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Dax, Dreaming

@chaos.dreaming.daxmurray.com.ap.brid.gy
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Lesbian fantasy web novels "The Last Page" and "Crossroads of Fate" as well as other stories, updates, and announcements from sapphic fantasy author, Dax Murray. 🌉 bridged from ⁂ dreaming.daxmurray.com, follow @ap.brid.gy to interact

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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 08/10/2026
An Urban Fantasy Novella
dreaming.daxmurray.com
NEW RELEASE!
_A Bargain More Fair Than Love or War_ is an urban fantasy novella. It is set the DC metro area and features some of my favorite places in the area! I drew heavily from my grandmother's stories about the fae & leaving Ireland for the US, and my own experiences visiting Ireland and figuring out where I fit in the Irish Diaspora. I made the cover myself, by the way! Buy now! ### This post is for subscribers only Become a member to get access to all content Subscribe now
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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 08/09/2026
Zero genAI Edition (ie: the only edition that is valid) [Science Ficiton, Paranormal & Urban Fantasy, Action and Adventure, Sword and Sorcer, Sword and Sandal]
dreaming.daxmurray.com
Sapphic September 2026 - Part 1
## It's Sapphic September! It's all about the sapphics this month. Sapphic MCs and sapphic romances! Whether the sapphic MC is flying solo or if she has 3 girlfriends, your TBR should be full of sapphic goodness. Authur Ren Rousseau (put out a call for sapphic authors who are 100% human creatives with no AI use in their process. The result is nearly 100 books written by humans. We want to keep Sapphic Literature Human. Those who are subscribed to my newsletter might recognize Ren Rousseau's "Parrhesia" as one of the books I recommended from the Year of Queer Lit sale last week, so you should definitely have that book already on your ereader. If you don't, why not? Portal fantasy with an Unseelie heir and a succubus fighting for their lives and for a better world? Yes? Okay, glad we are on the same page. _She-Wolf_ by EK O'Connor has also previously been in my newsletter spotlight, as has _A Crimson Covenant_ by Aimee Donnellan. _Reflections of Lilje Damselfly_ by Natalie Kelda was also been featured in my newsletter when it released. But you should definitely check out the whole site; there's like 96 more books you need to check out. You can never have enough sapphic books on your digital or physical shelves. Take me to the easy-to-browse site! I usually spotlight SFFH books by sapphic authors, but I know most readers are omnivorous. So you will find sports romance, contemporary fiction, mystery, thrillers, and paranormal and monster romance. No matter what mood you are in as we enter Halloween Season, you will find it in this list. # Keep Sapphic Books Human It's vital to support sapphic stories written by human authors. Every book represents someone's time, imagination, lived experience, sleepless nights, revisions, edits, and years spent learning their craft. As AI-generated publishing increasingly floods online bookstores, we're asking readers to support the human authors who make this community what it is. Buy a book from an author featured here. Recommend a human author’s book to a friend. Leave a review. Request a book from your library. Tell an author you loved their work. Every small act matters. It is disheartening to wade through books with obvious AI covers and descriptions that are clearly straight from ChatGPT when looking for a new read. Not to mention actually reading the sample and finding a prompt on the first page, confirming the suspicion that if AI was used for the cover, it was used for the book, too. It's really important to support human creatives. Over the last few months, many of us Sapphic authors have been noticing that the #1 book in the Lesbian Romance category on Kindle has had an AI cover and when you read the sample and the blurb, it becomes clear that the book was written by AI, too. We are being pushed out of our own space by people hoping to make a quick buck on the AI train. Please, check out the website and support human authors. Ren Rousseau did an amazing job getting 100 human authors across nearly every genre. I cannot stress enough how awesome it is to see something so comprehensive put together so well! Ren did have some help from Toxic Love Publishing and Arsyn Quinn, too, so if you are looking for queer dark romance and queer omegaverse with morally gray cinnamon rolls, well, now you know where to find it. # Sapphic September Just realized I should probably explain this whole Sapphic September thing to people who might not have heard of this international holy-month. It was established six years ago by Landice (@ManicFemme) and Lexi (@EvilQueenReads). It has a bingo card with 16 prompts to guide you through the month of reading sapphically. One book can fulfill multiple prompts; maybe even all of them at once! Learn More About Sapphic September Even before I heard about Ren Rousseau's list, I was busy making my own list of sapphic SFFH books I know you will like and are 100% human made to help you find books for the month. I've made a few notations to help you narrow down the list and added notes about where each book might fit on the bingo card. Some of the prompts are ones I can't really notate since I have no idea what books are "New to You" or "Out of Your Comfort Zone". I also have the memory of a fish so some books that might fit a prompt like Age Gap might not be notated just because I don't really pay attention to age in books. Some of these are books I haven't read in a few years, so they might be missing tags as my memory is Swiss cheese and I read a lot. If you've read one of these more recently (or wrote it!) and I missed a tag, let me know in the comments and I will add it! Due to how **_long_** this list is, I am dividing it up into several posts so that it's not overwhelming. This post will have Science Fiction, Action and Adventure, Sword and Sorcery and Sword and Sandal. ### For Your Own Narrowing: 🏹 Denotes books with a focus on a sapphic queerplatonic relationship ♠️ Denotes books with ace sapphics as MCs ♿ Denotes books with disabled and/or chronically ill sapphic MCs 🌌 Denotes books with neurodiverse sapphic MCs ⭐ Denotes books written by BIPOC authors 🎧 Denotes that it is also available in audiobook by a human narrator 💕 Denotes books with sapphic polyamory or ethical non-monogamy (ex: F/F/F or F/F/X) ### For The Bingo: 🌶️ Denotes books with spicy content / smutty content 🔗 Denotes series 💫 Butch / Femme ↔️ Age Gap 🎩 Indie or Small Press (Get it? Because indies have to wear a lot of hats...) ⏲️ Quick Read (I can't find any definition for this so I'm going with anything around 250 pages or less!) 🏘️ Small Town 🆕 2026 Release 🧵 Related to another in interest or hobby 🦜 Pirates 🔪 Murder Sapphics # Science Fiction **_Reclamation_ by Kristen Zimmer (🎩🎧🔗)** Amazon || Kobo **_Every Almost_ by Elizabeth Hale (🎩🌶️🔗🆕)** Amazon **_Headed Rain_ by J. Victoria Tobia (🎩🌶️🆕)** Amazon **_Complicity_ by Sage RelleAnne (🏘️🎩🌶️🆕)** Amazon **_Cheerleaders from Planet X_ by Lyssa Chiavari (🎩🎧)** Amazon || Kobo **_Ascension_ by Jae Koyanagi (♿💕⭐**⏲️**)** Amazon || Kobo **_Unlimited Combat Dolls_ by Kay F. Atkinson (🎩🆕🔗)** Amazon || Kobo **_Solid Metal Nightmares_ by Devyn Kennedy (🎩)** Amazon || Kobo **_Machines of Consent_ by Sophia Turner (🌶️🎩⏲️🎧) ** Amazon || Kobo **_Kotov Syndrome_ by S. Morgan Burbank (🎩🔗)** Amazon || Kobo **_Cat/Mouse_ by Eliza Mares (🎩⏲️)** Amazon || Itch **_Sundered Moon_ by Fae'rynn (🎩🔗🎧)** Amazon || Kobo **_Season of Fools_ by Morrigan C. L. Doerner (🎩)** Amazon || Itch * * * ## Paranormal & Urban Fantasy **_Devil's Delight_ by Amelia Lascaux (🎩) ** Amazon **_A Hexellent Chance to Fall in Love_ by Ann Rose (🎧)** Amazon || Kobo **_Visions of Ash_ by Annamaria Veneziank (🎩⏲️🆕) ** Amazon **_The Spark of Saints_ by Cora Gray (**🎩**)** Amazon **_Against the Odds_ by Dalia Amy (🎩⏲️🆕)** Amazon **_Tied Up In Her Demon Goddess_ by Sage L. Mattison (🎩⏲️🆕)** Amazon **_Charade of Honor_ by Maya Maitea (🎩🆕🔗)** Amazon **_Shades of Onyx_ by TJ Williams (🎩🆕🌶️💫)** Amazon **_Never Been Ghosted_ by Corina Bair (🎩🆕🔗⏲️)** Amazon **_How to Get a Girlfriend When You're a Terrifying Monster_ by Marie Cardno (🎩🔗💫🎧)** Amazon || Kobo **_Earthly Ties_ by Cozy Dubois (🎩🆕)** Amazon || Kobo **_The Night Belongs to Us_ by Anna Lee Seidr (🎩🆕🌶️⏲️)** Amazon **_Women Love Wraiths_ by Wrenna King (🎩🆕🌶️⏲️)** Amazon **_Bite Marks_ by Bex Deveau (🎩🌶️🔗)** Amazon **_A Visit from St. Nic_ by JD Lock (🎩⏲️💫)** Amazon **_The Grace of Sorcerers_ by Maria Ying (⭐🌶️🎩⏲️🔗) ** Amazon || Kobo **_The Fall that Saved Us_ by Tamara Jerée (⭐🎩) ** Amazon || Kobo _A Wolf Steps in Blood_ by Tamra Jerèe (⭐**⏲️🎩**) Amazon || Kobo _Magica Riot_ by Kara Buchanan ​(🎩**⏲️🎧**) Amazon || Kobo **_A Crimson Covenant_ by Aimee Donnellan (🎩🔗💫)** Amazon || Kobo **_Cinders of Yesterday_ by Jen Karner (🎩🔗🎧)** Amazon **_The Rising Dark_ by Celia Thorn (🎩🔗)** Amazon || Kobo **_When Flowers Wilt_ by G. E. Masters (🎩🔗🎧)** Amazon **_Mother of Pearl_ by A.A. Fairview (🎩🎧)** Amazon **_Of Socialites and Prizefights_ by Arden Powell (🎩🔗)** Amazon **_Clara, Darling_ by Chace Verity (🎩⏲️)** Amazon || Kobo _Night of the Blue Moon_ by Alina Capella (♠️🎩) Amazon **_Better Angels: Genesis_ by Abigail Gloom (🎩🆕)** Itch * * * ## Sword and Sorcer / Sword and Sandal / Action and Adventure ** _The Wine-Dark Sea_ by Kris Madigan (🎩🆕⏲️)** Itchio **_This is How Immortals Die_ by Nicole Hidalgo (🎩🔗⭐)** Amazon || Kobo **_Unchain My Heart_ by RJ Martin (🎩🔗🌶️⏲️)** Amazon || Kobo **_Smoke and Steel_ by Dax Murray (🌌💕♿🌶️🎩)** Amazon || Kobo **_Well of Souls_ by Harmonia Grey (🎩⏲️🌌)** Amazon || Kobo **_Wings of Ice and Steel_ by A.K. Paterson (🎩🆕)** Amazon **_Assassin's Choice_ by E.L Reeves (🎩🔗)** Amazon **_Her Pretty Knight_ by Mariah Rae Birch (🎩🔗)** Amazon || Kobo **_Tarnished_ by Erica Rose Eberhart (🎩🔗)** Amazon || Kobo _A Ballad for Slayers and Monsters_ by Rita Rubin (🎩) Amazon **_Valerin the Fair_ by Rien Gray (🌶️🎩🔗⏲️) ** Amazon || Kobo * * * Please note, I did my best to include as many as I personally know of and can confirm to the best of my abilities that these authors do not use genAI. These books might be available at additional retailers but... this list is so long and chasing down that many links... Maybe I will come back at a later date and update with additional links for each book. But both Amazon and Kobo have their own "Read All You Can" programs so I thought those were two good retailers to link to. Some do link to Itch because that's the only place the books are available. If your favorite author is not listed here, that does not necessarily mean they do use AI. I just either have not heard of them (yet!) or I haven't read any of their books ​so I don't feel comfortable recommending them in general, or maybe I did read the books and they just weren't to my personal tastes. If you want to post your own recs in the comments, please do!
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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 26/08/2026
Today: Year of Queer Lit. 29th: Narratess Indie Sale
dreaming.daxmurray.com
Oodles of Deals and Free Books for Queer & SFFH readers (this week only!)
I wanted to let you know about a few sales going on this week! Today is the Year of Queer Lit Book Blast with books on sale between Free and $1.99. None of my books are part of this sale, but I thought you might want to check it out. Year of Queer Lit Book Blast **_Here are some of my recommendations from the sale (all sapphic!):_** **Unworthy - J.A. Vodvarka** Amazon - $1.99 **Symphony - Vel Everlin** Amazon - $1.99 **Parrhesia - Ren Rouseau** Amazon $0.99 **Siren's Last Song - Ashleigh Martin** Amazon - $1.99 Kobo - $1.99 **This Too Shall Burn - Cat Rector** Amazon - $1.99 Kobo - $1.99 Well of Souls - Harmonia Gray Amazon - $1.99 Kobo - $1.99 ## Narratess Indie Sale And on August 29th, the Narratess Indie Sale will start. This sale features fantasy, science fiction, and horror books all priced at $2.99 or less. The webpage, when it's live, will let you sort by books based on representation (BIPOC, Disability, LGBTQIA+, etc), by retailers (Amazon only vs Wide vs Available on Itch/Direct), by subgenre, and more! It's really one of the best sales out there for speculative fiction readers, in my opinion. Narratess Indie Sale The website isn't up yet, but bookmark it now. But... I have some insider information about this sale and can tell you that you should keep an eye on the following sapphic fantasy books: * The Rosewood Penny by J.S. Fields * The Crane Moon Cycle by J.C. Snow * The Forest at the Heart of Her Mage by Hiyodori * Cinders of Yesterday by Jen Karner * The Dragon Next Door by Vanessa Ricci-Thode * Tavern Tale by Kristina W. Kelly * Dame Ophis by Merlina Garance * The Blade of the Crown by Cara N. Delany * Stars and Soil by Dax Murray ## Sapphic September Sapphic Setember is fast approaching and it's one of the best social events for sapphic readers on the internet! Of course, all of my books are sapphic. But you should start checking out the hashtag now to get some ideas as to what others are reading. The organizers from last year have not updated their site yet (but you can still get an idea based on what they had up last year) but their Instagram says they are planning to do so soon. Some of the prompts they've hinted at being on a bingo card: * Butch/Femme books * Age Gap books * Small town romance * Smutty * Pirates * Quick Reads * Part of a Series * 2026 Release * Related to another interest / hobby * New or New to you author * Indie or small press author * Book you've been avoiding * Out of your comfort zone * Murder lesbians * Choose your own Once the official card is released, I'll likely put together my list of recs for each category and what category my books fall into. I would be truly honored if anyone included my books in their own rec lists. It's a fun event and sometimes has giveaways, bingo cards, and more. It mostly happens on Instagram and Threads, which, I am not on very often. But other social media sites do still celebrate. If you are an avid sapphic reader, this is your chance to make a splash on Insta. I believe in you! ### This post is for subscribers only Become a member to get access to all content Subscribe now
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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 01/08/2026
Sneak peek at some back burner projects
dreaming.daxmurray.com
Rabbit Rabbit 🐇
# Writing Updates I am was already in developmental edits for _Shackles and Shards: Shattered_ when I reached Chapter 23 (of 25) and noticed my total word count. 175,000. Crap. While I have nothing against lengthy books, I felt like this was a bit _too_ long. And I'd already cut my outline in half. So. I'm cutting it in half again. And starting dev edits again! Book 1 of this sub-series is now what I originally outlined as chapters one through six. Chapters seven through twelve are now book 2. Twelve through eighteen are now book 3. Nineteen through twenty five are now book 4. That leaves what I _originally_ intended to be book 2 as... Book 5. ### This post is for subscribers only Become a member to get access to all content Subscribe now
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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 15/07/2026
Free books, free lesbian books!
dreaming.daxmurray.com
Sapphic Give Something Away Day
I know I've been AWOL. There are a number of reasons for that. First, I've been sick as heck and I've been fighting with my insurance to cover the meds that will help for over a month. I was already on these three meds previously, but they've decided they just don't want to cover them. I've been rationing them but it got to the point that I'm out of all of them now. And no idea when Humana will care enough to do anything about it. Second, it's heat wave season and therefore POTS flare season. Third, I've been deep in the dev edits and I am almost done. What little energy I have had has gone to getting dev edits done on Shackles and Shards: Shattered and also book 2 of the Shackles and Shards sub-series. I've about 90% done with dev edits on both. But that's not what I actually wanted to talk to you about today! Just wanted to send a quick email because even though I was too sick to check email and hence missed the sign up, there's an awesome event I usually take part in going on nonetheless! ## 🌈 Sapphic Give Something Away Day 🌈 Jae's Sapphic Giveaway There's a ton of free sapphic ebooks you can download from Amazon, Itch, BookFunnel, and more; as well as paperback and audiobook giveaways! You can enter the giveaways until July 17th! There's some awesome fantasy books included. Usually, I take part in this event and give away a paperback. But I was not checking my email due to my illness and missed the sign up. But I still want to give something away! 2 winners, winners choose which paperback they want. Enter Dax's Give Something Away Day ### This post is for subscribers only Become a member to get access to all content Subscribe now
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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 12/06/2026
Let's put authors in the panopticon and let all their haters invade their privacy!
dreaming.daxmurray.com
Ellipsus Emboss, Disability, Surveillance, and Proving Humanity.
Sometimes, men with government clipboards sit outside houses and count how many times someone leaves their home, counts how many steps outside they take, and note everything down. They will try to stare through open blinds and determine how often the inhabitant of the home stands up from the couch. All while they have that person's social media feed pulled up on a laptop in the passenger seat. Later, they might ask the neighbors how often they see the person they are surveilling. After, they will go back to the office, put the numbers in a computer, and the computer will determine if the person in question is really disabled. People with disabilities, no matter where we live, are considered liars until proven otherwise. We can explain until we are red in the face that the photos we uploaded yesterday were taken in 2006, long before our injury. Look, you can even see the date in the corner! I swear, I found an old roll of film and had it developed and scanned these to show online. Here, my receipt from the film developer! Ask my sister, she will tell you, this photo is from 2006, way before COVID wrecked everything! See? Who wears this kind of clothing in 2026 anyway! And I visibly look 20 years younger. What do you mean this is proof I am faking my disability? Some countries have taken to spending a ton of money on public "awareness" campaigns meant to encourage people to report their neighbors for "fraud" and "cheating the system" by asking them to be extremely watchful of their disabled neighbors and on the look out for signs of faking. There is an entire subreddit dedicating to calling out "fakers" of disabilities; usually these posts are full of misinformation that only further stigmatize people with disabilities. The people on this subreddit believe they are "helping" the "real" people with disabilities by calling out the "fakers" but are often so misinformed that they couldn't identify malingering even if it tap danced on their nose. Their belief is that unless someone is in the hospital 24/7 and entirely unable to function without a team of medical staff monitoring them around the clock, they are faking it. They also believe that the stigma of disability is so strong that no one in their right mind would ever publicly admit to being disabled. If you go online and say, "I have a disability," they will take this as proof that you aren't _really_ disabled, because no one with a _real_ disability would ever be able to pull themselves out of the societal stigma and _readily_ admit to it. To say you are disabled is to prove that you aren't, according to these self-proclaimed reddit experts. People with disabilities are used to having our medical records scoured by every new doctor determined to find the small discrepancy that will unravel our intricate webs of lies. A twenty years ago, a doctor incorrectly put your blood pressure down as 40/80 because he was in a rush one day? You can explain until you are blue in the face that CLEARLY those numbers were transposed because HOW would a 40/80 BP even work? But the new doctor just sighs, a small grin stretching across his face as his chest fills with pride at catching yet another awful faker, and erases every single diagnosis from your chart and sends you home saying you are perfectly healthy. We are used to bosses bringing us in for a one-on-one because they noticed we take at least 3 bathroom breaks per work day, and they all seem to last at least ten minutes. That's a full half an hour! They are determined to find out why you are slacking and put an end to it. You can bring in an embarrassing note from your GI doc explaining that you have IBS. But that note will be filed away in the appropriate place: the shredder. The key-logging software on your work laptop informs your boss every time your mouse or keyboard isn't active for at least ten minutes. Again, you can explain that you got up to get water and a snack to keep your glucose levels at a functional baseline; but it doesn't matter. You're on company time; can you please leave your dysfunctional body at home with the rest of your private life? We are used to every aspect of our life being quantified and having those numbers be weighed against some sort of mythical "normal" number. Which is why, when I first read about Ellipsus Emboss feature, I immediately began thinking of all the ways my writing metrics--due to disability--do not line up with what is "normal" and how that failure to meet the Mythical Normal will cast doubts on my credibility. ## What is Ellipsus Emboss? Ellipsus is a SaaS (Software as a Service) writing platform. It uses headers to make outlines, has a revision system, and allows writers to organize things into projects and collaborate and share with other authors. Many use it now for getting beta reader feedback, too. It has fun and colorful themes and has a "snippet" feature that transforms snippets of texts into graphics that can be shared on social media. Many compare it (favorably) to Google Docs in terms of easily accessing writing on the go without tons of "distracting" features. Further, until yesterday, it was entirely free to use. A screenshot from Ellipsus using Mary Shelley's Frankenstein as an example. This shows various draft versions, word count, and a side bar for comments, spell check, and outlines. I myself found it interesting and signed up for an account in September or October of 2025. I tried using it for a few weeks and while I enjoyed it, it didn't have all the features I needed. At the time, I was a serious Scrivener user and while I was in search of something that would allow me to use my phone (Scrivener has yet to release an Android version), Ellipsus did not have things like scene metadata, tagging, or worldbuilding features. It also struggled with some of my books that exceeded 100,000 words, causing browser crashes as it loads the entire document at once, unlike Scrivener which only loads the scene you are working on. But I still saw the appeal. A lot of my friends who had been struggling with writing suddenly found that Ellipsus helped them finally finish that draft or start the project they'd been meaning to. When someone told me that they thought Scrivener was "too much," I happily pointed to Ellipsus as it claimed to be more privacy focused and promised no generative AI features. I started using it more as a back up feature than something I actively wrote in, and still saw it as a potential way for me to share my next manuscript when it was ready for beta readers. Overall, it wasn't for me. But every writer is different. I don't expect everyone to love Scrivener like I do. Every writer is unique. Every writer has their own quirks and habits and flow. My flow involves a tagging system, scene-level meta data, cork boards, labels, color coding, and more. Some people just want a pretty rainbow background and no other so-called distractions. One person's distraction is another person's vital component of drafting. ### Emboss Yesterday, Ellipsus announced their new paid version, Ellipsus Plus. While Ellipsus already had a number of fun and colorful themes, they weren't very customizable. But with an Ellipsus Plus subscription, you can make your own themes. Your snippet exports can also be further customized with a background image. And the best part of the announcement was that the monthly subscriptions were more of a "rent to own" model--after a certain number of months / years, your subscription would automatically transition to being a lifetime license. And the monthly price wasn't bad, either, at $6/mo when some writing software goes for $25 - $40 / mo. They also offered a flat $100 lifetime license up front. More expensive than Scrivener at $50/lifetime, but /shrug. But the most talked about feature is the most controversial. Emboss. Emboss touts itself as a sort of insurance against false accusations of AI usage. It's marketed to authors as "here, you can use this if anyone questions your writing!" and advertised to readers as a sort of "If your favorite author can't share their Emboss with you, you can definitely assume they used AI. ONLY accept books written in Ellipsus with the Emboss feature enabled! We PROMISE you our software is more reliable than any other at catching CHEATERS!" Yeah, it comes across a bit like extortion! It claims to track your keystrokes and use some (non-AI) algorithms to determine if you write like a "natural" and "normal" human. Who decides what is natural? Who determined what the benchmark is for normal? None of that is explained in their documentation. But they promise you that their Emboss metrics can definitely tell you if someone used AI. Emboss lets you create a share link, similar to how you would with Google Docs or MS Office. But the Emboss links allow people to search through your version history, including time and date stamps. While this might be useful for the writer themself to try to figure out what they cut and when so that they can ensure there are no plot holes, etc, during the editing process, it's rather intrusive of a thing for readers to be able to demand. My version history is often messy. I sometimes do not have names for characters figured out yet, so the minor character who appears in three scenes total might just be referred to as [PLACEHOLDER] in draft one. While I don't mind my author friends seeing this if I share it with them for feedback, it isn't something I want readers to see. I work hard to revise my stories so that only the best version of it is shown. I was taught in school to show all my work in math class, but to hide it all in lit-lang class. Further, there are often notes I leave myself, like "note to self: ugh, this sucks, I definitely need to work on the prose here but that's a future!dax problem." Again, I just don't want readers to see that. Those notes are full of anxiety, self-doubt, and often depression, as well as commentaries on my mental state or health state, such as "ugh, I want to keep going but the migraine prodrome is starting; reminder that I want this character to do that when I come back... whenever that may be lolsob." If I knew that readers would be pouring over those drafts, I would be even more anxious about leaving those notes in. Some may say those notes aren't necessary; but to me, they are. It's helpful for me when I come back to a draft to see where my head was when I last left off. It can help me figure out "what the heck was I trying to do here?? These words don't make sense?" But then I read the note and see I was at the start of a migraine and ah. It all makes sense. But it begs the question: how does this revision snapshot help prove authorship? Someone could very well have ChatGPT open in another tab. Maybe they don't copy and paste. Maybe they have the generated text open on Screen A and are typing it into Ellipsus to simulate the authentic author experience. And what are they supposed to reveal, except that authors often have shit first drafts? Ah, in draft 1 it sounds way too much like AI, and now you can see how they revised it to sound more human? Is that the purpose? The help page for this feature says one of the intentions is for readers to get an in-depth record of the development of the work. Readers are one of the use cases. This feature pre-supposes that readers are _entitled_ to behind-the-scenes looks at author works. In a way, I do make some of my work available to my reader before release. But this is often to readers in my newsletter; ie, the people who already trust me. It's even more often locked behind a paywall, too; ie, the people who not just trust me but root for me. This behind the scenes look at unfinished work has heretofore been the domain of Patreon extras, Ream perks, Kickstarter bonuses, and special edition add-ons. It's been for superfans. It's been for the readers who have already established trust. Right now, I am releasing my WIP of Shackles and Shards: Shattered as part of a fundraising effort for the Pride: Brighter than the Stars bundle. It's a thank you for those who support me and other queer creatives. But this feature says that this is not an extra; it's a _right_ that all readers are entitled to. Even the ones who hate you; the ones who want to tear you down; the ones who want a fraction of potential proof to justify a harassment campaign. It gives the people intent on doing harm a look into the private lives of the authors they hate. It gives them societal permission to pour over the author's notes to self and make value judgements, to twist it into a narrative that gives them the verisimilitude of permission to ruin the author's life and career. > This is disgustingly invasive and wholly unnecessary when all it would take is regulating GenAi and forcing those who use it to label it as such. We are coming up w/ all of these ridiculous things to combat GenAi when simple regulations stomp this all out. ~ Kelley @thebookwyrmshoard2.bsky.social (BlueSky) We are _already_ seeing this in the art world. Multiple youtube channels have popped up of people claiming they can tell when an artist used AI. And maybe they can, but they then use this as a means to demand the actual psd files so they can go over the layers one by one, so they can critique the entire process an artist goes through, each step of the way. But that is not enough. These people then demand that the artist record their screens _and themselves_ during the entire process. They want artists to be livestreaming--one camera focused on their screen, one on their body. Artists must expose everything about themselves or be deemed AI. And some artists are keeping their privacy and saying, "Fuck you, I owe you nothing." But beginner artists? Who are just getting started? Who don't have a decade of proof on DeviantArt already? They are feeling coerced, even if they don't want to, into sharing their lives for fear that not doing so will ruin their ability to pay rent. This Emboss feature? It's saying that not only is it right and fair that people demand this of artists, but it should be done to writers, too. It should be done to _nobody._ This is cop mentality. This is putting people in a panopticon; this is assuming people are liars until they can prove they aren't. A second feature of Emboss is the metrics and statistics it collects. If your metrics meet certain parameters, you can get a Human Authorship Badge. This feature tracks your keystrokes and uses some sort of algorithm to determine if your WPM (words per minute) are "Normal" and your typing flow is "Natural." It measures how often and how long you pause, it looks at how much a sentence changes between revisions, and calculates if you spent either too long or not long enough writing something. Nowhere in Ellipsus' help documents can I find a source for how they determine what is a "natural" number of "thinking pauses" and what is "unnatural." Nowhere can I find how they determined that 30 - 70 is a human WPM (especially when touch-typists, like myself, can easily and accurately do more than 120 words per minute, and when some people with mobility and join issues can struggle to do five words per minute unless they have adaptative technologies). None of their metrics have sources for how they determined what is human and what is not. But it is especially obvious that they never considered that people with disabilities write. > I pause a lot because I have to go look up words. Sometimes, I also write by hand and then type it up. Would that look unnatural? > What about when you open a new doc to work something out, and then copy and paste it in. > This whole thing seems poorly thought out. ~ Kara Jorgensen @authorkaraj.bsky.social (BlueSky) Various comments I saw in response to this asked some insightful questions: * What about authors who have children? Children who interrupt them regularly? Will Emboss deem them artificial because their kids are struggling with their homework? * What about authors who have elderly parents they are caring for? Parents who often need help with things like using the bathroom? Things that can't wait for an author to keep typing until they hit some "human" metric? * What about authors with cats? Do I even need to say more? * What about authors with gastro issues? Who are already hyper-monitored at work for too many bathroom breaks? Will they be subject to the same thing here? Will they have to just try to hold it so Ellipsus doesn't think they are AI due to their VERY HUMAN digestive system? * What about authors who use dictation? * What about authors who use virtual keyboards? * What about authors who go to look up a word and then get sidetracked for three hours on an etymological journey to the Akkadian empire? * What about authors who are white-knuckling it through a migraine until they just can't anymore and then don't write for another week? * What about authors who can only write sporadically in between the thousand other obligations they have? What about the authors who are **_human?_** These metrics leave out people with disabilities; people with ADHD, people with mental illnesses, people with joint pain, people with IBS, etc. And since I fall in that category, that is what I am mostly concerned about here. But it's more than just that. Humans are messy; unpredictable; **_unmeasurable._ **We all live chaotic lives. We are not machines. But Ellipsus believes its (non-AI) algorithm--a machine--can determine who is and isn't human. And it's advertising this ability as a means of building reader trust. But at the cost of the private lives of the authors. Someone intent to do harm can see those long breaks and potentially extrapolate that the author they are intent on smearing has IBS. They can see the weeks where the author writes nothing at all and extrapolate that the author might be dealing with depression. They might see a slow words per minute metric and determine that maybe the author they want to defame has some sort of chronic pain issue or joint issue. > I'm a disabled author, and upon hearing about this whole Emboss in Ellipsus bullshit, I IMMEDIATELY saw the red flags. why are we literally reinventing the FBI but for writers? why are we proposing pressuring authors into using SURVEILLANCE TOOLS??? ~ Riley @whamphetamine.bsky.social (BlueSky) ### Emboss and Poverty One of the points of pride for Ellipsus is the fact that it was, until yesterday, entirely free. But even still today, the free plan still lets you write unlimited words, engage in collaboration, have as many drafts as you want, use themes, etc. None of the "vital" features are locked behind a subscription. Except. Emboss is locked behind it. Emboss, which they are trying to sell you as _necessary_ if you want to avoid being the next victim of a false AI witch hunt. And their marketing towards readers only seems to be aimed at _enflaming_ the next witch hunt. _Make sure your favorite author shares their Emboss link! Otherwise they might be an AI grifter!_ Already, I've seen readers pestering authors on social media asking if they have their Emboss links. Already, I've seen readers saying they won't read authors who don't have the Emboss link on their carrds or linktrees. The atmosphere has quickly become: if you _don't_ use Ellipsus Emboss, you are an acceptable target for a witch hunt. People who want to ruin your career because of a suspicion they have are _entitled_ to pour every pause in your writing routine, scrutinize every edit you made during your months of revision, inspect your writing pace and find it lacking in some way so that they can justify the harm they seek to cause. Your privacy is an acceptable thing for them to demand; it's now the price of admission to the creative fields. Which serves Ellipsus just fine. It means they might get a ton of authors hoping that Emboss will appease the mob. That's money. On their very first day of offering a paid service. The Author's Guild already tried something like this. They offered a "Human Made" verification badge, too. $100 for members and $150 for non-members. Per book. So yeah, the Authentic Human badge you get from Ellipsus just costs a one-time $100. But it's still extortion. And for some people, like fanfic writers and hobbyists who seek no monetary gain, why spend money on a hobby they do for the joy of it? Especially in a world where gasoline is $6/gallon and the price of food has gone up 300% since 2020? Not everyone can afford Ellipsus Plus. Which they say is fine because you get _almost_ everything on the free plan. Except the service they are selling as a Stamp of Approval Against AI Accusations. ### "This is a Good Start" Another unfortunate thing I've already seen is people saying Emboss is a "good start" but it doesn't go far enough. To these people, we need to be asking what people are doing during those thinking breaks that are too long. The author should document for every pause over 5 minutes what they were doing, and then the algorithm should determine if the author took too many bathroom breaks. It should also capture what other programs and browser tabs the author has open while Ellipsus is open. Like sure, we can assume that if there is a 10 minute break, they probably have either Claude or ChatGPT open in another tab. But by Ellipsus tracking other tabs, we will know EXACTLY which AI the author is cheating with! Oh! And we should probably have Ellipsus also get root access to the PC so it can scan for macros and other auto-typing programs that might be used to "fudge" human typing. Yeah, some of those are accessibility devices or software used in conjunction with adaptive technologies but c'mon, real authors aren't disabled, we already established that. OH OH OH! And can we get a feature in Ellipsus Emboss that turns on their webcams, too? That way we can zoom in on the lens of their glasses and see if maybe they have a tablet open too and are running an LLM on their tablet! It's NEVER going to be enough for the people determined to find evidence ("evidence") of AI usage. The people who start witch hunts are usually intending to do harm. They don't need _actual_ evidence. They need a verisimilitude of evidence; they just need a faint pretext--enough that a random passer-by will go, "Oh, okay, yeah, sounds reasonable," before moving on. The people excited about this are _bad faith actors._ And bad faith actors will take any tool and turn it into an instrument of abuse. And Ellipsus advertising Emboss as a tool for catching cheaters is just emboldening the bad faith actors and giving them both cover and reassurance that their bad faith actions are not only justified, but worth pursuing. ### But It's Opt-In! Emboss is opt-in! If you don't want to share your revision history and writing metrics, you don't have to! Coercive consent is not consent. Ellipsus is pitching Emboss as something to protect your livlihood. Ellipsus understands that false AI accusations can absolutely _ruin_ an author's career. And for people who pay their bills with their writing income, something like Emboss can seem like a sort of insurance policy. So is it _really_ opt-in when you have Ellipsus telling readers to demand the Emboss receipts before buying a book? And is it really opt-in when those readers then start saying "I won't buy your book unless you have the Emboss!"? That's coercion. That's not true opt-in. _You must give your worst haters access to every detail of your private life, or they will take your livelihood and harass you out of your community._ That is not truly opt-in. And worse than that, it's merely the _sharing_ of the data that is opt-in. Ellipsus will still be logging every keystroke, even on the free plan. ### Don't Like Ellipsus, Don't Use It! Ok, yeah, cool. But Ellipsus is marketing Emboss as something readers should be demanding of authors. It's currently the only tool of its kind on the market. Maybe software like Novlr or LoreForge will pick see this feature and decide to add it into their own feature set, maybe to the chagrin of their users who have been waiting for the next version and the promised To Do list feature. Maybe Literature and Latte will decide they don't want to do that at all, and besides, the next version of Scrivener isn't even on the roadmap yet. So if all the readers are demanding Emboss, do authors with different work flows need to switch? Will new authors, ones who only started publishing and can't point to a backlog that pre-dates November 2022, feel like they have no choice if they want to get a readership? I've seen plenty of people who say they simply don't read books published after 2022. And I've seen a few of those people now say, "Unless I can see the Emboss." I personally do not like Ellipsus, the writing software. Until yesterday, I really liked Ellipsus, the team and company. I would tell writers who said "I don't like all the bells and whistles in Scrivener" that they should give Ellipsus a try! But the more readers hear Ellipsus say, "Ask for the Emboss and guarantee you aren't reading slop," the more authors are going to feel pressured to move their process into Ellipsus. Some of those processes might involve dictation, cleaning up the dictation, and then copy and pasting into Ellipsus. Something Ellipsus will mark in the Emboss as "unnatural" and "not normal" and specifically call out, as it tracks how many words were copy/pasted and how many typed into Ellipsus directly. And the more copy/pasted words, the more likely you are to not be deemed human. Even people without disabilities might draft in something like Scrivener and then edit in Ellipsus. Or maybe they draft by hand and then use an OCR (super ancient tech that vastly predates AI, btw) to get a digital text file and then paste that into Ellipsus. Some people purely use Ellipsus as a "back up" or for getting beta readers feedback and draft, edit, and revise in something entirely different! But it's really kinda convenient that the marketing for Emboss kinda makes it seem like anyone who doesn't draft, revise, and edit in Ellipsus in a very mechanical way isn't really an author and shouldn't be trusted and probably is a devious monster using AI. Just when they come out with a paid plan. I'm not casting aspersions, but it is very interesting to me how their marketing is playing out! I've always said that the best writing software / platform / app / etc is the one that you actually want to use. It's not Scrivener, it's not Word, it's not Campfire, LoreForge, WorldAnvil, StoryFyre, Novlr, etc. It's whatever you like. And maybe, the best writing sofware _for you_ is Ellipsus. I'm not saying don't use it. But right now Ellipsus' marketing _is_ positing itself as the only _ethical_ writing software and I think that's gross. They aren't saying "Don't like us, don't use us." They are saying, "Don't like us? Enjoy your justly earned AI accusations." The more I write this the more it sounds kinda like extortion. Which is what people accused The Author's Guild of, too, when they tried to sell Human Authored badges. ## The Marked and the Unmarked Once upon a time, English had wereman and wifman. Neither gender was "marked." But then wereman became just man, and wifman became woman. The marked and the unmarked is a concept in sociology by which humans describe ingroups and outgroups; by which we say which thing is the default, and which is the deviation. It's like when you ask your aunt if her friend is cis or trans and she says, "She's just normal??" Similar to how people once said, "I'm not gay, I'm just normal." Or instead of saying, "I'm allosexual," people used to say, "I'm not asexual." Gay, trans, and asexual were the "marked" states. And, in some cases, still are. But people are recognizing that having default and deviation categories for _human beings_ is really not great, and are using terms like cis, straight, and allosexual not just for accuracy but because there really isn't a "default" human. The marked category is announced as different from the start; whether that is a good thing or a bad thing depends on how the marked and unmarked states were determined. In a world where there is AI writing and there is human writing, the normal has been and _should be_ **human writing.__** It should be the unmarked state. Consider imitation crab. Regular crab is just crab. But laws and regulations say that you cannot sell _imitation_ crab unless it is **marked** as such. AI is imitation crab. It should be marked. It is the deviation. The Ellipsus Emboss feature accepts and is preparing for a future that techbros want: one where genAI is the default, it is the standard, it is what should be expected when opening a book. The Emboss feature and its stamp--as well as the Author Guilds badge--presuppose a future where humans are the _marked_ category. We are what needs to be called out. I refuse to except this as the inevitable future. We humans should not be marking ourselves; we should not be accepting the premise that AI is the new standard just because billionaires might lose money otherwise. > At the end of the day, we're still using a machine to determine who is human and we should not be the ones having to do that. > > we were the ones here first. ~ Laika L. Gagarin @laikalgagarin.bsky.social (BlueSky) ## Proving Humanity And this brings me back to disability. Disability is a marked state. Some of us use "Disabled." Some of us use "People with Disabilities." But we are still marked. We are still asked over and over to not just prove our humanity, but prove that our humanity is worth preserving. At least in the US, there were senators calling for hospitals to let the elderly and disabled just die from COVID-19 so that people who "actually contribute to society" can get the resources to survive and live to help someone's profit another day. Since we don't "contribute," we are forced to prove that we are humans worth dignity, respect, and consideration. So many writers live with disabilities and are used to being surveilled; used to having people pour over metrics calculated by machines. Metrics that will be then used to determine if we _deserve_ accommodations, deserve medical care, deserve to survive another day in this capitalist hellscape. Even people without disabilities got a taste of this during the initial work-from-home phase at the start of the pandemic. Workers were asked to install eye-tracking software; mouse tracking software, leave their webcams on at all times, etc. And as the return-to-office movement started, many were hoping to use the metrics obtained during mass worker surveillance to justify return-to-office. They were hoping to use those metrics as a cudgel. They wanted the metrics to say workers were less efficient at home and therefore must once again endure long commutes, high commuting costs, and less time to themselves or with their families. People who use metrics are usually using them as a veneer for causing harm. These metrics are used to ostracize people with disabilities; drive them out of jobs, force them out of communities, and harass them out of the public until they die alone. So, when I read about Emboss, that was the first thing I thought off. It is surveillance tech just the same as the many that are used against people with disabilities. And like those techs, it is being used to determine who is and isn't a human being. > My disability is inextricable from my writing process and I really don’t need one more way people can judge me for that, thank you. ~ Anna Holmes @annabookwriter.bsky.social (BlueSky) AI is eroding so many things we took as part of the social contract. Included in that is trust. And Ellipsus posits that the solution to that erosion of trust is cop mentality surveillance tech of every single creative. Not just cop mentality surveillance tech, but cop mentality surveillance tech meant to appease bad faith actors; a group of people that is prides themselves on never being appeased. We are already seeing this in art spaces, with some saying that they will assume all art is AI unless the artist livestreams themselves from start to finish. There is no way for authors or artists or other creative workers to sufficiently prove their humanity. And attempting to find ways to prove humanity is ceding the premise. And I refuse to do that. I am choosing to continue using my weird writing flow that incorporates Plottr, Scrivener, LoreForge, and a gratuitous amount of notebooks and gel pens. If anyone asks for my Emboss for my next release, I'm going to tell them, "Fuck you." But I debuted in 2017. I have several creative works in the forms of novels, novellas, poetry books, and short stories that predate LLMs. In that sense, I have a ton of privilege that authors debuting this year will never have. I have a history I can point to; I have proof that I could put together a story long before AI. (But even that is not foolproof! Coral Hart once wrote her own books, but now she peddles courses in writing with AI!) But I am no stranger to surveillance and having it weaponized against me no matter how well or how badly I measure up against an arbitrary number. I know that my yet-to-be-determined gastro issues would show up as too-long pauses. I know that the days I use dictation will mean pasted words. I know that my frequent breaks will expose the migraine's I am trying to white knuckle through because I don't want to lose _another_ day. I know that the weeks where I don't touch my drafts could expose hospital stays. I know, already, without Ellipsus telling me, how my writing process is bound to my disabilities. I don't need other people knowing that, too. I know what my revision history would show, too. Sentences cut off because I can't hold myself back from puking any longer. Notes to myself mentioning that my words might get a little weird later cause I just took my Spravato so please come back to edit this more thoroughly when a bit more lucid. Yes, I write down sometimes when drafting when I took my meds; it's helpful for me. But it's not going to be helpful for anyone else, especially not for the purpose of proving humanity. I fear for other writers with disabilities and what their Ellipsus Emboss metrics will expose if they feel pressured and coerced into sharing it with the people determined to do harm. Listen. I despise generative AI, too. It's destroying the planet. It's driving up water and electricity prices. It's straining our electric grids. It's built on theft (including theft of my 2017 novel!). It was built by fascists trying to destroy democracy with it and bring about technofeudalism and a network state. But fighting AI can't be solved by subjecting everyone to a panopticon. In my opinion, the best option we have is waiting for the bubble to pop. Already, tech companies are saying their tokens are too expensive and they are cutting down on AI use and (trying to) re-hire actual humans. As soon as tech companies start charging the actual cost of AI, it will no longer be profitable to write with AI or use AI to generate cover art. Sure, some may run a local LLM on their (very expensive) computer, but that will be a very small percentage and they will likely be using less "human-like" models. It _will_ be obvious, just as it is now usually. When you encounter a book you suspect was AI, simply stop reading it and move on. No need to draw attention to it. Let the grifters die in obscurity. Eventually, the grift won't be profitable anymore. Uplift those who you admire instead.
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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 04/06/2026
But it's PRIDE MONTH so you can read my WIP!
dreaming.daxmurray.com
I might regret this... 😰
I've been deep in the editing mines. Shackles and Shards got a pretty extensive dev edit so far, with about 15k words added since I penned "the end," bringing the new total to 126,000 words. It is still a work in progress, but it's shaping up quite nicely. If you want to get a sneak peek, however, **_I have Chapters 1 - 7 available for free._** No need to do anything but read! Shackles and ShardsThe third novel in the Scions and Shadows series.Dax, Dreaming - Sapphic Fantasy AuthorDax Murray, Sapphic Fantasy Author You can find all available chapters right here for easy reading. And, if all goes according to plan, you will be able to read ALL of it for free before the end of Pride Month! _What is this plan, you ask?_ It's the **Pride: Brighter than the Stars Bundle on Itchio**. For every $500 milestone we reach, I release another chapter. So far, I've been **_forced_** to release 7 chapters and we are quickly closing in on me needing to release Chapter 8! It might even be available by the time you read this. I have no idea what I shall do if we hit $12,000, as this book is only 25 chapters. But I guess that's a problem for next-week!Dax. Brighter than the Stars by Maria Ying and 26 othersBrighter than the Stars: 32 items for $20.00itch.ioDevyn Kennedy This bundle is full of lesbians, sentient robots, divine mechas, ruthless warlords, and so much more. Included in it is my novel SMOKE AND STEEL. **One of the books in this bundle I am most excited to read when I finally have a spare moment is _BOOM GOES THE BRIDE_. ** 💥 A pulpy lesbian romance between an elven thief from another world and a corporate princess whose company is built on her clones. 300,000 and counting, and the woman they're made from wishes they didn't exist. Danger, spice, and everything not-nice. When the twice-dead thief Nil steals a magical dagger from one of the world's angriest trillionaires, the last thing she expects is to fall in love with his daughter Sook, the so-called Mother of a Million Clones. But the heart wants what the heart wants, and in this case the heart wants to be chased, shot at, and possibly exploded. Til death do us part is gonna need a bit of an extension... I've been anticipating this release for what seems like FOREVER. But it's finally here. Just íne time for Pride. Usually priced at $10, it is an absolute steal to get it as part of this $20 bundle. 32 Queer Stories for $20 There's tons of other great books that I can't recommend highly enough. If you like killer-robot lesbians, UNLIMITED COMBAT DOLLS is a must. If you want some of the best epistemological writing of the century, BROWN/TRANS/LES is included in this bundle. FROM THE INSIDE has some of the sweetest—and spiciest—transfem erotica available on shelves and it _ahem_ comes with the bundle! FLOWER OF THE UNDERWORLD was my 2025 Favorite Read and it can be yours the second you snag the bundle! HEKATES CALL is a pillar of the mechsploitation genre and, you guessed it, it's in this amazing bundle. Literally just released today, STELLA: Your Personal Companion is in the bundle and is perfect for anyone wanting cyber-horror lesbians. And of course, my disaster lesbian warlord determined to conquer the world or destroy it trying is included. ## 🐱‍💻 Other news... Aside from my editing, my life has been a bit of a mess. I love my new apartment, but it does have its... Problems. Like the windows. They are mere suggestions right now, and the rain leaks right through them. Every time it so much as drizzles, I have to run around with towels and buckets. ### This post is for subscribers only Become a member to get access to all content Subscribe now
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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 03/05/2026
Recently, I was selected as one of the first authors monetized on Campfire Explore! And as of today, you can now read STARS AND SOIL exclusively on Campfire!! If you do not know about Campfire, it is the writing and world-building software that I have primarily used for several years now. I love […]
dreaming.daxmurray.com
Exciting Announcement! Now Available: STARS AND SOIL
Recently, I was selected as one of the first authors monetized on Campfire Explore! And as of today, you can now read STARS AND SOIL exclusively on Campfire!! If you do not know about Campfire, it is the writing and world-building software that I have primarily used for several years now. I love it for how easy it is to organize and keep track of all of the moving parts when it comes to world-building. When I first signed up, it was known as "Campfire Blaze," and in the short time since then, it has added so many amazing features and made so many improvements. I firmly stand behind them as a company that creates author-and-reader-focused software. When they announced last year that they were adding in a monetization feature that would allow authors to not only share their books but to share the elements and pages that authors had worked on with readers, too, I was way too excited. Read more... When they opened applications for early access to their monetization program, I knew I had to apply. I crossed my fingers, polished, again, my summary, my first chapter, my blurb, and waited. When the email arrived with the decision, I may have accidentally woken the neighborhood with my screams of excitement. (Sorry.) And so began a month of obsessively crafting an experience for readers because I realized that my elements, in the state they were in when I applied, were not worthy of being looked at because they made sense only to me. But, after very little sleep and a whole lot of stress, STARS AND SOIL is now available EXCLUSIVELY on Campfire! The first six chapters are available for free, by the way. If you haven't heard of STARS AND SOIL before, it's my The Tudors (tv drama series, not the actual historical events) meets Russian Revolution (actual events) meets Game of Thrones but GAY novel. I've been writing it for the last five years. It started as a 6,000-word short story prequel to a now-trunked/abandoned novel but is somehow now 130,000 words of its own thing. It's set in the same universe as SHADES AND SILVER. If you haven't read SHADES AND SILVER, don't worry. Purchasing STARS AND SOIL on Campfire ALSO gets you SHADES AND SILVER as a bonus. They can be read in any order, but STARS AND SOIL takes place _after_ SHADES AND SILVER. So what now? Well, first, I am going to sleep. And second, NaNoWriMo starts in less than a week. I've mostly outlined the next book in the series, SMOKE AND STEEL, and intend to use NaNo to get that first draft done! And hint hint: If you are considering trying out Campfire, there is no better time! It's easy to link your Campfire account with your NaNoWriMo account! Participating in NaNo also you a nice discount on Campfire if you do decide you want to get a subscription. But the free version of Campfire is pretty great on its own. (Full disclosure, though: I have a lifetime license for all modules in Campfire... so I might be slightly biased.)
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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 02/05/2026
Every year, Wraithmarked Publishing hosts a “megasale” on the r/fantasy subreddit. All of the books are available either for free or $0.99. What makes it extra special is that all authors in the sale agree to make a donation to Mary Cariola Center, a base minimum of $10 plus a certain percentage […]
dreaming.daxmurray.com
Top Recommendations for the 2024 R/Fantasy Megasale If Your Like Diverse Books
Every year, Wraithmarked Publishing hosts a “megasale” on the r/fantasy subreddit. All of the books are available either for free or $0.99. What makes it extra special is that all authors in the sale agree to make a donation to Mary Cariola Center, a base minimum of $10 plus a certain percentage of the royalties earned on the days of the sale. There are over 500 books in the sale this year, which can make it a little hard to find the ones that you would enjoy. Here is my recommendation for the books you MUST check out! Most of them are fantasy books that include LGBTQIA characters, but I couldn't help but include a few standouts in other genres! In no particular order. I've also included links to purchase physical copies on Bookshop.org or the author's direct store; while I can't guarantee that the paperbacks of these books will be discounted, I know some of y'all want those paperbacks no matter what! By shopping at Bookshop.org, you are supporting independent bookshops everywhere. If you want to see all 600 books on sale, you can visit the spreadsheet, the reddit post, or, my choice, this website created by Y. R. Liu that has all of the books with their covers and links for every Amazon regional store and links to the author's direct stores if they have them. **(Seriously, this is the best browsing experience for this sale.)** # Stars and Soil by Dax Murray #### Amazon #### Kobo #### Bookshop.org Paperback * * * # The Goddess of Nothing At All ## by Cat Rector Amazon Kobo Bookshop.org Paperback * * * # Coal Gets in Your Veins ## by Cat Rector Amazon Kobo Bookshop.org Paperback * * * # City of Strife ## by Claudie Arseneault Amazon #### Kobo #### Bookshop.org * * * # Stake Sauce ## by Roanna Sylver #### Amazon #### Kobo #### Bookshop.org * * * # Chameleon Moon by Roanna Sylver #### Amazon #### Kobo #### Bookshop.org * * * # The Rosewood Penny ## J. S. Fields #### Amazon #### Bookshop.org * * * # Lost Blades ## by Liz Sauco #### Amazon #### Kobo #### Bookshop.org * * * # The Fealty of Monsters ## by Ladz #### Amazon #### Kobo #### Bookshop.org * * * # The Cradle of Eternal Night ## by Ladz #### Amazon #### Kobo #### Bookshop.org * * * # Ice Upon a Pier ## by Ladz #### Amazon #### Kobo #### Bookshop.org * * * # The Lightless Prophecy – Darkhaven ## by Kel E Fox #### Amazon #### Kobo #### Signed or unsigned copies at Kel E Fox's Direct Store * * * # The Blood-Born Dragon ## by J.C. Rycroft #### Amazon #### Bookshop.org * * * # The Phoenix and the Sword ## by J.C. Snow #### Amazon #### Kobo #### Bookshop.org * * * # Riyati Rebirth ## by Kai Zeal #### Amazon #### Kobo #### Bookshop.org * * * # Hallowed ## by Y. R. Liu #### Amazon #### Kobo * * * # Whisperer in White ## by Y. R. Liu #### Amazon #### Kobo * * * # Ancient as the Stars ## by Maya Darjani #### Amazon #### Kobo #### Bookshop.org * * * # The Star-Crossed Empire ## by Maya Darjani #### Amazon #### Kobo #### Bookshop.org * * * # Tales of Lunis Aquaria ## by Tessa Hastjarjanto #### Amazon #### Kobo #### Bookshop.org * * * # Undine's Blessing ## by Tessa Hastjarjanto #### Amazon #### Kobo * * * # The Final Keeper Trilogy: Keeper's Reign ## by Eliza Leone #### Amazon #### Kobo #### Bookshop.org * * * # Digital Extremities ## by Adam Bassett #### Amazon #### Kobo #### Bookshop.org * * * # The Wings of Ashtaroth ## by Steve Hugh Westenra #### Amazon #### Kobo * * * # Unworthy ## by J.A. Vodvarka #### Amazon #### Bookshop.org * * * # The Seeds of Dissolution ## by William C. Tracy #### Amazon #### Bookshop.org * * * # What I Purchased Of course, I'm not gonna walk away from this sale without acquiring a few new books, too! Here's what I purchased (so far...) # The Revenge of Captain Vessia ## by Leslie Allen #### Amazon #### Kobo #### Bookshop.org # These Violent Nights ## by Rebecca Crunden #### Amazon Looking for a post-holiday gift for yourself? The Kobo Clara is my favorite e-reader and you deserve an awesome reading experience! Waterproof and made with recycled and ocean-bound plastic, the new Kobo Clara 2E is the more eco-conscious way to read and listen. If you are looking for an ereader that comes with physical buttons, stylus support, and perhaps even color, the Kobo Libra Colo(u)r might be for you. While you're at it, you can sign up for Kobo Plus for $7.99 USD and read as many ebooks as you desire! For $11.99/mo, you can also have unlimited audiobooks! Try 30 days of unlimited reading and listening for FREE. * Note: This list contains affiliate links. I get a small commission when you purchase through these links, which allows me to continue to pay hosting fees and domain costs. Thank you.
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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 01/05/2026
Advice that may be leading you astray....
dreaming.daxmurray.com
Why You Cannot Simply Open with the Inciting Incident
It does not matter if you are planning to querying agents or going the indie route; you have likely heard the advice to skip right to the **Inciting Incident**. You've been told that people do not have attention spans anymore, and therefore you need to cut all that "unnecessary" and "boring" introduction and hook the readers (and agents) with the Good Stuff(tm). But I would like to make the argument that by skipping to the Inciting Incident, you are removing necessary components for the development of your characters and shortchanging yourself the opportunity to have a full and rich **Character Arc** for your protagonist. In order to make this argument, I do need to do some groundwork to ensure we are all on the same page. Now, I do not care if you are a plotter, a planner, a planter, a pantser, or exist across the spectrum depending on the day. We all rely on story structure, whether we spend a month meticulously planning out Plot Points before even penning the first chapter or if we pound out 100k words in a haze of coffee and ice cream over the course of a weekend and then spend months doing heavy revisions to make the draft into a diamond. Story structure has always existed and will always exist. Some of us know it intuitively after a lifetime of voraciously consuming all the books in the local library, and some of us learned it through mentors and classes. Even _House of Leaves_ has a structure. And it is that structure that is disrupted when you open with the Inciting Incident. Fair warning, I'm about to talk about things like **Plot Points** and **Character Arcs** and other structural elements of story. I know some will push back and say that these things to too formulaic and are just making all stories feel the same. But I would argue that there are only seven stories, and we've been telling them and retelling them over and over for tens of thousands of years. There is nothing new since the _Epic of Gilgamesh_. What makes a story unique is the teller, and the experiences and views they bring to it. Also, all this is my opinion. I'm not the writing goddess (yet), so feel free to take or leave this advice! I'm not your mom, I can't tell you what to do. So if you walk away from this going, "That's a load of bullcrap," by all means, consider this a load of bullcrap. I'm not your editor or beta reader; you aren't obligated to consider what I'm saying. With that out of the way, I'm going to do a quick and dirty breakdown of some of the key components of story that need to be addressed here. ## Character Development We all love characters. They are our CHILDREN, and if anyone hurts them, there will be hell to pay. Except when we hurt them... With traumatic pasts, difficult challenges, and insurmountable odds. We enjoy choosing their hair color and eye color and filling out stat sheets like we are about to roll up to a Pathfinder game. But **Character** is more than just how tall they are and what their favorite ice cream flavor is. Characters need to have interiority. The **Emotional Wound / The Ghos** t is a concept in character development that will influence everything from their flaws to their beliefs, and ultimately the internal needs and wants the character has and the arc they will journey through alongside the plot. The Emotional Wound is an event that happened prior to the events of the book, and like a phantom, it haunts them in ways they might not even see. This can be something like ‘fired without cause from a job they loved by a boss they thought was a friend’ or something like ‘lost the battle to a dragon and caused a village to be destroyed.’ They can have multiple emotional wounds, but there will be one Main One that they must work through over the course of the story. This Wound is something they will be battling against for the majority of the story. It might be related to the Plot, but it doesn't have to be. But the Plot will give them the tools to figure it out, and them overcoming the Wound will give them the tools to solve the Plot. It's a symbiotic relationship. The Wound will also give a character a **Lie** : something they believe wholeheartedly but is ultimately false. The fired data analyst might now believe she is not smart, or maybe she will believe that everyone will betray her eventually. The failed dragonslayer may believe she has no business being a hero and all she does is bring destruction. But solving the Plot will require that they learn that the Lie is false. **Unlearning their Lie** will be the heart of their **Character Arc** ; the internal journey of two steps forward and one step back that is interwoven in the story with the Plot. All of the characters in a story care about destroying the Dark Lord, but only the Protagonist has to learn that she isn't a harbinger of destruction. The Wound will also be the root cause of all the**Flaws** that will make solving the Plot even harder. By the end, they might still have some Flaws, but they will be aware of them and willing to work around them or through them. They might have other flaws (lower case), too, like not enjoying pineapple on pizza, but the Wound will be their biggest opposition; they won't even realize all the ways in which they've built their life around nurturing the Lie until it is repeatedly holding them back from solving the Plot. These Flaws might be things like the data analyst procrastinating right until the deadline or the adventurer refusing to put together a party or ask a healer to join her. The analyst might then also be cold to those around her as she's afraid of being hurt by betrayal again and the adventurer refusing to make connections because she's afraid that she will just get companions killed. But both will need to learn how to make friends and allies if they are to solve their respective Plots. I'm not saying the Emotional Wound needs to be the very first thing you figure out for your Protagonist or main characters. But it should definitely be something you figure out sooner rather than later. Why is this important to the central question of Inciting Incident placement? I promise, I'm getting there. Let me cook a little more. ## Story Structure Shakespeare wrote in the 5 Act Structure. Many screenwriters swear by the 3 Act Structure. Some speak of Story Circles or Plot Dots or Pyramids or Saving Cats or maybe even Romancing the Beat. But it doesn't matter which structure you follow; you need to nail the opening act if you want readers to keep reading. Most structures call for **Scenes** and **Sequels** ; sometimes called **Action Scenes** and **Sequel Scenes**. Scenes are the basic building blocks of story. When you change settings, points of view, or time, you usually end one scene and start another. Scenes are mini-stories. Each scene needs to have the point of view character pursuing a goal, and either failing or achieving a false victory and then setting a new goal; the continues from page one until the end of the story. But the difference between Action Scenes and Sequel Scenes is the nature of the goal. Action Scenes have Plot Goals. Sequel Scenes are based around internal goals and progressing the character arc; they are reactive whereas Action Scenes are pro-active. Different genres might have more or less of either type; a sword and sorcery story might have more action scenes while a contemporary romance story might have more sequel scenes. But Action Scenes of the major Plot Points are usually paired with equally important Sequel Scenes. Many structures have an **All Is Lost** moment. These are usually Action Scenes where the Protagonists experience a crushing defeat that makes them believe there is no way to victory. In Sci-Fi, this might be the imperial forces destroying the rebel base and taking out key revolutionary leaders with a powerful space laser that no one knew they had. In Paranormal Romance, this might be the moment the Council of Vampires demands that Lady Carmilla give up her human pet and forbids Carmilla from ever seeing her now-ex girlfriend again in a heart-wrenching 3rd Act Break Up. But the following scene is usually a sequel scene known as **The Dark Night of the Soul**. This is a scene where the protagonist realizes how the Lie might have led to this All is Lost Moment and resolves to address their Lie. They might not address it the right way, it will take them the rest of the story to work through it, but this is a pivotal turning point that marries character and plot. You might be thinking, "Okay, okay, okay, are you going to keep yapping or get to the point yet?" Dear writer, I ask that you stay with me for just a little while longer, I am almost done cooking. ## Settings If you have studied story structure, you may have come across Act 1 being set in the **Normal World** or **Ordinary World** while the Protagonist passes through the**Point of No Return (Plot Point 1)** and enters the **Extraordinary World** in Act 2. Despite how the words sound, Normal and Ordinary are not synonymous with _Boring_ and _Unremarkable_. They are descriptions of the world through the lens of the protagonist. Our Adventurer's Normal World might still have dragons and evil sorcerers and a distinct lack of indoor plumbing. But if she gets reverse-portaled into Washington, DC, suddenly a Metro system is extraordinary even if you and I, as readers, are absolutely sick of single tracking on the Red Line. In most story structures, the Inciting Incident happens around the 12% mark with Act 1 finishing at 25%. But just because you are cutting the time spent in the Ordinary World in half when you move the Inciting Incident to Page 1, doesn't mean you are cutting out _boring_ stuff. The Protagonist feels _safe_ in their Ordinary World, regardless of if it's full of hydras or automobiles. It's Ordinary to _them_. It's not the whole world, but it's _their_ whole world. That doesn't make it boring or uninteresting. It's vital if we want to know who they are. Okay. I believe we are ready. ## The Hook vs the Inciting Incident _The Hook_ is a sequel scene masquerading as an action scene. It's all about establishing the character; hinting at their Emotional Wound, showing off their Flaws, and showing them at their absolute worst. It's a way to make the reader say, "Wow, this girl is a train-wreck. I _have_ to see where this goes." You are Hooking the reader by making them want to know more about your Protagonist. The**Inciting Incident** is about the Plot. It's an Action Scene masquerading as a Sequel Scene. It's not about drawing the reader in—the reader should already be invested—it's about drawing the Protagonist into the Plot. _Let me say that again._ **Hook** : Investing the Reader In the Characters and therefore the Story as a Whole. Happens on Page 1. **Inciting Incident** : Investing the Protagonist in the Plot. Happens halfway into Act 1. The Hook might hint at the plot, but it's set in the World of your Protagonist–The Normal World. The Plot happens in the Extraordinary World; but the Plot is slowly intruding on the Ordinary World or trying to pull the Protagonist into the Extraordinary World. The Inciting Incident is the Plot telling your Protagonist, "You gotta get over here and if you won't, I will force you." ## The Art of the Hook There are a few strategies for making the Hook work. One of my favorite is to show the Protagonist having the worst day of their life (so far). Example: The village is beset upon by beholders; the beholders don't need to be part of the Plot or maybe they are just a hint that the Plot exists just outside the border of the village. But it absolutely ruins the Protagonist's attempts to shear the sheep. That's what your Protagonist is concerned about: shearing her sheep. The beholders are another annoyance, but it's not a _personal_ annoyance. It doesn't draw her into the Plot. By showing _A Terrible, Horrible, No Good, Very Bad Day_ , you are showing off the Flaws of your Protagonist. She gave up adventuring, now she just has sheep. She _could_ help the village guards fight the beholders, but she's left that behind. She _could_ ask her neighbor for help wrangling her sheep back into the pen, but that would mean talking to people, and she doesn't do that anymore. She's surly, she's grumpy, and she only gives her little sheep dog a cursory pat on the head rather than heap praise on him for chasing the sheep into the barn. You get to show the Protagonist at their worst when the stakes are low in their familiar world. How will they handle it when the stakes are higher? How will the handle it when they are no longer safe in the Ordinary World but have been plunged into the unknowns of the Extraordinary World? _The contrast of showing how they behave when they are safe and the stakes are low can't be made when you move the Inciting Incident up to Page 1._ The Inciting Incident is showing you what the Story Stakes are in general, but also what the Stakes are for the Protagonist specifically. But if the reader has no idea who the Protagonist is, they have no reason to care. They might not know _exactly_ what the Emotional Wound is yet, but they've seen enough Flaws to make an educated guess. But with the Inciting Incident on Page 1? They have no idea if the Flaw is something meaningful or just flavor. The Hook is the first scene to establish the Character Arc whereas the Inciting Incident is the first scene to fully establish the Plot and the Stakes. While Character Arc and Plot are siblings, they are not interchangeable: they are the two halves that make the Story. You cannot do all that you need to do to establish Character during the Inciting Incident. The Inciting Incident is an invitation to the Protagonist to get involved in the Plot. Again, the Plot might be happening on the periphery of the Protagonist's awareness, but they are trying to ignore it, or the resent it, or they are doing their best to avoid it. It's not _personal_ for them yet. They have no Stake in solving the Plot. The Inciting Incident is when the Protagonist is given a Stake. But in order for that Stake to _matter_ to the reader, they have to know _who_ the Protagonist is. Typically, there will be some sort of **Refusal of the Call–** the Inciting Incident is a **Call to Action** or a **Call to Adventur** e. The Refusal of the Call is that moment where the character, despite knowing they now have Stakes, either says, "Sorry, my aunt and uncle need me on the farm," or has something else prevent them from undertaking the adventure even though they want to. This Refusal is usually a sequel scene where the character works though their Lie and assesses their Flaws and considers just how safe they feel in their Ordinary World and what it would mean to Enter the Plot and journey to the Extraordinary World. But even this Refusal will fall flat if it hasn't been built up by showing how the Protagonist acted first in the Hook and then in the Inciting Incident. A pattern should be apparent to the readers—even if it's not apparent to the Protagonist. But by skipping straight to the Inciting Incident, the Refusal of the Call loses half of its weight. Without the Hook and the Refusal of the Call, the Character Arc will never get off the ground. It won't matter how the Protagonist acts or doesn't act throughout the rest of the book, because we will not truly have witnessed them and their actions back in their Ordinary World when they have nothing to lose yet. The Hook is to establish the following: • Character Motivations • Character Values • Character Flaws • Character Goals • Hinting At the Emotional Wound The Inciting Incident is to establish the following: • The Problem of the Plot • What happens if the Plot is not solved or hinting at it • What happens if the Plot is solved or hinting at it • Why the Protagonist is someone who can help solve it • Why the Protagonist should *want* to solve it. You cannot establish all of those items in the same scene. And you need time between the Hook and the Inciting Incident to further flesh out the Character before throwing them into the deep end. That doesn’t mean the Hook can’t have action just because it’s a sequel scene; it can still open _in media res_ , that is, in the middle of some action. But just because it has action doesn’t mean that’s the main purpose of the Hook, and it certainly doesn’t make _in media res_ synonymous with the Inciting Incident. Character development doesn't have to be boring; it's not just exposition. It's a thousand tiny things going wrong that make it more and more clear to the reader that the Character needs to either change (_dynamic character arc_) or change the world (_flat character arc_); possibly both. If you want your readers to truly fall in love with your characters, root for them, cheer them on, cry when they stumble and grin when they succeed, you cannot skip the Hook and go right for the Inciting Incident. ## Bonus: Symmetry This is a bit of an advanced tactic for people who really enjoy plot structure. But in many story structures, there is a symmetry between the first half of the story and the second half—each Plot Point is a mile marker on the journey, and the first mile marker and final mile marker are often mirrors of each other. If the Hook shows the Protagonist unhappy at a desk job she hates in her Ordinary World fending off any and all love interests, the **Resolution** might show her running her own business with her brand new wife while they laugh together in the corner office over the deal they just landed. The **_New Ordinary Worl_** d of the Protagonist is a sharp contrast to where she started. Without the hook, the Resolution does not have anything to compare or contrast against, and the ending of your story may fall flat. The two are both sequel scenes focused on the character's emotional journey. The Inciting Incident is usually paired with / the mirror of the **Final Battle**. It shows how the stakes of the Plot and how they escalated from the time the Protagonist is pulled in until the Protagonist solves the Plot. But when you move the Inciting Incident to Page 1, it cannot properly mirror the Final Battle. I know that everyone is telling you that readers have no attention span and that you must move your Inciting Incident to Page 1; you can fill in all that boring character _stuff_ later. But the character "stuff" isn't boring: it's the heart of your story. Even plot-heavy stories rely on the characters to keep people interested and make them invested. You can have the most original and exciting plot in the world, but if you haven't established your characters and gotten the readers invested in their internal journey, they won't stick around. Moving the Inciting Incident to Page 1 is not how you combat dwindling attention spans. _Note: I am just an author who has read a ton of books and studied creative writing. I am not God, this is not a commandment. I am not your editor or your beta reader. These are all just my opinions, not an attack on anyone or anything. This is not a personal slight against anyone. I just have strong opinions._
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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 10/04/2026
IN THIS NEWSLETTER * Writing Updates * Life Updates * The Narratess Sale * Sapphic Fantasy Recommendations - Year of the Mer * Other Sales / Bundles WRITING UPDATES It's drafted!! Yes, this is the big reason I haven't been doing my regular newsletter. I've been mostly head down on my […]
dreaming.daxmurray.com
Somehow, impossibly, penning the end 🖋
## In This Newsletter * Writing Updates * Life Updates * The Narratess Sale * Sapphic Fantasy Recommendations - Year of the Mer * Other Sales / Bundles ## Writing Updates It's drafted!! Yes, this is the big reason I haven't been doing my regular newsletter. I've been mostly head down on my draft. I really wanted to get it DONE. And now it is! I finished it last week and it clocked in at 110,337 words. The most difficult book I've ever written, the most personal book I've written, the most complex book I've ever written--somehow, impossibly, I have written it. Every time I start on a new novel, it seems impossible. I know I can do it. I know I've done it before. I've finished multiple novels! But every time, starting a new one seems impossible. But this one, especially, seemed more difficult than climbing Everest. It took me 133 hours to draft this book based on Pacemaker Press's estimates and an average of 830 words per hour. But it's DONE. I really, I really went to town on Friday and Saturday as you can see from my calendar. Sunday, I made myself a cake to celebrate and have taken the last week to catch up on other things I let fall by the wayside while I was busy drafting. It's gluten free box cake, but I doctored it up by adding instant pudding mix, an extra egg, and mashed bananas to the mix and then baking it a little longer than normal. I made the frosting, too, and added even more bananas to the frosting. The frosting is supposed to be a lavender color but my phone camera didn't properly get it. It was, however, absolutely delicious. Shackles and Shards was intended to be _one_ book. I wanted to write a series of interconnected stand alone novels, each with their own protagonist, taking place in their own region of Ahnlisen, and each being one part of a larger story but able to stand on their own as a complete narrative. It was to be seven books long. But now Shackles and Shards is going to likely be four books. So it's going to be a mini-arc within the series. Whoops. But it will be worth it, I promise. How I feel about all of my books but Shackles and Shards: Shattered ESPECIALLY ### This post is for subscribers only Become a member to get access to all content Subscribe now
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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 05/03/2026
WRITING LIFE UPDATES I've gotten loads of good early feedback on the first half of re-write of Shackles and Shards: Shattered and have been either incorporating the feedback or busily adding even more words. As of right now, I'm at 75,013 words in this new draft. I am aiming for 140,000 words […]
dreaming.daxmurray.com
The Trans Rights Readathon Approaches
## Writing Life Updates I've gotten loads of good early feedback on the first half of re-write of Shackles and Shards: Shattered and have been ​either incorporating the feedback or busily adding even more words. As of right now, I'm at 75,013 words in this new draft. I am aiming for 140,000 words based on my outline so I am halfway there! After so many books, I have a sense for how long the book will be based on how long my outline is and even though I have chopped up my outline a few times and re-arranged things, I still feel like Shackles and Shards: Shattered will come in around 140k words. In one sense, I am a very bad author when it comes to keeping track of my word count. I have both Pacemaker Press and Trackbear, as well as having a daily habit counter in TickTick to track my daily word count but I just... Always forget to update those thing. Part of it is that Scrivener tracked it automatically so I was never bothered if my Pacemaker Press wasn't up to date because I could check Scrivener. But now that I've converted and Loreforge doesn't have a goal feature, I'm being forced by circumstance to actually track it and I am failing. ## Trans Rights Readathon - Sapphic SFFH Edition [Sapphic Fantasy Recommendation Inside] I wanted to get this out to you sooner rather than later so you can start planning accordingly. For the last three years, there has been an effort in the reading and book community to support trans rights in the lead up to Trans Day of Visibility. From March 17th to March 31st, the book community is encouraged to read books either by trans authors or featuring trans characters and make donations that improve the lives of trans and non-binary people. This is not a reading challenge, so there's no bingo card and no minimum number of books, there's no official place you must donate to, and no official book list. It's all very decentralized. You can read only memoirs, you can read just a handful of books, you can read a hundred books across all genres! You can donate $1 per book read, you can donate $0.04 per page read, you can donate a flat $20. You can give to an individual GFM for a trans person needing help affording basic living expenses or you can donate to a major non-profit. You can even donate to multiple places! You can read all about the Trans Rights Readathon on their official website and pledge to take part today! If you aren't sure where to start with choosing books, well, I can be of help! I've gathered a non-exhaustive list of books in the speculative fiction genre featuring sapphic relationships (be they romantic relationships or queerplatonic relationships) by trans and non-binary authors. Over 25 books as well as links to where you can snag them! Trans Rights Readathon - Sapphic SpecFic Rec ListFor several years now, the Trans Rights Readathon has taken place in the last two weeks of March, leading up to the Trans Day of Visibility. It’s a book community event dedicated to both reading and direct action and mobilization. It’s decentralized, meaning there are no rules--read as many bookDax, Dreaming - Sapphic Fantasy AuthorDax Murray, Sapphic Fantasy Author ### This post is for subscribers only Become a member to get access to all content Subscribe now
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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 12/02/2026
Moving from Windows, moving from Scrivener, moving forward despite the snow, ice, and floods!
dreaming.daxmurray.com
Yearning for the end of winter
## In This Issue of Dax's Newsletter * Writing Updates: Moving from Scrivener to LoreForge and an update on Shackles and Shards: Shattered * Publishing Updates: * Yearn Media - A new platform and a discount code just for you! * Bookshop.org - Now with indie ebooks! * Mass market paperbacks - Coming to a direct store near you! * Sapphic Fantasy Recommendation - _She-Wolf: A Sapphic Beowulf Retelling_ by E.K. O'Connor * Lesbian Non-Fiction Book Recommendation - _Brown/Trans/Les_ by Talia Bhatt * Wrap Up: You can still get a free copy of Smoke and Steel! ### This post is for subscribers only Become a member to get access to all content Subscribe now
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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 08/01/2026
dreaming.daxmurray.com
SPFBOXI Queer Reads
Non-exhaustive but as complete as I can make it
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Dax, Dreaming @chaos.dreaming.daxmurray.com.ap.brid.gy · 08/01/2026
dreaming.daxmurray.com
👀 Increasing the pepper rating by releasing a new edition?
Plus, STARS AND SOIL is a SPFBO participant!
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