Reposted by chloe lizotteFilmmaker Magazine @filmmakermagazine.com · 12h“If you don't know where you've been, you don’t know where you're going.” Garrett Bradley speaks with David Greaves, whose ONCE UPON A TIME IN HARLEM documents a meeting of Harlem Renaissance luminaries convened by his father, William Greaves, in 1972. filmmaker.substack.com/p/david-grea... 022 0
Reposted by chloe lizottechloe lizotte @celizotte.bsky.social · 09/10/2026from TIFF, i wrote about VR, acting as a feat of strength, and the breath of fresh air that is Matt Barats! 154 0
chloe lizotte @celizotte.bsky.social · 09/10/2026from TIFF, i wrote about VR, acting as a feat of strength, and the breath of fresh air that is Matt Barats! 154 0
Reposted by chloe lizotteFilmmaker Magazine @filmmakermagazine.com · 29/09/2026“Mocap allowed production to begin without knowing what the movie would look like.” James N. Kienitz Wilkins writes about making his latest film, The Misconceived, with motion capture: ”a tool to characterize the fragmented digital society in which we live.” filmmaker.substack.com/p/a-farewell...filmmaker.substack.comA Farewell to FleshMan without a movie camera: one filmmaker’s adventures in motion capture. 022 0
Reposted by chloe lizotteFilmmaker Magazine @filmmakermagazine.com · 25/08/2026An essay about Ari Aster would come back to haunt Sophie Lewis in ways she couldn't have predicted. @kimkelly.bsky.social interviews Lewis about the movie review that was unexpectedly introduced as evidence in the Prairieland ICE Detention Facility case: filmmaker.substack.com/p/how-a-film...filmmaker.substack.comHow a Film Review Ended Up at the Center of a Domestic Terrorism CaseA conversation with feminist scholar Sophie Lewis about the Ari Aster essay that she didn’t expect to be taken out of context. 05219 0
chloe lizotte @celizotte.bsky.social · 09/08/2026wrote this week’s @filmmakermagazine.com newsletter on Tony, which gave me fresh eyes on Matt Johnson’s earlier work…but it’s a packed weekend for movies, so sign up to be the first to read our summer issue coverage of Camp Miasma and Late Fame next week! filmmaker.substack.com/p/working-cl...filmmaker.substack.comWorking-Class ZeroMatt Johnson’s “Tony” is less an Anthony Bourdain biopic than a story of masculine role models. 094 0
chloe lizotte @celizotte.bsky.social · 31/07/2026wrote about charli xcx and gregg araki for this week’s filmmaker newsletter—on public mythos, coolness, taste, and playing against type… 020 0
chloe lizotte @celizotte.bsky.social · 18/07/2026i spoke to people who fully committed to the bit for some field reporting 020 0
Reposted by chloe lizotteFilmmaker Magazine @filmmakermagazine.com · 15/07/2026“Political commitment is woven into the fabric of the cinema itself.” Botagoz Koilybaeva profiles the La Clef Revival collective, who occupied an arthouse theater in Paris to unlock a new future for cinema. From our summer issue. 📸: Chiara Marinai. open.substack.com/pub/filmmake...open.substack.comLa Clef Revival Occupies the CinemaThe Parisian cinema collective unlocks a new future for film culture and city life. 021 0
Reposted by chloe lizotteFilmmaker Magazine @filmmakermagazine.com · 10/07/2026We’re thrilled to unveil the summer 2026 issue of Filmmaker! Featuring an intimacy coordinator roundtable, Jane Schoenbrun, John Early, Julio Torres, and much more ☀️ Trailer by Charlotte Gosch / Studio Other Types 162 0
chloe lizotte @celizotte.bsky.social · 26/06/2026drop a 📍to share with others where gangnam style is audible outdoors on classon avenue 010 0
chloe lizotte @celizotte.bsky.social · 20/06/2026thoughts on Disclosure Day in our Friday newsletter. plus, David Schwartz at the Knicks parade: substack.com/@filmmakerma...substack.com“Disclosure Day” on the Eve of the FuturePlus: a New York film luminary reports from the Knicks parade. 020 0
chloe lizotte @celizotte.bsky.social · 14/06/2026no greater rush than correctly predicting whether any given singer will do the octave jump in “land of the free” 020 0
chloe lizotte @celizotte.bsky.social · 13/06/2026as soon as we learned that Tim Heidecker (@timheidecker.bsky.social) and Eric Wareheim would be at Cannes, we knew we had to talk to them for Filmmaker. here’s Keva York’s Q&A with the era-defining comedy duo, reunited in Quentin Dupieux’s latest, Full Phil: open.substack.com/pub/filmmake...open.substack.com“I Hope They Boo”: Tim Heidecker and Eric Wareheim Take CannesKeva York shares a meal with the comedy duo, freshly reunited in Quentin Dupieux’s "Full Phil." 020 0
chloe lizotte @celizotte.bsky.social · 13/06/2026moved by this internal rhyme in an Athletic article…poetry is everywhere if you keep your eyes open 020 0
chloe lizotte @celizotte.bsky.social · 31/05/2026gazing out the window wondering why esteban bigliardi doesn’t have a wikipedia page 030 0
chloe lizotte @celizotte.bsky.social · 23/05/2026wrote about the Palme-ineligible Propeller, Cannes, etc for our Friday newsletter—ahead of a roundup of our coverage so far: open.substack.com/pub/filmmake...open.substack.comA Jolt of TravoltaChloe Lizotte writes on “Propeller One-Way Night Coach” and some futuristic imagery from Cannes. 020 0
chloe lizotte @celizotte.bsky.social · 16/05/2026starting to roll out some Cannes newsletters on the Filmmaker Magazine Substack—like any travel day, Nespresso helped me kick this one off. plus, an early word on Schoenbrun and Radu. subscribe to follow along; more in store this week from an all-star roster! : open.substack.com/pub/filmmake...open.substack.comSeventy-nine Palmes: Welcome to Cannes"What else?" asks Chloe Lizotte from the Croisette as she notes early highlights from Jane Schoenbrun and Radu Jude. 030 0
chloe lizotte @celizotte.bsky.social · 08/05/2026disaster….preexisting conflicts with every screening of propeller one-way night coach 040 0
chloe lizotte @celizotte.bsky.social · 22/04/2026& camera roll outtakes from the research period 020 0
chloe lizotte @celizotte.bsky.social · 22/04/2026on the beautiful images, necessary images of James N Kienitz Wilkins’s The Misconceived, for @reverseshot.bsky.social . opens First Look tomorrow! reverseshot.org/reviews/entr... 141 0
chloe lizotte @celizotte.bsky.social · 27/03/2026I used Shazam to discover Teen Age Riot by Sonic Youth at the Moynihan Train Hall Food Court at Penn Station 040 0
chloe lizotte @celizotte.bsky.social · 01/03/2026avant-garde capitalization in cobble hill cinemas preshow reel 010 0
Reposted by chloe lizottem.t. @mattlloydturner.bsky.social · 27/02/2026my new notebook "cutscenes" column is an argument against the cutscene itself, proposing - by way of everything from MANIAC MANSION to ELDEN RING - that video game storytelling should be medium-specific and involve more than moving images that suspend the player's control. mubi.com/en/notebook/...mubi.comCutscenes | Against the CutsceneFrom Donkey Kong to Hideo Kojima, these mini movies often suggest the future of the medium—but do they undercut the pleasures of gaming? 184 0
Reposted by chloe lizotteAdam Nayman @brofromanother.bsky.social · 13/02/2026Talked to Matt Johnson about lenticular storytelling, being annoying, and studying Norman McClaren in film class mubi.com/en/notebook/...mubi.comNotes from the Peanut Factory: Matt Johnson on “Nirvanna the Band the Show the Movie”Toronto’s most dynamic alt-comedy duo leaps to the silver screen (and travels through time…and scales the CN Tower). 05412 0
chloe lizotte @celizotte.bsky.social · 04/02/2026always a pleasure to chat sundance with @nicolasrapold.bsky.social — some fun films on deck this year. listen in here to learn how to make gatorade at home or make long distance calls for free: podcasts.apple.com/us/podcast/t...podcasts.apple.comEp. 373: Sundance 2026 – Chloe Lizotte on Night Nurse, Homemade Gatorade and other shorts, Public Access Redux, plus A Rotterdam SurprisePodcast Episode · The Last Thing I Saw · 02/04/2026 · 47m 062 0
chloe lizotte @celizotte.bsky.social · 30/01/2026in @reverseshot.bsky.social two cents on some extremely unusual home cleaning behavior! scroll until you see him: reverseshot.org/reviews/entr... 030 0
Reposted by chloe lizotteRobert Rubsam @robrubsam.bsky.social · 15/12/2025The good people at Notebook asked me to write about the restored Fall of Otrar. Of course, I turned in an essay on the deep strangeness of past worlds: mubi.com/en/notebook/...mubi.comBridging the Void: On “The Fall of Otrar” and the Historical EpicAs Adak Amirkulov excavates the deep past, records are lost and recreated as legends. 1167 0
chloe lizotte @celizotte.bsky.social · 11/12/2025a dark day for public radio when brian lehrer is forced to say the word “grokipedia” 040 0
chloe lizotte @celizotte.bsky.social · 03/12/2025DYING to get in on conversation behind me at restaurant about “diegetic” / “non-diegetic” ………….. 050 0
chloe lizotte @celizotte.bsky.social · 16/11/2025the neil hamburger to sinatra’s “trilogy: past present future” pipeline 010 0
chloe lizotte @celizotte.bsky.social · 13/11/2025man on subway platform with penn and teller ball cap and NIN varsity jacket…….. 010 0
chloe lizotte @celizotte.bsky.social · 22/10/2025after the hunt youtu.be/pQS5TciZ5C0?...youtu.beConservative Lecturer DESTROYS!!! SJW college studentYouTube video by conor m 030 0
Reposted by chloe lizottechloe lizotte @celizotte.bsky.social · 13/10/2025happy to be back @reverseshot.bsky.social with a new installment of Event Horizon! i write on David Osit’s doc “Predators” and trace Chris Hansen’s influence on online predator hunters… reverseshot.org/features/338...reverseshot.orgAll the PredatorsLooking past traditional cinema into avenues of visual media and other light-related phenomena across the online landscapeâ��and beyond. 052 0
chloe lizotte @celizotte.bsky.social · 13/10/2025happy to be back @reverseshot.bsky.social with a new installment of Event Horizon! i write on David Osit’s doc “Predators” and trace Chris Hansen’s influence on online predator hunters… reverseshot.org/features/338...reverseshot.orgAll the PredatorsLooking past traditional cinema into avenues of visual media and other light-related phenomena across the online landscapeâ��and beyond. 052 0
chloe lizotte @celizotte.bsky.social · 10/10/2025Thank you to all of our beautiful and stylishly opinionated contributors 010 0