The founders of the New York gallery talk to Edward Behrens about shaping the market for work by modern and contemporary women artists

An intimate scene by Fragonard and Ingres’s commanding portrait of Julius Caesar were among the top lots at Christie’s this month, Anna Brady reports

Hull Maritime Museum has reopened after a six-year, £20m refit, and its extraordinary collection of art and artefacts of seafaring life is making waves once again, writes Matthew Kerr

Curator Sang-ah Kim talks to Apollo about the British Museum’s sweeping survey of art from the Korean peninsula

The Buckinghamshire house was donated to the nation more than a century ago. Juliet Carey, former curator at the house, gives us a tour

The experimental images made by Wanda and Marion Wulz in the interwar years show these Italian women revelling in their personal and creative autonomy, writes Lucy Davies

In the apocalyptic visions of B.J. Newton, who spent years in and out of the California penal system, we can see the abyss staring back at us, writes Zachary Ginsberg

Gagosian’s catalogue raisonné of Marden’s paintings and an accompanying survey in New York make it clear that, for the artist, colour alone could speak volumes, writes Morgan Falconer

The artist’s catastrophic mental breakdown as a young man meant that he spent the rest of his life in confinement. His paintings, however, are among the most powerful of the age, writes Susan Owens

The founders of the New York gallery talk to Edward Behrens about shaping the market for work by modern and contemporary women artists

From YBAs and Shoreditch parties to mega collectors and the making of Tate Modern, the 1990s was a decade of daring and decadence. Jane Morris had a ringside seat

The Jacquemart-André presents the artist as an intellectually adventurous figure whose concerns are still challenging painters and viewers today, writes Ben Street

An exhibition at the Box in Plymouth brings renewed attention to the British artist’s colourful, cacophonous paintings, writes Lucy Waterson

An intimate scene by Fragonard and Ingres’s commanding portrait of Julius Caesar were among the top lots at Christie’s this month, Anna Brady reports

The lives of Benedictine monks and nuns have much to teach us, if a display of medieval and contemporary art at the Sainsbury Centre is anything to go by, writes Francesca Peacock

The Buckinghamshire house was donated to the nation more than a century ago. Juliet Carey, former curator at the house, gives us a tour

The experimental images made by Wanda and Marion Wulz in the interwar years show these Italian women revelling in their personal and creative autonomy, writes Lucy Davies

Debika Ray asks why a growing number of countries are cashing in on animals, rather than historical figures, for the images on their banknotes

As ‘Monsieur Klein’ turns 50, Joseph Losey’s film about an amoral art dealer is still a masterpiece of moral unease

Hull Maritime Museum has reopened after a six-year, £20m refit, and its extraordinary collection of art and artefacts of seafaring life is making waves once again, writes Matthew Kerr

Gordon Cullen’s drawings for Townscape, his guide to urban planning, lend the subject a beguiling romanticism

President Trump has presented Xi Jinping with a sculpture of a bald eagle – but Rakewell can’t have been the first to notice its uncanny resemblance to the Mexican flag

Gagosian’s catalogue raisonné of Marden’s paintings and an accompanying survey in New York make it clear that, for the artist, colour alone could speak volumes, writes Morgan Falconer

Relationships between staff and management have taken a dive at institutions from the V&A to the National Galleries of Scotland. What can museums do about it? Conrad Landin reports

A hunger for decorative oyster plates brings out Molly Pepper Steemson’s shellfish gene

The long-running fair dedicated to Italian art rests on the quality of its pre-19th-century offerings – and there’s much to delight here, writes Michael Delgado

Curator Sang-ah Kim talks to Apollo about the British Museum’s sweeping survey of art from the Korean peninsula

The experimental images made by Wanda and Marion Wulz in the interwar years show these Italian women revelling in their personal and creative autonomy, writes Lucy Davies

President Trump has presented Xi Jinping with a sculpture of a bald eagle – but Rakewell can’t have been the first to notice its uncanny resemblance to the Mexican flag

Debika Ray asks why a growing number of countries are cashing in on animals, rather than historical figures, for the images on their banknotes

Gagosian’s catalogue raisonné of Marden’s paintings and an accompanying survey in New York make it clear that, for the artist, colour alone could speak volumes, writes Morgan Falconer

As ‘Monsieur Klein’ turns 50, Joseph Losey’s film about an amoral art dealer is still a masterpiece of moral unease

Hull Maritime Museum has reopened after a six-year, £20m refit, and its extraordinary collection of art and artefacts of seafaring life is making waves once again, writes Matthew Kerr

Gordon Cullen’s drawings for Townscape, his guide to urban planning, lend the subject a beguiling romanticism

Curator Sang-ah Kim talks to Apollo about the British Museum’s sweeping survey of art from the Korean peninsula

Debika Ray asks why a growing number of countries are cashing in on animals, rather than historical figures, for the images on their banknotes

The long-running fair dedicated to Italian art rests on the quality of its pre-19th-century offerings – and there’s much to delight here, writes Michael Delgado

A hunger for decorative oyster plates brings out Molly Pepper Steemson’s shellfish gene

As art thefts keep hitting the headlines, a special agent from the FBI’s Art Crime team talks to Lucy Waterson about why criminals keep stealing art that is almost impossible to sell and how…

The ‘Madonna of Saint Sebastian’ shows the painter imbuing an old subject with new life – and recent restoration has brought his mastery of colour to the fore, say Andreas Plackinger and Steffi Bodech...

Gordon Cullen’s drawings for Townscape, his guide to urban planning, lend the subject a beguiling romanticism

In the apocalyptic visions of B.J. Newton, who spent years in and out of the California penal system, we can see the abyss staring back at us, writes Zachary Ginsberg

Relationships between staff and management have taken a dive at institutions from the V&A to the National Galleries of Scotland. What can museums do about it? Conrad Landin reports

In the last few years, a famously private collection of antiquities has become more public. Sophie Barling visits the Torlonia Foundation’s conservation lab and the Villa Albani to see the marbles at…

Curator Sang-ah Kim talks to Apollo about the British Museum’s sweeping survey of art from the Korean peninsula

Debika Ray asks why a growing number of countries are cashing in on animals, rather than historical figures, for the images on their banknotes

The experimental images made by Wanda and Marion Wulz in the interwar years show these Italian women revelling in their personal and creative autonomy, writes Lucy Davies

The artist’s catastrophic mental breakdown as a young man meant that he spent the rest of his life in confinement. His paintings, however, are among the most powerful of the age, writes Susan Owens