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D. R. Lewis

@drlewiswrites.bsky.social
42 followers 148 following 18 posts

Chief Theatre Critic™ @ my friend group. The Sunday Critic on Substack. American Theatre Critics/Journalists Association 2024-2025 Helbing Fellow. www.drlewiswrites.com

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Reposted by D. R. Lewis
Washington City Paper @wcp.bsky.social · 11/03/2026
After the Post decimated its arts section, local advocacy org Theatre Washington released a statement focused on “the financial implications that a shrinking arts press will have on the theaters,” writes critic D.R. Lewis. Now he asks: What are D.C. theaters doing to foster the critical ecosystem?
buff.ly
Who’s to Blame When the Theater Critic Disappears?
With the Washington Post’s arts and culture sections gutted what are D.C. theaters doing to foster the local critical ecosystem.
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D. R. Lewis @drlewiswrites.bsky.social · 11/03/2026
Who's to blame when the theater critic disappears? It's a difficult question, but in my latest for @wcp.bsky.social I consider the role and responsibility of the theaters in fostering a strong local critical ecosystem, and offer suggestions for how we can move forward together.
washingtoncitypaper.com
Who’s to Blame When the Theater Critic Disappears?
With the Washington Post’s arts and culture sections gutted what are D.C. theaters doing to foster the local critical ecosystem.
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D. R. Lewis @drlewiswrites.bsky.social · 07/01/2026
So stoked to share that my “A Walk on the Wilder Side: A Queer Reading of Thornton Wilder,” produced with support from @theatrecritics.bsky.social and Foundation ATCA’s Terry Helbing Fellowship, is now live! Check it out on the ATCA website and thesundaycritic.substack.com/s/wilder.
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D. R. Lewis @drlewiswrites.bsky.social · 08/12/2025
The Sunday Critic is back! Talking about today's 50th anniversary of Thornton Wilder’s death, “Guys and Dolls” at DC's Shakespeare Theatre Company, “Merrily We Roll Along” on film, Erik Piepenburg’s analysis of the rise of a gay slur in New York theatre, and “Hamnet." Please read and subscribe!
open.substack.com
Something is Eternal
On the 50th anniversary of Thornton Wilder's death, Guys and Dolls, Merrily We Roll Along on film, and Hamnet
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D. R. Lewis @drlewiswrites.bsky.social · 24/11/2025
Part 2 (refusing to call it "For Good," sorry!!) also mostly slaps, as the kids say. Apologies to the haters!
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D. R. Lewis @drlewiswrites.bsky.social · 24/11/2025
New edition of The Sunday Critic is live with stops at a Nashville bar, an Ohio rec center, an Idaho mortgage broker's office, and a Dublin public bus (by way of the theatre, of course). Read on and subscribe (for ~ free ~)!
open.substack.com
'Tis the Season to (Not) Be...Married?
On ho ho ho ha ha ha ha, Liberation, Beau: The Musical, A Case for the Existence of God, Stephen Fry, In Good Company, and A Man of No Importance
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D. R. Lewis @drlewiswrites.bsky.social · 21/11/2025
I registered for my first @awpwriter.org conference today. I can't wait to mix and mingle with so many other creative writers. How many days? #awp26
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D. R. Lewis @drlewiswrites.bsky.social · 12/11/2025
Want to keep up with my writing? Check out The Sunday Critic on Substack! Theatre-first, DC-forward, but plenty of musings on film, literature, and music, too. Hit that subscribe button! open.substack.com/pub/thesunda...
open.substack.com
The Sunday Critic | D.R. Lewis | Substack
The Sunday Critic is a theatre-first, DC-forward newsletter of cultural criticism from D.R. Lewis. Click to read The Sunday Critic, by D.R. Lewis, a Substack publication.
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D. R. Lewis @drlewiswrites.bsky.social · 01/08/2025
Popping in after a social media break to share Richard Brody's exceptional encapsulation of why critics are a vital part of (and bridge between) the arts and journalism ecosystems. "In Defense of the Traditional Review" www.newyorker.com/culture/the-...
newyorker.com
In Defense of the Traditional Review
Far from being a journalistic relic, as suggested by recent developments at the New York Times, arts criticism is inherently progressive, keeping art honest and pointing toward its future.
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D. R. Lewis @drlewiswrites.bsky.social · 23/11/2024
Well, team... the Wicked movie is, in fact, terrific. Just a total love letter to the stage production, Fleming film, and Baum and Maguire books. It's magnificently sumptuous, but never to the degree that it overwhelms the story. It builds and builds and builds. Simply cannot wait for Part 2.
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D. R. Lewis @drlewiswrites.bsky.social · 19/11/2024
Happy Broadway opening to "Swept Away," which I thoroughly enjoyed during its tryout at Arena Stage last year. Here's my review of that outing for @dclinenews.bsky.social.
thedcline.org
The Avett Brothers bring big questions to the high seas in ‘Swept Away’ at Arena Stage
The distance between The Avett Brothers’ upbringing in Concord, North Carolina, and the 19th-century whaling industry of New Bedford, Massachusetts, spans hundreds of miles and several lifetimes. But ...
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D. R. Lewis @drlewiswrites.bsky.social · 19/11/2024
I really liked David Auburn's "Summer, 1976" when it was at MTC in 2023. But Vivienne Benesch's new production at DC's Studio Theatre, with beloved hometown actors Kate Eastwood Norris and Holly Twyford, is even richer and more beautiful this time around. Read my latest for DC Theater Arts.
dctheaterarts.org
Kate Eastwood Norris and Holly Twyford are not to be missed in 'Summer, 1976'
David Auburn's poignant memory play at Studio Theatre portrays two women's fragile friendship.
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D. R. Lewis @drlewiswrites.bsky.social · 15/11/2024
Thinking back on last weekend's @theatrecritics.bsky.social conference and feeling grateful for the opportunity to learn from so many folks whose work I admire, including @feldmanadam.bsky.social. It's always a treat to nerd out with critics from across the country.
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D. R. Lewis @drlewiswrites.bsky.social · 15/11/2024
I always struggle with Forum, which hits me as a Shevelove-Gelbart play that just happens to include a light Sondheim score. And when a production does pop up, it typically seems out of obligation. But Signature's loving production feels like an earnest attempt to bring new life to an aged property.
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D. R. Lewis @drlewiswrites.bsky.social · 13/11/2024
So much to love about RAGTIME at Encores, but having the opportunity to hear that score again (and especially Lynn Ahrens' lyrics) was just... ugh. Have not been able to get the 🎶Hallelujah, praise the maker... of the Model T🎶 from "Henry Ford" out of my head. A genius lyric about worship of wealth.
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D. R. Lewis @drlewiswrites.bsky.social · 13/11/2024
Swung by the Jerry Herman estate auction preview at Doyle NYC this weekend. It's so clear how much this man treasured his shows and how deeply the world loved/loves them too. Also, why don't we have poster art like this anymore? #broadway #jerryherman #theatre #musical
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D. R. Lewis @drlewiswrites.bsky.social · 13/11/2024
I always stand for 1.) outstanding performances and 2.) opening night bows (getting a show—good or not—to opening is a herculean feat and deserves to be recognized accordingly). If you want to stand, do it. If you don't want to stand... don't.
nytimes.com
Everyone Else Is Giving a Standing Ovation. Do I Have To?
Theatergoers and other performing-arts lovers are noticing the practice seems to have become the rule, not the exception.
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