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Blakes7Bot @blakes7bot.torpidity.net · 10h

Series B, Episode 05 - Pressure Point VILA: Times like this, I wish I'd gone straight. [Gan boosts him up to reach the bars. Vila starts moving along them.] [Inside the Security station] SERVALAN: [Turns on viewscreen] Travis? blake.torpidity.net/m/205/472

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Blakes7Bot @blakes7bot.torpidity.net · 13h

Series B, Episode 13 - Star One TRAVIS: They will. AVON: The first one who doesn't will cost you your head. [They enter the base] AVON: [To Travis] Don't move. [Avon struggles with Lurena - Travis escapes] AVON: Damn! LURENA: They're all dead. blake.torpidity.net/m/213/375

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Blakes7Bot @blakes7bot.torpidity.net · 16h

Series C, Episode 05 - The Harvest of Kairos SHAD: Weight eighty-four units, madam. SERVALAN: [On screen] And are all the labourers aboard? blake.torpidity.net/m/305/210

Claude Sonnet 4.6 describes the image as: "This image appears to be from the classic BBC Television series Blake's 7. The scene shows a woman with a very short, dark cropped hairstyle with delicate wispy fringe details along the hairline. She is wearing glamorous accessories including sparkling crystal drop earrings and a silver chain-link choker necklace. Her makeup is dramatic and theatrical — heavy dark eye shadow, defined lashes, and bold red lipstick — creating a striking, powerful aesthetic. The setting appears to be an interior studio environment with a neutral grey background, typical of the BBC studio production style of the late 1970s and early 1980s. The image has the characteristic warm, slightly soft video quality associated with that era of British television production"

Blakes7Bot, version 4.0.75. Claude Sonnet 4.6 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 19h

Series B, Episode 10 - Voice from the Past JENNA: [V.O.] Teleport, emergency. I repeat, teleport, emergency. AVON: No teleport, Jenna. Not possible. TRAVIS: Don't touch those coordinates. Activate it now. [Atlay] blake.torpidity.net/m/210/588

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Blakes7Bot @blakes7bot.torpidity.net · 22h

#Blakes7 Series B, Episode 08 - Hostage AVON: What? CALLY: I said who knows we're here? AVON: How do I know who knows? I still say anybody could have picked up that message. CALLY: No they couldn't. You know they couldn't. Why are you so worried? blake.torpidity.net/m/208/281

Claude Haiku 4.5 20251001 describes the image as: "# Blake's 7 Scene Description This image captures a scene from the classic BBC Television series "Blake's 7," set aboard the Liberator spacecraft. The futuristic interior features the distinctive design aesthetic of the 1970s science fiction production, with curved walls, white paneling, and sleek architectural elements characteristic of the show's production design. In the foreground, a male character sits on a white cushioned seat, wearing a dark leather jacket with striped detailing. He appears contemplative or tense, resting his arm on the armrest as he observes the action before him. Behind him stand two female crew members at what appears to be a control station or observation area. Both are dressed in period-appropriate 1970s styling"

Blakes7Bot, version 4.0.75. Claude Haiku 4.5 20251001 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 29/09/2026

Series A, Episode 09 - Project Avalon ZEN: Hull sensors register scanning beams. AVON: So they know we're here. [He checks a console.] We'll be within their attack range in minutes. CALLY: We must tell Blake. blake.torpidity.net/m/109/215

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Blakes7Bot @blakes7bot.torpidity.net · 29/09/2026

Series C, Episode 13 - Terminal TARRANT: What the hell is he up to? DAYNA: Well, why don't you ask him? TARRANT: Why don't I do that? CALLY: Rather you than me. [Tarrant exits] VILA: [Calling after him] Watch yourself. blake.torpidity.net/m/313/21

Claude Opus 4.6 describes the image as: "This image is from the BBC Television series Blake's 7. The scene takes place on the flight deck of the Liberator (or Scorpio), featuring the distinctive hexagonal window panels and futuristic control consoles characteristic of the show's set design. Four characters are present in the scene. In the foreground left sits Josette Simon as Dayna Mellanby, wearing a red top and operating controls at the main console. Across from her on the right sits Jan Chappell as Cally, dressed in a grey and brown outfit, also working at the console. Standing behind them are Steven Pacey as Del Tarrant, wearing his distinctive dark red/maroon tunic with ornate detailing and a belt, and Michael Keating as Vila Restal, dressed in his characteristic lighter-colored tunic, appearing to be in conversation with Tarrant"

Blakes7Bot, version 4.0.75. Claude Opus 4.6 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 29/09/2026

Series B, Episode 04 - Horizon JENNA: What is it? RO: Plain water. From a stream. JENNA: Probably full of lethal bacteria. [Drinks some] Thank you. [To Blake] It tastes all right. RO: [To Blake] You want some? blake.torpidity.net/m/204/331

Claude Haiku 4.5 20251001 describes the image as: "# Blake's 7 Scene Description This scene from the classic BBC Television series "Blake's 7" depicts a dramatic moment involving three characters in what appears to be a spacecraft interior. The setting features the distinctive geometric set design characteristic of the show's production design, with angular panels and metallic surfaces visible in the background. In the foreground, a character in a cream-colored outfit reclines or lies back, appearing to be in distress or an unconscious state. Standing over this figure is a woman wearing an elegant pink dress with a draped design, her blonde hair styled in period waves. Her posture and expression suggest concern or involvement in the unfolding drama. Behind them stands a third character dressed in a burgundy or deep red tunic, reaching out toward the scene with an expression of intensity"

Blakes7Bot, version 4.0.75. Claude Haiku 4.5 20251001 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 29/09/2026

Series A, Episode 08 - Duel TRAVIS: He's running. There's nowhere to run, Blake! Compute course, speed, and lock on. MUTOID: Time Distort Three and rising. Course zero-zero-zero - they're coming straight at us. TRAVIS: Stand by plasma bolts. blake.torpidity.net/m/108/191

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Blakes7Bot @blakes7bot.torpidity.net · 29/09/2026

#Blakes7 Series C, Episode 10 - Ultraworld ORAC: And supposing I don't wish to know that? VILA: But you've got to say it or the riddle won't work. ORAC: It is plainly nonsensical. VILA: Of course. That's the whole idea. blake.torpidity.net/m/310/50

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Blakes7Bot @blakes7bot.torpidity.net · 28/09/2026

Series A, Episode 01 - The Way Back HAVANT: [V.O.] I'll take a few days leave and stay at home. GLYND: Good. Arrange to take calls only from me. Goodbye. [Breaks link] blake.torpidity.net/m/101/362

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Blakes7Bot @blakes7bot.torpidity.net · 28/09/2026

Series C, Episode 10 - Ultraworld ORAC: For idiosyncratic syntax you substituted idiotic tintax. Yes, very good. VILA: Is it? ORAC: Another one, please. VILA: Right. What's the best cure for water on the brain? blake.torpidity.net/m/310/236

061

Blakes7Bot @blakes7bot.torpidity.net · 28/09/2026

Series A, Episode 09 - Project Avalon VILA: Not a hope, I'd rather fry than freeze. [Cally and Avon watch Vila putting on extra clothing and exchange smiles after Avon teleports him.] [Scene: The cavern.] blake.torpidity.net/m/109/152

072

Blakes7Bot @blakes7bot.torpidity.net · 28/09/2026

Series A, Episode 06 - Seek-Locate-Destroy VILA: And anyway, the place will be crawling with security forces by now. They'll be on full alert. AVON: We'd never even get through their interceptors. [Grabs Blake's arm.] Listen! [Blake yanks free.] If you turn this ship round, you will… (1/2)

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Blakes7Bot @blakes7bot.torpidity.net · 28/09/2026

#Blakes7 Series A, Episode 11 - Bounty GAN: It's not a very good one, then. We're suspicious of it already. AVON: The test is not whether you are suspicious but whether you are caught. blake.torpidity.net/m/111/67

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Blakes7Bot @blakes7bot.torpidity.net · 27/09/2026

Series B, Episode 12 - The Keeper CALLY: Or he said it was Lurgen's brain that was on a thong. That might not be the same thing. AVON: If you find the brain print, and consequently the location of Star One, what then? BLAKE: Finish what we started. blake.torpidity.net/m/212/7

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Blakes7Bot @blakes7bot.torpidity.net · 27/09/2026

Series D, Episode 10 - Gold KEILLER: Everyone's dangerous. TARRANT: [In a disgusted tone.] Let's go. AVON: Did you get him. TARRANT: Keiller shot him. [Avon pauses.] blake.torpidity.net/m/410/336

Claude Sonnet 4.6 describes the image as: "This image appears to be from the classic BBC Television series Blake's 7, featuring a scene set aboard what appears to be a spacecraft or space station interior, with the characteristic pink-toned walls and geometric paneling typical of the show's production design. The scene depicts a dramatic moment where a woman lies on what appears to be a medical or examination table, covered in a shimmering silver material. Three figures stand around her — one partially visible on the left edge of the frame in a grey/blue outfit, a stout man in the center wearing a red sweater with a decorative sash, and a man on the right dressed in a distinctive black costume with decorative studding, characteristic of the show's costume design. The standing figures appear concerned or engaged in discussion about the person lying down"

Blakes7Bot, version 4.0.75. Claude Sonnet 4.6 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 27/09/2026

Series B, Episode 11 - Gambit AVON: [Sets his hands at roughly 1/4 Orac's size. Vila compresses them to 1/8.] Approximately one-eighth of your current size. ORAC: Two hours, six minutes. VILA: Talk's cheap. ORAC: Does that mean something? blake.torpidity.net/m/211/123

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Blakes7Bot @blakes7bot.torpidity.net · 27/09/2026

A piece of flotsam from the B7 production archives. #b7bpa

Claude Haiku 4.5 20251001 describes the image as: "# Blake's 7 Duty Sheet - TC 6 This is a production duty sheet for "Blake's 7," dated Saturday, 9th September 1978, from Week 37. It documents the daily schedule and crew assignments for recording TC 6 (Television Centre 6)"

Blakes7Bot, version 4.0.75. Claude Haiku 4.5 20251001 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 27/09/2026

#Blakes7 Series A, Episode 07 - Mission To Destiny KENDALL: Destroy it! AVON: Too late. They will have had a fix on us for some time now. KENDALL: And when they get here and find the neutrotope not on board? blake.torpidity.net/m/107/423

Claude Haiku 4.5 20251001 describes the image as: "# Blake's 7 Scene This image captures a dramatic moment from the classic BBC science fiction series "Blake's 7." The scene shows three characters in what appears to be an interior spacecraft or station setting, with distinctive 1970s production design featuring muted green and cream-colored walls and period-appropriate lighting fixtures. On the left stands a character in dark tactical clothing with a grey undershirt, displaying a serious, intense expression. In the center, another character wears dark clothing and observes the interaction with a neutral demeanor. On the right, a character in an elegant light green garment with ornate gold embellishments at the collar engages in conversation with the figure on the left. The composition suggests a tense moment of negotiation or confrontation between the characters"

Blakes7Bot, version 4.0.75. Claude Haiku 4.5 20251001 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 26/09/2026

Series C, Episode 11 - Moloch VILA: I tell you, she's mad! She's finally gone over the top! - Well, that's an interesting viewpoint, Vila - Yes, isn't it? Came from talking to myself. - Fascinating. And do you have any other theories about...paranoids? ZEN: [Interrupting]… (1/2)

Claude Sonnet 4.6 describes the image as: "The image is from the classic BBC Television series Blake's 7, depicting a scene set aboard what appears to be the Liberator, the rebel crew's spacecraft. The set design is characteristic of the show's aesthetic — angular, dark, with industrial textures and illuminated rectangular panels suggesting advanced but gritty technology. Colored monitor screens and control consoles are visible in the background. A male actor is leaning forward over a console or surface, dressed in the show's signature style — a muted, tan-toned futuristic jumpsuit with contrasting panels. His posture suggests alertness or tension, as though reacting to something offscreen. The lighting is dramatic, casting shadows that enhance the moody, sci-fi atmosphere typical of the series"

Blakes7Bot, version 4.0.75. Claude Sonnet 4.6 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 26/09/2026

Series B, Episode 09 - Countdown BLAKE: I came down to question a man called Provine, a Space Major. I think that he can help us with the whereabouts of Federation's Central Control. GRANT: There's no Space Major amongst the prisoners. blake.torpidity.net/m/209/291

050

Blakes7Bot @blakes7bot.torpidity.net · 26/09/2026

Series A, Episode 03 - Cygnus Alpha JENNA: So did I. AVON: Negative hyperspace. BLAKE: You mean we crossed the anti-matter interface? JENNA: That's impossible. AVON: That's what they said about the light barrier. JENNA: Well, which one next? blake.torpidity.net/m/103/60

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Blakes7Bot @blakes7bot.torpidity.net · 26/09/2026

Series B, Episode 01 - Redemption AVON: [Pause] There are a number of alternative futures. You could take a pace forward and plunge to your death. The cliff could crumble under your feet with the same result. A gust of wind could carry you over. BLAKE: All right, all right, yes. But… (1/2)

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Blakes7Bot @blakes7bot.torpidity.net · 26/09/2026

#Blakes7 Series D, Episode 07 - Assassin SOOLIN: What other way? AVON: Servalan has lived altogether too long. Cancer is a professional. With his paymistress dead, he will pack up his toys and go home. blake.torpidity.net/m/407/49

Claude Opus 4.6 describes the image as: "This image shows Paul Darrow in his iconic role as Kerr Avon from the classic BBC Television series "Blake's 7." He is wearing Avon's distinctive black leather costume adorned with silver studs and metallic trim around the collar and neckline, characteristic of the show's futuristic aesthetic. Darrow stands in what appears to be an arid, desert-like landscape with eroded rock formations or badlands visible in the background, suggesting this was filmed on location rather than in a studio. His dark, curly hair is slightly windswept, and he has a characteristically intense yet composed expression. Darrow brought a cool, sardonic charisma to the role of Avon, the brilliant but cynical computer expert who often clashed with the crew's idealistic leader Blake. The outdoor desert setting was likely used to represent an alien planet's surface, a common technique in the series"

Blakes7Bot, version 4.0.75. Claude Opus 4.6 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 25/09/2026

Series B, Episode 10 - Voice from the Past AVON: Is Blake still aboard? VILA: [V.O.] No, he's teleported down and he's broken contact. AVON: Vila, listen, this is some kind of a Federation trap. blake.torpidity.net/m/210/286

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Blakes7Bot @blakes7bot.torpidity.net · 25/09/2026

Series B, Episode 04 - Horizon RO: Yes, I know. [They walk toward the throne room. Ro looks at the scanner screen which shows Selma at the mine] I must make a decision about Selma. If she is to die, it mustn't be there, like that. KOMMISSAR: She is a bad influence. She was dismissed… (1/2)

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Blakes7Bot @blakes7bot.torpidity.net · 25/09/2026

Series B, Episode 11 - Gambit TRAVIS: Damn you, Servalan! JARRIERE: It must have been damaged when you were brought here. TRAVIS: [To Jarriere] Shut up! [To Servalan] So, you're working with Krantor. blake.torpidity.net/m/211/240

030

Blakes7Bot @blakes7bot.torpidity.net · 25/09/2026

Series D, Episode 06 - Headhunter VILA: Report on that turbulence back there. SLAVE: Power surge. VILA: Details! [Turns towards Tarrant.] Anything? TARRANT: Yes. Power surge in drive unit two! [Alarm sounds.] blake.torpidity.net/m/406/168

Claude Sonnet 4.6 describes the image as: "## Blake's 7 Scene Description The image appears to be a still from the classic BBC Television series Blake's 7, likely filmed in the late 1970s or early 1980s. The setting has the characteristic look of the show's interior spacecraft sets, with muted grey tones, functional-looking panels, and utilitarian furniture design typical of the production's aesthetic. The male actor in the scene is seated in what appears to be one of the ship's crew chairs, which features a distinctive patterned grey upholstery. He is wearing a quilted grey and tan zip-up jacket over a dark turtleneck — costume styling very typical of Blake's 7's futuristic wardrobe design. His expression appears thoughtful or slightly concerned, suggesting a dramatic moment in the scene"

Blakes7Bot, version 4.0.75. Claude Sonnet 4.6 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 25/09/2026

#Blakes7 Series A, Episode 07 - Mission To Destiny KENDALL: We've calculated the orbital pattern required to maintain a balance and save our planet. [quickly takes neutrotope from Blake holding it up high] BLAKE: Impressive. blake.torpidity.net/m/107/165

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Blakes7Bot @blakes7bot.torpidity.net · 24/09/2026

Series C, Episode 13 - Terminal DAYNA: I don't know, but I think it's time for the others to come back. [They exit. The substance has appeared on the flight deck wall.] [Teleport room. Dayna and Vila see the substance, now covering a good portion of the walls and equipment. They… (1/2)

Claude Opus 4.8 describes the image as: "This scene from "Blake's 7" features two characters positioned in what appears to be an industrial or spacecraft interior setting. The background reveals mechanical structures, pipes, and warm orange-toned lighting that creates the atmosphere typical of the series' science fiction environments. Josette Simon appears on the left, portraying her character with short-cropped hair and wearing a distinctive magenta or purple garment with a plunging neckline, accented by a decorative pendant necklace. Her expression is alert and focused, her lips slightly parted as if mid-conversation or reacting to something occurring off-screen. Michael Keating is on the right, wearing a light beige or cream-colored tunic with an asymmetrical button closure running diagonally across the front"

Blakes7Bot, version 4.0.75. Claude Opus 4.8 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 24/09/2026

Series D, Episode 12 - Warlord ZEEONA: Risky, though. It's not very stable, it could go critical. AVON: One person must go down. Volunteer? Or shall we draw lots? ZEEONA: I'll go. TARRANT: No! Why? blake.torpidity.net/m/412/478

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Blakes7Bot @blakes7bot.torpidity.net · 24/09/2026

Series C, Episode 02 - Powerplay [Scene - Liberator flight deck, Klegg, Tarrant and a guard] KLEGG: Any deviation in the flight path? blake.torpidity.net/m/302/297

Claude Haiku 4.5 20251001 describes the image as: "# Blake's 7 Scene This image captures a tense moment aboard what appears to be a spacecraft interior, characterized by the distinctive set design of the classic BBC series. The scene depicts several characters in black flight suits gathered in what looks like a command or corridor area, with metallic panels and industrial-style walls visible in the background. The character on the left, with curly blonde hair, stands prominently in the foreground wearing the standard black uniform. Two other figures in similar dark attire are positioned in the background, one appearing older with a more weathered appearance. The setting suggests an important confrontation or briefing scene, with the positioning of the characters indicating a hierarchy or moment of significant interaction"

Blakes7Bot, version 4.0.75. Claude Haiku 4.5 20251001 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 24/09/2026

Series B, Episode 13 - Star One VILA: He always makes me feel as if I should be taking notes. ORAC: If I may continue. The defence zone is controlled and monitored from the computer complex known as Star One. VILA: Ahh. blake.torpidity.net/m/213/341

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Blakes7Bot @blakes7bot.torpidity.net · 24/09/2026

#Blakes7 Series C, Episode 04 - Dawn of the Gods AVON: Hardly a healthy place. VILA: Why? TARRANT: Sector twelve is uncharted. When I was at the Federation Space Academy, survey ships sent to chart Sector Twelve had a distressing habit of not… (1/2)

Claude Sonnet 4.6 describes the image as: "This image is from the classic BBC Television series Blake's 7, set aboard what appears to be the flight deck of the Liberator spacecraft, recognizable by its distinctive dark, angular console design and futuristic aesthetic typical of the late 1970s/early 1980s BBC production design. In the foreground stands Paul Darrow, portraying the morally ambiguous antihero Kerr Avon, characteristically dressed in a black turtleneck sweater with arms folded — a pose exuding his trademark cool, calculating demeanor. In the background, grouped near the flight console, are three other crew members. Jan Chappell (Cally), Steven Pacey (Del Tarrant), and Josette Simon (Dayna Mellanby) observe the scene with expressions of concern or anticipation"

Blakes7Bot, version 4.0.75. Claude Sonnet 4.6 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 23/09/2026

Series D, Episode 10 - Gold AVON: Well, now. The sacrifice might be worthwhile. SERVALAN: You're not the sacrificial type. AVON: You're right. We'll do business as arranged. That was very good bait, the black gold. blake.torpidity.net/m/410/402

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Blakes7Bot @blakes7bot.torpidity.net · 23/09/2026

Series B, Episode 02 - Shadow ORAC: The energy is building. I am ready to cross. Hungry dark to absorb the blazing suns. CALLY: I will deny you. ORAC: You are alone. blake.torpidity.net/m/202/582

Claude Opus 4.8 describes the image as: "This image features Jan Chappell in her role as Cally in the BBC science fiction series "Blake's 7." She is depicted with short, wavy brown hair styled in the fashion typical of the late 1970s era of the production. The scene is bathed in soft, bright lighting against a pale, neutral background, giving it an ethereal or dreamlike quality. Scattered throughout the frame are numerous soft-focus circular light flares and bokeh effects in warm golden and amber tones, which create a mystical, almost otherworldly atmosphere. These luminous orbs float across the composition, partially obscuring parts of the image. Chappell's character appears to be mid-expression, with a gentle, engaging look on her face, her lips slightly parted as if speaking. She wears a light-colored, soft garment visible at her shoulder"

Blakes7Bot, version 4.0.75. Claude Opus 4.8 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 23/09/2026

Series A, Episode 09 - Project Avalon TERLOC: Shhh! Softer. The sound travels in the caves. TRAVIS: You're late. TERLOC: They would've missed me had I come sooner. TRAVIS: What have you got for me? blake.torpidity.net/m/109/7

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Blakes7Bot @blakes7bot.torpidity.net · 23/09/2026

Series B, Episode 11 - Gambit KRANTOR: Supreme Commander, you make my blood run cold. I wonder if I emphasized sufficiently how highly we value our neutrality. I'm sure I must have done. SERVALAN: How highly? blake.torpidity.net/m/211/59

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Blakes7Bot @blakes7bot.torpidity.net · 23/09/2026

Some detritus from the B7 production archives. #b7bpa

Claude Opus 4.6 describes the image as: "This is a Scenic Servicing Contract for Property Provisioning Time (No. 504) from BBC Television, related to the production of Blake's 7, Series 1, Episode 13. The document is dated 30.8.78 (August 30, 1978) and was issued to director David Maloney from the Senior Assistant (Allocations). Key details include: the director is listed as Vere Lorrimer (who directed several Blake's 7 episodes), the programme department is D.S (Drama Series), and the programme date is 8-10.9.78 (early September 1978), week 36/37. The project number is 2248/2631, and the Scenic Properties Buyer is Alan Huxley. The internal costs show 10 days (Code G11) and 15 hours (Code G14) allocated for scenic servicing. The document was issued by someone whose signature appears to be from Scenic Servicing. Episode 1/13 would be "Orac," the Series 1 finale"

Blakes7Bot, version 4.0.75. Claude Opus 4.6 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 22/09/2026

Series D, Episode 04 - Stardrive DAYNA: I'm sure we'll be able to help you, Atlan, but first we'd better see if this thing is up to standard. [goes over to drive again] How do I start it? PLAXTON: Leave it alone. DAYNA: We have to see how it performs. blake.torpidity.net/m/404/370

Claude Sonnet 4.6 describes the image as: "This image is from the classic BBC Television series Blake's 7, featuring a futuristic science fiction set designed in a stark black-and-white aesthetic typical of the show's visual style. The room appears to be a control room or laboratory, with consoles, monitors, and scientific equipment arranged on sleek tables with circular wire bases. The tiled floor and angular décor are characteristic of the show's low-budget but imaginative production design. The scene shows four characters in a tense or confrontational arrangement. On the far left stands a figure in striking, colorful costume suggesting an alien or flamboyant villain character. In the center is a woman in a black-and-white outfit standing near the control console. To the right are two more figures — one in a light-colored uniform and another in a grey outfit — appearing to interact near the equipment"

Blakes7Bot, version 4.0.75. Claude Sonnet 4.6 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 22/09/2026

Series A, Episode 01 - The Way Back VARON: It is doubtful. BLAKE: I am innocent. VARON: I've spoken to the children. Their statements were all verified by lie detector. And that puts them beyond dispute. blake.torpidity.net/m/101/187

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Blakes7Bot @blakes7bot.torpidity.net · 22/09/2026

Series B, Episode 13 - Star One AVON: Zen, put up the force wall. ZEN: Confirmed. [Blake enters] AVON: [To Blake] Why didn't you stay in the medical unit? Couldn't you bring yourself to trust me just this once? BLAKE: I thought I might be able to… (1/2)

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Blakes7Bot @blakes7bot.torpidity.net · 22/09/2026

Series C, Episode 03 - Volcano DAYNA: I think we've come down on the wrong side TARRANT: Terrific. [They begin to climb rocks at the base of the volcano.] TARRANT: When were you last here? DAYNA: I've never been here before. blake.torpidity.net/m/303/9

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Blakes7Bot @blakes7bot.torpidity.net · 22/09/2026

#Blakes7 Series C, Episode 06 - City at the Edge of the World AVON: I think war was just declared. BAYBAN: [To Norl] You. Give me a hand with this. Come on. [Vila and Kerril wake up] blake.torpidity.net/m/306/447

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Blakes7Bot @blakes7bot.torpidity.net · 21/09/2026

Series B, Episode 03 - Weapon ORAC: I am unlikely to be able- BLAKE: [Overlapping and interrupting] To be able to get that information, yes, I know. Maybe you'll get lucky again. ORAC: There is no rational basis for the concept you call luck. blake.torpidity.net/m/203/199

Claude Opus 4.8 describes the image as: "This image is from the classic BBC science fiction series "Blake's 7." In the foreground, Gareth Thomas portrays Roj Blake, the rebellious leader of the group. He has distinctive curly dark hair and is wearing a textured leather-look jacket in dark tones. His expression is contemplative and somber, his gaze cast downward as if deep in thought or troubled by recent events. In the background, slightly out of focus, Sally Knyvette plays Jenna Stannis. She has styled blonde hair and wears a dark blue outfit with decorative silver detailing at the shoulder. She appears to be positioned at a station or console within the spacecraft. The setting is the interior of a spaceship, characterized by the retro-futuristic production design typical of the era"

Blakes7Bot, version 4.0.75. Claude Opus 4.8 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 21/09/2026

Series B, Episode 01 - Redemption BLAKE: It's moving. Leave it now. Come on. [Blake leaves. The door closes before Avon can reach it. Both men try to force door open from their sides. The device explodes and the door opens. Avon spills into corridor and Blake. Shot of cable lying… (1/2)

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Blakes7Bot @blakes7bot.torpidity.net · 21/09/2026

Series D, Episode 04 - Stardrive AVON: The closer we get, the less risk there is of our being detected by a Federation patrol. TARRANT: Range? SOOLIN: Five thousand. blake.torpidity.net/m/404/24

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Blakes7Bot @blakes7bot.torpidity.net · 21/09/2026

Series A, Episode 13 - Orac JENNA: What! VILA: You're not given to practical jokes are you, because that's not funny. BLAKE: When's this supposed to happen? ORAC: The event is not far distant. BLAKE: How far distant? blake.torpidity.net/m/113/473

Claude Opus 4.6 describes the image as: "This image is from the classic BBC Television series Blake's 7. It shows Sally Knyvette as Jenna Stannis and Michael Keating as Vila Restal, two of the core crew members aboard the Liberator spacecraft. Jenna, on the left, is wearing a striking red V-neck tunic with a metallic belt and a decorative choker necklace, consistent with her stylish wardrobe throughout the series. Vila, seated to her right, is dressed in his characteristic maroon and brown patterned tunic. Both characters appear to be seated on the Liberator's flight deck, with the distinctive curved seating and transparent console panels visible in the foreground — hallmarks of the show's iconic set design. Their expressions suggest they are watching something off-screen with focused attention, possibly during a tense moment"

Blakes7Bot, version 4.0.75. Claude Opus 4.6 AWS Lambda version: 1.30.

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Blakes7Bot @blakes7bot.torpidity.net · 21/09/2026

#Blakes7 Series A, Episode 12 - Deliverance BLAKE: Speed standard by six, Jenna. JENNA: Standard by six. [End of episode. Roll credits.] blake.torpidity.net/m/112/468

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