight rectangular biscuits (cookies) arranged in two rows on a square white plate. The plate is framed on all sides by a trailing vine pattern in green with pops of red. The biscuits are mostly in shades of ivory, cream, yellow, and grey, with a burst of vivid red and blue in one corner of the arrangement. Moving across the top row of biscuits from left to right, the designs include: neat lines of handwritten names in an early modern parish register; a section of a hand-drawn map from 1561 featuring St Paul’s Cathedral, with street names like ‘Carter Lane’ visible in a tiny spiky font; an extract of text from a funerary monument printed in an early modern book, ending ‘So transitory is our glory’; a section of embroidery from a funeral pall featuring metallic silver armour, crossed gold keys, and two hands holding up a crown. The biscuit designs on the bottom row include: horses prancing past shopfronts on Cheapside in the mid-sixteenth century; a receipt written in early modern secretary hand, which is difficult to read; a portrait of a stern-looking women dressed in a ruff, pearls, and sober dark clothing; swirling calligraphy and dense secretary hand featuring on a will dating from 1638.

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