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![the beginning of an essay included in the aforementioned essay book written by Dominique Schneidre
text reads :
“FILMING POSSESSION
by Dominique Schneidre
*in italics* a personal account of the shooting of possession appears in Dominique Schneidre’s work of autobiographical fiction, Trois verres de vodka ( Three Glasses Of Vodka) published by JC Lattés in 2017, Schneidre both knew & hosted Żuławski during his stays in Paris during the 1970s, & her novel provides an invaluable account of the writing, shooting as well as the cannes premiere of possession. editorial additions for this english translation of the tenth chapter are in square brackets [DB].
during the spring of 1980, preparations for possession accelerated. shooting was approaching, scheduled to begin on july 6th. Fredric Tuten [co-author of the screenplay] was brought back for three weeks, always put up in the same hotel, always on the same terrace at Marie-Laure [Reyre]’s, always drinking the same brand of whisky. He & Andrzej were polishing the dialogue. they were in reasonably good spirits. Marie-Laure would wrap up, check, rewrite, double-check, organize pleasant dinners at home, & then try to get some sleep. in berlin, third of the intercontinental hotel was reserved for the crew. the support of the [berlin] senate opened every door.
did we have the right number of extras, film stock, costumes, hairdressers, makeup artists, equipment & vehicles? when would the moster arrive? where were the estimates, commitments, & contracts? when we got there, wed have to he fully prepared to deal with all the problems that would arise during shooting, not to mention any emotional conflicts. Marie-Laure with her usual good will, would illustrate-“](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:syijvilo5leepzzuy7d3bdkr/bafkreig2qmdyqpou6sexnlvpv7rbssd3ue7knzbxyj34cw6zav6pf5ygh4)
