Dean graphs contemporary sensibility onto his 1917-era casual attire of layered neutral knitwear and sport shirts, accessorized with his own gold watch.

Roger Wade uniquely fastens a leather belt around the hem of his untucked shirt, often worn with sandals, tweed cap, Norfolk jacket, and matching waistcoat.

Art Rayburn appropriately adapts hardy wartime combat gear for a civilian hunting expedition in his M-43 field jacket and fatigue-style trousers.

Jack curates a presentably sporty look to play soccer in a gray sweatshirt over a collared shirt, dark Wrangler jeans, and brown leather Nike sneakers.

Harry's fateful visit to Sally's apartment represents his quintessential smartly layered fall style of military-style jacket, cozy sweater, and blue jeans.

Garfield models the dignified daywear apropos a U.S. President circa 1881, consisting of a silk top hat, frock coat, cravat, waistcoat, and button boots.

Brazzi tasteful tailoring with his simple style at the end of Summertime, wearing little more than a gray suit, white open-neck shirt, and black shoes.

"Did I ever tell you that this here jacket represents a symbol of my individuality and my belief in personal freedom?"

Frank Booth’s dark, offbeat villainy informs his menacing monochrome style, anchored by black leather and eccentric cowboy flair like his bolo tie.

Paulie's black-and-blue nylon Givenchy tracksuit is one of the few actually worn for running on The Sopranos... albeit it's chasing an intended target.

"Ain't that a wonderment?" The 1972 film dresses Cole Younger for the 1876 raid in a slouch hat, tweed frock coat, and one of the gang's signature dusters.

Terence Stamp's knitwear layering soft neutrals with desert boots demonstrates a smart, versatile, and timeless sartorial model for transitional seasons.

Plummer's youthful take on gentleman thief Sir Charles dresses for the Lugash heat in a cream tropical worsted suit with a blue silk popover sport shirt.

Herkermer Homolka dresses the part of a seasoned expeditioner in his head-to-toe khaki safari gear, rakishly accessorized with a printed neckerchief.

Bronson's European starmaking role dressed him in a trim brown double-breasted suit, geometric tie, Longines Jamboree watch, and brown suede ankle boots.

Seth Bullock regularly wears dark coats, fancy waistcoats, wing collars, and his trusty brown-on-black hat while enforcing law in 1870s Deadwood.

Reynolds best continues his character's authenticity from White Lightning with his denim snap-up shirt and dirty Falcons cap during Gator's opening scene.

Valentino elegantly dances through 1919 New York in a modified black tailcoat and matching evening suit with wing collar and burgundy paisley bow tie.

Twenty years after their '70s heyday, Mike Brady continues proudly wearing leisure suits—like this brown-and-green suit—with wild shirts and platform shoes.

Vitals Robert Redford as “Our Man”, a resourceful aging sailor Indian Ocean, July 2012 Film: All Is Lost Release Date: October 25, 2013 Director: J.C. Chandor Costume Designer: Van Broughton Ramsey WA...

Travis Bickle scales up his style to date the classy Betsy, pulling on a maroon corduroy sport jacket and khaki slacks with his usual western-yoked shirts.

FBI profiler Will Graham defies the traditional clean-cut image of "Hoover's boys" in his black jackets and jeans with non-white shirts and skinny ties.

Rex Brewster's nautical resort wardrobe is entirely red, white, and blue—including a Breton-striped jumper worn with his usual neckerchief and peaked cap.

Vitals Frankie Avalon as Frankie, lovestruck surfer Malibu, California, Summer 1963 Film: Beach Party Release Date: August 7, 1963 Director: William Asher Costume Design: Marjorie Corso & Renié WARNIN...

J.B. blends bucolic and Bohemian styles with a classic blue chambray shirt, detailed with a floral-embroidered collar that echoes his beaded bracelet.

Charley Varrick neatly coordinates a maroon tie to call out the stripes on his gray houndstooth suit, balanced with a light-blue shirt and black loafers.

Owen Legate undersells his elevated position at the railroad, arriving in Dodson in a humble tweed newsboy cap, corduroy sports coat, work-shirt, and tie.

Jim's go-to writing outfit is elegantly simple with his silky cream camp shirt untucked with light, neutral pleated slacks and well-shined black loafers.

Foxx's suits as Rico Tubbs were designed by Ozwald Boateng, including the brown silk suit he wears with open-neck shirts in two different scenes.

In his corduroy work jacket, weathered hat, and neckerchief, James Stewart's costume as The Man from Laramie is as unfussy as the actor himself.

Years before Magnum, P.I. made it cool, Sam Elliott's lifeguard-in-crisis paired an epic mustache with a flatteringly cut aloha shirt and orange-tab Levi's.

Armand wears a lightweight black-on-white floral silk Dolce & Gabbana shirt open with green pinstripe trousers, velvet slippers, and his usual gold jewelry.

Jack crafts a simple yet interesting and classically informed summer outfit in his lightweight blue linen safari shirt, white slacks, and boat shoes.

Drifting guitarist Val Xavier is called "Snakeskin" for his characteristic python-scaled jacket, paired with the dark neutrality of black shirt and slacks.

Travis hits the road in a red work-shirt and blue Levi's that reinforce the American iconography also represented by his cowboy boots and military jackets.

Vitals Keanu Reeves as Johnny Utah, ambitious FBI agent Los Angeles, Summer 1991 Film: Point Break Release Date: July 12, 1991 Director: Kathryn Bigelow Costume Supervisors: Colby P. Bart & Louis Infa...

Jack Andrews' style recalls Vanishing Point's Kowalski as he speeds through the desert in his white Caddy wearing a white oxford shirt, jeans, and aviators.

James Taylor's no-frills style in a blue chambray shirt open over a plain olive tee with dark Lee jeans and loafers is as no-frills as his characterization.

Rocky Balboa dresses in head-to-toe Adidas—from sweatsuit to boxing boots—with his gold Rolex Submariner while washing his pair of Lamborghinis at home.

Dave Chappellet swaps his Olympic jacket for Wrangler denim to convert his look from champion skier to Colorado cowboy when back home in Idaho Springs.

Jack Burton loses his duster, drug rug, and trucker cap to reveal the iconic Fu Manchu tank top he wears with tight Lee jeans and concho-button boots.

As former NASA designer Dr. Paul Bradley, Connery dresses for super-'70s masculinity in his sheepskin coat, tweed leisure suit, and parade of turtlenecks.

Dr. Thorndyke frequently wears this charcoal flannel suit—memorably the target of birds in gastric distress—with his Tyrolean trilby and pinned collars.

Chet Desmond continued Twin Peaks' established pattern of black suits for FBI agents, worn with classic striped ties and a trench coat.

Kahuna typifies mid-century surf guru style in his frayed jeans and clamdiggers, shirts with the sleeves torn away, palm-frond beach hat, and tiki pendant.

Rubber Duck exemplifies '70s trucker cool in his black western shirt over sleeveless undershirts, bund-strapped chrono, and cowboy boots under flared pants.

H.I. McDunnough already has his new dad wardrobe ready to go with aloha shirts like the red floral-print he wears with his usual thermal tee and gray pants.

Rockford's beige fishing jacket in the pilot episode is a hybrid of safari styles and Harrington jackets, worn with his usual open-neck shirts and slacks.

Vitals Robert Mitchum as Max Cady, psychopathic ex-convict Southeast Georgia, Summer 1962 Film: Cape Fear Release Date: June 15, 1962 Director: J. Lee Thompson Costume Designer: Mary Wills WARNING! Sp...