But seriously it was brilliant too. We read Sean Silver’s terrific new essay on the commercial and imperial contexts of the pink pigment used to make Sterne’s marbled page. Highly recommend! online.ucpress.edu/representati...
online.ucpress.edu
Redness and PowerFashion, Empire, and the Eighteenth-Century Novel
Appearing in the middle of the second installment of Tristram Shandy is the marbled leaf that Laurence Sterne called the “motly emblem of my work.” This essay traces just one reagent involved in the m...