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Bertrom.

@bertrom.bsky.social
3.1K followers 676 following 7.2K posts

In a past life, I was a film teacher, photographer, theatre director and film editor. Now a psychogeographer and Jungian explorer searching for my Anima, and some purpose.

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Bertrom. @bertrom.bsky.social · 2h
Vivian Maier. Vivian was a truly remarkable woman and a visionary photographer. Her story began for me in 2007, and I was able to include it, as it unfolded in my film and photography classes.
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Bertrom. @bertrom.bsky.social · 2h
Vivian Maier. “Well, I suppose nothing is meant to last forever. We have to make room for other people. It’s a wheel. You get on, you have to go to the end. And then somebody has the same opportunity to go to the end and so on.”
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Bertrom. @bertrom.bsky.social · 29/09/2026
Invisible City/Night Walk. In the 1980s Ken Schles was living in an abandoned tenement in New York’s East Village, documenting his life in the underground art and club scene, a mesmerizing existence during a turbulent time.
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Bertrom. @bertrom.bsky.social · 28/09/2026
A walk I have taken so often, and one that gives me peace.
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Bertrom. @bertrom.bsky.social · 27/09/2026
Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls. Bergman's Dreams - An Original Video Essay. youtu.be/JFQtlSvdWxQ
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Bertrom. @bertrom.bsky.social · 27/09/2026
At the bottom of our garden, 27/03/2023.
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Bertrom. @bertrom.bsky.social · 27/09/2026
Gwen John. Lady Reading. 1909-11.
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Bertrom. @bertrom.bsky.social · 27/09/2026
We always have their words. Jorge Luis Borges Carson McCullers Boris Pasternak Marguerite Duras
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Bertrom. @bertrom.bsky.social · 27/09/2026
Nick Brandt visited five animal sanctuaries in Africa to portray the people displaced by droughts and the creatures whose very existence is under threat. “We need to be far better stewards of the earth. We all need to learn to be good ancestors .” 2020.
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Bertrom. @bertrom.bsky.social · 27/09/2026
Dulovits Jenő (1903-1972), was one of the most significant and defining creators in the history of Hungarian photography and photo technology, treating aesthetics and technique as a distinctively individual photography style based on backlighting, softening and light-shadow balancing.
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Bertrom. @bertrom.bsky.social · 27/09/2026
Hugh Hood. Glasgow. 1974-78. This Glasgow was a city of ghosts and rubble, its air a miasma of sandstone dust and occluded sunlight. Hugh’s work was local history reframed as National Geographic anthropology.
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Bertrom. @bertrom.bsky.social · 27/09/2026
In the 1980s Brian Lomas photographed shops, mainly in Moston, Blackley, Newton Heath and Harpurhey, revealing a little of Manchester's urban history and celebrating its independent shops of the time.
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Bertrom. @bertrom.bsky.social · 26/09/2026
Birkenhead park. A lovely place to be.
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Bertrom. @bertrom.bsky.social · 26/09/2026
The Descent. Dir Neil Marshall. 2005. A brilliant claustrophobic shocker I loved to teach in a British horror module. It works not only with movie imagery, but with the stuff of myth and dreams too. It evokes hellish visions, from Goya to Fuseli, gothic gargoyles and Dore's engravings.
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Bertrom. @bertrom.bsky.social · 26/09/2026
The Story of Temple Drake. 1933. Directed by Stephen Roberts and adapted from the controversial novel Sanctuary by William Faulkner. Steeped in southern-gothic shadows by influential cinematographer Karl Struss and shot through with moral ambiguity, it is a harrowing vision of sin and salvation.
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Bertrom. @bertrom.bsky.social · 26/09/2026
Harold Ancart. Branches et cercles. 2024.
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Bertrom. @bertrom.bsky.social · 26/09/2026
RIP Tony Gatlif. Filmmaker. “I have waged a battle against my destiny, against myself, and that is no small thing."
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Bertrom. @bertrom.bsky.social · 26/09/2026
Edvard Munch. Self-Portrait with a Bottle of Wine. 1906. He had already fallen into alcoholism at this point so the inclusion of a bottle of wine is symbolic. His mental health problems are also apparent in his sad demeanor. He sits alone, reflecting on all that haunted him.
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Bertrom. @bertrom.bsky.social · 26/09/2026
At a sad and seminal juncture in Italy’s history, its most talented filmmakers found the inspiration to record the moment for posterity with unflinching truth and tenderness. Creating cinematic art of the highest order. Best Movies by Farr. bestmoviesbyfarr.com/history/a-br...
bestmoviesbyfarr.com
A Brief History of Italy's Incredible Post-War Cinema - Best Movies by Farr
I’ve always loved Italy and most all things Italian: the country, the language, the food, and most of all, the people.  I’ve always perceived the Italian national character as refreshingly open, roman...
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Bertrom. @bertrom.bsky.social · 26/09/2026
‘Oh how Shakespeare would have loved cinema!’ Derek Jarman.
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Bertrom. @bertrom.bsky.social · 26/09/2026
Edwin Romanzo Elmer. Mourning Picture. 1890. Elmer shows himself, his wife Mary, and late daughter Effie standing with a pet sheep in front of the house he had built in Buckland, MA. Effie had passed away from appendicitis at the age of eight.
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Bertrom. @bertrom.bsky.social · 26/09/2026
Ara Güler, the eye of Istanbul. Like Dziga Vertov’s Man with a Movie Camera (1929), which filmed life in Soviet cities over several years, he recorded the Istanbul of the 1960s and ’70s. Before he became a photographer, he was a projectionist, working at the old Yıldız Cinema.
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Bertrom. @bertrom.bsky.social · 25/09/2026
Our Lancaster Canal narrow boat trip. The peace and tranquility was heavenly. Wonderful.
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Bertrom. @bertrom.bsky.social · 25/09/2026
Chris Killip. "His ability to get on with people shaped both his work and his life." A wonderful man. Whenever I need inspiration, or to simply reflect on the art, resonance and power that photography has to unite us all, I invite Chris back into my life.
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Bertrom. @bertrom.bsky.social · 25/09/2026
Autumn leaves in the bottom of my trug.
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Bertrom. @bertrom.bsky.social · 25/09/2026
Chris Killip. Simon Being Taken Out to Sea for the First Time Since his Father Drowned. Skinningrove. 1983.
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Bertrom. @bertrom.bsky.social · 25/09/2026
He selected 24 still images, most of them stark landscapes inhabited only by birds and other wildlife, digitally animating each one into its own subtle four-and-a-half-minute vignette, creating a series of studies in movement, perception, and time. youtu.be/FNSlQ9mmJ4M
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Bertrom. @bertrom.bsky.social · 25/09/2026
I have rarely reread a book from my youth. When I have attempted to do so, I often gave up in disappointment. This is a huge risk as this book, had a such profound effect on me, and I don’t want to ruin the memory of what I considered to be a masterpiece.
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Bertrom. @bertrom.bsky.social · 25/09/2026
I used the final scene of Hunger when teaching non diegetic sound. A masterclass in not just the brilliance of so called 'arthouse' independent film, but how it outclasses mainstream commercial cinema in every department, every time. So philosophically reflective. youtu.be/CP_5KMlfnpQ
youtu.be
Steve McQueen - Hunger (Ending Scene)
YouTube video by orienrienrien
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Bertrom. @bertrom.bsky.social · 25/09/2026
Roland Barthes once wrote that “photography touches art not through painting but through theatre.” Few twentieth century photographers have explored the elusive connections between the photographic image and theatre with such haunting poignancy as Ralph Eugene Meatyard.
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Bertrom. @bertrom.bsky.social · 25/09/2026
Victoria Will. Tintypes. 1860s-Style Portraits of the Stars at Sundance. 2014.
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Bertrom. @bertrom.bsky.social · 25/09/2026
Igor Melnikov. “For me, these are not portraits of children, but portraits of human souls. Each is a picture of a soul immersed in itself, reticent, perplexed, searching for and preserving a hope. If you take the message of this portrait to your heart, it is a portrait of you.”
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Bertrom. @bertrom.bsky.social · 25/09/2026
Alessandra Sanguinetti. 'Some Say Ice'. Black River Falls, Wisconsin. “Some instinct to deny or stop death is probably behind every photograph and every selfie being made. No matter how banal. It’s a Sisyphean effort to assert our physicality and existence.”
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Bertrom. @bertrom.bsky.social · 24/09/2026
Robert Frank. “It’s very hard to get away from myself. It seems, almost, that’s all I have. That’s sort of a sad feeling.”
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Reposted by Bertrom.
Adam Schwarz @adamjschwarz.bsky.social · 24/09/2026
A mass walkout of the UN General Assembly as Benjamin Netanyahu begins his speech.
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Bertrom. @bertrom.bsky.social · 24/09/2026
Vacancy is all I find; 
Every keyhole I have made 
Wails a summons, faint and sad, 
No voice ever answers me, 
Only vacancy.’ 
‘Once, once … ’ the cricket shrills, 
And far and near the quiet fills 
With its tiny voice, and then 
Hush falls again. Walter de La Mare.
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Bertrom. @bertrom.bsky.social · 24/09/2026
Josef Sudek. The Poet of Prague. ‘His work triumphs over darkness, radiating both from the sun and from streetlamps, streaming into windows, reflecting glass objects, and illuminating landscapes, trees and his beloved Prague. Light symbolizes spirituality and transcendence.’
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Bertrom. @bertrom.bsky.social · 24/09/2026
‘The sadness of the world has different ways of getting to people, but it seems to succeed almost every time.’ Louis-Ferdinand Céline, Journey to the End of the Night. Regardless of his life and politics, Journey to the End of the Night blew me away back in those dark days.
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Bertrom. @bertrom.bsky.social · 24/09/2026
My wife loves working in stain glass.
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Bertrom. @bertrom.bsky.social · 24/09/2026
Couldn’t resist it.
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Bertrom. @bertrom.bsky.social · 24/09/2026
Philip Evergood. Vacationing. 1940.
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Bertrom. @bertrom.bsky.social · 24/09/2026
‘Has the world changed or have I changed?’ I find the the paintings of George Shaw really haunting. The absence of people gives them such a melancholy edge. They remind me of a photographic essay I produced many years ago where I captured images with a similar aesthetic.
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Bertrom. @bertrom.bsky.social · 24/09/2026
Andrea Modica. American. Transformational. “Modica’s art is about important and solemn events—those internal, molding moments we are mostly powerless to hold or to articulate.”
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Bertrom. @bertrom.bsky.social · 24/09/2026
Martine Barrat. French. Tough and tender images of New York. 1977 - 1985.
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Bertrom. @bertrom.bsky.social · 24/09/2026
A flawed but interesting experiment in documentary filmmaking . www.theguardian.com/tv-and-radio...
theguardian.com
‘I find myself weeping after almost every scene’: how seminal show 7 Up has touched your lives
It’s inspired careers, moved you deeply and helped you reevaluate your own journeys. As the series that began in 1964 comes to an end with 70 Up, Guardian readers explain the impact of the decades-spa...
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Bertrom. @bertrom.bsky.social · 23/09/2026
Ironbridge. A wonderful atmospheric place to visit.
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Bertrom. @bertrom.bsky.social · 23/09/2026
In Sunrise, F.W. Murnau used montage for both realist and expressionist ends. The ‘marsh scene’ in particular employs a mixture of double exposures, angular compositions and dynamic juxtapositions, shot by DOPs Charles Rosher and Karl Struss. Breathtaking. youtu.be/0PTffZ3NhOU
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Bertrom. @bertrom.bsky.social · 23/09/2026
Point Blank was John Boorman's American film debut, in 1967, and it was truly explosive. Rife with existential malaise, and astonishing nonlinearity, it had Nouvelle Vague written all over it. The use of sound across this montage is hypnotic. One of my favourite montages ever. youtu.be/jwiKbrt5TPY
youtu.be
Point Blank (1967) Walking Walker
YouTube video by Davide Chiappetta
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Bertrom. @bertrom.bsky.social · 23/09/2026
I introduced my film students to Plato’s “Allegory of the Cave” when teaching a module on the Film Industry and the production process. To say it was an eye opener is an understatement.
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Reposted by Bertrom.
Bertrom. @bertrom.bsky.social · 26/07/2026
Civilisations do not disappear overnight. They erode, slowly, in the words we accept, in the values we neglect. Perhaps the question is not how they die, but how we allow them to fade - and what, in the end, we decide is worth saving. Leila Slimani.
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