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Chloë Ashby

@chloeashby.bsky.social
725 followers 182 following 53 posts

Author of FAMILY FRIENDS (coming July), SECOND SELF and WET PAINT. Words on art, books and culture in the Times, Guardian, Spectator, TLS et al.

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Reposted by Chloë Ashby
Sinéad Gleeson @sineadgleeson.bsky.social · 23/09/2026
"She’s never made work about her partner, who convinced her to sign an agreement stating that, if she ever does create art about him, he has to leave her." Great interview by @chloeashby.bsky.social with the singular artist Sophie Calle. (also in the next book) www.theguardian.com/artanddesign...
theguardian.com
‘Sometimes I do cruel things – and it’s worth it’: the fabulous shameless art of the great Sophie Calle
The French artist has stalked people, posed as a hotel maid to get into rooms, and filmed her mother’s last breath. Has she any regrets? Non! As a major UK show opens, she recalls her career highs
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Chloë Ashby @chloeashby.bsky.social · 20/04/2026
Guilty 🐖 I have a new series in @theguardian.com www.theguardian.com/artanddesign...
theguardian.com
My toddler threw a toy pig at an artwork – and inspired this guide for small kids in galleries
For the first instalment of Young at art – a new series on the delights and dangers of introducing small children to art – Chloë Ashby weighs up whether it’s worth the effort
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Chloë Ashby @chloeashby.bsky.social · 23/03/2026
Cecily Brown is back! After living and working in New York for the past 32 years, the British artist is returning to London with a major show at the @serpentineuk.bsky.social. Interview in today’s @theguardian.com www.theguardian.com/artanddesign...
theguardian.com
Cecily Brown: ‘I was too shy to talk to all these super cool kids like Sarah Lucas and Damien Hirst’
She left London because her paintings felt hopelessly unfashionable compared with the work of the YBAs. Now she’s back with a blockbuster show – and the world has come round to her point of view
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Chloë Ashby @chloeashby.bsky.social · 13/02/2026
I’m sorry to say this one just didn’t do it for me… review in today’s @theguardian.com www.theguardian.com/artanddesign...
theguardian.com
Euan Uglow review – No wonder Cherie Blair didn’t model for long, these pictures are exhausting just to look at
His work was so painstaking and slow to produce that the models – including a certain trainee barrister – often didn’t make it to the end of a portrait. It makes for paintings that seem drained of lif...
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Chloë Ashby @chloeashby.bsky.social · 05/02/2026
⭐️⭐️⭐️⭐️⭐️ for Gwen John: Strange Beauties at National Museum Cardiff. Opening 150 years after the artist’s birth, this glorious retrospective explores how she returned repeatedly to the same subjects and each time saw them through fresh eyes. @the-independent.com www.independent.co.uk/arts-enterta...
independent.co.uk
Gwen John: Strange Beauties compiles subtly intense studies of ordinary life – review
Opening 150 years after her birth, this exhibition honours a diligent and rigorous artist who found beauty in ‘drabness’
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Chloë Ashby @chloeashby.bsky.social · 03/01/2026
Back at it ✍️ I really enjoyed this biography of Louise Bourgeois, written in French by Marie-Laure Bernadac and translated by Lauren Elkin. The best bit is how present, and deliciously unfiltered, Bourgeois is on the page. Review in today’s @thetimes.com www.thetimes.com/culture/book...
thetimes.com
Louise Bourgeois — the long, mischievous life of the spider woman
The great French artist,who lived to 98, is celebrated in Knife-Woman, Marie-Laure Bernadac’s deeply personal biography
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Chloë Ashby @chloeashby.bsky.social · 22/11/2025
On Monday I met with Maggi Hambling and Sarah Lucas to discuss their new joint show OOO LA LA. We talked about their 25-year friendship, doubt and despair, growing older, and what they make of being the so-called bad girls of British art. In today’s @thetimes.com www.thetimes.com/culture/art/...
thetimes.com
Maggi Hambling and Sarah Lucas: ‘It’s much better to be a bad girl’
The two artists talk about their 25-year friendship, a severed finger and why they’re the opposite of ‘two little Bo Peeps’
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Chloë Ashby @chloeashby.bsky.social · 31/10/2025
A mixed bag at the RA… my review of A Story of South Asian Art for @thetimes.com www.thetimes.com/culture/art/...
thetimes.com
A Story of South Asian Art review — the Indian artist who defined a movement
The Royal Academy’s exhibition devoted to Mrinalini Mukherjee and her contemporaries is beautiful but unfocused
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Chloë Ashby @chloeashby.bsky.social · 29/10/2025
Chris Ofili loves steel pans. Lindsey Mendick adores Self Esteem. And Ragnar Kjartansson has to have the Cure. For the @theguardian.com I asked a dozen artists to reveal the music that brings out the best in them. www.theguardian.com/artanddesign...
theguardian.com
‘All roads lead to Grace Jones’: visual artists on the music that fires them up in the studio
Chris Ofili loves steel pans. Lindsey Mendick adores Self Esteem. And Ragnar Kjartansson enjoys everything from Bach to the Cure. Artists reveal the bangers that get their creative juices fizzing
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Chloë Ashby @chloeashby.bsky.social · 25/10/2025
I went to Skagen, a remote fishing port at the northernmost tip of Denmark, in search of Anna Ancher for @thetimes.com www.thetimes.com/culture/art/...
thetimes.com
Anna Ancher — Denmark’s brilliant painter of light
She learnt from the artists who flocked to her parents’ hotel in Skagen, was denied the training her male peers received and forged her own path as a painter of radiant interiors
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Chloë Ashby @chloeashby.bsky.social · 07/10/2025
⭐️⭐️⭐️⭐️ in @theguardian.com for Betty Parsons at De La Warr Pavilion. Playful paintings and driftwood sculptures (I love the archive photo of the latter crouched on the beach like crabs!) from the legendary gallerist who represented Rothko, Pollock et al www.theguardian.com/artanddesign...
theguardian.com
Betty Parsons review – scintillating seaside adventures from the woman behind giants like Rothko
As a gallerist, she represented painters like Jackson Pollock – but her own work, which she did at weekends, is deliciously bold and breezy
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Chloë Ashby @chloeashby.bsky.social · 02/09/2025
✨ SALLY MANN ✨ I spoke to the US photographer about the controversy sparked by the images she made of her children in the 1990s, the “main characters” you need to make art, and the stuff that surrounds and hinders it. @theartnewspaper.bsky.social www.theartnewspaper.com/2025/09/01/c...
theartnewspaper.com
Cameras, creativity and kids: Sally Mann’s ‘kind of how-to book’ mixes memoir with advice for artists
The US photographer, whose images of her naked children sparked controversy, reflects on her life and practice
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Chloë Ashby @chloeashby.bsky.social · 09/08/2025
The case of the disappearing Amédée Ozenfant! Or, my latest for @thetimes.com www.thetimes.com/culture/book...
thetimes.com
The great art master who vanished …
He taught Leonora Carrington and founded an art movement with Le Corbusier, so why is Amédée Ozenfant forgotten? In this history, Charles Darwent sets out to rescue him from obscurity
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Chloë Ashby @chloeashby.bsky.social · 29/07/2025
I wrote about James Delbourgo's history of collecting (and my childhood Beanie Baby stash) for @thetimes.com www.thetimes.com/culture/book...
thetimes.com
Confessions of obsessive collectors — the history of a mania
Marie Antoinette, Darwin, Freud … and Norman ‘Psycho’ Bates all did it. In A Noble Madness, James Delbourgo charts the changing image of the collector from antiquity to the present
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Chloë Ashby @chloeashby.bsky.social · 07/06/2025
Very happy to have the lead book review in today’s @thetimes.com ✨ On Judith Mackrell’s lively joint biography of Gwen and Augustus John. www.thetimes.com/culture/book...
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Chloë Ashby @chloeashby.bsky.social · 04/06/2025
I reviewed Judith Mackrell’s long and lively joint biography of Gwen and Augustus John for @thetimes.com www.thetimes.com/culture/book...
thetimes.com
Double rum and hundreds of affairs: life with Gwen and Augustus John
The sibling portrait artists have been re-evaluated since their deaths, says Judith Mackrell in her double biography Artists, Siblings, Visionaries. So who was the greater talent?
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Chloë Ashby @chloeashby.bsky.social · 03/06/2025
another day, another press release
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Chloë Ashby @chloeashby.bsky.social · 20/05/2025
Niki de Saint Phalle and Jean Tinguely reunite! My review for @theguardian.com www.theguardian.com/artanddesign...
theguardian.com
Niki de Saint Phalle and Jean Tinguely review – joyous show from art’s golden kinetic couple
The married sculptors made very different art – hers curvy and colourful, his rickety and angular – but it all hums with life when brought together
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Chloë Ashby @chloeashby.bsky.social · 15/05/2025
If you ask me, there’s nobody painting modern motherhood quite like Caroline Walker. We chatted ahead of her new show, which focuses on the constellation of mostly female workers providing support during childbirth and early-years care. In today’s @theguardian.com www.theguardian.com/artanddesign...
theguardian.com
Breast pumps, babygrows and unfinished drinks: the stunning parenting paintings every mother should see
From intimate panels to breathtakingly cinematic canvases, Caroline Walker explains how she set out to capture the many sides of motherhood, right down to the first nappy change
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Chloë Ashby @chloeashby.bsky.social · 01/05/2025
It’s remarkable, really, the web Katie Kitamura can spin around a scene as simple as a woman meeting a man for lunch. My review of the author’s confounding and quietly intense fifth novel is in this week’s @thespectator1828.bsky.social www.spectator.co.uk/article/the-...
spectator.co.uk
The mother of a mystery: Audition, by Katie Kitamura, reviewed
It is remarkable the web Katie Kitamura can spin around a scene as simple as a woman joining a man for lunch. His name is Xavier. We don’t know her name, but we do know she’s a successful actress. He’...
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Chloë Ashby @chloeashby.bsky.social · 29/04/2025
Never has a light switch been so enticing! A plug socket pleasing! A door handle deserving of a turn! I reviewed Do Ho Suh’s exquisite show at Tate Modern, which is as bright and cheery as it is profound, for @thetimes.com www.thetimes.com/culture/art/...
thetimes.com
Do Ho Suh review — an exquisite meditation on the perfect home
The Korean artist brings model houses, domestic fixtures and fittings and brightly coloured passageways to Tate Modern in a playful and haunting show
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Chloë Ashby @chloeashby.bsky.social · 24/04/2025
I reviewed (and loved) Madeleine Watts’ second novel, Elegy, Southwest, which is thoughtful and quietly compelling, and conjures the familiar sense of steadily trundling towards disaster…. In this week’s @thespectator1828.bsky.social www.spectator.co.uk/article/the-...
spectator.co.uk
The road trip from hell: Elegy, Southwest, by Madeleine Watts, reviewed
Throughout her quietly compelling second novel, Elegy, Southwest, Madeleine Watts conjures a sense of trundling steadily towards disaster. The narrator, a young Australian woman called Eloise, is reco...
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Chloë Ashby @chloeashby.bsky.social · 10/04/2025
Not every artist who skyrockets to fame makes it all the way into space…. I interviewed Amoako Boafo for @theguardian.com www.theguardian.com/artanddesign...
theguardian.com
‘I did it for the experience’: Amoako Boafo, the artist who painted Jeff Bezos’s rocket ship
The Ghanaian’s dazzling work has been blasted into space and inspired a Dior collection. But, ahead of a new show, the ‘future of portraiture’ reveals how he originally wanted to be a tennis player
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Chloë Ashby @chloeashby.bsky.social · 27/03/2025
My family were very confused about my sudden interest in the cables that carry info around the world on the ocean floor – until I told them about TWIST, Colum McCann’s latest, out now from @bloomsburybooksuk.bsky.social. My review for @thespectator1828.bsky.social www.spectator.co.uk/article/deep...
spectator.co.uk
Deep mysteries: Twist, by Colum McCann, reviewed
On the first page of Colum McCann’s compelling novel Twist we meet the two leads: John A. Conway, who has disappeared, and Anthony Fennell, who’s trying to tell his story. They first met when Fennell,...
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Reposted by Chloë Ashby
Sinéad Gleeson @sineadgleeson.bsky.social · 18/03/2025
To celebrate the paperback publication of Hagstone next week, @chloeashby.bsky.social and I will be in conversation with Rosie Beaumont-Thomas of the Feminist Book Society at Bàrd Books on Tuesday 25th, followed by a book signing. 🎟️: wearebardbooks.co.uk/the-feminist... @cormackinsella.bsky.social
wearebardbooks.co.uk
The Feminist Book Society presents SINÉAD GLEESON + CHLOË ASHBY
Tuesday 25th March, doors 630pm for 7pm start For their first event at Bàrd Books, Feminist Book Society brings together two exemplary writers whose exceptional novels examine the pursuit of an art…
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Chloë Ashby @chloeashby.bsky.social · 18/03/2025
Tomorrow!
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Chloë Ashby @chloeashby.bsky.social · 15/03/2025
The dangers of dating Picasso ❤️💔 For @thetimes.com I reviewed Sue Roe’s Hidden Portraits, a group biography of the six women who loved Picasso: Fernande Olivier, Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot and Jacqueline Roque. www.thetimes.com/culture/book...
thetimes.com
The dangers of dating Pablo Picasso
Sue Roe’s Hidden Portraits tells the remarkable stories of the six leading women in the artist’s life — and his poor treatment of them
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Chloë Ashby @chloeashby.bsky.social · 06/03/2025
SECOND SELF but make it French 🇫🇷 My author copies of REPENTIRS have arrived, a week ahead of publication day (13th March) and on World Book Day! Translated by Anouk Neuhoff and published by Alice Déon and the dream team at La Table Ronde ❤️
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Chloë Ashby @chloeashby.bsky.social · 19/02/2025
I’ve written a third novel and Penguin Fig Tree are going to publish it! FAMILY FRIENDS is due summer 2026 👫👫 All thanks to Emma Finn and Ella Harold, and to Laurie for napping every now and then so I could edit. www.thebookseller.com/rights/chloe...
thebookseller.com
Chloë Ashby's 'excruciatingly suspenseful' new novel goes to Fig Tree
Ella Harold, editor at Fig Tree, has acquired UK and Commonwealth rights to Family Friends, the third novel by writer and journalist Chloë Ashby, from Emma Finn at C&W. Fig Tree will publish the novel...
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Chloë Ashby @chloeashby.bsky.social · 23/01/2025
Manet (my other main man) was born on this day in 1832
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Chloë Ashby @chloeashby.bsky.social · 23/01/2025
First review of 2025 is in! On Paul Thomas Murphy’s double biography of John Ruskin and James Whistler, which describes in detail the notorious feud between the prominent critic and the flamboyant post-Impressionist. In this week’s Spectator 🚀 www.spectator.co.uk/article/the-...
spectator.co.uk
The splatter of green and yellow that caused uproar in the Victorian art world
London, June 1877. Beneath a cloudy sky, the celebrated art critic John Ruskin strode along Bond Street towards the newly opened Grosvenor Gallery. Inside, he viewed a smash-hit show of beautiful and ...
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Chloë Ashby @chloeashby.bsky.social · 27/11/2024
P.S. Back on here (for good!) after tentatively joining many months ago 🩵
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Chloë Ashby @chloeashby.bsky.social · 27/11/2024
Who needs a baby sensory class when you have a gallery packed with psychedelic lights, zippy optical patterns and twitchy sculptures? My review of Electric Dreams at Tate Modern is in today’s Times. See pic of the mini critic www.thetimes.com/culture/art/...
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Chloë Ashby @chloeashby.bsky.social · 22/02/2024
The SECOND SELF paperback (dinkier, squashier, cheaper) will be on shelves in April! Thanks to the readers, bloggers, reviewers, booksellers who have championed this book so far 🍑 ‘Magnificent’ The i Paper ‘Tender and acutely observed’ Mail on Sunday ‘Thoughtful’ TLS geni.us/SecondSelfPB
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Chloë Ashby @chloeashby.bsky.social · 20/02/2024
Opening hot on the heels of London Fashion Week, Sargent and Fashion at Tate Britain celebrates the great portrait painter’s ability not only to paint his sitters, but to style them too. My review for the Independent www.independent.co.uk/arts-enterta...
independent.co.uk
The sensuous Sargent and Fashion turns Tate Britain into a runway - review
From creamy white skirts to voluminous opera cloaks, velvet dresses and strings of pearls, Tate Britain’s dazzling look at how John Singer Sargent was part-painter, part-stylist is a feast for the eye...
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Chloë Ashby @chloeashby.bsky.social · 08/02/2024
Shower gel and noodles 🧼🍜 my review of Holly Pester’s debut novel, The Lodgers, is in this week’s issue of @thetls.bsky.social www.the-tls.co.uk/articles/the...
the-tls.co.uk
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Chloë Ashby @chloeashby.bsky.social · 05/02/2024
Barbara Kruger’s first London solo show for 20 years – Thinking of Y̶o̶u̶. I Mean M̶e̶. I Mean You. – is at the Serpentine until 17th March 🟥 read more from me on the US artist over at the Independent www.independent.co.uk/arts-enterta...
independent.co.uk
Your body is a battleground: How Barbara Kruger’s art became a feminist rallying cry
American artist Barbara Kruger combines the arresting techniques of advertising with words of protest. As her first London solo show for 20 years opens at the Serpentine Gallery, Chloe Ashby explores ...
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Chloë Ashby @chloeashby.bsky.social · 22/01/2024
My latest for the Guardian on the celebrated third-generation Inuit artist Shuvinai Ashoona, who has a solo show opening at the Perimeter in London this week www.theguardian.com/artanddesign...
theguardian.com
‘It’s fun, fun, fun’: the Arctic artist who took up painting for ‘cigarette money’
The oldest of 14 children, Shuvinai Ashoona takes inspiration from Inuit mythology and the wildlife of her ice-scape home. As her show comes to Britain, the artist looks back
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Chloë Ashby @chloeashby.bsky.social · 15/01/2024
As a child she splashed around in Frida Kahlo’s bathtub. At 16 she partied with Basquiat in New York. ‘It was just normal life,’ Jennifer Clement told me ahead of the publication of her new memoir, The Promised Party. My profile for the Independent: www.independent.co.uk/arts-enterta...
independent.co.uk
Growing up in the shadow of Kahlo, partying with Basquiat: my life with art’s A-list
As a child she splashed around in Frida Kahlo’s bathtub, in a house that still smelt of the artist’s oil paints. At 16, she partied with Madonna and Basquiat in New York, living off ‘coffee, cok...
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Chloë Ashby @chloeashby.bsky.social · 12/01/2024
Sheila Heti on the book-writing process | 🤗😒😃🤩🫠
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Chloë Ashby @chloeashby.bsky.social · 11/01/2024
‘What I want is to be silent. Or else to have a conversation that does not revolve around my husband, my daughter, my son, my dead mother, my job or my house.’ My review of Cathy Sweeney’s first novel, Breakdown, is in this week’s Spectator www.spectator.co.uk/article/shes...
spectator.co.uk
She’s leaving home: Breakdown, by Cathy Sweeney, reviewed
The narrator of Cathy Sweeney’s first novel has finally cracked. I say ‘finally’ because there have been signs: drinking alone; disliking her daughter, or at least her type; having an affair wit...
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Chloë Ashby @chloeashby.bsky.social · 28/11/2023
Don’t you just love it when your book makes it into the window 🧡
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Chloë Ashby @chloeashby.bsky.social · 28/11/2023
I loved chatting with Constance Debré, the French lawyer turned novelist and author of Love Me Tender, for Port Magazine. We talked about law, autofiction, family justice, and the benefits of not having a boring bourgeois upbringing. Beautiful photographs by Kalpesh Lathigra
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Chloë Ashby @chloeashby.bsky.social · 13/11/2023
I’ll be in Paris on Friday talking all things PEINTURE FRAÎCHE at Libralire 🍊 come say hey!
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Chloë Ashby @chloeashby.bsky.social · 24/10/2023
Yinka Shonibare: Free The Wind, The Spirit, and The Sun at Stephen Friedman Gallery celebrates animalism, originality and freedom 🎉 my review for frieze www.frieze.com/article/yink...
frieze.com
Yinka Shonibare Invites A Community of Artists to London
Frieze
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Chloë Ashby @chloeashby.bsky.social · 19/10/2023
As my editor said, ‘Art, fiction and that. Surely up your street. Fancy it?’ My review of Christine Coulson’s One Woman Show, the tragicomic life story of a Wasp-ish porcelain girl told almost entirely through 75-word wall labels as if she were an artwork www.spectator.co.uk/article/a-sa...
spectator.co.uk
A satire on the American art world: One Woman Show, by Christine Coulson, reviewed
Christine Coulson worked for more than 25 years at the Metropolitan Museum of Art in New York, where she wrote hundreds of wall labels. In One Woman Show, her second novel, she tells the tragicomic li...
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