iiinova — where your digital self keeps evolving

Guilty Pleasure @barhatov.bsky.social · 23/07/2026

$This art piece is a surreal illustration with a muted, vintage aesthetic, reminiscent of a faded watercolor or a graphite and colored pencil drawing on aged parchment. The color palette is composed of soft, desaturated tones: cream, pale blue, dusty grey, and hints of muted gold. The overall mood is ethereal, quiet, and dreamlike. The central subject is a fantastical tree that emerges from a swirling, misty base. The trunk of tree is not solid but is composed of numerous fine, undulating lines in blue and gold that flow together like water or smoke. These lines spread out at the bottom into a turbulent, cloud-like ground. The branches of tree are spindly, leafless, and reach upward and outward in delicate, fractal-like patterns. Hanging from several branches of tree are eight small scale through scale 8. Each scale is a traditional balance scale with a central beam and two small pans suspended by thin chains. The scales are rendered in a dark, metallic grey or bronze color. They are distributed across the branches: scale is on the far image-left branch; scale 2 is slightly higher and to the right of scale; scale 3 is near the top-left branch; scale 4 is in the lower-left section; scale 5 is near the center; scale 6 is on a lower branch to the right of the center; scale 7 is on a middle branch on the image-right; and scale 8 is on the highest branch on the image-right. In the background, to the image-left of the tree, a pale, textured moon is visible through the haze. Below moon, a faint, distant castle with tall spires is perched on a rocky outcrop. Another smaller, even fainter castle 2 is visible in the distance to the image-right of the tree. The entire scene is enveloped in a soft, atmospheric fog that blends the elements into the cream-colored background, which has a subtle, paper-like texture. The right side of the image is largely empty, featuring a gradient of light cream and soft blue tones. Aspect ratio: 16:9.$

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Guilty Pleasure @barhatov.bsky.social · 14/07/2026

«Cast Pushkin, Dostoevsky, and Tolstoy aside—they have no place on the Ship of Modernity.» Based on a quote from the Futurist manifesto “A Slap in the Face of Public Taste” (1912). English adaptation. #aiart #promptshare

16:9 image. Art: colored pencils and chalk illustration with a touch of gentle irony. Mayakovsky stands in a dramatic pose, pushing against a monumental pedestal that holds the bust of Pushkin; the statue itself is perfectly stable, and the effort looks increasingly futile. A second pedestal with Tolstoy’s bust stands nearby, untouched, with a small bronze plaque that’s just a decorative pattern (no readable text). Mayakovsky’s face shows a mix of determination and growing confusion. Around the base of the monuments, tiny details hint at their permanence: a sparrow perched on the edge, a fallen autumn leaf, a faint shadow that looks like a book spine. Background: quiet city square at dusk, with long shadows and soft twilight colors. The mood is not destructive, but rather a playful commentary on the limits of even the most radical gestures. Rich texture of pencil grain and chalky smudges. No readable text.

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Guilty Pleasure @barhatov.bsky.social · 14/07/2026

«Throw Pushkin, Dostoevsky, Tolstoy, and the rest off the Steamship of Modernity!» Based on a quote from the Futurist manifesto “A Slap in the Face of Public Taste” (1912). English adaptation. #aiart #promptshare

16:9 aspect ratio. Art style: colored pencils and chalk, with visible texture, soft blending, and grainy effect to mimic hand‑drawn illustration. Scene: a stylized “steamship of modernity” (пароход современности) in the center, rendered in bold, dynamic lines. On the deck, Vladimir Mayakovsky in his signature yellow jacket and wide tie, gesturing dramatically with one hand raised, face full of revolutionary fervor. Around him, oversized books with the names Pushkin and Tolstoy on their spines are being tipped over the railing. One book (Pushkin) is mid‑fall, another (Tolstoy) tilting dangerously. In the water below, the books create exaggerated cartoonish splashes. Background: industrial early‑Soviet cityscape with smokestacks and angular buildings, muted earthy tones with pops of red. Subtle humor in the exaggerated expressions and motion lines. High detail in textures: paper grain of the books, fabric folds of Mayakovsky’s jacket, chalky strokes. No text or readable letters.

16:9 image. Medium: colored pencils and chalk. Style: narrative illustration with a touch of gentle satire. In the foreground, Mayakovsky (easily recognizable by his height, yellow attire, and intense expression) stands next to a giant lever labeled (visually, not with text) as “modernity”. He’s pulling it with great effort. As the lever moves, a large bookshelf on the other side tilts, and books by Pushkin and Tolstoy slide off dramatically. The books are oversized compared to Mayakovsky to emphasize the weight of tradition. Pushkin’s book has a tiny crown icon embossed on the cover; Tolstoy’s book features a subtle silhouette of a horse and carriage. Background: a modest literary salon turned into a workshop of revolution—bookshelves, old lamps, typewriter, all slightly askew. Warm, vintage palette with chalky highlights and pencil outlines. Emotion: Mayakovsky looks determined but also slightly absurd in his effort. No legible text or letters.

16:9 image. Medium: colored pencils and chalk, hand‑drawn look with deliberate imperfections and visible outlines. In the center, Mayakovsky is straining to push a monument of Pushkin off its pedestal; his face is full of revolutionary zeal, but his posture is awkward, as if the monument is heavier than expected. The statue of Pushkin is tilted, and its face looks mildly offended yet dignified. A second monument of Tolstoy lies on the ground nearby, slightly tilted, with a tiny open book and a pair of reading glasses resting beside it, as if Tolstoy just stepped away for a moment. Background: a simplified city square with a few trees and lampposts, rendered with loose sketchy lines. The humor comes from the contrast between Mayakovsky’s intensity and the calm, almost indifferent demeanor of the monuments. Warm browns, greys, and ochre with red highlights. No text.

16:9 aspect ratio. Style: colored pencils and chalk with bold silhouettes and strong shading. Composition: a large, simplified silhouette of Mayakovsky dominates the left side of the frame; with one powerful gesture he is toppling a stylized monument of Pushkin (a compact column with a bust). To the right, a similarly stylized monument to Tolstoy is shown mid‑collapse, breaking into geometric fragments that resemble book pages. The fragments float in the air with subtle motion blur rendered as chalk smudges. Background: abstract city horizon with minimal detail, just a few angular shapes and smoky haze. The palette is limited: dark grey for monuments, bright ochre for Mayakovsky’s jacket, and deep red for key accents. Texture is emphasized: rough chalk for the collapsing parts, smoother pencil for the figures. No text.

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Guilty Pleasure @barhatov.bsky.social · 18/06/2026

full prompt www.facebook.com/share/p/1LBJ...

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Facebook

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Guilty Pleasure @barhatov.bsky.social · 18/06/2026

FULL PROMPT www.facebook.com/share/p/18y7...

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Facebook

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Guilty Pleasure @barhatov.bsky.social · 06/06/2026

Old Moscow (a fantasy on this theme)

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Guilty Pleasure @barhatov.bsky.social · 12/05/2026

I’m not exactly impartial myself, because 90% of the time I’ll always go for the black-and-white version :)

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Guilty Pleasure @barhatov.bsky.social · 06/05/2026

Quiet Signal in Standing Water II

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Guilty Pleasure @barhatov.bsky.social · 21/04/2026

"The Pause Between Drops Processes You" - #promptshare Pause between raindrops— the city counts you slowly, rain takes its time. #aiportrait #ai_photography #rain #girl #youngwoman #aiart #bnw #BskyArt #digitalart #blackandwhite #female #portrait #woman

A black and white portrait photograph of a young woman sitting amidst a pile of debris, consisting of broken wood and rubble, during a heavy downpour. She is soaking wet, with her dark hair plastered to her head and face. She is wearing a dark, heavy jacket and pants, both drenched and clinging to her body. She is looking directly at the camera with a serious expression. Heavy rain is visible as streaks across the frame. The ground and the debris around her are slick with water, forming puddles with reflective surfaces. Atmospheric mist from the rain hangs in the air. The scene is illuminated by dramatic lighting from above, highlighting the raindrops and the wet textures, creating a moody and intense cinematic atmosphere. --ar 2:3

A black-and-white street photograph of a European woman standing in a dimly lit industrial alleyway, captured with expired Kodak TRI-X 400 film, standing in a heavy downpour. . The woman wears worn, utilitarian clothing consisting of a faded denim jacket and dark pants, her direct gaze meeting the camera lens with intensity that suggests intellectual depth. High contrast lighting casts harsh highlights on one side of her face while deep shadows envelop the other, creating dramatic chiaroscuro effects that blend with the urban grit surrounding her. The background features weathered concrete walls, rusted metal pipes, and scattered debris, all rendered with pronounced uneven grain, subdued blacks, and highlight blooming characteristic of vintage film stock, the ground is slick and wet, reflecting the moody, high-contrast lighting of the urban setting . The style is cinematic and gritty, with a strong interplay of light and shadow that emphasizes the texture of the rain and the stormy nd a subtle film flare appears in the upper right corner, contributing to the mysterious, post-apocalyptic atmosphere of the scene. --ar 2:3

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Guilty Pleasure @barhatov.bsky.social · 17/04/2026

"Field / Lemniscate" Silence has a hum. Vacuum tube warms the hollow. Tape remembers all. #ai #art #aiart #barhatovaiart #digitalart #aiartwork #digitalpainting #impasto #cubism #abstract #symbolism

"Magnetic Field Ovals"

Reels turn, amber light —
I press the tape with my thumb.
Warmth without a name.

"Lemniscate of Analog Warmth"

Not ones and zeroes —
egg yolk trembling in the wires.
Old fool knows the truth.

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Guilty Pleasure @barhatov.bsky.social · 08/04/2026

«Taxi Dancer — Dancing Girl (Дансинг-гёрл)» excerpt #punk #cubism

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Guilty Pleasure @barhatov.bsky.social · 08/04/2026

"Taxi Dancer" («Дансинг-гёрл») #aiart #digitalart #digitalpainting #cubism #promptshare audio - suno.com/s/yrf1QdoyTY...

Oil painting on canvas, impasto technique with expressive, heavy brushstrokes. Abstract composition with surrealist elements. In the center, a ghostly female figure in a vintage flapper dress dances alone in a smoky, nocturnal cabaret — her face is a cracked, wooden mask with no expression. Around her, fragmented dreamlike symbols float: a white bird dissolving into grey fog, a rusty swing hanging from a bare fir tree, golden church lamps being extinguished by a tired hand, brass instrument tubes twisting like snakes, and a torn book page with illegible text. The background splits into two halves: left side — warm, nostalgic, romantic (blurred church, spring choir, young lovers), right side — cold, claustrophobic, aggressive (distorted bar, sharp angular shadows, drum set with a heart pierced by drumsticks). Color palette: deep midnight blues, muddy golds, bleeding reds, and ashen greys. Lighting: cinematic reverb of shadows, moody and dark. The whole scene conveys tension between romantic melody and distorted aggression, a cathartic release of lost innocence. Surreal abstraction, emotional intensity, cold nocturnal vibe.

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Guilty Pleasure @barhatov.bsky.social · 21/03/2026

«New Roman Driver» Inspired by Andrei Voznesensky’s 1977 poetry melody & arrangement by ABBSound With deep respect for the poet and the timeless themes of our history suno.com/s/rfmnWGapI2...

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Guilty Pleasure @barhatov.bsky.social · 20/03/2026

Snow melts at my feet, Memory threads drift from the sky - Past awakens spring. #aiart #digitalpainting #digitalart #spring #expressionism #promptshare

A 16:9 aspect ratio digital illustration of a mystical spring landscape. The upper half features silvery, Pensieve-style memory threads swirling in clusters and coils. These threads are pale icy blue, soft emerald green, and silver-gray, accented with glowing sparkles, resembling dense, extracted memories floating in the air. The density of the threads gradually decreases as they move downwards. The lower half depicts a serene early spring scene: melting snow reveals dark earth underneath, with gentle streams and rivulets of meltwater flowing between the snow patches, and the first hints of green vegetation emerging. The glowing memory threads dissolve into mist just above the spring landscape. The composition is weighted towards the left and center, leaving the right third of the image more open with subtle background details, creating space for a subject. The overall atmosphere is dreamy, luminous, and ethereal, rendered in high-quality digital art with atmospheric lighting.

A luminous, 16:9 cinematic background blending mystical elements with a natural landscape. The top portion is filled with dense, swirling gossamer memory threads in pale blue, mint green, and silver-gray tones, accented with delicate sparkles, forming cloudy, ethereal clusters. In the middle section, these magical threads gradually thin out and become sparser as they descend. The bottom portion transitions into an earthly spring thaw scene, featuring melting patches of snow, small sparkling spring streams, and rivulets flowing over emerging early spring ground. The right third of the composition is kept relatively clear and open, while the left and center are rich with visual content, seamlessly blending the glowing memory sky with the thawing landscape. The entire scene is bathed in a soft, luminous light, creating an enchanting and atmospheric mood.

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Guilty Pleasure @barhatov.bsky.social · 19/03/2026

Thank you so much for sharing your feelings

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