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Annica Ryng

@annicaryng.bsky.social
109 followers 82 following 46 posts

Brussels-based European. 🌍🏳️‍🌈👊🏽 I EU Public Affairs & Communication Director at @saabrussels I 🎨🎶📖 Arts, culture and travel are the answer to most questions.

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Annica Ryng @annicaryng.bsky.social · 28/07/2026
👏 productions that employ at least 40% women in key management and creative positions will receive a 10% increase in CNC funding, while productions that fail to meet minimum thresholds will see their support reduced by 10%. variety.com/2026/film/gl...
variety.com
France’s National Film Board to Reduce Funding for Productions That Fail Gender Equality Targets
France's National Film Board is launching a measure that will reduce public funding for production that fall short on gender equality.
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Annica Ryng @annicaryng.bsky.social · 22/07/2026
Nicely made awareness raising 👇 youtube.com/watch?si=cSeJUlAOFaelL7Hg&v=qHpnWiBHHaU&feature=youtu.be
youtube.com
Seat at the Table – Short Film on the AI Industry (2026)
YouTube video by Foregone Films
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Annica Ryng @annicaryng.bsky.social · 22/07/2026
'Their films simply won’t get made. We won’t know what we’ve lost, because we’ll never have seen it.' www.hollywoodreporter.com/business/bus...
hollywoodreporter.com
I Spent 15 Years Making Movies the Old Way. Now I’m, Reluctantly, An AI Guy
A Millennium Media executive explains a pivot from film sets to building an AI startup lab for creatives.
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Annica Ryng @annicaryng.bsky.social · 07/07/2026
'We live in a post-hardware age in which tech is defined not by the machines we use but by the ghost who lives in them.. ..from something fun we hold in our hands to something intangible that billionaires will use to control us..' www.hollywoodreporter.com/business/dig...
hollywoodreporter.com
Is A24 Still Cool?
We are entering an era when anything Big Tech-associated smells bad, and even the most beloved brands are getting smoke-bombed.
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Annica Ryng @annicaryng.bsky.social · 30/06/2026
“I’ve been extraordinarily lucky throughout my career, so I’m not going to judge folks who are simply trying to provide for their families ...I appreciate that my career started in 1990, not 2026.” www.hollywoodreporter.com/business/dig...
hollywoodreporter.com
Hollywood Workers Are Training AI Models as Job Prospects Grow Slim
Some TV and film vets are taking gigs in the world of Reinforcement Learning From Human Feedback, helping smooth out gen AI systems that may pave the way to their own obsolescence.
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Annica Ryng @annicaryng.bsky.social · 29/06/2026
'Territorial licensing often allows rights holders to generate higher returns by tailoring agreements to individual markets. A fully global model could change those economics and alter how content is financed...' www.advanced-television.com/2026/06/22/t...
advanced-television.com
The end of territorial licensing: Is global streaming making borders irrelevant?
Streaming has changed how people access entertainment. A viewer in Sweden can watch a Korean drama, listen to a Brazilian artist, or follow a sports event that
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Annica Ryng @annicaryng.bsky.social · 02/06/2026
“Learn it quickly and use it as a tool before it uses you as a tool.” www.screendaily.com/news/hollywo...
screendaily.com
Hollywood experts weigh up opportunities and threats at AI conference
"Learn it quickly and use it as a tool before it uses you as a tool."
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Annica Ryng @annicaryng.bsky.social · 26/05/2026
“What we need to do is what only humans can do: make messy, adventurous experiences so that an audience does not know what’s coming next and enjoys that experience.” variety.com/2026/film/gl...
variety.com
Tilda Swinton Says AI ‘Doesn’t Have a Chance’ Against Cinema That Avoids Formula at Cannes Masterclass
Tilda Swinton told a Cannes masterclass AI only threatens cinema when filmmakers produce formulaic work, recalling four decades of key collaborations.
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Annica Ryng @annicaryng.bsky.social · 19/05/2026
'Viewing of non-English language titles represented less than a tenth of total viewing on Netflix ten years ago, while today it’s more than a third.' Shouldn't it be more? www.advanced-television.com/2026/05/12/n...
advanced-television.com
Netflix claims $325bn boost to global economy
New data from Netflix reveals that the streamer has contributed more than $325 billion (€276.6bn) to the global economy over the past decade, creating more th
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Annica Ryng @annicaryng.bsky.social · 19/05/2026
“AI used in the right way, it’s just a tool like any other tool,” ...Some people will make really, really great films, and some people will do the exact same process, and their film will be crap — just like normal films.” www.hollywoodreporter.com/movies/movie...
hollywoodreporter.com
Peter Jackson Talks Upcoming Projects, AI’s Role in Filmmaking: “It’s Just a Tool Like Any Other”
In Cannes to accept an honorary Palme d'Or, the director teased his long-awaited return to narrative features with 'Tintin' and WWII projects in the works, while also sharing some thoughts on Andy Ser...
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Annica Ryng @annicaryng.bsky.social · 12/03/2026
📺 Audiovisual Media Services Directive is up for review. This is landmark legislation for audiovisual authors, as it obliges on-demand services to promote European works. I dove into its past and future to understand what's at stake (honestly, it was fascinating!) www.saa-authors.eu/articles/fro...
saa-authors.eu
From 1989 Television Without Frontiers to 2026 AVMS Directive
The AVMS Directive is under review. Stakeholders on all sides say the same thing: don't reopen it. But creators fear losing ground, while platforms fear gaining obligations. History suggests that volu...
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Annica Ryng @annicaryng.bsky.social · 24/02/2026
“Three-quarters of UK workers considering leaving the film and TV industry These sectors drive growth, innovation and cultural influence, yet the talent behind them is being choked off by financial insecurity.” www.screendaily.com/news/three-q...
screendaily.com
Three-quarters of UK workers considering leaving the film and TV industry
The Film and TV Charity's report has sounded alarm over worsening financial pressures facing worker.
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Annica Ryng @annicaryng.bsky.social · 24/02/2026
'....Another reason to keep creative industries in focus of the budget discussions is the need to reduce reliance on American tech and promote trustworthy, decentralised, and community-oriented alternatives to platforms for media and entertainment.' cultureactioneurope.org/news/compete...
cultureactioneurope.org
Compete to Create: How the EU’s Budget Is Debuffing Creative Industries
No support for creative industries in the next EU budget? The new MFF proposal debuffs support for the more economic dimensions of culture, its digitalisation and financial tools that help creative bu...
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Annica Ryng @annicaryng.bsky.social · 03/02/2026
“...Innovation cannot come at the expense of copyright, both can and must coexist. Clear and enforceable rules are key to ensuring Europe’s technological sovereignty. Our aim is to foster innovation while safeguarding the core principles of IP.” www.europarl.europa.eu/news/en/pres...
europarl.europa.eu
Protect copyrighted work used by generative AI, say Legal Affairs MEPs | News | European Parliament
Access to high quality data to train generative AI in the EU should go hand in hand with fair remuneration for the creative sector.
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Annica Ryng @annicaryng.bsky.social · 27/01/2026
'TV is not what we grew up on. TV is now just about everything ...The Oscars & the NFL are on YouTube. Networks are simulcasting the Super Bowl on linear TV & streaming. Amazon owns MGM, Apple is competing for Emmys and Oscars, and Instagram is coming next' www.hollywoodreporter.com/business/dig...
hollywoodreporter.com
Ted Sarandos Warns “Instagram Is Coming” as He Lays Out Competitive Landscape for Netflix
"TV is not what we grew up on. TV is now just about everything," the Netflix co-CEO says, outlining the threat from traditional studios and networks, big tech and social giants, a preview of a potenti...
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Annica Ryng @annicaryng.bsky.social · 20/01/2026
...the end of the ‘Brussels effect’? ...Washington is [now] setting the pace on deregulation in Europe Big Tech lobbying... of the far-right seems to have become a particular priority for Meta, and to a lesser extent Google. corporateeurope.org/en/2026/01/a...
corporateeurope.org
Article by article, how Big Tech shaped the EU’s roll-back of digital rights | Corporate Europe Observatory
In a new analysis we trace Big Tech's fingerprints on the Digital Omnibus proposals - a major deregulation of EU digital laws including the GDPR and the AI Act. They are helped in this attempt by the ...
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Annica Ryng @annicaryng.bsky.social · 08/01/2026
"To translate is not just to haul stories across languages, but to help them remain when everything else falls away. It is a quiet, stubborn refusal to disappear." www.theguardian.com/lifeandstyle...
theguardian.com
A moment that changed me: in the bombed-out ruins of an apartment block, I saw a book I’d translated
The sight of my work, torn and singed but still legible, made me realise the importance of translating and protecting stories – so they remain when everything else falls away
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Annica Ryng @annicaryng.bsky.social · 09/12/2025
"A mention under a photo, a tag or a hashtag - it doesn't matter what form it takes, but the name of the author of the work must definitely appear next to their work. If I see my work without a surname, I write to the person and ask them to tag it..." (G translated) www.latga.lt/naujienos/so...
latga.lt
Socialinių tinklų pavojai ir privalumai: jei menininkas nori būti saugus, jis turi būti matomas - Latga
Autoriaus Kęstučio Svirnelio kūrinys „Būtinybės transformacija“ (2024)
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Annica Ryng @annicaryng.bsky.social · 18/11/2025
“The creators on YouTube are not ‘YouTubers’... They are producers and artists. The fact we call them ‘content creators’ or ‘YouTubers’ or ‘influencers’ is a way for the legacy media to try to downgrade them and to keep their power.” www.screendaily.com/features/why...
screendaily.com
Why several European film companies are ready for a fresh approach to YouTube
For many in the film industry, YouTube is simply a place to upload trailers. But is it time to adopt a new attitude to the platform?
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Annica Ryng @annicaryng.bsky.social · 14/10/2025
"AI tools can reduce production costs and timelines by up to tenfold... such efficiencies come with serious caveats: potential job losses for animators, greater dominance of user-generated platforms like YouTube, and unresolved issues around copyright and IP ownership" cineuropa.org/en/newsdetai...
cineuropa.org
Ampere Analysis’ Guy Bisson unpacks the “anime-fication” of Europe’s animation, streamers’ retreat and AI’s disruption
10/10/2025 - Interest in anime has been rising steadily for over a decade, and Western Europe’s current animated output increasingly mirrors this trend, says the expert at MIA
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Annica Ryng @annicaryng.bsky.social · 08/10/2025
"Tilly Norwood’ is.. generated by a computer program that was trained on the work of countless professional performers - without permission or compensation.. It doesn’t solve any ‘problem’ -it's using stolen performances to put actors out of work.." www.hollywoodreporter.com/movies/movie...
hollywoodreporter.com
Tilly Norwood Is “an AI Tool, Not a Performer” Says U.K. Acting Union Equity: “We Are Concerned About Where That Work Has Come From”
The British union has weighed in on the debate over the computer-generated actress that has rattled Hollywood.
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Annica Ryng @annicaryng.bsky.social · 29/09/2025
'Moscow’s attempt to extinguish Ukrainian culture can be seen through the prism of prominent stadiums across the region, one of which even played host to footballers including Cristiano Ronaldo and Xavi, and pop megastars such as Beyoncé and Rihanna.' www.politico.eu/article/stad...
politico.eu
These stadiums expose Putin’s brutal war on Ukrainian culture
International megastars once performed in arenas that Russian forces have bombarded — or turned into propaganda stages.
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Annica Ryng @annicaryng.bsky.social · 23/09/2025
"AI cannot make a full Hollywood movie (yet). It's not like you go on ChatGPT and say make me a full movie. You need people, stories and vision to understand how everything works. I don't see AI replacing everyone anytime soon." www.thelocationguide.com/industrynews...
thelocationguide.com
“More industry people will work with AI, and more AI people will work with the industry”
Industry News posted by Chris Evans about “More industry people will work with AI, and more AI people will work with the industry” on The Location Guide.
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Annica Ryng @annicaryng.bsky.social · 27/06/2025
'Over four months, LLM users consistently underperformed at neural, linguistic, and behavioral levels. These results raise concerns about the long-term educational implications of LLM reliance and underscore the need for deeper inquiry into AI's role in learning.' www.media.mit.edu/publications...
media.mit.edu
Your Brain on ChatGPT: Accumulation of Cognitive Debt when Using an AI Assistant for Essay Writing Task – MIT Media Lab
 This study explores the neural and behavioral consequences of LLM-assisted essay writing. Participants were divided into three groups: LLM, Search Engine…
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Annica Ryng @annicaryng.bsky.social · 24/06/2025
'Currently, Creative Europe accounts for just 0.2% of the EU budget. It’s like watching a two-hour film and being shown only 15 seconds. Like slicing a cake into 500 pieces and offering artists just one. Like giving culture less than a day on the calendar.' cultureactioneurope.org/news/hundred...
cultureactioneurope.org
Hundreds demand action to save Creative Europe
More than 800 cultural sector professionals, representing 479 organisations from 40 countries, believe that the future EU budget must include a strong, standalone Creative Europe programme. Are you on...
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Reposted by Annica Ryng
Edel Brosnan @edelb.bsky.social · 20/06/2025
Culture is art, and a social connection, and awkward people speaking truth to power, and it’s soft power, and an industry. We need to value all its facets, because we’d miss it if it disappeared.
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Annica Ryng @annicaryng.bsky.social · 20/06/2025
Interesting, isn't it? "88% of European TV and SVOD fiction adaptations are based on original works from Europe. Only 6% of all European audiovisual fiction adaptations are based on works originating from the US." rm.coe.int/adaptations-...
rm.coe.int
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Annica Ryng @annicaryng.bsky.social · 17/06/2025
"Unlike many of the 40-plus AI lawsuits currently pending, this one doesn’t get bogged down in the technicalities of training datasets or model weights. It’s less about what went into the system than what comes out... a host of copyrighted characters..." copyrightlately.com/why-the-stud...
copyrightlately.com
Why the Studios’ Midjourney Lawsuit Is Different
Hollywood knows the power of visuals. In their lawsuit against Midjourney, the studios aren't just alleging infringement—they're showing it.
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Annica Ryng @annicaryng.bsky.social · 17/06/2025
"Scripts from more than 130,000 films and TV shows have been used to train generative AI models, which a BFI report said today “poses a threat to the fundamental economics of the screen sector." (UK research) deadline.com/2025/06/bfi-...
deadline.com
BFI Research: 130,000 Film & TV Scripts Have Been Used To Train AI
A BFI AI report has found that 130,000 film & TV scripts have been used to train generative artificial intelligence models.
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Reposted by Annica Ryng
SAA @saabrussels.bsky.social · 13/06/2025
🤝EFAD, in partnership with associations, hosts film screenings in Brussels during each EU Presidency to celebrate European cinema. The Polish film institute and EFAD are proud to present the exclusive screening of the Polish film #LossOfBalance by #KorekBojanowski 📅Tuesday 24/6 📽️Cinema Galeries
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Annica Ryng @annicaryng.bsky.social · 27/05/2025
"Digital regulations are unlikely the main reason behind the EU’s relative lack of technological innovation, and cutting AI safety requirements on big corporations isn’t the solution to it. Robust regulations... are much needed to increase the trust in this tech..." fortune.com/2025/05/20/e...
fortune.com
The EU should cut actual red tape, not AI safeguards
Europe's path to AI competitiveness lies in cutting red tape that hinders startups, not in removing AI safeguards.
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Annica Ryng @annicaryng.bsky.social · 26/05/2025
"...the EU was built against authoritarian imperialism, fascism, nationalism and racism, but nowadays, things are fragile, and those stories are more relevant than ever.” - Agnieszka Holland
cineuropa.org
Auschwitz Memorial announced as a certified virtual film location at Cannes Next
17/05/2025 - CANNES 2025: The Auschwitz-Birkenau Foundation has launched Picture from Auschwitz, a virtual filmmaking project preserving authenticity, history and truth
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Annica Ryng @annicaryng.bsky.social · 20/05/2025
Robert De Niro: “act now…without violence, but with great passion and determination” to defend democracy. “It’s time for everyone who cares about liberty to organize, to protest, and when there are elections, vote."
hollywoodreporter.com
Is This the Most Political Cannes Festival Since ’68?
As fest staff tries to follow "political neutrality" guidelines, Robert De Niro’s passionate opening-night excoriation of Trump as "America’s philistine president" set a combative tone not seen in dec...
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SAA @saabrussels.bsky.social · 28/04/2025
We stand with @culturaldealeu.bsky.social in calling on EU leaders to put culture at the heart of public policy. Culture contributes to EU’s democracy, competitiveness, and security. To help culture help Europe, we need to Ask, Pay, and Trust the Artist. cultureactioneurope.org/projects/cul...
cultureactioneurope.org
Ask Pay Trust
Our campaign demands putting culture at the heart of the changemaking in a time full of division and crises. To help culture help Europe, we need to Ask, Pay, and Trust the Artist.
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Reposted by Annica Ryng
SAA @saabrussels.bsky.social · 17/04/2025
🪴 “AI is like compost: it recycles existing works and creates the compost that can nourish new plants, growing from human creative works,” SAA Patron Špela Čadež, Slovenian animation writer and director, told Commissioner Glenn Micallef when the SAA met with him. www.saa-authors.eu/en/news/942-...
saa-authors.eu
SAA delegation meets Commissioner Micallef on authors' rights and AI
On 15 April, a delegation from the SAA met with Glenn Micallef, Commissioner for Intergenerational Justice, Youth, Culture and Sport. SAA Patron Špela Čadež, a Slovenian animation writer and director,...
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Reposted by Annica Ryng
SAA @saabrussels.bsky.social · 24/03/2025
“Pushing for more diversity and participation in politics and the arts must be part of European values. If we do not have diversity, we lose touch with society, and if we do not reflect society as it is, it has no value." Our interview with film director and writer Katharina Muckstein
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Annica Ryng @annicaryng.bsky.social · 11/03/2025
"...revenue from paid streaming services has surpassed public TV revenue in Europe for the first time. With streaming revenue expected to grow by 37% to €38.4 billion by 2029, largely driven by US giants" cineuropa.org/en/newsdetai...
cineuropa.org
Streaming overtakes public TV revenue in Europe, the latest Ampere Analysis research finds
06/03/2025 - Notably, streaming revenue in Europe is expected to grow by 37% to €38.4 billion by 2029, with Netflix remaining the most important contributor
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Annica Ryng @annicaryng.bsky.social · 10/03/2025
Van Der Velden “...You are heavily involved as a human when you are creating ideas with AI” ...“I always encourage people to start knowing what they're doing with AI, because the person who knows how to use it will get their job” cineuropa.org/en/newsdetai... human creation should = #authorsrights
cineuropa.org
At MIP London, experts discussed the opportunities, challenges, and the future of storytelling in relation to AI
04/03/2025 - The panel highlighted AI-generated storytelling, ethical concerns, industry shifts and tools like StoryBoarder.ai and ElevenLabs’ Voice Changer
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Annica Ryng @annicaryng.bsky.social · 06/03/2025
"Climate change is a man-made problem and must have a feminist solution." See Aoife Kelleher's film (2024) about inspiring leader Mary Robinson! 'From filling up the glass, it is now getting emptied and we are trying to maintain status quo, said Florence Raes, Director of UN Women Brussels Office.
Five people sitting on a stage in front of a cinema audience.
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Reposted by Annica Ryng
HAROLD TOR-DAENENS @hyperion-tree-digital.eu · 02/03/2025
Out and about with @calmacki.bsky.social and @annicaryng.bsky.social for the Schuman Show. The finale was brilliant!!
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Reposted by Annica Ryng
SAA @saabrussels.bsky.social · 25/02/2025
In 2023, the historical action film Dovbush premiered in Ukraine and was immediately embraced by audiences. Recently, the director shared that seventy of the crew members are now serving in the armed forces. Seven are missing in action. Five have been killed. cultureactioneurope.org/news/artisti...
cultureactioneurope.org
"Artistic freedom comes with responsibility": Luiza Moroz on the 3rd anniversary of Russia’s war against Ukraine
On the third anniversary of Russia’s brutal and unprovoked war of aggression against Ukraine, Culture Action Europe reaffirms its support for Ukraine’s independence and territorial integrity. We share...
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Reposted by Annica Ryng
James Kanter @jameskanter.bsky.social · 21/02/2025
The "Vorfeld" is preparing Germany for a far-right future. Its mission is making what was once unconscionable something Germans vote for on Sunday. Here's a weekend listen on how an extremist vanguard has worked to boost the AfD — and make remigration palatable.
euscream.com
Germany, Gramsci, and the Rise of the AfD - EU Scream
To understand how the AfD became palatable in Germany, look to the Italian Marxist, Antonio Gramsci.
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Annica Ryng @annicaryng.bsky.social · 21/02/2025
Personalisation algorithms rely on ..vast amounts of personal data.. This raises significant privacy issues.. ..AI can perpetuate existing societal biases ..leading to an echo chamber effect where users are insulated from diverse perspectives. www.advanced-television.com/2025/02/18/t...
advanced-television.com
The increasing role of artificial intelligence in enhancing content personalisation
In the realm of digital media, AI's capability to personalise viewing experiences represents a revolution in consumer engagement. Algorithms now analyse vast a
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Annica Ryng @annicaryng.bsky.social · 19/02/2025
“Which character generates the most discussion? ..How can we attract two very different age groups to the same film? How can a film resonate beyond the traditional arthouse audience and reach a broader viewership?” cineuropa.org/en/newsdetai...
cineuropa.org
At the EFM, Publikum discusses the usage of anthropology-based AI to enhance audience strategies
16/02/2025 - BERLINALE 2025: The Danish consultancy firm's Rikke Flodin and Lars Tversted presented their new tools, showing how they can help creatives develop successful projects
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Annica Ryng @annicaryng.bsky.social · 18/02/2025
"A block of raw marble, like a judicial opinion, is not copyrightable. Yet a sculptor creates a sculpture by choosing what to cut away and what to leave in place. That sculpture is copyrightable.”" www.hollywoodreporter.com/business/bus...
hollywoodreporter.com
Some Good News for Hollywood Creators Suing AI Companies
In the first AI copyright case ruling, a court concludes that training an AI system using copyrighted material isn't fair use. That will likely be cited by creators fighting other tech giants.
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Annica Ryng @annicaryng.bsky.social · 14/02/2025
👏🏽 👏🏽 @emmarafowicz.bsky.social Soft law is not sufficient where big tech dominate Innovation is not contrary to safeguards Don’t sacrifice authors rights in the name of competitiveness Challenge the people developing the tech, not the tech Call 4: AI for creators, by creators & for democracy!
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Annica Ryng @annicaryng.bsky.social · 11/02/2025
'National Plans Linking Reforms and Investments should earmark 2% of their budgets for culture. Member States ... should adhere to key principles: artistic freedom, geographical balance, support for small and independent creators, and #FairPay.' cultureactioneurope.org/news/culture...
cultureactioneurope.org
Culture Action Europe presents its paper on the future of EU culture funding
As the EU begins preparing its next long-term budget for 2028-2034, Culture Action Europe advocates for allocating 2% of the next MFF to culture.
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Annica Ryng @annicaryng.bsky.social · 11/02/2025
👉 women & caregivers in the film & TV industry do not see themselves remaining in the sector 👉 growing gap between company profitability & stagnant wages ... economic recovery of the sector contrast w high precarity & unfair pay for workers uniglobalunion.org/news/social-... @uniglobalunion.org
uniglobalunion.org
Social Justice for workers behind the scenes: for a just transformation in Entertainment and Media
Transformations unions can make for fair and sustainable working conditions in the live performance and audiovisual sectors.
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Annica Ryng @annicaryng.bsky.social · 04/02/2025
“I’ve heard from showrunners who are given notes from the streamers that ‘this isn’t second screen enough.’” ... “we’re moving into the ambient era, which succumbs to, rather than competes with, your phone.” www.fastcompany.com/91264942/net...
fastcompany.com
Netflix knows you're looking at your phone—and it's changing how shows get made because of it
According to reports, Netflix seems to be optimizing at least some of its original content for background viewing.
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Annica Ryng @annicaryng.bsky.social · 14/01/2025
Most consumers are aware of generative AI, but few feel confident they understand it. Consumers want to know if they’re watching something made with AI. 💡 Interesting study advanced-television.com/2025/01/14/r... @saabrussels.bsky.social #WeLoveAuthors
advanced-television.com
Research: Consumers don’t understand AI yet
AI is rapidly changing the way people are interacting with entertainment and companies are embracing AI to streamline operations and improve efficiencies in pro
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