No one can hear you scream in space (paraphrased from Barbara Gips’ tag line for Ridley Scott’s 1979 film Alien) Over the past few weeks I’ve been experimenting with Substack. My first post was about writing in a vacuum, which is what I feel like I’ve been doing on my blog for years. There was little communication and no feedback, and I began to wonder if anyone was reading my posts at all. But to be honest, I’ve started to wonder whether writing in a more enclosed environment like Substack can become its own kind of vacuum. Blogging on the wider internet once felt like standing in a windy, unpredictable landscape. Substack feels quieter. More contained. If you want to read the full post about stepping out from behind the scenes and what I was writing in the vacuum, you can find it on my Substack here: Anita’s Substack – What I Was Writing in the Vacuum. Reading this again has made me think about the visibility of my posts. I have come to realise content published on Substack does not contribute to the search engine optimisation of my own WordPress blog, Much To Do About Writing. It lives on Substack’s domain and like any platform, Substack is designed to keep readers inside its own ecosystem. It is not built to send traffic back to my own independent space. By contrast, posts in theory should strengthen my long term search presence. It has already grown as an archive of my book reviews, author interviews and writing achievements. It is a discoverable home for my writing. Discoverability matters to me. Substack is already crowded with reflections on being a writer and updates on works in progress, so it can be difficult to stand out or to reach beyond an already engaged circle. This does not make Substack redundant, it simply changes its role. I think if I use it thoughtfully, it can complement my WordPress blog. I can republish selected posts on my blog to reach new readers, while also sharing blog posts on Substack to encourage subscribers to explore the depth of material on my site. The goal is to build conversation and deepen engagement with readers who are genuinely interested in what I have to say. For me, the real question now is how to make both platforms work together as a writer: to grow an audience who is interested in my work and to learn from other authors who have found ways to make it work for them. However, this brings up a bigger question: Am I wasting my time? Writing only has impact if it is seen, read and responded to. A blog without responses feels more like a private diary than a conversation. ******** Anita Loughrey writes for children and young people. Her debut YA novel is Who Is Moira Miller?.

On accountability, community and rewriting a novel around daily life

I’m absolutely delighted to welcome Paul Morton to the blog today for a very special guest Q&A. Paul is the creative mind behind the brilliantly inventive Bug Belly series. As both an author and illustrator, he brings a wonderfully playful energy to everything he creates. With a background in illustration and graphic design, Paul has a real gift for combining lively storytelling with vibrant, character-filled artwork. His passion for drawing, animals (especially frogs!), and sparking children’s imaginations shines through in his work. He also loves sharing that creativity beyond the page, visiting schools, libraries and bookshops to inspire young readers and writers. Today, Paul is chatting all about his first book, Bug Belly: Babysitting Trouble, which is published by Five Quills. He reveals how the character first leapt into his imagination, and what we can expect next from Top Pond’s most chaotic and loveable frog. Let’s dive in! ******** Tell us a bit about your first book, Bug Belly: Babysitting Trouble. The book is the first in a new series of young fiction titles, aimed at readers age 5-8 – both for children who still enjoy being read to as well as those venturing out on their own. Bug Belly is an ingenious, inventive and super fun froggy uncle to lots of little tadpoles and froglets in Top Pond. In the first story, he’s supposed to be babysitting all the taddies, but his hungry belly distracts him and causes a bit of a disaster, resulting in all the water draining from the pond. Bug Belly must race against the clock to save all the tadpoles. He loves a challenge, though, and comes up with an inventive plan to save the day, with the help of three young frogs, Splish, Splash and Splodge. It’s action packed, fun and exciting! What do you hope readers will enjoy about the book? I hope they will enjoy the humour and action in the story, and I’ve included lots of illustrations throughout the book to introduce the characters, highlight the action and show the funny scenarios Bug Belly finds himself in. The text is great for reading aloud, too, so I hope will be shared in classrooms as well as at home. I enjoy reading out loud at book events, schools, libraries and bookshops – sharing tips on writing and firing children’s imaginations. I’ve created 100’s of activity sheets and resources to engage children with the series, so they can have a lot of fun exploring the stories in different ways. www.bugbelly.com How did you first come up with the idea for Bug Belly? I was playing a game with my 18 month old nephew. Bug Belly was a rubber frog that had lost its tummy squeaker, so paper insects could be stuffed into its tummy. I thought, ‘there’s a great idea for a children’s book!’ I’ve always been interested in animals, though, and have drawn many frog characters in my career as an illustrator and graphic designer. As a child I owned a green super-bouncy ball, that I kept in my pocket and pretended was a frog that could jump! Now, I’m lucky enough now to have a pond in my garden that is full of frogspawn, tadpoles and frogs every year! How did you develop Bug Belly’s character, and the stories for this book series? I started by imagining some busy scenes from the story, for example the one where Bug Belly is planning to bag more bugs for his breakfast. I began wondering about all of the gadgets that Bug Belly might use to help him catch the bugs, and I developed his kit bag which you’ll see drawings of it in the book – and developed various scenes from there which I stitched together into what I hope is an exciting story. How do you plan and develop the illustrations for your books? First, I draw the main scenes as rough pencil sketches in my various notebooks and sketchbooks. Then I draw them in more detail on A4 sheets, before scanning them into my computer to add the colour digitally. In total, I produced around 1,000 drawings for Bug Belly: Babysitting Trouble! One of the biggest challenges was all the individual tadpoles! I drew 2,000 of those for this book! What can we expect in future Bug Belly stories? More fast paced fun and even trickier challenges for Bug Belly. At the moment I’m working on a ‘scary’ Halloween Bug Belly story but in the form of a graphic novel. So even MORE pictures. I’m thoroughly enjoying creating this.  Activity sheets downloads from   www.bugbelly.com ******** You can find out more about Paul and his books from his website: www.bugbelly.com

Title: The Jolt Written by: Alex Woolf Published by: AW Publishing Alex Woolf’s The Jolt is a fast-paced and compelling read with few distractions from the central mystery of how they lost their memory. Although the story begins along familiar lines where two strangers meet with conflicting personalities, it quickly takes an intriguing turn, which adds depth and emotional impact. On a train journey, our two protagonists, Susie and Ryan, begin a casual conversation. Moments later, a mysterious jolt shakes the carriage and both of them lose consciousness. When they wake, they are still on the same train, but twelve months have somehow passed. When Susie returns home, she finds evidence of a man sharing her flat and her bed. Ryan, equally confused, arrives at her door to discover he is now her live-in partner. The novel’s central idea, a time slip, which leaves the protagonists with no memory of a year of their lives, forms the heart of the story. Alex handles this concept with great skill, using Susie and Ryan’s shared confusion to draw readers into their disorientation and vulnerability. Friends and family treat their relationship as completely normal, yet neither of them remembers falling in love. As Susie and Ryan grow closer, they are forced to confront the unsettling truth of what happened on the train, the mystery of where they have been for the past year, and the possibility the jolt, which brought them together, might yet tear them apart. Each recovered memory feels immediate and powerful, allowing the reader to experience Susie’s and Ryan’s emotional turmoil in a deeply personal way. The tension builds steadily throughout, leading to a dramatic and satisfying climax by the river. The subtle use of the paranormal, centred on the mysterious green crystal, adds an intriguing dimension without overwhelming the human drama. The time-slip element and the suggestion the crystal’s effects echo experiences faced by women across history, provides a thoughtful and unexpected layer of meaning. The characterisation is particularly strong. The ‘will they, won’t they’ dynamic between Susie and Ryan feels authentic and their contrasting personalities, such as his untidiness and her tendency to speak without thinking, make them both believable and relatable. Their relationship demonstrates how opposites can attract and in doing so, help each other to grow. Alex portrays love not as a simple or idealised emotion but as a complex, evolving bond shaped by personal struggles and self-discovery. The attention to detail in the descriptions of setting and atmosphere makes each scene easy to visualise and adds to the novel’s immersive quality. If you enjoy time-slip contemporary romance infused with paranormal elements, The Jolt is an excellent choice. It offers an emotional journey where attraction and suspicion constantly compete, leaving Susie and Ryan uncertain of their feelings and of the truth about their shared past. I have also reviewed this book on Amazon, Goodreads and BookSirens.

If you’re ready to take your picture book ideas to the next level, I wholeheartedly recommend exploring Natascha’s Cook Up a Picture Book course. Her insight, encouragement and editorial expertise …

Today I’m shining a spotlight on editor Natascha Biebow and her inspiring Blue Elephant Storyshaping editorial services. With over 30 years of publishing experience, Natascha has nurtured debut creators and guided bestselling authors and illustrators to bring out the very best in their stories. She truly understands the creator’s journey as both an editor and a published author. Through Blue Elephant Storyshaping, Natascha offers a range of creative services for children’s book authors, illustrators, agents and publishers. Her one-to-one mentoring provides weekly personalised editorial support that motivates you to explore, experiment and dig deep to find the heart of your story in an inspiring and sometimes gently challenging way. Together you set meaningful goals and deadlines to help you shape and polish your book. Natascha also runs picture book coaching courses designed to help you uncover the gems in your ‘bottom drawer’ ideas and take your craft to the next level. I can personally recommend her Cook Up a Picture Book course. The combination of structure, encouragement and expert feedback inspired me to create some child-centred picture books I’m truly proud of. Now, over to Natascha, who shares more about her Cook Up a Picture Book course and her approach to helping creators thrive: ******** In Natascha’s words: I’m a writer, I get it – you show up and write your picture book and then try to navigate the publishing world only to find it’s utterly befuddling. What ARE those editors doing all day and why does it take soooo long for agents to respond? What does it mean when rejection emails say your work is ‘not quite right for our list’ or ‘too familiar’? How can you try to avoid getting rejected in the first place? And how do you know when your book is ready to submit and which of the many stories in your bottom drawer you should choose?! Often being a creator is lonely, dispiriting work. What if you could have an experienced editor on tap, in your corner, who could take your hand and help you to build a commercial body of work, navigate and understand the marketplace, and pitch your books so they really grab editors and agents? When I started Blue Elephant Storyshaping, I wanted to spend my time doing what I love most – editing and empowering authors and illustrators (who want to write) to tell the stories they love. Every day I have so much fun doing just that – chatting about ‘what if’ story possibilities, choosing mentor texts to help people with their ‘a-ha!’ moments, and keeping them current with the fast-changing marketplace. Because I come from an editorial background and I have some distance from their work, I can often quickly see what is niggling.  Here are three biggest mistakes I see again and again that stop authors from selling their picture book: Submitting too soon – often, authors are so excited when they’ve completed a draft, they want to send it out right away. But unfortunately, all too often, your book is OK, but not shiny – yet! Not hooky enough – the best picture books are those you want to read again and again. Why? Because they speak to the reader, they have layers, they have something hooky to make them memorable and unique. An in-depth knowledge of the market and how children think is key to figuring out how to make your book stand out. But it’s often because your book isn’t yet solid that you can’t figure out how to fix it . . . Characters and plots that have the reader (and agent!) muttering ‘so what?’ and grabbing a biscuit instead – a story must have characters and some kind of problem to keep readers turning the pages. This seems obvious, but it’s how you do it that makes it hooky enough (see above). Because I know how tough it can be to navigate through the noise, to stop second-guessing yourself, and to be accountable. Because I see how important it is to have solid craft skills and a hooky pitch that sells your work, I created a comprehensive signature Cook Up a Picture Book Course that will help you to: find your voice hone your craft expertly pitch your books It’s a deep dive based on my bespoke method honed over many years of storyshaping. Imagine you have an editor on tap (yes with live, ask-me-anything Q & As) and someone cheering you on to show up and create your book in just six sessions – with all-important breaks to actually implement each tool and actually (no excuses!) write your book. Through my 30+ years of coaching, mentoring and editing picture books, I have seen all the mistakes and I can help you to create that commercial picture book. So, if you want some help, we can do it together in just three steps: 1. Join the course and a supportive community (it’s fun, I promise!) 2. Ask ALL the questions 3. Write your book. And dream BIG! ******** If you’re ready to take your picture book ideas to the next level, I wholeheartedly recommend exploring Natascha’s Cook Up a Picture Book course. Her insight, encouragement and editorial expertise make the creative process both inspiring and rewarding. The  Cook Up a Picture Book Course starts on 6 November and runs until Jan 2026, with breaks for writing. Email Natascha at hello@blueelephantstoryshaping.com to get your exclusive discount code (valid until 31 Oct 2025). Natascha Biebow, MBE, lots of ideas, many hats: mum, author (The Crayon Man:The True Story of the Invention of Crayola Crayons), experienced picture book editor, founder of Blue Elephant Storyshaping, Editorial Director (Five Quills), creative writing tutor at Write for Kids, All Stories and Jericho Prize.

The latest Twinkl Originals middle grade (Key Stage 2) novel, Wildcat Summer, was published on 23rd September 2025. Here, we catch up with the author, editors, illustrator and designer to find out more about the book and Twinkl’s publishing process. Author – Victoria Williamson The way Twinkl stories begin is with our Educational Content Lead – Pete Lambden – researching what topics and themes are being searched for by teachers and parents on the Twinkl website. He identified that ‘environmental issues’ was a popular choice, and he drew up a brief for the team to work on a book related to rewilding. The writer starts with the brief and produces a range of different short synopses for the team to choose from. Once we’ve met to discuss our favourite ideas, the writing begins! I really enjoyed working on this story – it has a Famous Five feel, much like the stories I enjoyed reading when I was in primary school. For this book, I got the opportunity to draw on my experience of teaching classes with additional support needs, as well as my own experiences of Scottish nature. We aim to create diverse books at Twinkl, and we included a main character with hearing loss in this story so that children using hearing aids could have a chance to see themselves represented in a team adventure. Having grown up in Scotland, I was very happy to have a chance to write a story set in Kingussie in the Highlands, featuring not just the spectacular scenery and the wildcat rewilding programme run by the Highland Wildlife Park, but also some Scottish Gaelic phrases! Editors – Rachel Poole-Fenwick and Sally Baines As editors, we have input into the story at every stage of its development. At the beginning, we meet with the writer and Educational Content Lead to look at possible story synopses and, once one has been chosen, a breakdown of how the chapters might progress. After the writer has written the first draft, we meet again to discuss the story – we focus on whether the story has a clear plot structure and help to refine the characters so they’re relatable and age-appropriate. We also make sure the language and tone match the intended age group. Usually, the story goes through a couple more drafts and we give our feedback on these. Then, it comes to the editors for us to check the spelling, punctuation and grammar is in line with Twinkl’s style. We make sure any names, places and timelines are consistent throughout the story and check any factual information – in this case, the facts about the wildcats. As editors, we’re really lucky to work on so many great stories – and this one was no exception! We loved following the journey that the main character goes on and the beautiful backdrop of the Scottish Highlands. We got to learn a lot about wildcats and rewilding initiatives too. The editors also write and check all the additional teaching resources that are available alongside the story. For Wildcat Summer, we created a Scottish Mythical Creatures reading comprehension, some mindfulness colouring sheets featuring Scottish Gaelic greetings and a glossary containing key phrases linked to rewilding. Illustrator – Alex Illustrating books with Victoria is always a pleasure as our interests tend to cross over quite a lot. I am drawn to the fantastical and natural worlds as much as she is. The timing on this one worked out perfectly as I had just returned from a camping trip in the Highlands and felt inspired by the remarkable landscape. Illustrating each book is often a similar process each time. I’ll read the text and after discussing illustration ideas with the team, I’ll present rough drawings to them. When approved, I’ll develop the rough into a more finished piece and then I’ll check with the team again before finalising the picture. It’s a many-step process with lots of checks and development along the way, making it much more collaborative than one might think, but it’s always a pleasure. Designer – Tony Anderson My role in designing the book is to bring everything together. By the time I start, each book has already been in production for some time. The story has been written and edited, and the text is ready to place in the book. Work has already begun on concept illustration – often, rough and final illustrations have been started and can be slotted into the book. My role in making the books is both technical and creative. There are lots of elements that go into a book: chapter starts, contents page, fonts and illustration placement. I also need to make sure that our books keep to the Twinkl brand ‘style’. The cover is an aspect of the book we like to have ironed out early in the process – we might use the same cover fonts inside the book on things like chapter starts. A lot of team discussion goes into deciding on a final cover design. I also design the resources that go with the books. Educational Content Lead – Pete Lambden At Twinkl Originals, while our commitment is always to create stories that are fun and exciting for our young readers, we also work to ensure that our books are based on educational and relatable topics that reflect the world children live in. My job is to guide the development of the book so that it has a place in the classroom as well as on children’s own bookshelves. I’m particularly proud of this book, as I think it provides lots of opportunities for discussion on how to be responsible stewards of the environment, and how children can take a positive, active role in their local areas of nature. We would love to hear how children and educators have used the book, so please do leave a review on our site if you’ve enjoyed reading it! Together, the KS2 Originals team combine their unique talents and backgrounds to produce captivating and educational books that resonate with children, parents and educators alike. Their commitment to quality, diversity and curriculum alignment ensures that each story not only entertains but also enriches the learning experience for young readers. Find out more about the Originals books here: https://www.twinkl.co.uk/twinkl-originals The Twinkl Originals books can be downloaded by signing up to an account, which gives access to the library of 100+ eBooks plus nearly 1 million Twinkl resources: https://www.twinkl.co.uk/premium/choose

Online picture book course with an experienced expert editor, learn how to write a commercial children's book with personalized suppor- starting 6 November 2025

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Title: Gargoyles: Guardians of the Source Written by: Tamsin Mori Cover design and llustrations by: David Dean Published by: Uclan Publishing Tamsin Mori’s latest middle-grade fantasy adventure delivers everything young readers love: mystery, magic, friendship and a brave but relatable hero. This story is as meaningful as it is exciting. There are themes of honesty, courage, self-discovery and the importance of being true to yourself. The book follows 11-year-old Callen, who moves into a crumbling country mansion called Gargoyle’s Rest after his grandmother’s death. The estate is steeped in secrets, with sprawling grounds, a lake, battlements and mysterious gargoyles that have slept for decades. When Zariel, a lioness shaped gargoyle with wings, suddenly awakens, Callen finds himself drawn into an ancient magical legacy involving guardian protectors, magical creatures and a powerful source of magic in the basement which is under threat. Callen’s journey to become a Guardian is anything but straightforward. Zariel is sceptical of him, and Callen struggles with self-doubt, secrecy and the pressure to prove himself. His attempts to impress new friends with half-truths spiral into bigger problems, teaching him the hard way trust must be earned through honesty. The emotional growth he experiences, particularly in learning to be himself adds depth to the adventure. The mansion itself becomes a character in its own right, full of hidden tunnels, old diaries, and forgotten history. However, I found it frustrating the sister’s diary disappears and never reappears even when Callen proves he is up to the task. One highlight is the involvement of Callen’s parents, who play active roles in the plot rather than being sidelined. Their protective instincts and disbelief in Callen’s abilities feel authentic, echoing Zariel’s doubts and reinforcing Callen’s internal conflict. The way they step up and help to fight the evil felt instinctive. The world-building is rich and immersive. Magic is cleverly integrated into the real world with clearly defined rules, which prevents it from becoming a convenient fix. Instead, the characters rely on teamwork, quick thinking and bravery to solve problems and face rising dangers. I particularly appreciated the nuanced view of magic in that it was neither good nor evil but shaped by the intentions of those who wield it: “Magic is neither good, nor bad – it simply multiplies the dreams you feed it. Be careful what you wish for…” The pacing is fast and engaging, helped by short, punchy chapters that keep readers gripped. Vivid descriptions bring the setting and characters to life, while the story’s twists are both clever and satisfying. Overall, Gargoyles: Guardians of the Source is a captivating, action-packed read for ages 8+, with heart, humour and a meaningful message.

Get ready for a deliciously fun food face-off in My Rice is Best by Selina Brown and Maxwell A Oginni. This joyful new picture book celebrates culture, friendship, and the meals that make us feel at home. It was published by Puffin last week, on Thursday 8 May 2025. Blurb A laugh-out-loud, heartwarming picture book that brings the joy of food, friendship, and cultural pride to life, written by Selina Brown, winner of the 2025 London Book Fair Trailblazer Award, and CEO of the internationally renowned Black British Book Festival. My Rice is Best explores the playful rivalry between two friends who both believe their rice dish is the ultimate favourite. Shane is convinced that nothing beats a big, delicious bowl of rice and peas—it’s the best rice in the world! But when he brings his favourite meal to school, he discovers that his friend Yinka is just as passionate about her jollof rice. What follows is a hilarious and heartfelt showdown to settle the age-old question: which rice reigns supreme? With vibrant illustrations from Maxwell A. Oginni’s which bring to life the humour and playfulness, the book offers an entertaining way-in to help children embrace new cuisines and celebrate cultural identity and diversity. With the rising demand for inclusive stories that celebrate different cultures, My Rice is Best is a timely and essential addition to any child’s bookshelf. Review When Shane brings his beloved rice and peas to school, he doesn’t expect a rice rivalry with his friend Yinka, who swears by her jollof rice. What follows is a funny and heartwarming showdown that explores identity through the universal love of food. Packed with humour and vibrant illustrations, My Rice is Best is the perfect picture book for sparking conversations about heritage and sharing stories around the table. This book is a mesme-ricing celebration of what brings us together. (Saw the pun on amazonn and it made me laugh!) About the Author Selina Brown is an Author, Marketing Consultant and Event Producer. At 16 she became the Youth MP for Nottingham, her love for words gained her two Degrees and a Masters at 21 years old. After living and working in New York, Jamaica, Kenya and Gambia Selina founded Little Miss Creative, an award-winning Female Development Agency that empowers girls in schools across the UK. During the pandemic she wrote the picture book series Nena that became popular in 2020. The same year Selina launched the internationally renowned Black British Book Festival, which aims to celebrate new and emerging Black British authors across all genres of literature. About the Illustrator Maxwell Afolabi Oginni is a Nigerian-born, London-based animator & illustrator. Classically trained in 2D character animation, he has worked in the mainstream industry for over 18 years as director, animator, illustrator & story artist for TV commercials, music videos, feature film & popular children’s entertainment productions such as, Sony Pictures Animation’s ‘Young Love’, Mr Bean: The Animated Series, JoJo & Gran Gran, Hey Duggee, School of Roars, plus various other titles. Having developed his own distinct style, Maxwell has also established himself as a skilled & ambitious creative with a fresh & dynamic approach. His unique artworks have been acknowledged by various institutions & highly respected industry professionals throughout his career.

With the third book in Ravena Guron’s brilliantly original fantasy series released just this week (8th May), there’s no better time to go back to where it all began. Today, I’m diving into The Thief of Farrowfell, the first instalment in Jude Ripon’s thrilling adventures. This is a story packed with edible magic, daring heists, and a heroine you won’t forget. The newly released sequel continues Jude’s journey, now living a more stable life with the Westons, until, of course, danger calls her back. With raw magic resurfacing, shady dealings in the Consortium, and a terrifying beast threatening Farrowfell, Jude, Moorley, and their unlikely allies must once again risk everything to protect their world. But before all that, let’s look at how it started… ******** Blurb Twelve-year-old Jude Ripon has never been taken seriously by her family of magic-stealing masterminds. To them, she’s just the youngest, only good for keeping watch while they carry out daring heists. Desperate to prove her worth, Jude decides to steal valuable magic from the fanciest house in town . . . But Jude’s stolen prize was protected by a curse which threatens to wreak havoc on the family business. While attempting to untangle the mess she’s made (and wondering why anyone would want to curse an honest thief trying to earn a living), Jude discovers just how far her family will go to stay at the top of the criminal world. Suddenly, her quest to become a true Ripon isn’t straightforward any more . . . see my review below: ******** Review Title: The Thief of Farrowfell Written by: Ravena Guron Illustrated by: Alessia Trunfio  Published by: Faber & Faber This fast-paced and imaginative fantasy introduces a standout concept of ‘edible magic’ in a richly built world filled with tension, heart, and originality. Jude, the youngest in a notorious family of thieves, is eager to prove herself, but when she steals a powerful, cursed spell, things spiral out of control. What follows is a gripping story of resilience, loyalty, and the cost of power. Though the beginning took time to hook me, the unique magic system and dynamic plot soon drew me in. Jude is a compelling protagonist who is resourceful, sharp, and brave, especially as she begins to challenge the toxic values she was raised with. Her relationship with her seemingly perfect sister Moorley evolves meaningfully, and the backdrop of familial neglect and emotional manipulation adds surprising depth to the narrative. While heavier than the cover or synopsis suggests, these themes are handled thoughtfully and with age-appropriate sensitivity. The Hall of Knowledge is a particular highlight which introduces an evolving, sentient library that feels both magical and plausible. The contrast between raw and tamed magic and their effects, gives the story a strong thematic spine. Twists and turns are well-timed, the pacing is sharp, and the ending strikes the right balance between closure and anticipation. ******** As you can see, The Thief of Farrowfell is a gripping and imaginative start to what’s shaping up to be an outstanding fantasy series. With its unique magic system, complex family dynamics, and high-stakes adventure, it’s no surprise that Jude Ripon’s world has captured so many readers. This series will especially resonate with young readers looking for something inventive and substantial. If you’ve already read the first book or if this review has convinced you to start, now is the perfect time to continue the journey as Book 3 is out now. Find out what happens next as Jude and Moorley take justice into their own hands and face a new threat to Farrowfell. Jude Ripon returns in her most dangerous mission yet. Out now from Ravena Guron. ******** Blurb for Book Three The Battle of Farrowfell Jude Ripon must fight to defend Farrowfell in its darkest hour. The thrilling finale to the epic fantasy series from bestselling and award-winning author, Ravena Guron. Will raw magic be their doom . . . or their saviour? Jude is living happily with Moorley, Uncle Runie and Spry. But then the Dark Rivers start failing and raw magic is everywhere. The Consortium jumps into action and assures everyone that the situation is under control, but the people they are arresting are never seen again. And anyway, Jude knows better than to trust those in power. Jude and Moorley must find a way to reverse the effects of the raw magic. All their usual leads are sending them to dead ends, until Jude meets a strange boy called Darcius who seems to know far more than he should . . . Can they resist the temptation of raw magic and save Farrowfell once and for all? ******** To read more reviews for The Theif of Fellowfell check out: Goodreads: https://www.goodreads.com/book/show/62018486-the-thief-of-farrowfell Storygraph: https://app.thestorygraph.com/books/05b998c4-6ac9-41a8-a423-f92f6ad48be6 Amazon: https://a.co/d/akN8Evl (Canada) https://a.co/d/cBViD8E (USA) https://amzn.eu/d/eyqvgyQ (UK) About the Author A born and bred Londoner, Ravena Guron writes MG and YA, usually featuring antiheroines or snarky narrators. She is a lawyer with a degree in biochemistry, and hopes to use the knowledge gained from her experiences to plot her books, whether that’s wild MG fantasy adventures, or twisty YA murder-mysteries. Ravena Guron is a British Indian biochemist turned lawyer turned MG author, a superb new voice who brings her own captivating brand of energy, wild adventure and joy to the genre. The Thief of Farrowfell was the first in the series following Jude Ripon, and was shortlisted for Penguin’s WriteNow scheme, as well as being highly commended in the FAB Prize. Ravena also writes YA, including the acclaimed This Book Kills, which has won regional awards and is shortlisted for the British Book Awards. Ravena is a Londoner through and through: born, raised and educated in London, she lives there still. About the Illustrator Alessia Trunfio was born in southern Italy in but grew up in Rome, where she still lives. Alessia has worked as background artist for some of the most important animation studios in Italy. Fundamentally passionate about cinema, anime, literature, indie music, and fried food, Alessia is an eclectic, energetic, and inexhaustible illustrator. To follow the rest of the tour please take a look at the scheule below: I would like to thank The Write Reads for inviting me to take part in this ultimate tour. Thank you.

Title: Emba Oak and the Epic Ending Written by: Jenny Moore Illustrated by: David Dean Published by: Maverick Books Wow! Wow! Wow! Wow! Wow! The fourth and final instalment in Jenny Moore’s Emba Oak series delivers exactly what the title promises, an epic ending, brimming with adventure, peril, humour, and heart. As Emba’s twelfth birthday approaches, the stakes have never been higher. The malevolent Necromalcom inches closer to achieving immortality, and both the human and dragon realms teeter on the brink of doom. With time running out, Emba embarks on her most dangerous mission yet, one that forces her to confront her evil father, make impossible choices, and wrestle with her evolving identity. Jenny Moore reunites us with all our favourite characters, each of whom is given a moment to shine in this fast-paced, emotionally rich finale. From ghost armies to dragon sacrifices, betrayal to heartwarming reunions, the story manages to be thrilling and deeply moving all at once. Emba’s inner struggles are explored with nuance, especially as she navigates themes of identity, loss, and love. The narrative remains true to the tone of previous adventures, complete with the signature alliterated chapter headings that fans have come to adore. And while the tone is often light and humorous, Jenny doesn’t shy away from darker, more bittersweet elements, making this a truly layered conclusion. What makes this finale so satisfying is how seamlessly it ties together the threads of the previous books. Long-standing mysteries, like the origin of the Tome of Terrible Tomorrows and the meaning of the Final Prophecy are finally resolved. Relationships between characters have matured and changed, and while the series comes to a natural close, Jenny leaves just enough intrigue to spark the imagination about what might lie beyond the final page. Perfect for young adventurers aged 9 and up, Emba Oak and the Epic Ending is a triumphant conclusion to a brilliantly immersive series. I’ll definitely be keeping an eye out for what Jenny Moore writes next. ******** To read my reviews of the other books in the Emba Oak series take a look at: Book Review: Emba Oak and the Terrible Tomorrows Book Review: Emba and the Beckoning Bones Book Review – Emba Oak and the Screaming Seas To read my interview with Jenny Moore about the writing of the Emba Oak series see: Special Guest Q & A with Jenny Moore. To find out more about Jenny Moore and her books take a look at her website: https://jennymoorechildrenswriter.weebly.com and her blog: https://jennifermoore.wordpress.com/. Or follow her on her various social media outlets: https://www.facebook.com/JennyMooreWriter https://www.instagram.com/jennymoorewrites https://www.threads.net/@jennymoorewrites https://www.linkedin.com/in/jenny-jennifer-moore-117785162/ https://bsky.app/profile/jennywritemoore.bsky.social You can buy copies of all of Jenny Moore’s books from your local bookshops, which are always top of the list – if they don’t have the Emba Oak books in stock they’ll be able to order them in for you. Or you can purchase direct from the publisher Maverick Publishing, otherwise Jenny recommends Hive books or any of the usual online retailers, such as uk.bookshop.org, an organisation with a mission to financially support local, independent bookshops

My spotlight today is for Ava and the Acorn written by Lu Fraser and illustrated by Paddy Donnelly. This tender, stay-with-you-forever picture book about one little girl’s relationship with her grandad, and the hope that lies in the changing of the seasons and the circle of life is the perfect introduction to life, love and loss for little ones. It was published on 12th September 2024 by Hachette Children’s Books Blurb All the things that you’ve lost – that you’ve loved – are not gone, When they’re held in your heart, a small part still lives on… Together Grandad and Ava adventure along the twisting path and over the hill where, beneath the canopy of their friend the old Oak tree, they make wonderful memories to treasure and share – from summer picnics with jam-sticky fingers to carefree days kicking through russet leaves in autumn’s soft glow. But as the seasons change, so too does the old Oak tree and Grandad’s health… Ava and the Acorn is a tender, unforgettable story about one little girl’s relationship with her grandad, and the hope that lies in the changing of the seasons and the circle of life. A perfect introduction to life, love and growth for little ones, this beautifully lyrical rhyming story coupled with Paddy Donnelly’s perfect illustrations also explores the positive portrayal of intergenerational relationships and shared experiences. About the Author Lu Fraser is one of the most exciting new picture book voices. Her debut picture book, The Littlest Yak (illustrated by Kate Hindley) won the Oscars Book Prize, The Sainsbury’s Best Picture Book Award and The Sainsbury’s Children’s Book of the Year Award, whilst her second book, The Viking Who Liked Icing (illustrated by Mark McKinley) was shortlisted for the Waterstones Children’s Book Award. Now she gets to write her own books in a shed in her garden. Lu lives in the south of England, in the middle of nowhere, with her husband and daughter and their pets. About the Illustrator Paddy Donnelly is an Irish illustrator now living in Belgium. He has over 15 years’ experience as an illustrator and designer, and especially loves working with a textured, painterly approach. His books include Dodos Are Not Extinct, Hom, Here Be Dragons and The Vanishing Lake. His work has achieved international acclaim as he was nominated for the Kate Greenaway Medal 2022 and shortlisted for The World Illustration Awards in 2018. Paddy’s first book as both author and illustrator, The Vanishing Lake, was awarded the gold medal in the picture book category of the IPPY Awards. I would like to thank Antonia Wilkinson for sending me the PR information. Thank you.

Title: Call the Puffins! Tiny and the Cave Ghost Written by: Cath Howe Illustrated by: Ella Okstad Published by: Welbeck Publishing Blurb Fourth in a delightful illustrated series about puffins and teamwork for readers aged 5+. Muffin, Tiny and the rest of the trainees are busy learning the skills they need to become rescue puffins. Life is always busy on the island of Egg, and the friends are delighted to be taking part in a special day of celebrations called Puffin Power, where they can practise all the things they’ve learned. But when a chick goes missing the young rescuers must put their training into practice, and before long they’re deep in the cave network searching for the lost chick. It’s dark and spooky – what if the legend of the ghost puffin that haunts these caves is true? Muffin, Tiny and the others need to gather their courage and work as a team to rescue the chick and lead everyone to safety! This highly illustrated series featuring a cast of adorable puffin characters is perfect for families to share, or for newly confident readers to enjoy reading to themselves. Review This delightful story, beautifully illustrated in black and white, features an irresistibly charming cast of puffins that young readers will want to return to time and time again. Ella Okstad’s expressive illustrations perfectly complement the narrative, supporting children who are transitioning from picture books to early chapter books. I like the way that Cath Howe has alternated the main character in each of the Call the Puffins books. For the fourth adventure set on the Island of Egg, we are in Tiny’s point of view and his fear of the dark caves they have never explored. Flotsam the chick, who hatched from the rescued egg in Book One, bonds with Tiny but when Tiny is distracted during rescue practice Flotsam wanders off. Our heroes believe the only place Flotsam could have disappeared is the cave. Tiny and Muffin quickly organize a rescue mission, leading to another suspenseful and heartwarming adventure. One of the most impressive aspects of this book, and the series as a whole, is its use of foreshadowing. Cath Howe masterfully plants narrative clues, such as Old Kintyre’s bedtime story about the wandering puffin, which later echoes through the plot when Flotsam disappears. Similarly, the puffins’ earlier practice balancing on slippery logs cleverly sets the stage for a key rescue scene later in the story. The book gently explores themes of belonging and rising to challenges, all within a framework of teamwork, empathy, and resilience. Readers will find messages about loyalty and cooperation woven subtly throughout. Perfectly pitched for its audience, the story offers just the right mix of peril, suspense, and heartwarming moments to keep young readers engaged. It’s a joy to revisit these familiar characters in new situations, and the series continues to encourage developing reading and comprehension skills through its rich storytelling and thoughtful design. ******** To read my review of the first book in the series see: Book Review: Call the Puffins You can also read my review of the second book in the Call the Puffin series here: Book Review: Call the Puffins! Tiny’s Brave Rescue And the third book in the series, Call the Puffins! Muffin and the Shipwreck here: Book Review: Call the Puffins! Muffin and the Shipwreck. I have also previously interviewed Cath Howe about her teacher resource, Let’s Perform for Writers’ Forum. You can find out more about this interview here: An interview with… Cath Howe. You can buy copies of all the Call the Puffins! books by Cath Howe and Ella Okstad from your local bookshop, or online at uk.bookshop.org.

Today I am posting my review for the a thrilling new sci-fi adventure for middle-grade readers that introduces a high-stakes intergalactic challenge, Star Quest Academy: Above and Beyond. Blurb For centuries, trillions of life forms throughout space have allowed humanity to believe we’re alone in the Universe. Any alien who dared to befriend us has met an unfortunate end: eaten, squashed, sent to a zoo, or even planted in a garden pot. But our advances in space exploration now threaten every civilisation across the Cosmos. Amelia, a savvy, street-smart orphan, is one of four exceptional children selected from around the globe to represent humanity in the Human Inclusion Programme at the intergalactic Star Quest Academy. Here, they’ll unravel the Universe’s wonders, explore strange new worlds, and encounter magical creatures. Earth’s safety from invasion hinges on their success as cadets, but if any of them fail, Earth will be invaded by ruthless warlords. When a series of sinister incidents jeopardise their mission, it becomes clear that someone – or something – wants them to fail. To save their world, the cadets must overcome their differences and combine their unique skills. ******** Review Title: Star Quest Academy: Above and Beyond Written by: Adrian Lynch Book Cover by:  Published by: The Book Guild Star Quest Academy is an exciting new sci-fi adventure for middle grade where four exceptional children are chosen to represent Earth in an Inclusion Programme at the Star Quest Academy. Their success at the Academy has high stakes in that if they fail Earth will be invaded by the ruthless warlord, Lord Fog. The novel’s premise is immediately engaging, with a compelling blend of friendship, teamwork, and cosmic danger. Our main protagonist, Amelia, stands out with a well-developed backstory in that she is an orphan navigating deep emotional wounds and a longing for belonging. Her character arc adds depth and heart to the narrative. The dynamics between Amelia and her fellow Earthlings, Jaelyn (Jingles), Karim, and Trumpton, show great promise. I like that each are exceptional in their own way. The theme of their overcoming differences to work as a team is both meaningful and well executed. That said, while each character is distinct, the emotional depth in key scenes would benefit from more ‘showing’ rather than ‘telling.’ At times, the text states characters’ feelings (fear, excitement, etc.) without grounding them in gesture, internal dialogue, or sensory detail. Adding these layers would help bring the characters to life in a more vivid, three-dimensional way. The story builds tension nicely, especially with the reveal that spies for Lord Fog are working from within the Academy. These twists create a strong sense of intrigue. A few scenes, while humorous, felt more like digressions and didn’t significantly advance the plot. Tightening these moments could enhance the pacing and overall impact of the story. There are charming literary nods to Alice in Wonderland and clear echoes of the Harry Potter series, which will appeal to fans of whimsical yet high-stakes fantasy. As a potential series opener, Star Quest Academy lays a solid foundation, and there’s exciting room for further development, especially in exploring the backstories and arcs of the other team members. In all, this is a fun and imaginative read with a lot of potential. With some refinement in character depth and narrative focus, it could really shine as a standout in middle-grade science fiction. ******** About the Author Adrian was born a long time ago in Harrow Weald, North London. He is dyslexic, which wasn’t allowed in those unenlightened times. As a kid, when he wasn’t learning to be ‘normal’, (he failed), he would hang out in the nearby bluebell-carpeted woods. To him, they harboured space aliens, mysterious creatures and the ghosts of Grims Dyke whose mournful songs rustled autumnal leaves. This inspired stories that Adrian would tell eager audiences for pocket money. Following successful careers within the NHS and as a Company Director, Adrian obtained a BA degree in Creative Writing from the Open University and is now bringing those fantastical stories to life in his novels. The Star Quest Academy – Above and Beyond is the first to be published. Adrian hopes that it will be as exciting and fun to read as it was to write. Adrian now lives in North Bedfordshire. ******** You can read more reviews here: Storygraph: https://app.thestorygraph.com/books/79fe4e6c-7911-4343-b8ed-c0290ed1cf8d Goodreads: https://www.goodreads.com/book/show/223726420-star-quest-academy Amazon: https://a.co/d/6jjdGea (Canada) https://a.co/d/fZhLPiZ (USA) https://amzn.eu/d/fQelUs8 (UK)

Today I am excited to be part of the cover reveal for the anticipated next instalment next instalment of Justin Somper’s exciting fantasy series, Pirate Academy, due to be released on Thursday 29th May, 2025 by Uclan Publishing. Sit back and watch this dynamic video to get a sneak peek at the next thrilling episode for neo and his friends. Blurb The Barracudas are at sea in the third thrilling Pirate Academy adventure… The kids of Barracuda Class are shocked to the core when one of their favourite teachers is revealed to be an agent of the League of True Pirates. Jacoby tries to make sense of the betrayal – and discovers evidence that one of his own classmates may be LOT P’s next target. Jasmine launches a maverick sailing mission to reunite with her father, but soon finds herself voyaging in highly dangerous waters. Neo is following a treasure-trail left by his mother, far away from the Academy. At the end of his journey lies an amazing gift: a sword with untold powers that, in the right hands, might just change everything. About the Author Justin Somper is the award-winning author of eight novels for young people, all with a focus on high-octane fantasy adventure, driven by strong, complex characters. Justin’s Vampirates sequence comprises, to date, six main novels and has been published in 35 countries and 25 languages. Justin developed his acclaimed Pirate Academy series with UCLan Publishing in 2024. About the Illustrator Teo Skaffa has lived in many places but currently lives in Istanbul. He grew up in a small town in the Netherlands you’ve probably never heard of. Besides making art, he likes video games, the colour pink and weird electronic music. He uses simple shapes filled with texture and detail to tell a story and is grateful that he’s able to make a living by drawing, especially since he’s not particularly good at anything else.

Title: Do Not Say These Words Written by: Frances Tosdevin Illustrated by: Rhian Wright Published by: UClan Publishing Do Not Say These Words by Frances Tosdevin and Rhian Wright is an absolute giggle-fest. This book delivers belly laughs with a brilliantly bonkers premise that each time we chuckle at cheeky words, we unleash a dangerous Giggle-Gas. If we don’t stop, the whole world might zoom off into space like a rogue balloon with a puncture. Enter the ever-serious Professor has devised a ridiculous but totally hilarious solution to ban all the funny words. To enforce this, she has invented a machine that changes them into something completely different. Fancy saying Floppy Peach-Cheeks instead of Bottom? Well, you’d better get used to it. This book is a riot of imagination, encouraging kids to dream up their own side-splitting word swaps. Every page bursts with colour and chaos with Rhian Wright’s bold and bright, edge-to-edge illustrations. Do Not Say These Words will have children (and grown-ups) laughing out loud, making up their own silly alternatives, and coming back for more. Even the most reluctant reader won’t be able to resist this books charm.

Title: The Whisperwicks: The Labyrinth of Lost and Found Written by: Jordan Lees Illustrated by: Vivienne To Published by: Puffin Books The Whisperwicks: The Labyrinth of Lost and Found is a brilliant middle-grade fantasy adventure debut by Jordan Lees, blending mystery, mythology, and an intricately crafted world. This atmospheric and emotional tale takes readers on a thrilling journey through grief, friendship, loyalty, and hope. It is a story that will make you laugh, cry, and immerse yourself in its rich world-building. The novel follows Benjamiah Creek, who stumbles through a mysterious door into the parallel world of Wreathenwold. This eerie realm, filled with nightmares and peculiar laws, echoes the dark whimsy of Neil Gaiman’s Coraline and the intricate soul-bound companionship of Philip Pullman’s His Dark Materials. In Wreathenwold, every person possesses a ragdoll-like poppet that can transform into different animals, acting as an extension of their soul. One of the book’s standout elements is its celebration of books, bookshops, and reading. Benjamiah’s life revolves around bookstores, from Once Upon a Time, where he lives with his grandfather and parents, to Follynook Bookshop, where he befriends Elizabella Cotton after her father rescues him. For Benjamiah, bookshops are sanctuaries, yet he prefers logic and science over magic, a stark contrast to the world he finds himself in. Wreathenwold is a maze of shifting streets where mapping is forbidden. Those who wander too far forget their way home, and the sinister Hanged Men, family-men dragged from their homes and given a choice between execution or eternal servitude, enforce the law. Within this world of ever-changing paths, playing cards serve as currency, and the poorest even sell their eye colour for survival. Benjamiah’s shock at these strange customs deepens as he joins Elizabella on a mission to find her missing twin brother, Edwid Cotton. The story is enriched at the beginning of each chapter with excerpts from A Brief History of Wreathenwold by Archscholar Collum Wolfsdaughter, offering fascinating insights into this mysterious world. The names Benjamiah and Elizabella stand out as different but familiar enough to remember, adding to the novel’s enchanting quality. Central to the plot is the search for the Whisperwicks. These are candle-lit lanterns that, when extinguished, whisper a hidden message. Edwid had custom-made four of these lanterns and concealed them throughout Wreathenwold, leaving behind a cryptic riddle for Benjamiah and Elizabella to solve. Their quest leads them through a labyrinth of dark secrets and plot twists, testing their courage and trust in one another. Benjamiah, skeptical of magic, struggles to bond with his own ragdoll companion, further deepening his personal conflict. The novel’s world-building is outstanding. From the ever-shifting streets of Wreathenwold to the magic of the poppets, where injuries to these soul-bound dolls harm their owners, every detail is meticulously crafted. The Hanged Men enforce the rule of a terrifying monster, a minotaur, at the city’s heart, but we can’t help wondering who is the real villain, adding an element of fear and high stakes. The story expertly balances tension, danger, and poignancy, making it an engaging read. Beautifully illustrated by Vivienne Tor, The Whisperwicks is a visually and narratively stunning adventure, perfect for KS2 readers and fans of magic-infused fantasy. With its intricate plot, vivid descriptions, and compelling characters, this book is a must-read for those who love imaginative, well-crafted tales filled with mystery and wonder. I am looking forward to reading the second book in the series, The Whisperwicks: The Impossible Trials of Benjamiah Creek, when the paperback is released on the 3rd June 2025.

Title: Little Lion Girl Written by: Olivia Hope Illustrated by: Fiona Woodcock Published by: Bloomsbury Blurb The city roared like a jungle. Leonie roared back at the city. She shook her mane and swished her tail. She was a lion girl. Leonie and her mother are off to the big city! Inspired by the people, sights and sounds, Leonie can’t wait to discover it all. Her mother tells her to stay close, but there’s SO much to see. And surely nothing can scare a brave lion girl, can it? Review This is a beautiful story, illustrated in bright smudgy pastels about a young girl, Leonie, visiting London with her mother. Leonie notices the people on the underground all look extraordinary and decides she will be extraordinary too by pretending to be Lion Girl. This picture book will encourage some powerful discussion around feeling nervous and putting on a brave face. Young children will be able to identify with Leonie when she gets lost in the bustling crowd and her new found bravado escapes her. The ending is satisfying and reassuring to young children. A great resource for a KS1 class to talk about feelings and what to do when they feel lost and afraid. There are themes of being brave and staying calm in a potentially overwhelming situation. You can buy copies of Little Lion Girl by Olivia Hope and Fiona Woodcock from your local bookshop, or online at uk.bookshop.org which supports local, independent bookshops

Title: Call the Puffins! Muffin and the Shipwreck Written by: Cath Howe Illustrated by: Ella Okstad Published by: Welbeck Publishing Another brilliant adventure by Cath Howe in the Call the Puffin series. This time our brave puffins Muffin and Tiny have to save a new recruit, Forti, when he wanders off and gets stuck in the rigging of a shipwreck. The thing I particularly like about the Call the Puffin books is that each of the characters is easily identified by their little quirks, such as Tiny’s glasses and awkwardness, Muffins feet and quick-thinking, level headedness and even a new character to the team has the visual characteristic of a tuft of feathers that stick up on his head and a behavioural characteristic of being a thrill seeker who is easily distracted. Again the third book in the series is an exciting read for young children and the reading level is gauged well as usual. It is pitched with just the right amount of danger to keep the children turning the pages but not to scare them. It includes themes of friendship, comradery, teamwork and cooperation. Call the Puffins! Muffin and the Shipwreck has an underlying message of if they are told they can’t do something it is not to ruin their fun but because there is real danger. I also liked how it reinforced that they have to not only think of the safety of themselves but also the safety of their friends and colleagues. Great example of how things are easier to achieve if they work together. ******** To read my review of the first book in the series see: Book Review: Call the Puffins You can also read my review of the second book in the Call the Puffin series here: Book Review: Call the Puffins! Tiny’s Brave Rescue

Title: The Wild Outside Written by: Rachel Ip Illustrated by: Katie Hickey Published by: Hodder Children’s Books / Hachette Blurb Tulip loves being outside. She loves puddles and pinecones, flowers and feathers, and her pockets are full of nature’s treasure. But Tulip is desperate to know more about the things she sees and finds on her daily walk … “What is this fruit… this plant… this seed?” “What is this tree… this leaf… this reed?” So, when Tulip finds a nature trail drawn in chalk on the street outside her house, she is delighted to discover the names and uses of all her favourite trees, plants, and flowers. Then one day, she comes home to find a carefully wrapped present waiting on her doorstep … A book of nature from around the world. Every day, Tulip learns more and more about nature, but who is creating the nature trail? With names and facts given for every tree, plant and flower Tulip discovers, this beautifully illustrated book encourages children to stop, notice, name and celebrate the nature that can be found in their surroundings – and beyond. Because just outside your own front door, there is a whole world of nature to explore. Review The Wild Outside is the ideal educational picture book to encourage young children to explore nature and being outside away from TV and their games consoles. It will encourage children to foster a love of the great outdoors and their local environment even when it is raining. This book displays how their curiosity can spark a wider interest in the plants and fauna found not only in their own gardens but worldwide, from the forest mangroves of Asia, the rainforests and grasslands of Africa, to the cold deserts of Antarctica. There are some fun activities at the end of the book to inspire young children further. Who knows maybe they will even create their own nature trails, as well as helping them to extend their joy of books. You can find some video clips and printable resources on Rachel’s website here: https://www.rachelip.com/thewildoutside. You can buy copies of The Wild Outside by Rachel Ip and Katie Hickey from your local bookshop, or online at uk.bookshop.org which supports local, independent bookshops.

Title: Molly and the Pirate Cave Written by: Malachy Doyle Illustrated by: Andrew Whitson Published by: Graffeg  Molly and the Pirate Cave is a heartwarming and educational picture book that delivers an important message about the changing tides. This is the seventh book in the Molly series, set on an island. The story offers an engaging narrative while encouraging discussions about personal safety, particularly around water. In this adventure, Molly defies her parents’ warnings when her beloved dog, Gus, goes missing. After a restless night with no sign of him, she ventures into the ominous Pirate Cave, drawn by an unsettling noise. There, in the pitch-dark surroundings, she finds little Bo, paralyzed with fear after also searching for Gus. Offering him reassurance, Molly soon hears Gus barking from a ledge above. The dog’s heightened senses detect the approaching tide, signalling imminent danger. The children scramble to safety onto the ledge with Gus and attempt to make enough noise to attract help. The beautiful animated illustrations by Andrew Whitson capture the children’s fear and determination as they navigate the perilous cave. The detailed double-page spreads effectively convey the cave’s claustrophobic darkness and the looming danger of the rising tide. The artwork also masterfully transitions to the book’s final, more uplifting moments, creating a compelling visual journey. Beyond its engaging storytelling, Molly and the Pirate Cave serves as an excellent tool for educating young readers about the power and unpredictability of the sea. It reinforces the importance of respecting nature and heeding adult guidance in potentially dangerous situations. Overall, this instalment stands as a captivating and meaningful addition to the Molly series, offering both an exciting adventure and a valuable lesson in water safety.

My Heart is Hurting by S. E. Reed, is a contemporary young adult novel and was the 14th place finalist in BBNYA 2024. About BBNYA BBNYA is a yearly competition where book bloggers from all over the world read and score books written by indie authors, ending with 15 finalists (16 in 2024) and one overall winner. If you want some more information about BBNYA, check out the BBNYA Website https://www.bbnya.com/ or take a peek over on Twitter @BBNYA_Official. BBNYA is brought to you in association with the book blogger support group @The_WriteReads. My stop on the BBNYA blog tour to help celebrate the success of S. E. Reed takes the form of a book review: ******** Title: My Heart is Hurting Written by: S. E. Reed Blurb Jinny Buffett is lonely… She’s never had the comfort of a white picket fence with a loving family. Her subsidized apartment in Hollywood Florida echoes with the void of her dead Daddy, and the nights drag long into twilight while her Mama works the block outside the Margaritaville resort. It’s idealistic Ms. Fleming, who’s brave enough to come knocking first. She wants to see Jinny rise up and use her ace scores to escape the wheel of poverty, convincing Jinny to start a school book club, where she finds the friends and boyfriend she never knew she needed. But when her Mama spirals out of control and threatens her entire existence, it’s Jinny’s Everglade ancestors who arrive in a mist of magic, bringing the swamp and hope with them. Review My Heart is Hurting is a compelling and fast-paced novel that immediately drew me in. The action starts from the very first page, and the book is well-written and well-edited, free from any distracting grammar or typo issues. The descriptions of the setting and supporting characters felt authentic and truly reflected the perspective of a young teenager. One of the novel’s strengths is the engaging way it tells the story. The inclusion of different forms of communication, such as messages between friends, kept the pace lively and immersive. From the very start, we were inside Jinny’s head, experiencing her thoughts and emotions firsthand, which makes her a very vivid and relatable protagonist. I found the chapter one heading particularly intriguing, immediately sparking my curiosity about what Jinny was being asked to do. I appreciated the question posed in the heading was clearly answered by the end of the chapter. While the plot initially seemed simple in that Jinny was asked by her teacher to start a club, it was engaging, with clear hints of the challenges ahead due to her circumstances and strong-willed personality. This set-up created a strong foundation for the story. The introduction of mysterious spirit figures and Jinny’s dream added an intriguing supernatural element that kept me turning the pages. Jinny’s reactions and emotions felt authentic for her age, and I sympathized with her difficult family situation. However, by the halfway point, I found myself unsure whether her main goal was truly to communicate with her father, or if a deeper purpose would emerge. The idea of talking to her deceased father, which initially seemed important, faded into the background rather than remaining her clear driving force. Jinny herself is a well-developed character, and her strong personality is instantly clear. The novel does an excellent job of showing how her family background has shaped her. She is both tough and vulnerable, making her a believable and emotionally engaging protagonist. Her struggles with accepting help felt particularly realistic, as I found myself both sympathizing with her and feeling frustrated in the same way an adult might when dealing with a headstrong teenager. However, as the book progressed, the tone shifted quite dramatically. About three-quarters of the way through, the story took a much darker turn, which for me made it feel almost like a completely different book. While this unexpected change could be engaging for some readers, I found it a little jarring. Additionally, the ending required a significant amount of exposition to explain the twists, which left me feeling disconnected. Rather than allowing readers to piece things together through earlier clues, a lot of the explanation arrives all at once, which made the conclusion less satisfying. While Jinny’s character remained strong throughout, her mother’s actions, especially moments like attempting to harm Jinny at the hospital, felt sudden and difficult to understand. At times, Jinny seemed to have little control over her circumstances, with events happening to her rather than her being the driving force behind the resolution. I thoroughly enjoyed the beginning of My Heart is Hurting, particularly the way it establishes Jinny’s character and her struggles. However, the latter half of the book left me feeling frustrated at times, which may have been the author’s intention. The ending, in particular, left me with lingering questions, as I didn’t feel a true sense of closure, or safety for Jinny. Overall, My Heart is Hurting is an engaging and well-crafted novel with a strong protagonist and a compelling premise. While the tonal shift and ending left me wanting more clarity, it remains a thought-provoking read that explores deep emotions and complex relationships. ******** You can read more reviews of My Heart is Hurting by S. E. Reed at: Amazon Link: https://a.co/d/6yyoV0s (Canada) https://a.co/d/26frbTP (USA) https://amzn.eu/d/5t9ma1H (UK) Goodreads Link: https://www.goodreads.com/book/show/152331826-my-heart-is-hurting The Story Graph Link: https://app.thestorygraph.com/books/57cec67e-2070-4d7a-a789-ca8fcef4e11a About the Author S.E. Reed lives in the south and writes strange, haunting, real stories of people and places along old highways. Winner of the 2024 Florida Book Awards and the 2024 Paterson Prize for Books for Young People. Additionally, she’s been nominated for a Pushcart Prize and won honorable mention twice in L. Ron Hubbard’s Writers of the Future Contest. You can find her on X @writingwithreed or visit her website www.writingwithreed.com. ******** I would like to thank The Write Reads for inviting me to take part in this BBNYA finalist tour. Thank you.

The first in a brand new chapter book series, Unicorns in Uniforms: Dragon Inferno by Tracy Curran and Steven Wood promises to be a dazzling premier, complete with a full cast of lovable characters. Fun, educational and action-packed, this is sure to be a family favourite. My stop on the tour is a review: ******** Title: Unicorns in Uniforms: Dragon Inferno Written by: Tracy Curran Illustrated by: Steven wood Published by:  UClan Publishing Blurb When two young dragons accidentally set fire to The Witchy Wood, firefighting unicorn, Blaze, and her emergency vehicle, Quench, race to the scene. As they struggle to get everyone to safety and stop the flames from spreading, a witch called Jinx decides her magical abilities are exactly the help they need to stop the inferno. But Jinx’s magic only spells one thing…DISASTER. And soon the flames are raging towards a treehouse full of powerful potions. Can Blaze and Quench get everyone out before the whole of Witchy Wood goes up in smoke? Review Unicorns in Uniforms: Dragon Inferno is an action-packed adventure perfect for young readers aged 5+. This is the first book in a magical new series set in The Sunshine Realm. Each story explores a different profession through the eyes of engaging, heroic characters. In Dragon Inferno, we meet Blaze, a brave firefighting unicorn who leads a daring rescue mission when two playful dragons, Flare and Glimmer, accidentally set fire to The Witchy Wood. With the help of her sassy yet astute fire engine, Quench, Blaze races to save the witches and magical creatures trapped by the flames. However, not everything goes smoothly – especially when a well-meaning but clumsy witch named Jinx attempts to help, with chaotic results. The book introduces a diverse and dynamic team, including an honorary unicorn – a zebra paramedic – and even a narwhal, because, after all, it has a horn too! Each character has their own unique strengths and flaws. Blaze, for instance, is kind and courageous but struggles with a fiery temper. Through their adventure, the characters demonstrate teamwork, quick thinking, and determination, all while teaching valuable lessons about safety, camaraderie, and inclusivity. Young readers will also enjoy the fun extras in this book. A picture gallery at the start of the book introduces the unicorn crew and their vehicles, while a lively ‘Unicorn Rap’ helps bring their personalities to life. At the end, fascinating fire engine facts reinforce the educational aspects of the story. Steve Wood’s exciting, full-colour illustrations bring The Sunshine Realm and its magical inhabitants to life, making this an engaging read for children who love adventure, fantasy, and firefighting heroes. An enjoyable mix of action, humour, and learning, Unicorns in Uniforms: Dragon Inferno is an inspiring read that encourages children to dream big while also teaching them important safety lessons. A fantastic start to what promises to be an exhilarating series. Extract Version 1.0.0 Version 1.0.0 About the Author Tracy Curran writes picture books, young fiction and funny middle-grade. She was a primary school teacher for sixteen years and is now a carer for her autistic daughter. At around the age of three, Tracy fell into a storybook and discovered a world of magic! As a result, you’ll now find her immersed in the pages of another imagined world or running along the beach, conjuring up her own stories. Her pile of books is taller than she is! Tracy lives on the Cornish coast with her husband, three children, five rabbits, four chickens and one dog. Or visit her blog here: https://www.thebreadcrumbforest.com/ You can follow Tracy curran on X = @writerCornish and Instagram = littlecornishwriter and Facebook: https://www.facebook.com/writercornish. Or visit her blog here: https://www.thebreadcrumbforest.com/ About the Illustrator Steven Wood lives in North London and works from a little studio in his house. While most of his time is spent spying on the neighbourhood cats and trying to lure them into his house, he does love to doodle. When drawing, Steve’s main focus is always the cast of characters that brings life and movement to the picture. He loves to emphasise subtle humour, taking influence from the adventure stories he loved as a child. Whether that’s tales of pirates and sunken treasure, cowboys, knights and dragons, or classic murder mystery stories, they all shape the pictures he loves to draw. When not working, Steve’s favourite hobby is stealing biscuits from his girlfriend and blaming the ‘house mouse’. You can follow Steven Wood at Instagram = https://www.instagram.com/sw_illustration/ and LinkedIn = https://www.linkedin.com/in/steven-wood-0bb8ba27/. Or visit his website here: https://www.stevenwoodillustration.com/ I would like to thank Graeme and Uclan Publishing for inviting me on this tour. Thank you. To follow the rest of the tour please take a look at the schedule below:

Careful What You Hear by Helen Dunlap Newton is a science fiction action adventure novel, aimed at middle grade aimed at the 10-15 age range and it is the sequel of Do You Hear What I Hear? Careful What You Hear is due for release next week, Tuesday 18th February 2025. Blurb After a surgical mix-up gave 13-year-old Noah Baker mind reading powers, he becomes a spy tasked with stopping the bad guys. Ever since he accidentally got an experimental cochlear implant, Noah and his secret agent partner, Lena, have been going on secret missions for the government. Now, they’re in for a reward for all their hard work—Space Camp! But all is not as it seems. When Noah accidentally overhears thoughts that reveal a plot to steal top secret plans from nearby Redstone Arsenal, he must make a choice. My stop on the tour is an author interview with prize giveaway to win a $15 IndieBound e-book card, which is open to the United States only. To enter please read the Term and Conditions after the interview and then follow the Rafflecopter link below. ******** Tell us a little about yourself and the inspiration for Careful What you Hear. While working on the craft of writing through the years, I’ve heard hundreds of authors, editors, and agents speak at writing workshops and conferences. In the last fifteen years or so, there has been more and more discussion about writing stories with diverse characters. I realized there are all kinds of diversity. I wrote in the margin of my notes at one of those workshops—deaf boy with a cochlear implant. That was the beginning of the first book in the series, Do You Hear What I Hear? At the end of the first book, I realized Noah and Lena’s adventures were just beginning and there needed to be a sequel – Careful What You Hear. Talk us through your writing process. I usually begin with a character and a situation. I give that character a name and age. From there, I build the plot by focusing on what my character’s problem is and how I want them to solve it or at least grow by the end of the book. The setting is crucial in my writing process. As a veteran sixth grade teacher, I know kids. I know that their emotions and challenges are similar. Very simply, they want friends, their parents to be proud of them, and a place to belong. The setting of a story won’t change that, but it does change the situations they find themselves. Then I START. Usually, I find where I started is not the best place to begin but that is easy to change. The important part is to START. What are the underlying themes of Careful What you Hear? Friendship, forgiveness, courage, patriotism, confidence, family, trust. Is there an aspect of writing for children you wish someone had told you when you started out? Because of the years it has taken to learn the craft of writing for kids, I know there were things presented about the publishing world that I wasn’t ready to learn. The amount of marketing it takes to make a book successful has been a surprise to me. I knew I would need to speak and do author signings but there’s so much more than that. I heard speakers talk about this but it’s the kind of thing that didn’t soak in while I was still writing and trying to find a publisher who would give me a chance. How did you develop your characters and develop their voices so children can identify with them? Most of the time, my characters are not based on people I know but rather bits and pieces of everyone from my past and present. I am an empathetic person, and I work hard to identify with my character. How would I feel in the situation? Voice is a tricky thing but so important. A good writer makes the voices of their characters distinctive from one another. Those distinctions include word choice, attitudes, speech patterns, internal thoughts, and so much more. I spend hours of thinking and writing to provide characters whose voices are unique from one another. Do you have any writing rituals? Yes, when I’m in the first draft and editing process of writing a book, I work best early in the morning. I only read what I worked on the day before, then work on from there. Is there a particular place you like to write? 99% of my writing occurs on my laptop at the dining room table. Is there anything else you would like to tell readers about your books and writing for children? I love books and I love kids. Writing for kids is a great privilege. The only thing better than writing the books is talking to kids and adults about the books I’ve written and books by other authors. Kids ask the best questions. ******** E-book Card Prize Giveaway Terms and Conditions US entries welcome ONLY.  Please enter using the Rafflecopter box below.  The winner will be selected at random via Rafflecopter from all valid entries and will be notified by Twitter and/or email. If no response is received within 7 days then Rachel’s Random Resources reserves the right to select an alternative winner. Open to all entrants aged 18 or over.  Any personal data given as part of the competition entry is used for this purpose only and will not be shared with third parties, with the exception of the winners’ information. This will passed to the giveaway organiser and used only for fulfilment of the prize, after which time Rachel’s Random Resources will delete the data.   I am not responsible for despatch or delivery of the prize. http://www.rafflecopter.com/rafl/display/33c69494607/? ******** Author Bio Award-winning author Helen Dunlap Newton is a veteran middle grade language arts teacher and a member of the Society of Children’s Book Writers and Illustrators. Both Night of the Amber Moon and Do You Hear What I Hear? were finalists for the Oklahoma Book Award and received the Creative Women of Oklahoma Award. In addition to writing, she enjoys reading, music, and helping her husband care for backyard chickens and an energetic Australian shepherd in Tulsa, Oklahoma. To find out more about Helen Dunlap Newton take a look at Instagram: @newtonhelendunlap and Facebook: Helen Dunlap Newton. You can buy copies of Careful What You Hear by Helen Dunlap Newton from the following US outlets: Yorkshire Publishing Rivendell Books & Baubles Best of Books Enchanted Children’s Book Store Amazon Or in the UK at Amazon. I would like to thank Rachel from Rachel’s Random Resources for inviting me on this tour. Thank you. To follow the rest of the tour take a look at the schedule below: