iiinova — where your digital self keeps evolving

Caty | COMMISSIONS OPEN @catyarts.bsky.social · 04/09/2026

Late post- I've had an eye on Li since 2025 ArtFight, so this year I did it! Decided to make her in a clandestine fighting with my own character, Mabel! In my mind they would get along really well but with a competitive vibe all the time! Li belongs to: @/ sefnow on Twitter #art #VgenComm

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Caty | COMMISSIONS OPEN @catyarts.bsky.social · 26/08/2026

Gabs was this big and clumsy dude, ready to protect the team and sacrifice himself and any point. Doind this portrait was really fun, specially the colored hair that I was not used to do jajaja Gonna miss playing with this guys #Vgencommission #art #ttrpg

The image depicts a 3/4 portrait of a white and red haired man, between 30 and 40 years old, with a relatively thin and long face, with thick brown eyebrows and light brown eyes. He has a timid smile, showing some teeth. The red hair is long, growing weaving downward out of the frame, with a small portion in a messy bun on top of his head.
He is drawn and painted in a semi-realistic, rendered style, with visible brushstrokes and white ambient light surrounding the character against a gray background.

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Caty | COMMISSIONS OPEN @catyarts.bsky.social · 25/08/2026

Mark is way too stubborn and stupid but he's one of my friends character from a TTRPG we were playing (had to hold myself to no k*ll him during the entire campaign) I've been studing this type of painting for a while now and I've been liking it alot hehe #Vgencommission #ttrpg #art

The image depicts a portrait of a white man, brown haired, between 30 and 40 years old, with a relatively thin face and thick eyebrows, light brown eyes, and with healed scars all over his face, in hid nose, mouth, chin, forehead. He caries a somber look, eyes aiming directlyto the viewer, with a subtle shadow covering them. He is drawn and painted in a semi-realistic, rendered style, with visible brushstrokes and white ambient light surrounding the character against a gray background.

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Caty | COMMISSIONS OPEN @catyarts.bsky.social · 24/08/2026

I've been studing this type of painting for a while now and I've been liking it so much, won't stop any soon hahah James is one of my friends characters ( @sortrosphoresia.bsky.social ) from a TTRPG we were playing, hope to play with them again soon :') #Vgencommission #art #ttrptoken

The image depicts a portrait of a blond man, between 30 and 40 years old, with a relatively thin face and thick eyebrows, brown eyes, and stubble. He is drawn and painted in a semi-realistic, rendered style, with visible brushstrokes and white ambient light surrounding the character against a gray background.

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Caty | COMMISSIONS OPEN @catyarts.bsky.social · 21/08/2026

One of the examples I've created for my Stream Schedule commission tab It was fun thinking about a random user that would like a comm me to have a cuter and more organized profile on their social medias Also did the logo and smol character >:D Hope you like it :) #vgencommission #streamschedule

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Caty | COMMISSIONS OPEN @catyarts.bsky.social · 29/01/2026

YOO Gonna try livestreamin a bit these days, drawing and chilling fot the most time, so if you're free, come say hello :)) kick.com/catyarts

kick.com

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Reposted by Caty | COMMISSIONS OPEN

Rorrii 💫 (COMMS OPEN!) @cloudyrorrii.bsky.social · 05/11/2025

HEY ARTISTS!! me and a friend made a website to help you maintain self care while you work, check it out! ^^ (and thanks to @fourleafisland.art for letting us use the minnow design and for inspiring the concept!) smeedlesmeelder.neocities.org/minnow-clocks

smeedlesmeelder.neocities.org

Minnow Clocks

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Caty | COMMISSIONS OPEN @catyarts.bsky.social · 23/03/2025

"The crazy ones will always get the best deals" Finally finished her painting :)) Will post the timelapse tomorrow #DigitalArt #RPGCharacter #RolePlayingGame #CommissionsOpen

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Caty | COMMISSIONS OPEN @catyarts.bsky.social · 20/03/2025

Hehehe I couldn't miss #WorldFrogDay so here's my persona, Foggy to celebrate the date >:D #digitalart #characterillustration

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Reposted by Caty | COMMISSIONS OPEN

WinRAR Earle @tommchenry.bsky.social · 19/03/2025

Posting GARY PANTER'S SKETCHBOOK TIPS to save a life -- the site that used to host these took em down years ago, and they are as useful a list about this kind of thing as you will ever find. They are like a favorite dogeared paperback to me.

INTRODUCTION

Get a book-size (or paperback-size)d sketchbook. Write your name and date on an early page and maybe think of a name for it — and if you want, write the book’s name there at the front. Make it into your little painful pal. The pain goes away slowly page by page. Fill it up and do another one. It can be hard to get started. Don’t flunk yourself before you get the ball rolling.

You might want to draw more realistically or in perspective or so it looks slick — that’s is possible and there are tricks and procedures for drawing with more realism if you desire it. But drawing very realistically with great finesse can sometimes produce dead uninteresting drawings — relative, that is, to a drawing with heart and charm and effort but no great finesse.

You can make all kinds of rules for your art making, but for starting in a sketchbook, you need to jump in and get over the intimidation part — by messing up a few pages, ripping them out if need be. Waste all the pages you want by drawing a tic-tac-toe schematic or something, painting them black, just doodle. Every drawing will make you a little better. Every little attempt is a step in the direction of drawing becoming a part of your life.

TIPS

1. Quickly subdivide a page into a bunch of boxes by drawing a set of generally equidistant vertical lines, then a set of horizontal lines so that you have between 6 and 12 boxes or so on the page. In each box, in turn, in the simplest way

possible, name every object you can think of and draw each thing in a box, not repeating. If it is fun, keep doing this on following pages until you get tired or can’t think of more nouns. Now you see that you have some kind of ability to typify the objects in your world and that in some sense you can draw anything.

2. Choose one of the objects that came to mind that you drew and devote one page to drawing that object with your eyes closed, starting at the “nose” of the object (in outline or silhouette might be good) and following the contour you see in your mind’s eye, describing to yourself in minute detail what you know about the object. You can use your free hand to keep track of the edge of the paper and ideally your starting point so that you can work your way back to the designated nose. Don’t worry about proportion or good drawing this is all about memory and moving your hand to find the shapes you are remembering. The drawing will be a mess, but if you take your time, you will see that you know a lot more about the object than you thought.

3. Trace some drawings you like to see better what the artist’s pencil or pen is doing. Tracing helps you observe closer. Copy art you like — it can’t hurt.

4. Most people (even your favorite artists) don’t like their drawings as much as they want to. Why? Because it is easy to imagine something better. This is only ambition, which is not a bad thing — but if you can accept what you are doing, of course you will progress quicker to a more satisfying level and also accidentally make perfectly charming drawings even if they embarrass you.

4. Most people (even your favorite artists) don’t like their drawings as much as they want to. Why? Because it is easy to imagine something better. This is only ambition, which is not a bad thing — but if you can accept what you are doing, of course you will progress quicker to a more satisfying level and also accidentally make perfectly charming drawings even if they embarrass you.

5. Draw a bunch more boxes and walk down a sidewalk or two documenting where the cracks and gum and splotches and leaves and mowed grass bits are on the square. Do a bunch of those. That is how nature arranges and composes stuff. Remember these ideas — they are in your sketchbook.

6. Sit somewhere and draw fast little drawings of people who are far away enough that you can only see the big simple shapes of their coats and bags and arms and hats and feet. Draw a lot of them. People are alike yet not — reduce them to simple and achievable shapes.

7. To get better with figure drawing, get someone to pose — or use photos — and do slow drawing of hands, feet, elbows, knees, and ankles. Drawing all the bones in a skeleton is also good, because it will help you see how the bones in the arms and legs cross each other and affect the arms’ and legs’ exterior shapes. When you draw a head from the side make sure you indicate enough room behind the ears for the brain case.

8. Do line drawings looking for the big shapes, and tonal drawing observing the light situation of your subject — that is, where the light is coming from and where it makes shapes in shade on the form, and where light reflects back onto the dark areas sometimes.

9. To draw the scene in front of you, choose the middle thing in your drawing and put it in the middle of your page — then add on to the drawing from the center of the page out.

10. Don’t worry about a style. It will creep up on you and eventually you will have to undo it in order to go further. Be like a river and accept everything.

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Caty | COMMISSIONS OPEN @catyarts.bsky.social · 10/03/2025

WIP RPG's characters must have that insane look in their eyes, don't you think? My friends' campaign character hehe #commissions #art #WIP #commsopen #sketch #digitalart #RPG