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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 02/10/2026

#FridayFrocks #Waistlines: Day gown of cotton muslin, c.1809 – 1811. It has a bib-front bodice with a high waistline. The bib would have been pinned in place at the front of the shoulder straps.

Front and back views of a Regency-era cotton muslin day gown, dated c.1809-1811, displayed on a mannequin. The ankle-length white dress features a small blue dot pattern, a high waistline, long sleeves, and blue decorative trim at the neckline, cuffs, and hem. The back view shows laced fastening and gathered fabric below the waist. Caption reads: “Cotton muslin day gown, c.1809-1811 © The Olive Matthews Collection, Chertsey Museum. Photos by John Chase Photography.”

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 01/10/2026

#ThrowbackThursday Queenwood #Ottershaw 1955 Built on Ottershaw Park Estate 1840, Queenwood was home of Mr. Otter JP. On his death in 1930 the 300 acre estate was split into several lots & sold. During WW2 estate housed evacuees from Sydenham, SE London & by 1960s house been divided up and sold.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 25/09/2026

#FridayFrocks – Autumn sees our attention turn to #Waistlines. Here we have a silk brocade bodice dating from the 1780s. The bodice is heavily boned so that it forms a fashionable cone shape.

Front and back views of an 1780s silk brocade bodice displayed on a mannequin. The cream-coloured bodice features long sleeves, a square neckline, fine vertical stripes, and small brocaded floral motifs. The front is fitted with decorative green ribbon lacing, while the back has a pointed, tailored shape. Caption below reads: “Silk brocade bodice, c.1780s © The Olive Matthews Collection, Chertsey Museum. Photos by John Chase Photography.”

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 24/09/2026

#ThrowbackThursday Holloway Sanatorium #VirginiaWater 1905 Thomas Holloway b.1800 made fortune making ointments & pills. & was pioneer of mass advertising. 1871 held competition to build sanatorium won by Crossland, Salomans and Jones & was opened by Edward, Prince of Wales 1885. #TBT #LocalHistory

Exterior of a grand historic manor showing a long, ivy-covered brick facade with stepped gables, numerous chimneys, tall windows, and a tree-lined drive.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 18/09/2026

#FridayFrocks - This gown, c.1953–57, is by Lanvin-Catillo. The chiffon bodice, with #Pleating, is lined with pink satin and boned. See it in our brand-new fashion exhibition: ‘Mid-20th Century Girls’ which opens tomorrow. To plan your visit go to www.chertseymuseum.org

Two-image montage of a Lanvin-Castillo evening dress from about 1953-1957 displayed on a mannequin against a plain light background. The full-length view shows a delicate blush-pink dress with a ruched chiffon bodice crossing over at the neckline to create a soft V-shape. The dress has short sleeves, a wide satin waistband tied into a bow at the front waist, and a flowing knee-length skirt made from layers of lightweight chiffon. The accompanying detail image focuses on the bodice and waist, showing the fine pleating of the chiffon, the lustrous satin sash, and the decorative bow. The overall design combines soft drapery and elegant mid-1950s eveningwear styling.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 17/09/2026

#ThrowbackThursday - York House #Chertsey 1930 Corner St Anns Rd, Staines Lane & Windsor St once stood medieval manor house known as Depenhams. C15-C19 brewery behind the house which in 1600 was known as the Cock Inn. #TBT #LocalHistory

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 11/09/2026

#FridayFrocks #Pleating – A dress, c.1845–55 of silk satin. The full skirt is cartridge-pleated to the boned bodice which allows the large volume of fabric to be incorporated neatly into the waistband.

Collage showing a mid-19th century silk day dress (c.1845-1855) on a mannequin. The gown is made from striped silk in shades of deep plum, burgundy and bright magenta, with a fitted pointed bodice, long sleeves and a full gathered skirt. Two detail images show the waist seam with cartridge pleating and the interior construction at the sleeve and skirt attachment.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 10/09/2026

Throwback Thursday - Great Fosters, Egham In C11 this area reserved for king hunting ground & was rich with deer boar & fish & provided Windsor Castle with wood it needed. Originally the forest covered land stretching as far as Crouch Oak Addlestone #LocalHistory

Historic Tudor manor house with brick façade, tall chimneys and a central tower, set behind formal clipped-hedge gardens and flowerbeds with classical stone statues in the foreground.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 04/09/2026

#FridayFrocks – This evening gown of pleated silk jersey, c.1945, is attributed to the celebrated designer Madame Grès. She was renowned for her masterful draping and #Pleating techniques.

Full-length view and detail photograph of a vivid purple silk jersey evening gown attributed to Madame Grès, c. 1945. The floor-length dress has a deep V-neckline, short cap sleeves, and an intricately draped bodice formed from finely pleated fabric radiating from a central point at the bust. The skirt falls in long, vertical pleats to a sweeping hem. A close-up image highlights the complex, sculptural pleating and gathered construction across the bodice and waist, demonstrating Madame Grès's mastery of drapery and textile manipulation. Displayed on a mannequin against a plain light background.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 03/09/2026

#ThrowbackThursday Crouch Oak Addlestone, c.1890. One of oldest trees in Borough. 1624 Rentals of the Manor of Chertsey Beomond list property near “Crockoke” so perhaps the tree was alive 400 years ago. Still standing in Crouch Oak Lane today! #TBT #LocalHistory

A vintage black-and-white photograph of a massive, leafless oak with wide, gnarled branches looming over a wooden fence and gate beside a country lane

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 28/08/2026

#FridayFrocks – The #Pleating at the back of this transitional-style 1790s gown is designed to fit the garment snugly to the back of the wearer’s body. It was a new approach adopted by dressmakers attempting to accommodate the higher-waisted fashions of the time.

Composite museum photograph showing a late eighteenth-century gown, c.1795, displayed on a mannequin against a plain grey background. The gown combines a pale green silk underdress with a cream cotton overskirt and train printed with small red, blue and purple floral sprigs. The main image shows the back view, highlighting the long flowing train and fitted bodice. An inset side view demonstrates the draped overskirt opening to reveal the green silk dress beneath. A detail photograph shows the back waist, featuring two rows of fabric-covered green buttons arranged in a decorative V-shaped formation and pleating for fitting. Caption below reads: “Cotton and silk gown, c.1795 © The Olive Matthews Collection, Chertsey Museum. Photos by John Chase Photography.”

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 27/08/2026

This is our 400th #ThrowbackThursday so here’s something with 400+ yrs’ of history! Manor Farm Egham, 1901 In 1508 it had old timber building with hall, parlour, buttery, kitchen, 4 rooms, 6 chambers, 2 garrets, stable, tiled barn of 7 bays, hay house of 3 bays, granary, 2 gardens, orchard & yard

A stone country house beside a reflective pond, two figures and a dog on the bank while ducks glide across the water, trees and a glass conservatory framing the tranquil, sepia-toned scene.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 21/08/2026

#FridayFrocks #Pleating: This 18th century sack back gown features box-pleated length of silk which falls in a continuous, sweeping line from shoulder to hem in a style that was popular from the mid-18th century through to the 1770s.

Composite image showing a mid-18th century sack-back gown (c.1740-1770) displayed on a mannequin. The gown is made of bright golden-yellow patterned silk with silver decorative trim. A large rear view shows the characteristic flowing pleats falling from the shoulders to the hem. An upper inset shows the front of the gown with an open robe over a matching petticoat, fitted bodice, elbow-length sleeves with gathered flounces, and wide pannier-shaped skirts. A lower inset provides a close-up of the white-trimmed ruched decoration running in a wavy vertical pattern down the front. White studio background. Caption identifies the object as a sack-back gown from The Olive Matthews Collection, Chertsey Museum.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 20/08/2026

#ThrowbackThursday Penton Camp Club Penton Hook c.1910 This camping and boating club was founded in 1903 & ended with WW1. They held annual grand ball & summer regatta at Silver Sands. In 1921 to use the remaining club funds for a memorial to members who died in the Great War. #TBT #LocalHistory

Edwardian regatta crowd gathered under a flag and white tent on a riverside deck while a diver soars from a wooden platform and rowboats with people in white attire float in the foreground against a tree-lined sunset.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 14/08/2026

#FridayFrocks #Pleating: A #Teagown c.1894–97 from Liberty of London. The back features a long panel, like the sack back gowns of the 18th century. However, the inverted pleats are stitched in the opposite way. Gowns from the 1700s feature a box pleat at the centre. #Libertys #Fashion #SackBack

Composite museum photograph of a Liberty of London tea gown, circa 1894 to 1897, shown from the back, front, and in a detail close-up. The floor-length gown features a cream gathered dress with voluminous sleeves and a high lace neckline, overlaid by an open-front, rust-orange satin robe with a long train. The robe is trimmed with gold embroidered floral motifs around the collar and front edges. The close-up highlights the intricate lace bodice, gathered fabric, braided cord trim, and embroidered decoration. The garment is displayed on a mannequin against a plain light-grey background.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 13/08/2026

#ThrowbackThursday Wharton’s Boat House Yard Mead #Egham 1903 1887 John Wharton began boat building business here but died 1892 & it passed to wife Anne, who with their son Ernest, continued the family business. Fire in 1911 saw the Boat House destroyed with damages estimated at £1,000. #TBT

Black and photo photo of Wharton's boathouse, Egham, with a striped lower facade and flagpole beside a dirt path; small rowboats and launches tied to a wooden dock while several people stand preparing to board.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 07/08/2026

#FridayFrocks #Pleating is an essential technique in the creation of garments, taking on many forms. Here we have a heat-set pleated ‘Delphos’ gown, c.1920s, by the celebrated Venetian fashion designer Mariano Fortuny. #Fortuny #Delphos #Fashion #Dress

Composite image of a Delphos gown by Mariano Fortuny, dating from the 1920s. The main image shows a full-length sleeveless gown displayed on a mannequin. Made from copper-orange silk, the dress falls in a straight, columnar shape and is distinguished by its fine, permanent vertical pleating from neckline to hem. The upper right detail image shows a close-up of the tightly pleated fabric, highlighting the shimmering silk surface and narrow rippling folds. The lower right detail image shows a gloved hand holding part of the pleated fabric, revealing an internal tape label with the faint woven inscription “FORTUNY.” Caption below reads: “‘Delphos’ gown by Mariano Fortuny, 1920s © The Olive Matthews Collection, Chertsey Museum. Photos by John Chase Photography.”

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 06/08/2026

#ThrowbackThursday Burley Orchard, #Chertsey, 1989 This Gothic creation was built for William Anthony Herring, the Chertsey iron-founder, in 1875. It is full of ornamental ironwork & has a cast iron conservatory, all manufactured by Herring’s Foundry, Gogmore Lane. Now retirement residential units

Victorian red-brick manor with steep gables, ornate chimneys, bay windows and a glass conservatory, set on landscaped grounds with potted plants and a small car parked by the entrance.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 31/07/2026

#FridayFrocks #WeddingDress, early 1880s. It is made from silk satin, with lace trimming and hundreds of carefully stitched pleats. The waist measures only 20 and a half inches. It’s exhibited in our current ‘Marriage a la Mode’ exhibition. Closes 05.09.26. #Fashion #Bridal #1880sFashion

Composite image showing a late Victorian wedding gown, dating from c.1880–1885, displayed on a mannequin. The left image shows the full back view of the gown in pale ivory satin, featuring a tightly fitted bodice with a high collar, long sleeves, and elaborate shirred decoration across the upper back and shoulders. The skirt is draped over a prominent bustle and extends into a long train edged with dense gathered ruffles. The right image provides a close-up of the back bodice and bustle, highlighting the sheen of the satin fabric, fitted seam lines, smocked cuffs, lace inserts, and voluminous draped overskirt gathered over the hips. Caption below reads: “Wedding gown, c.1880–1885 © The Olive Matthews Collection, Chertsey Museum. Photos by John Chase Photography.”

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 30/07/2026

Throwback Thursday - The Bridge at #NewHaw, c. 1960 1 of 12 locks along 15.5 miles of navigable waterway known as the Wey Navigation - all dug by hand. Navigation opened 1652 & cost £16,000. It was ground-breaking as largest & 1st commercially viable waterway in the country #TBT #LocalHistory

Historic black-and-white photograph of New Haw Bridge and lock on the River Wey Navigation. In the foreground, an open lock chamber with timber lock gates is viewed from above. A white-painted bridge crosses the lock, with two people and bicycles visible on the bridge. Trees and open countryside surround the waterway. Handwritten text at the bottom of the image reads, “The Bridge, New Haw.”

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 24/07/2026

#FridayFrocks #Edwardian #WeddingDress, c.1901, made from figured silk brocade and silk chiffon and decorated with silk flowers. This gown bears the label ‘F & E Hughes, 158 Westbourne Terrace, W’; a West London address. #Fashion #Dress #Brocade #Chiffon #Bridal

Composite image of an Edwardian wedding gown, circa 1901, displayed on a mannequin. The full-length gown is made from pale ivory silk with an all-over woven leaf pattern, a fitted bodice, and a wide trained skirt opening at the front to reveal layers of lace-trimmed petticoat. The sleeves are short and puffed over cascading ruffled undersleeves. A close-up view shows the back of the bodice with a V-shaped waistline, textured leaf-patterned fabric, a wide waistband, and three decorative silk bows arranged vertically at the centre back. Visible caption reads: “Wedding gown, c.1901 © The Olive Matthews Collection, Chertsey Museum. Photos by John Chase Photography.”

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 23/07/2026

Throwback Thursday Caxton Ave #Addlestone c.1926 In 1924 Percival F. Jones bought land in Addlestone and built new mock-Tudor print factory and a total of 9 bungalows, such as these in the photograph, & 22 semi-detached houses were built for sale or rent for his workers. #localhistory #TBT

Historic sepia-toned photograph of Caxton Avenue in Coombe Lands, Addlestone. A wide unpaved road stretches into the distance, lined with detached cottages and small houses on the left side, each with steep tiled roofs and front gardens bordered by hedges and shrubs. Trees and dense vegetation frame both sides of the street, creating a rural suburban setting. The foreground shows a rough dirt junction or roadway, while the bright sky and soft focus give the image an early twentieth-century appearance.

Colour photograph of a large Tudor Revival-style building set within landscaped grounds. The two-storey structure features white rendered walls with dark timber framing, steep red-tiled roofs, tall brick chimneys, and rows of leaded windows. Ivy climbs around the central entrance and across parts of the façade. A broad lawn stretches across the foreground, bordered by tall conifer trees and ornamental shrubs. A paved driveway curves in front of the building, while mature trees frame the scene from both sides. The image is taken in bright daylight and emphasises the building’s formal architecture and well-maintained gardens.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 17/07/2026

#FridayFrocks #WeddingDress of #ParachuteSilk, 1948. Even after World War 2 fabric shortages and clothes rationing continued, but parachute silk was available off ration post-war. On display until 05.09.2026. #WorldWarTwo #Dress #Fashion #ParachuteSilk

Studio photograph of a 1948 wedding gown displayed on a mannequin. The floor-length gown is made from ivory parachute silk and features a high round neckline, long full sleeves gathered at the cuffs, a fitted waist with a pointed waistband, and a softly gathered skirt. The image shows both a full front view and a close-up of the bodice, highlighting button fastenings at the neckline and the delicate drape and texture of the silk. Neutral background. Caption reads: “Wedding gown, 1948 © The Olive Matthews Collection, Chertsey Museum. Photos by John Chase Photography.”

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 16/07/2026

Throwback Thursday - Ottermead, #Ottershaw, 1915. Built early 1890s by James Allen Young, sold to Earl & Countess of Meath in 1903-1910. Then gifted to Ministering Children's League, a charity set up by the Countess Meath. WW1 it was used as Auxillary Hospital #localhistory #TBT

Historic black-and-white photograph of a large two-storey brick house surrounded by a grassy lawn. The house has a tiled pitched roof with several tall chimneys, ivy climbing across much of the exterior walls, and multiple sash windows. A covered balcony runs along the left side of the building, while a central entrance and bay-style windows face the foreground. Trees and woodland are visible in the background, giving the property a rural, estate-like setting. The image has a slightly faded, sepia-toned appearance typical of late 19th-century photography.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 10/07/2026

#FridayFrocks #WeddingDress c.1883–87. It features a slender ‘Princess Line’ bodice: a form of dress construction which followed the line of the body, with darts providing shape and no horizontal waist seam. #1880sFashion #Dress #Fashion #OliveMatthewsCollection #PrincessLine

Composite museum photograph of a late Victorian wedding gown dating from c.1883–1887. The cream or ivory satin dress is shown from the front and back on a mannequin, with a close-up detail of the train. The fitted bodice has a high standing collar trimmed with gathered fabric, three-quarter-length sleeves, and a row of fabric-covered buttons down the centre front. The skirt is full-length with layered panels and an extended train. The rear view shows the sweeping train ending in a deep pleated flounce with decorative braided trim. The close-up image highlights the lustrous silk fabric, pleating, and edged decorative appliqué. Grey studio background. Courtesy of The Olive Matthews Collection, Chertsey Museum; photographs by John Chase Photography.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 09/07/2026

#ThrowbackThursday St Ann's Hill #Chertsey c1922 1334 Abbot of Chertsey John de Rutherwyk built chapel on summit of Oldbury Hill. It was dedicated to St. Anne & hill renamed. C15-C18 town fair held on the hill. Today it takes place on Abbeyfields & known as Black Cherry Fair! See you on Saturday!

black and white photograph of a wooded lane entrance bordered by iron gates and dense shrubs. A large leafless tree with sprawling branches dominates the centre-right of the image, while several other bare trees rise behind it. Two people stand near the gateposts at the entrance to the road. The scene is of a quiet country road curving away to the right and a soft, slightly grainy photographic texture throughout.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 03/07/2026

#FridayFrocks – Continuing our #Bridal or #WeddingDress theme, this piece, from 1942, features a ‘Medici’ style collar, and the padded shoulders feature puffed, gathered flower heads. It’s shown as part of our ‘Marriage à la Mode’ exhibition, on till 5th Sept 26. #WartimeFashion #1940sFashion

Cream-white satin wedding gown from 1942 displayed on a mannequin. The floor-length dress features a fitted waist with a matching belt, a V-neckline, long sleeves, and dramatic puffed shoulders. Sheer overlay fabric is decorated with flowing embroidered swirls across the bodice, sleeves, and skirt. A close-up image shows intricate floral appliqué and corded embroidery on one sleeve, highlighting the dress’s textured craftsmanship and decorative detailing.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 02/07/2026

#ThrowbackThursday - Black Cherry Fair procession, Windsor Street, #Chertsey 1989. As we approach #4thJuly and mark the 250th anniversary of #AmericanIndependence, this photo is rocking the US/UK vibe!

A street parade moves through a town lined with brick buildings and shopfronts. A marching group in coordinated uniforms—light-colored skirts, matching tops with darker vests, and white boots—walks in formation down the road. Several participants carry flags, including a Union Jack and a United States flag. Spectators stand along both sides of the street, watching from the pavement and from open windows above. Colorful triangular bunting is strung overhead, and a large tree and additional buildings are visible in the background under an overcast sky.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 26/06/2026

#FridayFrocks #WeddingDresses This example dates from 1924. Strongly influenced by the clothing of Ancient Greece, it is made from cream watered silk and silk georgette with imitation pearl bead trimmings. #1920s #ArtDeco #Dress #Fashion #Beadwork

Cream-coloured 1924 wedding gown displayed on a mannequin against a plain grey background. The ankle-length dress has a loose, draped silhouette with sheer short sleeves, a square neckline, and gathered fabric at one hip. A close-up image shows the waist detail, featuring a large star-shaped ornament made of closely arranged pearls and long tendrils of pearls extending around the bodice. Caption below reads: “Wedding gown, 1924 © The Olive Matthews Collection, Chertsey Museum. Photos by John Chase Photography.”

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 25/06/2026

#ThrowbackThursday - 26 Windsor Street, #Chertsey, c.1966. What we wouldn't give to have a shop selling ice creams across the road from us today (not to mention the Sun pub)! #heatwave #TBT #LocalHistory

Black and white photo of a narrow sidewalk lined with small shops on a street corner. In the foreground, a storefront window is filled with posters and products, with signs reading “Walls Ice Cream Sold Here,” “Lyons Cakes,” and cigarette advertisements such as “Player’s” and “De Reszke Filter.” A freestanding ice cream sign sits on the pavement outside the shop. Nearby, two adults stand facing away from the camera, one holding a small child, while another child crouches beside a small dog near the shop entrance. Additional hanging signs extend over the pavement, including one for “Watney’s” and “The Sun.” The buildings have traditional façades, and the street is otherwise quiet with a parked car visible in the background.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 20/06/2026

Today is #WorldRefugeeDay2026 Area has long trad of welcoming refugees: Huguenots fleeing France C16 & C17, Belgians fleeing homeland #WW1, Jews fleeing Europe #WW2. This video from our "From War to Welcome" exhibition about Ukrainians in Borough records some of their experiences buff.ly/ZldVsDK

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 19/06/2026

#FridayFrocks #WeddingDresses. This dress c.1918-20 is made from silk satin and features glass beadwork, crystals and lace. Tassels fall to the sides and the back of the gown features three acorn-like pendants. #Fashion #Beadwork #ArtDeco #Dress

Cream silk wedding gown from circa 1918–1920 displayed on a mannequin, featuring short sheer lace sleeves, a softly draped bodice with intricate lace and bead embellishment, and a decorative waist detail with beaded bands and three tassel drops. The ankle-length skirt has lace panels and fringed lower section. Close-up images show the ornate waist trim and delicate lace bodice detail.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 18/06/2026

#ThrowbackThursday Old Mill Tea House #Thorpe 1938 Thorpe Mill 1st recorded in 1518, but timber framed and brick buildings C17. Stopped as mill 1919 & became tea room in 1938 & later a restaurant. Subject to Compulsory Purchased Order & demolished in 1971 to make way for the M3 #TBT #LocalHistory

B&W photograph of a rustic, multi-section countryside building identified as “Ye Old Mill Tea House, Thorpe, Chertsey,”. The structure features a mix of brick and weatherboard walls, pitched tiled roofs, and several chimneys. A small garden with shrubs, climbing plants, and low fencing surrounds the front of the building. In the left foreground, a tree partially frames the scene, and simple outdoor tables and chairs are placed near the tea house. Handwritten text along the bottom edge reads “Ye Old Mill Tea House, Thorpe Chertsey.”

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 12/06/2026

#FridayFrocks – The pearl and crystal #Beadwork on this platinum lamé evening gown, c.1927, by Paul Poiret, is a masterclass in the art of embellishment. #Fashion #Poiret #1920sFashion #1920s

Cream-gold sleeveless evening gown by Paul Poiret, c.1927, displayed on a mannequin. The dress has a loose, dropped-waist silhouette with finely pleated skirt panels and intricate silver and pearl bead embroidery forming Art Deco-style patterns across the bodice and hips. A long draped sash with tassel trim hangs from one shoulder. The image includes a close-up detail of the heavily embellished neckline and bodice beadwork.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 11/06/2026

#ThrowbackThursday 41 London Street #Chertsey 1911. Premises of R.J. Percey, Decorator & Undertaker. Family moved in 1905 & remained for c20 yrs when moved across London St to No42. In background is buildings of a maltings which operated in C19 since replaced by the Chertsey Gate development #TBT

Black-and-white photograph of a narrow street with a two-storey brick building on the left. The ground-floor shopfront has lace curtains and a sign reading “P.J. PERCEY, Draper.” Above, a window with partially open shutters faces the street. A large painted advertisement reading “Anchor Ink…” (partially visible) is written diagonally across the side wall of the building.
In front of the shop, five children stand spaced along the pavement, facing the camera, wearing neat, early 20th‑century clothing. On the right side of the image, an arched passageway leads to a yard or alley, where several adults and one person holding a small child stand in the doorway, also facing outward.
In the background through the passage, the roofs and walls of adjoining buildings are visible, including a distinctive conical or turret-like roof. The scene appears still and posed, with soft, even lighting and fine architectural details of brickwork, wood trim, and window frames clearly visible.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 05/06/2026

#FridayFrocks – The 1930s was a glamorous era, and there were plenty of opportunities for people to put on their glad rags. This outfit, c.1929-35 is a lovely example. It is made from cream net and decorated with lace and #Beadwork #Fashion #1930s #Dress #StyledBodies

Cream-coloured 1930s evening gown displayed on a mannequin, featuring thin shoulder straps, a fitted silhouette, and a flared sheer hem. The dress is decorated with intricate floral lace appliqué and metallic bugle bead embroidery. A close-up detail shows the delicate net fabric at the bodice and neckline with raised floral patterns and shimmering beadwork.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 04/06/2026

@rickedwards1.bsky.social with 1 wk to #2026WorldCup do you know what links Scotland v Morocco match England v Ghana & Chertsey? Theyre taking place in #Foxborough named after GB Foreign Secretary & former Chertsey resident RtHon Charles James Fox in recognition of support for American independence

2 football or soccer balls on the pitch inside a stadium, one with the England flag, the other with the Scottish flag

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 04/06/2026

#ThrowbackThursday 1908 workers at Paripan factory on Yard Mead site on A308 at #Runnymede. Various chemical companies (most notably Randall Bros. 1886-1888), have occupied the site since the first factory was built there in 1866, making coloured ink, paint and varnish. Site redeveloped 1971 #TBT

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 29/05/2026

#FridayFrocks #Beadwork A glittering evening gown c.1926 – 27, features embroidered paste bead decoration in the form of bows on a satin background. #Fashion #1920s #Dress #Flappers #RoaringTwenties

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 28/05/2026

#ThrowbackThursday pupils at Englefield Green School, c.1910! Founded 1827 by donations from locals & King George IV, who gave £50 towards the building costs & further annual contribution of £20. Boys & girls schools merged 1947 & 1967 new school, St. Jude’s, open. Old school demolished 1983 #TBT

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 22/05/2026

#FridayFrocks - Ball gown, c.1900–02, designed by Madame Clapham, Court Dressmaker. It is hand embroidered with silk, metallic thread and glass #Beadwork embroidery. #Fashion #Edwardian #Dress #BallGown

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 21/05/2026

#ThrowbackThursday 47 Guildford St #Chertsey 1966 The Chertsey Milk Bar opened after WW2 when such places became popular after rationing & they offered affordable treats like milkshakes & ice cream. Milk bars were social spaces & reflected increasing prosperity & American influences in post-war UK.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 15/05/2026

#FridayFrocks This evening gown, c.1927–28, is heavily decorated with #Beadwork, making a dazzling overall impression. Loose lines of bugle beads have been caught in at regular intervals to create a tiered, festooned effect. #ArtDeco #1920s

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 14/05/2026

#ThrowbackThursday Christ Church #VirginiaWater 1905 Virginia Water was poor part of Egham & parishioners attended St John. 1837 £2,000 gifted for church & vicarage on condition only 1/5 pews rented whilst rest were available to the poor. Further funds came from locals & even Queen Victoria #TBT

Sepia photograph of Christ Church labelled “The Church, Virginia Water,” featuring a tall central tower with a pointed spire, circular window, and creeping ivy on the walls. The church stands among trees beside a curved path with gravestones and a small gate visible, suggesting a churchyard setting.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 08/05/2026

#FridayFrocks #Beadwork - This wedding gown, 1931, is attributed to designer Norman #Hartnell. There are still a few places left for tomorrow’s ‘History of the Wedding Dress’ Study Morning. To book or for more info see www.zeffy.com/en-GB/organizations/friends-of-chertsey-museum

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 07/05/2026

#ThrowbackThursday Lang Propeller Factory #Addlestone 1916 Propellers made with 2 or 4 blades & were used on c.80% of GB fighter planes in WW1. Vickers Vimy plane Alcock & Brown used for 1st transatlantic flight in 1919, also fitted with Lang propellers #TBT #LocalHistory

Black and white photograph showing two early motor trucks loaded with large wooden crates parked on a dirt road outside a brick factory building. Several workers stand on the trucks and beside the cargo. The building façade has tall windows and painted signage reading “LANG’S” and “PROPELLER LTD.”, with trees visible in the background.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 01/05/2026

Happy #MayDay to you all! Pupils from Princess Mary Village Homes #Addlestone maypole dancing a tradition dating from Middle Ages when maypole had become a focal point of village Spring celebrations across England & parts of Europe marking arrival of spring & promise of growth, fertility, & renewal

Black-and-white photograph showing a group of pupils from Princess Mary Village Homes, Addlestone, holding long ribbons and circling a tall pole, forming a woven pattern, on a grassy area. The brick school building with a clock and bell tower stands in the background, with additional children watching near the building.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 01/05/2026

#FridayFrocks #Beadwork - a darkly striking evening gown from 2007 by Alexander McQueen. The back is cut daringly low on this halter-neck gown, and sharp points extend from the bugle-beaded bodice; contrasting with the softly layered ballet-style silk tulle skirt.

Black evening gown by Alexander McQueen, displayed on a mannequin, featuring a halterneck bodice with a beaded, feather-like sheen and an asymmetrical pointed hem, paired with a knee-length, softly layered tulle skirt. Shown from front and angled side views against a neutral background.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 30/04/2026

#ThrowbackThursday Guildford St #Chertsey, c.1899 On R is George Inn (called The Boot, 1771 and prob Prince's Arms 1613). On L Congregational (United Reform) Church, built 1876. The pillars & porch were removed 1969. Whilst in distance is Bell Corner and the Bell Public House. #TBT #LocalHistory

Black-and-white historic photograph of Guildford Street, Chertsey. A wide, gently curving street is lined with small shops and houses on both sides, featuring pitched roofs, chimneys, and shop awnings. Several people stand on the pavements, and a bicycle is parked at the roadside in the foreground. Shop signs are visible on the buildings, and a larger building with a tower appears in the distance. The road surface is unpaved or lightly cobbled. Printed text beneath the image reads “Guildford Street, Chertsey” and “Central View,” with publication details.

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chertseymuseum.bsky.social @chertseymuseum.bsky.social · 24/04/2026

#FridayFrocks #SpringFlowers Evening dress from the 1840s made of a brocaded floral silk which dates from the 1770s. It’s probably made from an old bolt of fabric rather than a re-construction of an 18th-century dress.

Composite image of an 18th‑century silk brocade evening gown, stitched in the 1840s, displayed on a dress form. The main image shows a pale cream gown with a fitted, pleated bodice, short sleeves, a pointed waist, and a full skirt. Small brocade floral sprigs are scattered across the fabric. Two close‑up images show the bodice construction with narrow red-edged seams and the textured silk weave with a single embroidered flower motif.

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