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questionantiquity_ on Instagram: "The veteran featured in the video is Victor Gregg, speaking on BBC Breakfast in 2014 about his experience as a British prisoner of …"
The veteran featured in the video is Victor Gregg, speaking on BBC Breakfast in 2014 about his experience as a British prisoner of war during the February 1945 firebombing of Dresden. Over three nights, Allied bombers dropped thousands of tons of explosives and incendiaries on one of Europe’s most beautiful cities, with death tolls estimated between 22,000 and over 100,000. Gregg speaks not as a man recounting a victory, but as someone haunted for life by what he witnessed, proving that some truths about war can only be told by those who lived them.In the video, Gregg describes the second wave of bombers dropping 4,000-pound blockbuster bombs and napalm, igniting a 1,500°C firestorm that generated hurricane-force winds. This inferno sucked civilians— including women and children-directly into the flames, turning the city center into a furnace. Having served six years across the Middle East, Italy, and Arnhem, Gregg emphasizes that nothing prepared him for such total horror, leaving him unable to forgive leaders like Winston Churchill and Clement Attlee who ordered the area bombing of civilian targets.Historically, these area-bombing campaigns stemmed from Allied leadership directives aimed at shattering civilian morale ratner than strictly nitting military assets.Prior to this escalation, diplomatic back-channels tloated non-aggression proposals to prevent conflict between Britain and Germany-nations tied by shared ancestry and royal lineage, as the British monarchy was originally the German House of Saxe-Coburg and Gotha before renaming to Windsor in 1917. For witnesses like Gregg, Dresden represents a profound moral failure where innocent civilians paid the price for political decisions made far from the front lines.🚨Copyright Disclaimer: Under Section 107 of the Copyright Act, this content is used for educational, research, and commentary purposes. This constitutes a transformative Fair Use and does not replace the original work. All rights belong to the respective owners.