It was indicative of how much fun the audience was having. A refreshingly light-hearted and surprisingly engaging production.

Overall, a story that was riveting in parts and lukewarm in others. It verges on the impenetrable at times in terms of its dialogue.

Heartfelt and quirky in equal measure, but the holes in the plot haven’t quite been plugged yet.

In a hurried and harried world, this production is nuanced, unsettling and thoughtful.

An excellent way to sample the kind of shows that are put on at the Edinburgh Fringe, in the heart of London.

Plenty of food for thought in this intriguing and challenging play.

I ultimately struggled to maintain interest in a show that was very run-of-the-mill, nothing less and nothing more.

A harrowing and intriguing account of a young woman’s struggles in the face of much adversity.

Two very different operas are presented together in a production that flows well, works well and is performed well.

As ever at The Mill at Sonning, the pre-show dinner was delicious and delightful. It was a pity the show itself was overcooked.

This intriguing and thoughtful production is highly relevant in the turbulent and uncertain world in which we live.

This is an inventive and imaginative production that leaves the audience struggling to know who or what to believe.

Julia Grogan is multi-talented, with demonstrable flexibility and an excellent singing voice accompanying an engaging stage presence.

Resistance is futile in a relentlessly high-octane and borderline anarchic production. A highly enjoyable laugh-out-loud night out.

This show was certainly more enjoyable than ninety minutes in a theme park queue waiting for ninety seconds of pleasure would have been.

Compelling and comical in equal measure, there’s much to enjoy in this well-written and well-acted production.

The play takes too long to make the point, already known to the savvy and discerning, that mainstream media is not to be trusted.

Much is relatable here as the show avoids sensationalism and populism to give a rounded and nuanced picture.

A mixed bag of the relatable and the reckless in this rollercoaster of a story.

An invigorating and lively experience.

It’s silly, it’s hammy, it’s a barrel of laughs, and it’s strangely sublime.

Informative and entertaining in equal measure, this is a great example of how to use live theatre to educate and engage.

There’s much food for thought in this intense and exploratory experience.

A bombastic and charming piece of theatre.

This show was sublime and hilarious in equal measure.

Thoroughly engaging from start to finish, this was a gritty story about the pursuit of success and the fragility of friendship.

I thoroughly enjoyed her mischievous and dark humour from beginning to end.

An engaging and energetic performance.

The comic timing is excellent in this captivating performance.

An intriguing and informative experience.

A heartfelt and engaging production. And deeply personal, too, even if that was more by default than by design.

A warm and engaging performance.

The guy that was once laughed at for stammering now welcomes and encourages laughter as he stumbles over his own name.

Somewhat awkward silences on occasion suggested this young comedian was still finding his feet.

A thoughtful and engaging piece of theatre with a gripping storyline.

The warnings about what could happen to those chasing the celebrity dream are laid bare in a compelling and convincing performance.

An engrossing narrative, and a welcome departure from the victim mentality of some female empowerment stories.

An engaging and enjoyable comedy hour.

Such an unusual experience at the Edinburgh Fringe, and yet one that was more than eclectic and energetic enough to fit right in.

The show’s wall was very successful in creating a barrier in this bizarre and impenetrable show.

A satisfyingly amusing if somewhat overambitious production.

Silliness with a capital S.