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AustLit

@austlit.bsky.social
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AustLit is a bio-bibliographical database of stories by Australians and about Australia. www.austlit.edu.au

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AustLit @austlit.bsky.social · 19/08/2026
It's almost Book Week, and that means it's time for AustLit's suggestions for simple costumes based on Australian books. Most of these come together with only three or four accessories. Happy Book Week 2026!
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AustLit @austlit.bsky.social · 03/08/2026
Applications for the AustLit Creative Writing Fellows now open! Closing 31 Aug. Two early/mid-career Fellowships of $15,000, one designated for an Aboriginal or Torres Strait Islander writer, to use AustLit data as the inspiration for a new and original work. Full details: www.austlit.edu.au/about
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AustLit @austlit.bsky.social · 28/07/2026
Introducing the AustLit Essay Prize! AustLit is delighted to launch an annual prize for the best scholarly essay that makes use of AustLit data to generate new insights and/or arguments. Full terms and conditions are available on our About pages: www.austlit.edu.au/about
On a dark green background, two hands, one brown and one tan, hold fountain pens. In a yellow box, text reads: Introducing the AUSTLIT ESSAY PRIZEText reads: find out more

Awarded annually at the ASAL Conference, this prize is for the best use of AustLit data to generate a new argument or insight about the Australian literary, publishing or cultural landscape in a scholarly essay.

To be first awarded in 2027 for an essay published in the previous two years. Subsequent prizes for essays published in the previous twelve months.Text reads: find out more
Full terms and conditions are available on AustLit’s About page.

Key details include:

The award comprises an AU$1000 cash prize.
Entries for the inaugural prize will be accepted until 31 January 2027 (and that same date each subsequent year). 
Entries are welcome from scholars writing in English anywhere in the world.Text reads: 
Interested in submitting your work?

Full terms and conditions available at the link below

www.austlit.edu.au/about
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AustLit @austlit.bsky.social · 22/07/2026
Have you ever wondered why some records on AustLit have separate notes? Here's a quick video guide reading affiliation notes. Video has captions but no sounds.
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AustLit @austlit.bsky.social · 21/07/2026
Today's highlighted project is Australian Colonial Narrative Journalism, led by Dr Willa McDonald. The project began at Macquarie University, and aims to trace narrative journalism's history in Australia since 1788. Explore below! www.austlit.edu.au/research Slides designed by Monica Clayton.
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AustLit @austlit.bsky.social · 16/07/2026
Following on from our most recent information trail, on historical fiction, this quick search video walks you through searching AustLit by temporal settings. Video has captions, no sound. Happy searching! #austlit25
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AustLit @austlit.bsky.social · 15/07/2026
The latest 25 works for 25 years trail is on historical fiction. From ancient Rome to WW2, explore these 25 works that revisit, reframe, and interrogate the past. #austlit25 #historicalfiction #readaustralianstories
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AustLit @austlit.bsky.social · 12/07/2026
Last week, we published one final quick search video for NAIDOC week: searching on language. The examples are Aboriginal language, but this works across our entire language thesaurus. Happy searching!
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AustLit @austlit.bsky.social · 09/07/2026
Are you teaching Aboriginal and Torres Strait Islander writing? Not only is BlackWords generally a fantastic resource for you, but there are specific teaching resources for you to check out, including National Curriculum aligned material. www.austlit.edu.au/education #naidocweek2026 #blackwords
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AustLit @austlit.bsky.social · 08/07/2026
How could we not mark NAIDOC Week by highlighting BlackWords, our single biggest and most significant dataset: records for over 27,000 works by nearly 8000 First Nations authors. BlackWords is led by co-ordinator Dominique Chen (Gamilaroi), supported by the AustLit team. #blackwords #naidoc2026
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AustLit @austlit.bsky.social · 07/07/2026
For NAIDOC Week, today's quick search video is on searching by cultural heritage, whether you're looking for all First Nations authors or seeking information on a writer from a specific Country. Happy searching! #naidocweek2026 #blackwords #austlit25
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AustLit @austlit.bsky.social · 06/07/2026
Happy NAIDOC Week! To mark this year's theme, 50 Years of Deadly, BlackWords has created its longest trail yet: one deadly work for each year since NAIDOC became a week-long celebration in 1975. Explore below, and keep an eye out for more NAIDOC posts this week. www.austlit.edu.au/naidoc2026
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AustLit @austlit.bsky.social · 26/06/2026
Our latest 25 for 25 trail is Notables! How did we determine notability? We looked at stamps, currency, statues, and street names. Check it out at: www.austlit.edu.au/25th-anniver... #AustLit25
#AustLit25
NOTABLES
Continue to explore the trail!
#AustLit25
INFORMATION TRAIL 11 OF 25:
AustLit’s 25th Anniversary special:Adam Lindsay Gordon
Best known for ‘The Dying Stockman’
#AustLit25
Adam Lindsay Gordon is memorialised with busts, obelisks, and plaques across the country. Most delightful of all, perhaps is his former horse-hitching post outside the Marine Hotel in Brighton, Victoria.
(Left: Gordon Reserve, Melbourne, statue).
Continue exploringSteele Rudd 
Best known for the Dad and Dave stories
#AustLit25
Steele Rudd is memorialised with a road and a park on the site of his family’s selection in Queensland, complete with a replica shingle hut.
There’s also a statue to him in Brisbane’s King George Square.
Continue exploring
(Right: King George Square statue).P.L. Travers
Best known for Mary Poppins and its sequels
#AustLit25
P.L. Travers’ statues are more often of her famous creation: the magical nanny appears in Leicester Square, London, and in Maryborough, Queensland, and both Bowral and Ashfield, New South Wales.
Continue exploring
(Left: Leicester Square statue)
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AustLit @austlit.bsky.social · 19/06/2026
Please consider supporting AustLit this EOFY. For 25 years, AustLit has connected readers, writers, researchers & educators to the literature that shapes our culture. Your donation helps ensure AustLit flourishes for the next 25. All gifts processed securely through UQ. donations.uq.edu.au/austlit
A young woman with long brown hair and glasses is turned into profile to the viewer, as she browses a bookshelf. More bookshelves recede behind her and turn a corner to the left.
Text reads: All gifts to support AustLit are gratefully received. Donations of $2 or more are tax-deductible.
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AustLit @austlit.bsky.social · 17/06/2026
Interested in the complexities of the kinds of books the Banned in Australia project highlights? This video will walk you through how to search *within* an AustLit project, leveraging the power of the Advanced Search exclusively on a specific subset of records. #austlit25
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AustLit @austlit.bsky.social · 16/06/2026
Following on from last week's (gasp!) literary scandals, today we're highlighting Professor Nicole Moore's Banned in Australia project, a bibliography that is currently (and horrifyingly) topical once again. www.austlit.edu.au/banned Gorgeous slides designed by Monica Clayton again! #austlit25
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AustLit @austlit.bsky.social · 11/06/2026
Our latest 25 Works for 25 Years information trail is live, and this one is on literary scandals. Just in time to take advantage of Bluesky's expanded image carousel, so you can enjoy all of Monica Clayton's beautiful slides. Explore more at: www.austlit.edu.au/25th-anniver... #austlit25
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AustLit @austlit.bsky.social · 04/06/2026
This week, we're celebrating Australian fantasy, by drawing attention to a unique set of teaching resources published on AustLit. We've highlighted Anthony Eaton below, but there's more to explore! Check out the full list at: www.austlit.edu.au/teachingwith... #AustLit25
On a blue background, text reads: 
AustLit's 25th Anniversary special:
For teachers:
Below the text, a black-frame banner shows five book covers, from left to right: a fragment of Isobelle Carmody's The Gathering, Ambelin Kwaymullina's The Interrogation of Ashala Wolf, Anthony Eaton's Nightpeople, Sean Williams' The Stone Mage and the Sea, and a fragment of Alison Goodman's Lady Helen and the Dark Days Club.
Below the image, text reads:
Teaching with Fantasy
Continue to explore the project!On a light blue background, a grey text box.
Text reads:
Teaching with Fantasy
Teaching with AustLit
Teaching with Fantasy is the outcome of a 2018 professional development event for teachers titled Teaching with Fantasy: Australian Fantasy Writers in Conversation and in the Classroom.

The event has resulted in a collection of teaching and learning resources for seven young adult fantasy texts.
 
This project delivers audio and video author interviews, and lesson plans related to the Australian Curriculum.

Continue exploring
On a light-blue background, a grey text box. Text reads:
Sample lesson plan: Nightpeople
Includes:
Video interview with author Anthony Eaton
Suggested lesson focus
Before reading activities
Close reading, interpretation, and critique 
Creating and responding
Further reading and viewing
Black Line Masters
In the top right-hand corner of the text box is a section of the cover for Nightpeople, showing a futuristic tower in a post-apocalyptic landscape, surrounded by flying machines.On a light-blue background, text reads:

AustLit is celebrating 
25 years in 2026
For this momentous anniversary, we have a year’s worth of celebrations planned, from in-person and online events to project highlights, video guides, and information trails.

Celebrate with us by following, sharing our content and using #AustLit25 to share your Australian literature discoveries.

Visit our website for more details!
25 years of discovering Australian stories
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AustLit @austlit.bsky.social · 01/06/2026
Last week, we posted our speculative fiction trail, as part of AustLit's 25 Trails for 25 Years. To follow up, this week's short video is on searching genre in the database. Video has captions, no sound. Happy searching! #austlit25 #discoveraustralianstories #readaustralian #readgenre #databases
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AustLit @austlit.bsky.social · 25/05/2026
To mark Reconciliation Week 2026, AustLit has launched a new BlackWords information trail, compiled by Juliette Davis. This year’s theme, 'All In', encourages active participation in reconciliation from all communities across the continent. Explore the trail at: www.austlit.edu.au/reconciliati...
On a buttery yellow background, the word RECONCILIATION on a light-green banner. Below this, the BlackWords logo of a red stylised figure rising from blue waves against green hills. A light-green banner at the bottom of the page reads A new BlackWords information trail in honour of National Reconciliation WeekOn a buttery yellow background, the covers for Jeanine Leane's Walk Back Over, Aunty Fay Muir's Always Was Always Will Be and Anita Heiss's Am I Black Enough For You?
Below them, a light-blue banner with the text: Taking place between the anniversaries of the 1967 referendum (27 May) and the 1992 High Court Mabo decision (3 June), National Reconciliation Week is an important time to reflect on and strengthen relationships between Indigenous and non-Indigenous peoples, for the interests of all Australians. 
Under this, the covers for Melissa Lucashenko's Edenglassie, Greg Driesse's Common Wealth, and Kim Scott's Taboo.On a butter yellow background, the covers for Race, Colour & Identity, Anita Heiss's Our Race for Reconciliation, and Thomas Mayo's Always Was Always Will Be.
Below this, a light-pink banner with the following text: Works included in this trail range from 19th-century poems that criticised contemporary colonial brutality, through early twentieth century attempts to grapple with historical atrocities and mistreatment, to the increase in First Nations voices in poetry, on stage, and in novels.
Below this, the covers for Wesley Enoch and Deborah Mailman's The Seven Stages of Grieving, Monica Clare's Karobran, and Sonia Borg and Hyllus Maris's Women of the Sun.On a butter yellow background, three banners: light pink, then light blue, then light pink again.
In the top banner, text reads: This trail was compiled by Juliette Davis during an AustLit internship, with support and guidance from the AustLit staff.
In the middle banner, text reads: The colours of these tiles are drawn from the 2026 National Reconciliation artwork, Gaagal, by Gumbaynggirr Bundjalung artist
Otis Hope Carey.
For more information, see 
https://www.reconciliation.org.au/our-work/national-reconciliation-week/
In the bottom banner, text reads: Explore the full trail at
https://www.austlit.edu.au/blackwordstrails
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AustLit @austlit.bsky.social · 13/05/2026
Yesterday, we highlighted Dr Millicent Weber's audiobooks project. Today, our quick search video is on searching for audiobooks: it's easier than you might think! Video has captions but no sound. Are there aspects of the database you'd like more guidance on? Ask for a video guide! #austlit25
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AustLit @austlit.bsky.social · 12/05/2026
This time we're celebrating Audiobooks and Digital Book Culture, led by Dr Millicent Weber. This ongoing project materialises and makes available for research the relationships and entanglements of audiobook production. Slides by Monica Clayton. Explore at www.austlit.edu.au/audiobooks #austlit25
On a light blue background, an enormous pair of headphones, represented in black outline, cover four audiobooks: Zadie Ma and the Dog Who Chased the Moon, Red Dust Running, The Will of the Many, and The Silent Listener.
Text reads: AustLit's 25th Anniversary special: Research Project 7 of 25. Audiobooks. Continue to explore the project!On a blue background, a grey text box. Header text reads: About Audiobooks & Digital Book Culture. Project start: 2024.
In the text box, text reads:
The Audiobooks and Digital Book Culture project has allowed us to gain a deeper understanding of the Australian audiobook industry.
Four audiobook covers are shown in a row: Seven Little Australians, The Spill, The Drover's Wife, and Terra Nullius.
Text below the image reads:
For the first time, full bibliographic details about 
Australian audiobooks have been integrated into the AustLit database. 
This project materialises and makes available for 
research the relationships and entanglements of audiobook production.On a blue background, a grey text box.
Text reads:
During this project, the way in which AustLit manages audiobook data within the database has changed.
Although we do not yet know the full breadth of ways in which we will manage audio material, we have already established some changes to the data model.
An image is shown of a pair of white corded headphones resting on a blue-covered book.
Below the image, the text reads:
Explore the Audiobooks Digital Book Culture project on AustLit to learn more about how we are managing audiobooks and the direction we are headed.On a blue background, text reads:

AustLit is celebrating 
25 years in 2026
For this momentous anniversary, we have a year’s worth of celebrations planned, from in-person and online events to project highlights, video guides, and information trails.

Celebrate with us by following, sharing our content and using #AustLit25 to share your Australian literature discoveries.

Visit our website for more details!

25 years of discovering Australian stories
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AustLit @austlit.bsky.social · 08/05/2026
Yesterday, we posted our latest information trail: women writers. And was it a tough one to get to 25 items! So today, we're offering a brief video on searching the database by gender. Video has captions but no sound.
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AustLit @austlit.bsky.social · 07/05/2026
Our newest information trail is out, and it was as hard as it sounds to bring 'women's writing' down to 25 writers. But remember, we have many more trails coming! Explore the whole trail at: www.austlit.edu.au/25th-anniver... #austlit25 Beautiful slides by Monica Clayton; trail by Dr Cherie Allan.
On a red background, text reads: AustLit's 25th Anniversary special: Information trail 8 of 25.

In the middle of the page, a banner of three cover images: from left to right, Oriel Gray's Exit Left: Memoirs of a Scarlet Woman, Debra Dank's We Come with this Place, Catherine Helen Spence's A Week in the Future. Women's silhouettes in green, yellow, and pale blue run across the bottom of the banner.

Text below reads: Women's Writing. Continue to explore the trail!On a red background, a grey text box. 
Text reads: Did you know ... Catherine Helen Spence wrote her feminist novel A Week in the Future in 1888?

Protagonist Emily Bethal, given two years to live, chooses to trade the time for one week living in the distant future of 1988.

Serialised in 1888, this novel wasn’t published in book form until 1987.

In the top left-hand corner, the cover of A Week in the Future.On a red background, a grey text box. Text reads: Did you know ... Oriel Gray was the joint winner of the 1955 Playwright’s Advisory Board Competition ... with Ray Lawler’s Summer of the Seventeenth Doll?

Her play, The Torrents, was only produced once, in 1956, and not again until 1996, while Summer of the Seventeenth Doll went on to broad acclaim.

In the top left-hand corner, the cover of Exit Left: Memoirs of a Scarlet Woman.On a red background, a grey text box. Text reads: Did you know ... Debra Dank’s We Come with This Place absolutely swept the awards field, winning an unprecedented four awards at the NSW Premier's Literary Awards in 2023, including Book of the Year, the Indigenous Writers' Prize, the Douglas Stewart Prize for Non-fiction, and the Glenda Adams Award for New Writing. It also won the ALS Gold Medal and a Queensland Literary Award, and was shortlisted for a Prime Minister's Literary Award and the Stella Prize.

In the top left-hand corner, the cover for We Come with This Place.
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AustLit @austlit.bsky.social · 29/04/2026
Today's quick search video shows you how to search across both form and subject--especially useful if you want to explore the works in yesterday's highlighted project, COVID-19 in the Australian Arts. Video has captions but no sound. #austlit25 #discoveraustralianstories
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AustLit @austlit.bsky.social · 28/04/2026
Today's highlight project is COVID-19 in the Australian Arts, which AustLit indexers began as soon as we went into lockdown in 2020. This project contains works about the virus and works whose production was affected by the pandemic or lockdowns. Explore more at: www.austlit.edu.au/covid19
On a turquoise background, text reads: AustLit's 25th anniversary special: Research Project 6 of 25. COVID-19 in the Australian Arts. Across the middle of the page, three book covers in a black border: from left to right, they are Dear Australia: 50 Playwrights Send Postcards to the Nation, We're all in This Together, and This Devastating Fever.On a turquoise background, a grey text box. Text on the turquoise reads: About COVID-19: The 2020-2022 Global 
Pandemic in the Australian Arts project
Project start: 2020

Text on the grey text box reads:
In the midst of a global pandemic, AustLit seeks, 
as always, to record for posterity.

How do you frame this, when the events are ongoing, in a way that makes sense to both an endless present and 
an unknown future?

An image banner shows the covers for Rona the Gutterbug, A Twisted Choice, Patient Zero, and Seeing Other People.

Text continues:

AustLit has created the subject 'COVID19' within  the database to track works that are about the virus or its impact on the Australian arts sector, or that are written as a direct response to the pandemic.
#AustLit25
Continue exploringOn a blue background, a grey text box.
Text reads:

The project data remains within AustLit's broader scope of works of creative and life writing, as well as critical material on Australian writing and on the development and production of Australian creative works.

An image banner shows three close-up views of a novel coronavirus, in dark blue on a turquoise background. The banner is maroon, and under each image is a header. From left to right, they read: Writing the Virus, COVID-19 and Live Arts, and Library Sector Responses.

Text continues:
On top of the dataset, case studies and research details on writing the virus, how the live arts were impacted and how the library sector responded, can be explored on the COVID-19 project page on AustLit!Text reads:

AustLit is celebrating 
25 years in 2026

For this momentous anniversary, we have a year’s worth of celebrations planned, from in-person and online events to project highlights, video guides, and information trails.

Celebrate with us by following, sharing our content and using #AustLit25 to share your Australian literature discoveries.

Visit our website for more details!

25 years of discovering Australian stories
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AustLit @austlit.bsky.social · 23/04/2026
Today's 25th-anniversary trail is Anzac Day, in all its long, complicated, emotional history. We're highlighting works here by Anthea Hodgson (WW2), Noah Riseman & Richard Trembath (First Nations soldiers), & Gary Crew (Vietnam). Full trail: www.austlit.edu.au/25th-anniver... Slides: Monica Clayton.
Red background, with a black banner highlighting three book covers: Anthea Hodgson's The War Nurses (nurse with her back turned against a dark sky), Riseman and Trembath's Defending Country (Aboriginal soldier with a cigarette on his lip stares past the reader's left shoulder), and Gary Crew's Tagged (a boy runs through a deserted industrial building as a hand reaches out for him). Red poppies dance along the bottom of the image.
Text reads: AustLit's 25th Anniversary special: Information trail 7 of 25. Anzac Day. Red background with a grey text box. In the upper right-hand corner, the cover of Anthea Hodgson's The War Nurses, showing a nurse with her back turned against a dark sky. Header text reads:
The War Nurses
historical fiction/novel
Anthea Hodgson.
Main text reads:
‘In 1941, country girls Minnie Hodgson and Margot McNee set sail from Perth, Australia for Singapore in search of adventure, full of excitement and keen to do their part working as nurses to the fallen soldiers in a time of war. What they encounter is an army of new friends and the terrors of a city under siege.
'When the Japanese attack and Singapore falls, they are forced to flee aboard the Vyner Brooke. The ship is bombed, resulting in utter devastation. Separated in the mayhem, one group of nurses find themselves in prisoner-of-war camps for the duration of the war, surviving on their wits, with humour, dignity, loyalty and determination. But another group of young Australian nurses - the girls on the beach - are washed ashore on Bangka Island, where they will meet a fate that must never be forgotten.’ (Publisher's blurb)
Red background with a grey textbox. In the upper right-hand corner of the textbox is the cover of Riseman and Trembath's Defending Country, on which an Aboriginal service man with a cigarette on his lip stares out over the left-hand shoulder of the reader.
Header text reads:
Defending Country
criticism/multi-chapter work
Noah Riseman, Richard Trembath
Main text reads:
'Few Australian realise the extent of 
Aboriginal and Torres Strait Islander 
participation in the military. Many enlisted before they had the right to vote, to drink alcohol or even to receive equal wages.
'Defending Country is the first book to document the unique experiences of Indigenous Australian men and women since the Second World War. Using compelling personal narratives and rigorous archival research, it explores how military service impacted the lives of Aboriginal and Torres Strait Islander recruits. It also reveals how their involvement in Australia's defence contributed to the advancement of Indigenous rights.’Red background with a grey textbox. In the top right-hand corner of the textbox is the front cover of Gary Crew's Tagged, in which a young boy runs through an industrial space while a hand reaches out for him.
Header text reads:
Tagged
children's/picture book
Gary Crew and Steve Woolman
Main text reads:
‘Jimmy loves to read war comics. Early one Sunday morning, as he walks his dog, he discovers a bearded, scruffy man dozing in a derelict factory and wonders why he is there. The creators of The Watertower present a powerful anti-war book for kids.’
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AustLit @austlit.bsky.social · 24/03/2026
This week, we celebrated the Australian Fantasy Fiction in Japanese translation dataset, so today's quick help video is on searching translations. Ever wondered who has been translated into Mongolian? Or Dhivehi? Or Estonian? This video will show you how to find out. (Video has captions, no sound.)
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AustLit @austlit.bsky.social · 23/03/2026
Today's highlighted research project is Australian Fantasy Fiction and Japan, a really fun collection of translations of Aust. fantasy fiction into Japanese, from Mary Poppins onwards. (Slides by Monica Clayton.) Explore more at: www.austlit.edu.au/australianfa... #AustLit25 #readaustralianfantasy
Banner image shows, on a bed of stars, the covers for Emily Rodda's Deltora Quest (Japanese above, English below); May Gibb's Snugglepot and Cuddlepie (English above, Japanese below), and A. Bertram Chandler's The Road to the Rim / The Hard Way Up (Japanese above, English below).
Text reads: Australian Fantasy Fiction & Japan
 
日本語に翻訳されたオーストラリアのファンタジー小説The dataset includes all the works of 
Australian fantasy fiction that the project team could identify that have already been translated into Japanese.

Banner image shows, from left to right, the book covers for Jessica Townsend's Wundersmith, in both the English and Japanese editions; Sergio Bambaren's The Dolphin: Story of a Dreamer, in both the English and Japanese editions; and Paul Kidd's White Plume Mountain, in both the English and Japanese editions.

作成されたデータセットは、オーストラリアの
ファンタジー小説の内、すでに日本語に
翻訳されている作品が全て含まれています。Project Leaders: 

Dr Lucy Fraser
Sonia Broad

Project Team: 

Samuel Round
Elara Crook
Christiana Palella 

Student Researchers: 
 Dana Durre
Andrew Millar

Translator
Hiroko Tan | 陳 弘子

Generously supported by:
Campbell Bequest at The University of Queensland
UQ Summer Research ProgrammeAustLit is celebrating 25 years in 2026
For this momentous anniversary, we have a year’s worth of celebrations planned, from in-person and online events to project highlights, video guides, and information trails.

Celebrate with us by following, sharing our content and using #AustLit25 to share your Australian literature discoveries.

Visit our website for more details!
25 years of discovering Australian stories
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AustLit @austlit.bsky.social · 19/03/2026
AustLit's latest newsletter went out yesterday, and what's in it?! Celebrations for #AustLit25 Welcome to our new BlackWords Co-ordinator! An interview with our senior indexer, who has reached 20 years with AustLit! And much more. Read below, or subscribe for more! rb.gy/h1bulr
On a greenish-grey background, books fly about: they have blue and yellow and orange covers. Over them is emblazoned the logo A25 and the sentence 'Celebrating 25 Years'.
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AustLit @austlit.bsky.social · 17/03/2026
For St Patrick's Day, we're highlighting the ARC-funded Close Relations: Irishness in Australian Literature, led by Prof. Ronan McDonald, Prof. Kath Bode, and Assoc. Prof. Maggie Nolan. View the tiles (by Monica Clayton) or explore the project pages for more! www.austlit.edu.au/irishness #AustLit25
On a blue background, text reads: AustLit's 25th Anniversary special: Research Project 3 of 25. Irishness in Australian Literature. Continue to explore the project. Across the middle of the page is a banner, in which the green Irish landscape is spliced with the red Australian outback, with an Irish harp imposed over the top.On a blue background, text reads: Close Relations: Irishness in Australian Literature Project start: 2023. A grey text box. Text reads: Close Relations aims to transform 
our understanding of Australian literature by combining existing traditional literary methods, bibliographical approaches 
and digital/computational methods to investigate the complexities of Irishness in its production, circulation and reception. A banner image shows the covers of The Fortunes of Richard Mahony, Fanatic Heart, True History of the Kelly Gang, The Harp in the South, The Rides, and Such is Life. Below that, text reads: By exploring the production and reception of Irishness in Australian literature, ‘Close Relations’ will offer a new account of the contested and fissile nature of white Australian identity in relation to class, gender, race and religion. On a grey text box, text reads: Close Relations: Irishness in Australian Literature is still under development and is projected for completion in 2027 — we welcome feedback on our definitions, our dataset and our methodologies.

Explore the project on AustLit and please contact us if you would like to assist us in understanding what Irishness is, how it’s defined, how it manifests and how it is mobilised in the Australian literary field.

A Celtic knot, an Irish harp, and a shamrock float above and apparently rise out of a green book.

Below that, text reads: AustLit welcomes contributions from scholars and specialists in the area in order to build an authoritative and detailed resource for research and general interest.On a pale blue background, text reads: AustLit is celebrating 
25 years in 2026
For this momentous anniversary, we have a year’s worth of celebrations planned, from in-person and online events to project highlights, video guides, and information trails.

Celebrate with us by following, sharing our content and using #AustLit25 to share your Australian literature discoveries.

Visit our website for more details!
25 years of discovering Australian stories
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AustLit @austlit.bsky.social · 16/03/2026
The latest 25 for 25 trail is live and, to mark Harmony Week, it's on the theme of migrant voices. Compiled by AustLit intern and CSU student Renee Mirabato, with gorgeous slides by Monica Clayton. As always, check out www.austlit.edu.au/25th-anniver... for the full trail! #AustLit25 #diversity
A red background, with a black banner and, on top of it, a red map of the world: three speech bubbles show vibrant images of a beach, a collage street scene, and a pagoda on top of a cloud-covered skyscraper.

Text reads: AustLit's 25th anniversary special: Information trail 5 of 25. Migrant Voices. Continue to explore the trailA red background, with black text: Ten Pound Pom. Autobiography, picture book. Carole Wilkinson - author, Liz Aneli - illustrator (2017). A grey text box. Text readds: I don’t want to go to Australia. I have just started grammar school. My best friend Sally goes there too. But it looks like there could be another war and Dad has convinced Mum to go. Because we’re migrants, the voyage is costing Mum and Dad only £10 each. My brother Brian and I are travelling free. It’s a long way to Australia. What if we never come back to England? 

'In the 1950s and 60s Australia welcomed thousands of British immigrants as part of the Assisted Passage Migration Scheme. Ten Pound Pom is the true story of award-winning author Carole Wilkinson’s immigration to Australia.'
In the bottom right hand corner of the text box is the book cover, showing a street scene opening up to a large passenger ship with, in the foreground, a family huddling under a black umbrella.A red background: black text reads 'Donkeys Can't Fly on Planes: Stories of Survival from South Sudanese Children Living in Australia. Anthology, Autobiography, Picture book. A grey text box: text reads In Donkey's Can't Fly on Planes twenty-two refugee children from South Sudan, who now live in Australia, share their personal survival stories. In short, honest texts that are accompanied by mixed-media collage illustrations, the children talk about life in Sudan, Ethiopia, Kenya, and other African countries. They share experiences of starvation and war, of family separation and death, but they also describe African customs and traditions, everyday life and happy memories.' In the top right-hand corner is the cover of the book, showing a brown donkey against green hills.A red background. Black text reads, Ghost Cities. Ficti9on, Fantasy Novel. Siang Lu (2024). A grey text box. Text reads: 'Inspired by the vacant, uninhabited megacities of China, Ghost Cities follows multiple narratives, including one in which a young man named Xiang is fired from his job as a translator at Sydney's Chinese Consulate after it is discovered he doesn't speak a word of Chinese and has been relying entirely on Google Translate for his work.
 
How is his relocation to one such ghost city connected to a parallel odyssey in which an ancient Emperor creates a thousand doubles of Himself? Or where a horny mountain gains sentience? Where a chess-playing automaton hides a deadly secret? Or a tale in which every book in the known Empire is destroyed - then recreated, page by page and book by book - all in the name of love and art?' In the top right-hand corner is the cover of the book, showing a grey-toned fantastical cityscape rising vertically up the cover.
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AustLit @austlit.bsky.social · 11/03/2026
Today's highlight is the Australian Drama Archive, a full-text collection of pre-1960s plays, from the claustrophobic horror of The Flail of God to the absurdity of The Ladder Game. Explore the project in full at: www.austlit.edu.au/australiandr... #AustLit25 Beautiful slides by Monica Clayton!
AustLit’s 25th Anniversary special:
Research Project 2 OF 25:

[Image shows a black stage with five curved rows of black seats in front of it: the image is designed as an icon, not as a representative or illustrative image. On the stage are three images from set design associated with the project. This first shows a man in a grey suit, on the left, kissing the hand of a woman in a white tutu-style skirt; the second shows a grey, two-storey street scene; the third shows a vaguely Greek-looking scene, with pillars and cyprus trees.]

AUSTRALIAN DRAMA ARCHIVE
Continue to explore the project!About the Australian Drama Archive project

Project start: 2016

The Australian Drama Archive Project is a digitisation project publishing plays and research relating to writers working in the period before the 1960s.

Collaborators at The University of Queensland and the University of New England set out to digitise and research a collection of Australian plays from the twentieth century up to the 1960s and bring them to life again through publication, production, and new research.The Australian Drama Archive’s dataset includes but is not limited to the following: 

> Biographical information — playwrights and writers working in the period before the 1960s.

> Play Information — synopsis, publication details, production details and historical notes.

> Research outcomes

> Digitised transcripts of plays researched in the project.

[Banner image shows a series of pages from the plays included in the project: the pages are text-heavy and the text is illegible at this size.]

Selected plays were scanned and in most cases run through an optical character recognition (OCR) process which generated a plain text file that was subsequently corrected. 

In some cases the OCR text was so bad, due to the poor quality of the original manuscript, we determined it was best to manually transcribe the text.AustLit is celebrating 25 years in 2026
For this momentous anniversary, we have a year’s worth of celebrations planned, from in-person and online events to project highlights, video guides, and information trails.
Celebrate with us by following, sharing our content and using #AustLit25 to share your Australian literature discoveries.
Visit our website for more details!
25 years of discovering Australian stories
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AustLit @austlit.bsky.social · 04/03/2026
AustLit's tip for the day: did you know you can follow AustLit records? You can even follow your own record! Then you'll know exactly when we add your latest works to the database. You'll only be alerted to substantial updates (i.e., if we add a new work, not if we adjust a comma in your biography).
The AustLit record for Alexis Wright. In the right-hand top corner, an orange box is circled in red. The box reads Follow and includes a space for an email address.
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AustLit @austlit.bsky.social · 04/03/2026
Did you explore our information trail on adaptations yesterday? Today, our quick help video shows you how to search the database for adaptations: both works that have been adapted and works that are adaptations. (Video has captions, no sound.) Happy searching!
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AustLit @austlit.bsky.social · 03/03/2026
The fourth of our anniversary information trails is all about adaptations, in all their forms! Compiled by Charles Sturt student and AustLit intern Erin Richman, and with beautiful slides designed by Monica Clayton, this one is fun from 1885 all the way to 2020. www.austlit.edu.au/25th-anniver...
Red background, on which text reads AustLit's 25th Anniversary special: Information trail 4 of 25. Adaptations. Continue to explore the trail! Image across the middle of the tile shows three covers: Leah Purcell's The Drover's Wife (left), the promotional poster for Chinese TV series Miss S (middle), and Nicki Greenberg's The Great Gatsby (right).Red background, with a grey textbox. In the top left-hand corner of the text box is the cover of Leah Purcell's The Drover's Wife. Text reads: 'In the Snowy Mountains, Hell hath no fury like a mother scorned. A searing reimagining of Leah Purcell's play and Henry Lawson's classic short story.'On a red background, a grey textbox. In the top right-hand corner of the text box, the promotional image for the Chinese TV series Miss S. Text reads: 'An adaptation of Miss Fisher's Murder Mysteries, Miss S stars Mai Yi Li as a beautiful and witty socialite who forms an unlikely alliance with a righteous police inspector, solving numerous cases in and around Shanghai in the 1920s.'On a red background, a grey text box. In the top right-hand corner, the cover of Nicki Greenberg's graphic novel adaptation of The Great Gatsby. Text reads: ‘In homage to F. Scott Fitzgerald's jazz age classic, this acclaimed graphic adaptation brings to life the glitter, the melancholy and the grand and crumpled dreams of Fitzgerald's unforgettable characters. Daisy, Nick, Tom, Jordan and Gatsby himself are rendered true to Fitzgerald's original characterisation, with a difference: they are not human.’
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AustLit @austlit.bsky.social · 25/02/2026
If you saw our celebration of ScreenLit, you might be curious about how to explore AustLit for film or television. This brief video (captions: no sound) will walk you through some of those search options! #AustLit25
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AustLit @austlit.bsky.social · 19/02/2026
Today, we're highlighting one of our bigger research datasets: ScreenLit! This is AustLit's collection of bibliographical records on film and television from the earliest days. Find out more at www.austlit.edu.au/screenlit Beautiful slides by Monica Clayton. #AustLit25
Text reads: AustLit's 25th anniversary special: Research Project 1 of 25.
In the centre of the page, two rows of stylised film, showing title screens from the following films and TV series: top row, left to right, Muriel's Wedding, The Sapphires, Heartbreak High (new series); bottom row, left to right, Ali's Wedding, Puberty Blues (new series), Red Dog.
Text below reads: ScreenLit. Continue to explore the project!On a blue background, a grey text box. Text above the box reads: About ScreenLit Project start: 2009
In the text box, text reads:
ScreenLit provides information-rich records about
 Australian cinema productions (including short and feature films, documentaries, and animated films) and television programs (including made-for-TV movies, series, mini-series, serials and documentaries).
A row of three images show the posters for Ned Kelly (Heath Ledger version), Bran Nue Day, and The Babadook.
Below that, text reads: Chronologically, the resource begins with the emergence of Australian film production in the first decades of the twentieth century.
On a blue background, a grey text box. Text reads: ScreenLit will continue to evolve over time 
and is continually being updated.

Explore the ScreenLit project on AustLit and please contact us if you would like to assist us in expanding information about Australian film, television and other audio-visual storytelling methods.

In the middle, a banner of images shows the posters for the films and TV series Unsound, Moulin Rouge, Follow the Rabbit-proof Fence, Boy Swallows Universe, and The Dry.

Below that, text reads: AustLit welcomes contributions from scholars and specialists in the area in order to build an authoritative and detailed resource for research and general interest.On a blue background, text reads: 
AustLit is celebrating 25 years in 2026
For this momentous anniversary, we have a year’s worth of celebrations planned, from in-person and online events to project highlights, video guides, and information trails.

Celebrate with us by following, sharing our content and using #AustLit25 to share your Australian literature discoveries.

Visit our website for more details!
25 years of discovering Australian stories
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AustLit @austlit.bsky.social · 18/02/2026
Updated calendar for the #AustLit25 celebrations: check out what is coming up next, including trails on adaptations and multicultural writing, as well as projects on screen, drama, and Irishness. More details on the anniversary site! www.austlit.edu.au/25th-anniver...
Multi-coloured calendar setting out the events, projects, and other social media posts for AustLit's 25th birthday.
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AustLit @austlit.bsky.social · 13/02/2026
Our third anniversary trail celebrates Australian romance, compiled by Ashleigh Lowry! As always, this is a taste not a best of. The slides, by Monica Clayton, highlight @keshewrites.bsky.social, Colleen McCullough, and Toni Jordan, but check out the full list at: www.austlit.edu.au/25th-anniver...
On a red background, three stylised black and white frames show a scene from The Thorn Birds, a close-up of the cover of For No Mortal Creature, and a scene from Addition. Text reads AustLit's 25th Anniversary special: Information trail 3 of 25.On a red background, a grey text box with, in the upper right-hand corner, the cover of The Thorn Birds.
Text reads: 
The Thorn Birds
Romance, Historical Fiction - Novel & adaptations
Colleen McCullough (1977)
#AustLit25
The Thorn Birds is the unforgettable story of the Clearys, spanning three generations; a sweeping family saga of dreams, titanic struggles, dark passions, and forbidden love in the Australian Outback.

It is a poignant love story, a powerful epic of struggle and sacrifice, a celebration of individuality and spirit. 

Most of all, it is the story of the Clearys' only daughter, Meggie, and the haunted priest, Father Ralph de Bricassart—and the intense joining of two hearts and souls over a lifetime, a relationship that dangerously oversteps sacred boundaries of ethics and dogma.On a red background, a grey text box with, in the upper right-hand corner, the cover of For No Mortal Creature.
Text reads:
For No Mortal Creature
Romance, Fantasy - Novel
Keshe Chow (2025)
#AustLit25
When Jia Yi finds herself alive again after being killed by an enemy’s sword, she realizes she possesses a rare power: the ability to move between life and death. 

With her new gift comes the discovery of a mysterious spirit realm teeming with ghosts like herself—and Lin, the boy she once loved before his betrayal tore them apart.
When Jia’s beloved grandmother dies under suspicious circumstances, she is forced to follow in an attempt to save her.
In the death realm, though, even ghosts have ghosts. 

To survive, Jia must rely on both Lin and her longtime enemy, the cold and enigmatic Prince Essien. 

With tensions high and new and old connections blossoming, Jia must confront the ghosts of her past . . . or risk remaining one herself.On a red background, a grey text box with, in the upper right-hand corner, the cover of Addition.

Text reads: 
Addition
Romance, Humour  - Novel & adaptations
Toni Jordan (2008)
#AustLit25
Grace Lisa Vandenburg counts. 
The letters in her name (19). 
The steps she takes every morning to the local cafe (920).
The number of poppy seeds on her orange cake, which dictates the number of bites she'll take to eat it. 
Grace counts everything, because that way there are no unpleasant surprises. 
Seamus Joseph O'Reilly (also a 19) thinks she might be better off without the counting. If she could hold down a job, say. Or open her cupboards without conducting an inventory, or leave her flat without measuring the walls. 
Grace's problem is that Seamus doesn't count. Her other problem is ...he does. As Grace struggles to balance a new relationship with old habits, to find a way to change while staying true to herself, she realises that nothing is more chaotic than love.
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AustLit @austlit.bsky.social · 05/02/2026
Welcome to another quick search guide! If you've checked our recent trail, on Aust. films, you might have wondered how we made it. This time, we searched on 'form', which on AustLit is a question of 'thingness'. Looking for a specific 'thing' (novel, picture book, film)? This is the search for you.
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AustLit @austlit.bsky.social · 04/02/2026
Our next information trail for #AustLit25 is live, and to celebrate the upcoming #AACTAs, it's on Australian film. Beautifully compiled by Shala Schlicht and with gorgeous slides by Monica Clayton. Don't forget to check the calendar for future trails! Explore here: www.austlit.edu.au/25th-anniver...
AustLit’s 25th Anniversary special:
INFORMATION TRAIL 2 OF 25:
Black strip of stylised film, showing, from left-to-right, Mel Gibson in Mad Max, a scene from Priscilla, Queen of the Desert, and a shot from Satellite Boy.
AUSTRALIAN FILMS
Continue to explore the trail!Text reads:
Satellite Boy
Adventure/Family
Catriona McKenzie (2012)
In a grey text box, text reads:
Set in the Kimberley region of Western Australia, Satellite Boy tells the story of Pete who lives in an abandoned drive-in cinema with his grandfather Jagamarra, whom Pete calls Jubbi.

Jagamarra is determined to pass on knowledge and culture to his grandson, but Pete is a reluctant learner. 

When the cinema is purchased by a mining company and slated for demolition, Pete and his best friend Kalmain set off on a journey to save their home. When the two get lost in the remote country of the Bungle Bungles, their survival depends on the lessons Pete’s grandfather has taught him.
In the top left-hand corner of the text box is the poster for Satellite Boy, showing a young Indigenous boy standing next to a burning chair, with a derelict drive-in movie screen behind him against the sunset.Text reads: 
The Adventures of Priscilla, Queen of the Desert (1984)
Musical/Drama/Comedy
Stephan Elliot (1984)

In a grey text box, text reads: 
'Tick' Belrose, a Sydney drag queen, accepts his ex-wife's invitation to bring his stage show to the outback. Felicia, a younger drag queen, and the grieving Bernadette. 

They set out for Alice Springs in a second-hand bus that they name 'Priscilla, Queen of the Desert'. 

The journey takes them to Broken Hill, Coober Pedy and are rescued by an open-minded mechanic when Priscilla breaks down in the desert. 

In Alice Springs, Tick meets the young son he barely knows and the three climb Kings Canyon together in full drag, before making their debut at the Alice Springs casino.

In the top right-hand corner of the text box is the theatrical poster for Priscilla, showing a bus in a desert with an elaborately costumed drag queen riding on the roof, and three costumed drag queens at the bottom front.Text reads: 
Mad Max
Action/Sci-fi
James McCausland & George Miller (1979).

Against a grey text box, text reads:
In a post-apocalyptic Australia, law and order has begun to break down due to energy shortages, despite the efforts of Main Force Patrol (MFP) officers like Max Rockatansky. 

After Rockatansky encounters Toecutter's motorcycle gang, who are running runshod over isolated communities, he grows disillusioned with his role in the MFP. 

At first convinced by his superior officer not to resign, he is driven into a state of cold-blooded revenge when Toecutter's gang murder his wife and young son.

In the top right-hand side of the text box is the theatrical poster for Mad Max, showing a leather clad and helmeted man, holding a gun, standing in front of a car. The background is on fire.
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AustLit @austlit.bsky.social · 30/01/2026
Announcing a new partnership with @asauthors.bsky.social, about which we are very excited! Are you a member of the ASA? If so, check out this new member benefit.
Member benefit [followed by AustLit logo]. The ASA and AustLit, the national database of literature and storytelling, are delighted to announce a new partnership. ASA members now have free access to AustLit, which includes over a million records containing biographical and bibliographical information on Australian and First Nations storytelling, as well as rich datasets, information trails, digital exhibitions, and so much more.
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AustLit @austlit.bsky.social · 29/01/2026
Now you're exploring information trails, are you curious about how we create them? One way is to search the subject-concept thesaurus for works on the same theme. This pithy video (captions: no audio) will walk you through that process. Stay tuned for more video guides! #AustLit25 #databases
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AustLit @austlit.bsky.social · 28/01/2026
Looking for more detail? Look no further! www.austlit.edu.au/aeccp Slides designed by Monica Clayton.
On a blue background, a grey text box. Text reads: Aboriginal and Torres Strait Islander Histories & Cultures
All recommended texts in this environment are by First Nations authors
Includes:
- suggested texts for each organising idea under all three categories: Country/Place, Culture, and People
- exercises for digital literacy development, including visual data exercises
- recreational reading recommendations
- additional AustLit content suggestions
- First Nations resources on embedding Indigenous perspectives
- guidance on finding information on stories in Indigenous languages
On the bottom right hand corner of the text box, a logo showing an open laptop, with four books resting on its keyboard, spines outwards. The front book has a mustard cover with the BlackWords logo.On a turquoise background, a grey text box. Text reads:
Australia’s Relationship with Asia
Includes:
- suggested texts for each of the organising themes: Knowing Asia and its diversity, Understanding Asia’s global significance, and Growing Asia-Australia engagement
- exercises for digital literacy development, including visual data exercises
- recreational reading recommendations
- additional AustLit content suggestions 
- guidance on finding information about Australian stories in Asian languages
In the top right-hand corner of the text box, a log showing an open grey laptop with four books resting on its keyboard, spines outwards. The front book has a blue cover and shows an icon of the globe.On a turquoise background, a grey text box. Text reads:
Sustainability
Includes:
- suggested texts for each of the organising themes: Systems, World Views, Design, and Futures
- exercises for digital literacy development, including visual data exercises
- recreational reading recommendations
- additional AustLit content suggestions
On the bottom right of the text box, a logo showing an open grey laptop with four books resting on its keyboard. The front book has a green cover with an icon of two open hands cupping a plant shoot.
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AustLit @austlit.bsky.social · 28/01/2026
To celebrate back-to-school week, we're highlighting our AustLit Environments for Cross-Curriculum Priorities. Check them out if you're in the market to map Australian works onto the National Curriculum and encourage digital literacy! www.austlit.edu.au/aeccp #discoverAustralianstories #AustLit25
A turquoise background with a series of book titles in a band across it. Above the band sits an icon of a laptop with four books resting on it, spines facing outwards. The front back has the AustLit logo on the cover. Test reads: AustLit's 25th Anniversary Special. For teachers: AECCP. AustLit Environments for Cross-curriculum Priorities. Continue to explore the project! #AustLit25On a turquoise background, a grey text box. Text reads: AustLit Environments for Cross-Curriculum Priorities is a space designed to support learning and teaching within the Australian Curriculum (v.9) cross-curriculum priorities. These Learning Environments provide rich content and resources for teachers and librarians to help them to identify texts relevant to the  three cross-curriculum priorities. The Learning Environments are also designed to support digital literacy development for students as database users.
Below the text box, three icons, each showing a grey laptop with four books sitting on the keyboard. The left-hand book has a mustard cover with the BlackWords logo. The middle book has a blue cover with an icon of a globe. The right-hand book has a green cover with an icon of two hands cupping a plant shoot.On a turquoise background, a grey text box. Text reads: Project Team: 
A/Prof Maggie Nolan, Dr Amy Schoonens, Dr Catriona Mills, and Bianca Millroy.

With contributions from...
Angelene Karas, Jake Davidson, Hannah Rae, Hannah Park, Andrew Millar, Aeryn Brown, Aster Ross, and Emily Huang.
Generously supported by the auDa Foundation, these Learning Environments are freely available across Australia.
Explore. Embed. 
Discover Australian stories.
Two logos are included: on the left, the auDa Foundation, and on the right, the logo for AustLit's 25th anniversary.
On a turquoise background, the following text: 
AustLit is celebrating 25 years in 2026
For this momentous anniversary, we have a year’s worth of celebrations planned, from in-person and online events to project highlights, video guides, and information trails.

Celebrate with us by following, sharing our content and using #AustLit25 to share your Australian literature discoveries.

Visit our website for more details!
25 years of discovering Australian stories
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AustLit @austlit.bsky.social · 22/01/2026
The first of our #AustLit25 trails went live yesterday, and we're selecting 25 works that discuss January 26. This sampling of works from 2025 to 1825 highlights just how diverse approaches are and how much they have changed over time. Explore the trail in full: www.austlit.edu.au/25th-anniver...
Red background with black text. Text reads: AustLit's 25th Anniversary special: INFORMATION TRAIL 1 OF 25: JANUARY 26. Continue to explore the trail. Across the middle of the screen, three images are placed in a black frame: an older white Australian man holding a younger, weeping Chinese woman against a backdrop of shipping containers; an older Aboriginal woman, with long white hair, a green tunic, and pink pants, embraces a young Aboriginal girl as they look into the sunrise; a younger woman dressed apparently only in an over-sized white T-shirt, talks to an older man wearing an unbuttoned Hawaiian shirt.Red background, with a grey text box. Text reads: 'Day Break is the story of a family making their way back to Country on January 26. We see the strength they draw from being together, and from sharing stories as they move through a shifting landscape.

'The story refocuses the narratives around ‘Australia Day’ on Indigenous survival and resistance, and in doing so honours the past while looking to the future. Confronting yet truthful, painful yet full of hope, Day Break is a crucial story that will open up a conversation on truth-telling for the next generation.' (Courtesy of publisher). The cover of picture book Day Break is in the top left-hand corner of the text box. It shows an older Aboriginal woman, with long white hair, a green tunic, and pink pants, embracing a young Aboriginal girl as they look into the sunrise.A red background with a grey text box. Text reads: As a sweltering Australia Day dawns over Brisbane, three seemingly unconnected figures – a farmer, an Indigenous policewoman and an illegal Chinese immigrant – are thrown together by chance and misfortune. As their stories arc and connect, they'll find themselves drawn into a web of racism, violence and simmering resentment that will leave none of them unscathed, and challenge everything they thought they knew about the country they call home.' (Courtesy of publisher). The poster for the film is in the top left-hand corner. It shows an older white Australian man holding a younger, weeping Chinese woman against a backdrop of shipping containers.A red background with a grey text box. Text reads: 'Living aboard neighbouring boats in a crowded marina, Col, Baxter and Jackie are middle-aged fringe-dwellers. Each of them nurses secret wounds and anxieties, and although their vessels are ocean-going craft, none seems likely to ever leave the safe confines of the harbour. 

They are hiding from the world behind and beyond.

'On Australia Day, drunk, lost and angry, a young English backpacker called Dee turns up on the jetty and her arrival unleashes chaos. Suddenly no secret is safe, nothing is fixed. As the nation celebrates, the cosy fantasy of safety from the past is blown open in a funny, bitter torrent of loose talk.' (Courtesy of publisher). An image from a production of the play is shown in the top left-hand corner. It shows a younger woman dressed apparently only in an over-sized white T-shirt, talking to an older man wearing an unbuttoned Hawaiian shirt.
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AustLit @austlit.bsky.social · 19/01/2026
This week, we'll be posting the first of our anniversary information trails. So in advance, here's a pithy explanation of what an information trail on AustLit is! You can access our anniversary pages & social media calendar at this link: www.austlit.edu.au/25th-anniver... Design by Monica Clayton.
Red background with flying folders marked by question marks. Text reads: what is an information trail?Grey text book on red background. Text reads: Information Trails on AustLit are curated and themed collections of related works, gathered together for you to explore. In 2026, we'll be releasing twenty-five trails for twenty-five years. Curious about Australian film? In love with romance? Seeking literary scandals? Fascinated by picture books? Wondering what Australian authors say about techno-futures? Look no further!Grey text box on red background. Text reads: These information trails are NOT 'best of' lists! Rather, they celebrate the depth and diversity of Australian literature and story-telling while showcasing the impressive collection of data that is housed within AustLit. These lists have been compiled by interns, volunteers, and former staff members, as well as the current AustLit team, bringing a diversity of perspectives to the vast information available in the database.Grey text box on red background. Text reads: Interested in what we'll be posting and when? Check out our social media calendar! Our 2026 information trails will mark key dates and events, but some simply explore the one million works we've recorded on the database over the past quarter of a century. Want to learn more about Australian literature or our anniversary?
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AustLit @austlit.bsky.social · 12/01/2026
Curious about how AustLit is celebrating its 25th birthday? Our social media calendar will tell you all! Download a copy to follow along as we create new trails, celebrate research projects, and provide search tips--or maybe come to our trivia night?! #AustLit25 www.austlit.edu.au/25th-anniver...
Brightly coloured calendar showing the celebrations for AustLit's 25th birthday.
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AustLit @austlit.bsky.social · 18/12/2025
Wishing everyone a safe and happy end-of-year break, with plenty of time for catching up on your reading! AustLit's offices will be closed from 20 Dec. 2025 to 12 Jan. 2026. We look forward to rejoining you in 2026, to celebrate our 25th birthday! Watch this space for more information!
A green cartoon Christmas tree is shown on a pale blue background: it has yellow tinsel and red baubles, and is hung with a selection of new Australian fiction, including graphic novels, children's fiction, and novels.
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