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Barbara Bienias

@bbienias.bsky.social
201 followers 182 following 68 posts

Assistant Professor, Institute for the History of Science (Polish Academy of Sciences) History of astronomy and astrology in early modern England: the reception of Copernican theory; almanacs; cosmology; early modern epistemology; history of the book

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Barbara Bienias @bbienias.bsky.social · 30/06/2026
Thank you, Stephen, for drawing our attention to this. Via @luiscamposribeiro.bsky.social , here's a simplified link to the seminar: us02web.zoom.us/j/82936830101
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Barbara Bienias @bbienias.bsky.social · 30/06/2026
I hope you might be interested in my talk on Henry Coley and his astrological notebooks this Wed (1 July) at 6 pm Lisbon time. Zoom link/QR code is in the poster below. #earlymodernsky #astrology #almanacs #historyofscience #manuscripts #helenaavelarseminar
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Barbara Bienias @bbienias.bsky.social · 25/06/2026
Ladies and Gentlemen, I give you Copernicus and his fans. In York, for a fantastic Poetry and Science Conference @yorkuniversity.bsky.social @kevinkilleen.bsky.social #copernicus #earlymodernsky #earlymodernpoetry #poetryandscience #literatureandscience
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Barbara Bienias @bbienias.bsky.social · 14/05/2026
Love the matching robe ⭐️
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Reposted by Barbara Bienias
Dr Liam Sims @liamsims.bsky.social · 25/04/2026
What a #sunny Saturday! Here’s a happy sun from the ‘Refractiones Coelestes’ (Ingolstadt, 1617), a work on astronomy by the German Jesuit priest & astronomer Christoph Scheiner. He worked on sunspots & corresponded with Galileo, who sent him some telescopes. @theulspeccoll.bsky.social M.10.62.
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Reposted by Barbara Bienias
Lucy Munro @lucycmunro.bsky.social · 17/04/2026
As a supplement to the piece in The Times Literary Supplement (@thetls.bsky.social), www.the-tls.com/regular-feat..., here’s a (rather long!) thread on Shakespeare’s house in the Blackfriars, what we knew, and what we now know, with some links to key documents. (1/20)
the-tls.com
A man of property
Just outside the City of London, in the secluded streets once occupied by the monastic precinct of the Black Friars, is an unassuming warehouse building
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Barbara Bienias @bbienias.bsky.social · 21/04/2026
One more thing - there is an open CfP for a conference on book culture in Poland and Lithuania (17th-18thc.): biblioteka.ossolineum.pl/2026/02/11/k...
biblioteka.ossolineum.pl
Kultura książki w XVII–XVIII w. na ziemiach Rzeczpospolitej Obojga Narodów - konferencja - Biblioteka Ossolineum
W dniach 28-29 września 2026 roku zapraszamy do Narodowej Biblioteki Ossolineum na konferencję naukową "Kultura książki w XVII–XVIII wieku na ziemiach Rzeczpospolitej Obojga Narodów"
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Barbara Bienias @bbienias.bsky.social · 21/04/2026
You might also want to check the URUS database: urus.uw.edu.pl (techniques and reception of prints in Central and Eastern Europe 15th-18th c.). I hope it helps!
urus.uw.edu.pl
URUS
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Barbara Bienias @bbienias.bsky.social · 21/04/2026
Piotr Paluchowski's newest publication on scientific knowledge in calednars printed in Royal Prussia (16th-18th c.): kaszubskaksiazka.pl/instytut-kas...
kaszubskaksiazka.pl
Piotr Paluchowski, Od astrologii i astromedycyny do popularyzacji nauki. Wiedza o niebie w drukach kalendarzowych Prus Królewski
W książce przedstawiono druki kalendarzowe Prus Królewskich w kontekście zainteresowania dawnych społeczeństw astrologią i astronomią oraz ich powiązań z meteorologią i medycyną.
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Barbara Bienias @bbienias.bsky.social · 21/04/2026
The history of early modern printed book in Poland: wydawnictwoavalon.pl/produkt/the-...
wydawnictwoavalon.pl
The Early Printed Book in Poland (15th-17th centuries) - Wydawnictwo Avalon
<p>The first print appeared in Krakow five hundred and fifty years ago. Everywhere Gutenberg’s successors appeared, this ushered in a new era in communication and contributed to numerous changes in ed...
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Barbara Bienias @bbienias.bsky.social · 21/04/2026
On "war news" sent from Poland to Rome: www.researchgate.net/publication/...
researchgate.net
(PDF) „Wojenne” źródła informacji nuncjuszy apostolskich rezydujących w Rzeczypospolitej Obojga Narodów na przykładzie konfliktów z pierwszej połowy XVII wieku – zarys problematyki
PDF | Mnogość konfliktów zbrojnych, w które w I połowie XVII w. zaangażowana była Rzeczypospolita Obojga Narodów w istotny sposób wpływała na... | Find, read and cite all the research you need on Rese...
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Barbara Bienias @bbienias.bsky.social · 21/04/2026
Here are some much newer varia on the topic of news/ephemera/calendars which you might find helpful in your research (a thread): brill.com/view/journal...
brill.com
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Barbara Bienias @bbienias.bsky.social · 21/04/2026
This is still the best bibliography on this type of print in early modern Poland: katalogi.bn.org.pl/discovery/fu...
katalogi.bn.org.pl
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Barbara Bienias @bbienias.bsky.social · 21/04/2026
Thank you, @karlgalle.bsky.social. I'm still here, but not as often as I would like to. In (a thread) answer to your question, @dbellingradt.bsky.social you may want to take a look at the following database on the beginnings of newspapers and ephemera in Poland: polona.pl/public-colle...
polona.pl
Polona
Biblioteka cyfrowa Polona
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Reposted by Barbara Bienias
Daniel Bellingradt @dbellingradt.bsky.social · 09/01/2026
You all have seen #earlymodern books bound in recycled #medieval manuscript pages. And while this is already fun, let me show you that some European libraries used additional gold embossing provenance markers on the recycled bindings. Meet the stamped "OBER*RATH*" remark from ... 1/2
Binding of a 1580 German print (VD16 ZV 29218) with the gold embossing "OBER RATH". Source: http://digital.wlb-stuttgart.de/purl/bsz37982387X
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Reposted by Barbara Bienias
Julianna Bratt @bjulianna.bsky.social · 04/08/2025
Happy to announce that the #Transkribus model I've had the pleasure of working on for the last few years is live! It is built on a variety of hands used in English courts around 1530-1650 (just hit over 1 mil words in the training set!) Take a look: #earlymodern app.transkribus.org/models/publi...
app.transkribus.org
Egerton: English Secretary Hand
This model transcribes English secretary hand, which was in use during the 16th and 17th centuries. The model was primarily, but not exclusively, trained on equity court material from the National Arc...
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
Z is for ZZZ – bumblebees everywhere; we need them 🐝
Bublebee in lavender flowers
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
Y is for Yellow – the colour I’ve proudly embraced this Spring/Summer season
An academic at the Wellcome Library in London; dressed in a yellow sweater
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
X is for eXperience – many important lessons learnt.
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
W is for Wren Library and their window view #WrenLibrary @trincolllibcam.bsky.social
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
V is for Visits.
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
U is for the University Library in Cambridge - hours spent in its quiet brilliance #CambridgeUL @theul.bsky.social
Cambridge University Library
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
T is for Tea – lots of tea. Earl Grey.
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
S is for the SRS @srsrensoc.bsky.social conference in Bristol – had such a good time there and was so happy to meet the early modern crowd. #RenSoc25 #earlymodern
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
R is for Research time – I’m so grateful I could visit so many inspiring places and meet incredible people.
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
Q is for Questions – I’ve answered some, raised many, and been asked a few that I’ll be pondering for a while.
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
P is for Punting – cliché, yes. But has its charm.
Punting on the river Cam
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
O is for “Oh, so many flowers!”
Columbia Market, London
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
N is for Newton – Here is his lock from the Wren Library exhibition. Be sure to check the digitised Newton Papers. @trincolllibcam.bsky.social
A lock of Isaac Newton's hair
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
M is for Museums – I already mentioned Whipple, but the Fitzwilliam and the Museum of Archaeology and Anthropology in Cambridge are also sublime. #CambridgeMuseums
Fitzwilliam Museum, CambridgeMuseum of Archaeology and Anthropology, Cambridge
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
L is for Librarians – best people ever. Before, during, and after my stay. Truly the heartbeat of any great institution. #libraries #bookhistory @britishlibrary.bsky.social @theul.bsky.social
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
K is for Knowledgeable colleagues – I learned so much from so many.
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
J is for Jigsaw Puzzles – these came in the post, as I had no place in my luggage. #Tudors #earlymodern
Jigsaw puzzles; The world of Tudors
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
I is for “I, Barbara” – putting myself first for the first time in a very long time. #FellowshipAlphabet
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
H is for the History of Science – no better place than Cambridge if you have a passion for HoS. Whipple Museum, Hawking, Newton (we’ll get to that)… #HistoryOfScience #WhippleMuseum @whipplemuseum.bsky.social
Whipple Musuem, Cambridge
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
G is for Gelato – Jack’s Gelato in Cambridge, to be precise.
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
F is for Farrow & Ball – I went to the one on Regent Street in Cambridge and chose a new colour scheme for my bathroom remodel. Not many people know I’m a colour master 🎨 @farrowandball.bsky.social
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
E is for Ely – the Cathedral is stunning. #ElyCathedral #FellowshipAlphabet
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
D is for Digital Humanities at the CUL @camdighum.bsky.social – what a great team. Thank you for the warm welcome and inspiring conversations. #DigitalHumanities #CambridgeUL
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
C is for Colleges, especially Emmanuel College, where I did some research.
Emmanuel College, Camrbidge
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
B is for Bridges – trying to build new ones, across disciplines, places, and people. (All photos, unless otherwise stated, are mine).
Mathematical bridge in Camrbidge
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
A is for Almanacs; Always. Image credit: @wellcomecollection.bsky.social (such a wonderful research and study space)!
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Barbara Bienias @bbienias.bsky.social · 10/07/2025
I spent the second half of June and the beginning of July in London, Cambridge, and Bristol - working, researching, and living fully. To reflect on this time, here's my #FellowshipAlphabet : a personal memory thread (and a thank you to all involved). 🧵1/27 #EarlyModern #Bookhistory #HistoryofScience
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Barbara Bienias @bbienias.bsky.social · 05/07/2025
Many thanks to @srsrensoc.bsky.social and Bristol Organising Committee for such a wonderful conference. #RenSoc25 I feel inspired and happy to be part of such a thriving community. Special thanks to my Chair, @racheljwillie.bsky.social , and co-panelists - @eprenprof.bsky.social and Matteo Leta.
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Barbara Bienias @bbienias.bsky.social · 05/07/2025
Congratulations, and it was wonderful to have you as a panel Chair in Bristol as well 😊
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Barbara Bienias @bbienias.bsky.social · 03/07/2025
Thank you, Karl :)
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Barbara Bienias @bbienias.bsky.social · 03/07/2025
Excited for tomorrow's talk in panel 5.8. (Scientific and Celestial Writing). Do join us! #Rensoc25 #Bristol #SRS #earlymodern #skystorians #bookhistory #historyofscience #culturalastronomy
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Barbara Bienias @bbienias.bsky.social · 23/06/2025
Wonderful, thank you!
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Barbara Bienias @bbienias.bsky.social · 22/06/2025
@srsrensoc.bsky.social Hi :) I'm joining you in Bristol, but I'm not in the starter pack yet :)
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Barbara Bienias @bbienias.bsky.social · 18/06/2025
Very interesting. Geographical conventions would be there for sure. And let's not forget about the cultural background - what was convention/mainstream, what were they taught and by whom, how much personal/artistic freedom the artisan had, what was intentional/accidental, etc. There are many factors
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